Levi Layton has grown up under the shadow of his father, the pastor. Levi feels suppressed and controlled by the church atmosphere and by all the nosy busybodies who want to control his father. His best friend constantly tries to lead him astray and he eventually lures him away from the church altogether. With the church under financial pressures and with other churches trying to compete for their members, will the Layton family be able to come back together and pick up the pieces of their faith?
Production Quality (1.5 points)
Though it has somewhat amateurish origins, Prodigal is at least an average production that demonstrates effort to be mostly professional. Video quality, camera work, and audio quality are all what they should be, even though the soundtrack is a bit goofy. Sets and locations are somewhat limited to a few buildings around a neighborhood, but it seems like they are used to their fullest potential. As is common with most amateur productions, the editing of this film is not very professional. Though some attempts are made to make it work, it still comes off as too choppy and inconsistent. Nonetheless, this is an average production that can be built off of.
Plot and Storyline Quality (0 points)
Many prodigal son stories have been brought to the big screen, probably too many at this point. However, despite its packaging, Prodigal is not really a prodigal son story in the traditional sense, as most of the plot focuses on the story before the son leaves, and even when the son does leave, it’s very brief and constricted. There is nothing inherently wrong with trying something a little bit different, but the way this story comes off is too quirky. There are too many failed attempts at off-the-wall comedy and too many head-scratching conversations that include some suggestive innuendo. It almost seems like the writers are making fun of church people (which sometimes isn’t that hard or unjustified), yet it is not done very tastefully. Trying to develop backstory for the prodigal son is actually a good idea, but it never really leads to anything. The plot follows a linear, predictable progression with no real twists or surprises. The Christian message therein feels very plastic and slapped together. In the end, this was a nice try, but not good enough.
Acting Quality (1.5 points)
This amateur cast is better than most—they definitely have their good moments. But they also have their bad moments as some cast members seem to embrace their role too much and others appear to be making fun of the movie (again, not that hard to do). Though there is good to find here, too much of the acting is disingenuous and somewhat lazy, thus making this an average performance.
We say this all the time, but too many films on the Christian market are just all the same. Most are neither good enough nor bad enough to warrant much attention. Films like Prodigal easily fall through the cracks and are never heard from again—our blog is full of films like this one. Thus, we continue our rallying mantra: as a Christian film makers, use your God-given talents to do something different that truly makes a difference, not that just adds to the endless pile of mediocrity.
Final Rating: 3 out of 10 points