Chris Carmik is a successful professional cyclist and is an extremely competitive athlete. However, his great success on the track has caused his family life to suffer. His wife and daughter barely know him or see him. But one night, a tragedy changes their family forever and leaves them reeling in the aftermath. With the rise of a new cyclist who wants to be trained by Chris, will he be able to pick up the pieces and turn back to God before it’s too late?
Production Quality (2 points)
As usual for Scotty Curlee and the Liberty University team, production is certainly not a major issue in their early film The Potential Inside. Video quality and camera work are professional, as are audio quality and the soundtrack. Sets, locations, and props are adequate and appropriate, especially the sports scenes. The biggest issue to point out here, as usual, is the fairly choppy editing job. It’s difficult to follow the story due to this fact and makes the experience uneven. In the end, while Curlee and team are masters of production quality, they often get lost in film school and forget about real plot content.
Plot and Storyline Quality (0 points)
The Potential Inside is the same song, different verse for the inspirational sports genre. This story follows the rock bottom journey of a typical downtrodden and troubled athlete character who needs a comeback to save his career and his family. All the typical melodrama ensues, even though these characters are circumstances are mostly believable. Yet it’s difficult to get to know these characters as real people rather than as cardboard cutouts. As the story jumps all over the place and wastes lots of time, there are way too many sports\training montages to pump the runtime. Due to this fact, the message of this film is fairly unclear, even as it introduces unwarranted quick fixes to patch things up in the end. Unfortunately, there’s really not much good to say here.
Acting Quality (1.5 points)
Though the Liberty University team usually assembles semi-professional casts, coaching isn’t their forte. The performances of this cast are mostly okay and passable, but there are some forceful emotions and yelling sequences that get annoying. Line delivery is mostly on point. In the end, a lot of parts of this film seem to be checking boxes.
This film was early in Curlee’s career, so perhaps he will only grow from where he has been. He and his team have all the potential in the world—as well as an amazing amount of resources that some film makers only dream about. Now it’s time for them to marshal these resources properly and to truly make a film that can turn the industry on its ear—because they definitely have the ability to do so.
Final Rating: 3.5 out of 10 points