When a giant hurricane threatens a non-disclosed area, everyone must take refuge in a high school gym that has been converted into a shelter. Several trouble characters take shelter there and interact with each other in different ways. A young mother with an unplanned pregnancy has nowhere else to turn. A drug addict tries to steal from other people in order to get her fix. However, there are also some Christians there who want the others to be saved, even the diabetes one of them has threatens his very life. Who will be able to survive the deluge?
Production Quality (1 point)
Much like their past attempts at production, Adrift is a rough one for the Cross Wind team. While the video quality is finally okay and the audio is at least average, there are too many weird and loud sound effects throughout, as well as too many background noises and parts with loud soundtrack. Camera work is a positive, however, even though the film is constantly interrupted by generic, low quality news broadcasts. The sets, locations, and props are very uninspiring as they are mostly limited to a handful of rooms and a bunch of stock storm footage that doesn’t have any continuity. Editing is thus an issue as this film demonstrates why you should never make a ‘disaster’ film when you have such miniscule resources.
Plot and Storyline Quality (0 points)
The ‘disaster’ premise of this film is so vague that if it were about a bunch of random people sitting around talking, you wouldn’t really know the difference. The storm takes place largely off-screen and in those annoying news broadcasts. The concepts and locations of the story are very non-specific and disingenuous, and it hardly seems like a storm is going on at all. In keeping with Cross Wind habits, the characters of this film only represent the issues they are supposed to represent rather than real people. While Torry Martin provides some dialogue relief at times, it’s not enough to save this film from itself. The comedy therein in too forced and cheesy, thus making the film impossible to take seriously, besides the fact that time is wasted on the dumbest asides. Essentially, Cross Wind still hasn’t found the plot creativity they desperately need.
Acting Quality (1 point)
Outside of Torry Martin’s usual fine performance, the other cast members are awkard and stiff. Like other Cross Wind films, the actors and actresses are mostly unnatural and overly practiced in their line delivery and emotions. However, there are some okay moments that keep this section from being nothing, even though this is not enough to right the proverbial ship.
What more is there to say? Cross Wind still needs some serious upgrades across all categories. Unfortunately, bringing in Torry Martin wasn’t enough to save them from themselves. If they mean well in their films, it is impossible to tell as they continually portray people in embarrassing fashions. Perhaps one day they will finally find what they are looking for.
Final Rating: 2 out of 10 points