Author’s Note: We were provided with a free copy of this novel in exchange for a fair and honest review.
Plot & Storyline Quality (2 points)
Naomi Stephens’ first novel is an allegory of the book of Ruth set during the long-standing conflict(s) between Britain and India. Stephens makes an effort to stand out in this novel by not adhering fully to either a typical period drama/romance or a standard Biblical fiction plot. In light of this, Shadow Among Sheaves has several good qualities, however, it also has room for improvement. Rena and her mother-in-law Nell have been left starving and destitute by their dead husbands. This fact has forced them to return to Nell’s homeland – England – in hopes of a better future. After surviving a harrowing journey across land and ocean, the two women finally arrive in Britain, and are immediately forced to face the bitter realities of their situation. Rena battles grief for her beloved Edric with fear for her mother-in-law’s life as they are forced to live like beggars. She is finally able to secure Nell a job washing floors and dishes, and shelter in a brothel storeroom. Her search for a job leads her to the fields of a local wealthy landowner – Lord Barric. Barric’s foreman takes pity on Rena and allows her to gather the excess grain from the harvest. When Rena and Lord Barric meet, he takes pity on her situation and allows her to stay. As time goes forward, she fights against pride and he against society’s expectations as they form a friendship. The paths of these two characters will intersect in ways they never imagined. Stephens presents an intriguing take on the story of Ruth, and brings many parts of the story into a more modern light. While the storyline is interesting for the most part, it doesn’t always hold the attention and is meandering at times. Furthermore, there are an equal amount of average and interesting scenes – some of which are left unfinished. On the whole, Rena and Barric’s relationship is a bit rushed, and I found the honeymoon scenes to be a bit too heady for some audiences. However, as the negatives here could be fixed in movie form, Stephens earns an average score in this section.
Character Development (2 points)
Character development in this novel is also average. Rena is the strongest character because she is crafted through a blend of flashbacks and realistic emotions. However, it is hard to relate to her ups and downs because of the use of third person. Lord Barric is also a good character because he clearly communicates Stephens’ creative, modern take on Boaz. Unfortunately, Barric is somewhat one-dimensional because his character stops just short of having a clearly defined personality. The minor characters – including Uncle George and Charlie – are good ideas, but it is hard to get to know them because of their late entrance into the story. It is also hard to see Thomas as anything more than a strawman. However, as previously mentioned, Stephens poignant use of flashbacks with Rena demonstrate much potential for future novels. Thus, in spite of the errors, Stephens has made a good start here in her first book.
Creativity & Originality (1 point)
Lastly, Stephens earns a full point in creativity for using it to build an allegory around actual historical events and the likely aftermath of the same. As previously mentioned, all of the aforementioned errors could be fixed by a screenwriter. Therefore, I feel that this novel would make a great Christian period drama. A screenwriter could give all the characters depth by using flashbacks with Lord Barric, Charlie, and Thomas – like Stephens did with Rena. Additionally, they could alter some scenes slightly to leave room for the imagination, and others to present a film that is palatable for all audiences. We need more original ideas like this novel in the Christian entertainment world, and we here at BOR hope that filmmakers with recognize this fact soon. Nice job Ms. Stephens! I think that your ideas have the potential to create a new Christian romance genre.:)
Wish List Rating: 5 out of 10 points