On a Summer Tide by Suzanne Woods Fisher

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Author’s Note: We were provided with a free copy of this novel in exchange for a fair and honest review.

Plot & Storyline Quality (2 points)

Fisher’s first book in her new Three Sisters Island series is a dramedy of sorts masquerading under the guise of a contemporary romance. The storyline is a mixed bag, but it contains many funny sequences and well-placed moments of subtle wordplay that make for an enjoyable read. Cam, Blaine, and Maddie are three sisters who have been trying to survive ever since their family crisis. Each has dealt with the trauma in their own way. Cam by charging doggedly ahead, Blaine by concealing her true feelings under a belligerent attitude, and Maddie by over-analyzing the emotions and actions of others as a distraction from her own. When their estranged father wants to meet with them as a matter of urgency, they all assume that his health is failing. However, the sisters are surprised to discover that Paul Grayson is not dying, but has embarked on his latest adventure – buying a far-off island on Maine’s coastline. At first they all think he’s crazy, but the sisters may discover that their father’s seemingly crazy decision is the best thing that ever happened to them. On a Summer Tide’s main strength is the eccentric humor therein and the subtle parody of commonly known wordplay sprinkled throughout the storyline. In contrast, it’s biggest weakness is the inclusion of overused plot devices – the attractive bachelor who is good with kids, the single overachiever who’s afraid to give her heart away, and the troubled child character, to name a few. However, if these elements are supposed to be viewed in a parody context, then they are the novel’s greatest strength. Overall, Fisher has turned out a nice read for her fans. Still, this novel’s biggest struggle will be standing out in it’s overcrowded genre. Thus, Fisher receives an average score for her storyline.

Character Development (2 points)

Cam, Maggie, and Blaine all have a defined personality and tendencies, yet, each one feels unfinished. Seth is an interesting take on the typical handsome bachelor character, but his late entrance nearly halfway through the story makes it hard for the reader to understand who he is. Paul is an interesting eccentric father character, especially if his character is meant to be comedic. However, if not, then his character is very one-dimensional. Fisher’s greatest strength in character development is her use of flashbacks with Cam. Of all the characters in the story, Cam is the most believable and the most well-developed. In comparison, Fisher has room for improvement with her minor characters. While many of them contribute humorous dialogue, they barely exist outside of these moments. Therefore, Fisher earns an average score in character development for her good ideas.

Creativity & Originality (1 point)

Lastly, the great paradox of this novel is whether or not it is intended to be a parody of all the characters and scenarios found therein. If so, then Fisher earns a full point in originality for her subtle comedy and a bravo from us here at BOR. If not, then she earns a half point in creativity for her use of flashbacks with Cam, and a half point in originality for her unique sense of humor. Either way, Fisher earns an average score in this section as well. However, if our former theory is true, then we believe this novel would make a great Christian dramedy series that emphasized the eccentric humor already in the storyline and parodied contemporary romance stereotypes.

Wish List Rating: 5 out of 10 points

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