Plot & Storyline Quality (3 points)
Susan Meissner’s latest novel is perhaps her best and most creative work to date. The Last Year of the War has a strong storyline, realistic and relatable characters, and a poignant underlying message. Elise Sontag is your average American teenager in the 1940’s. She has a strong and supportive family, good friends, and a positive outlook on life. There’s just one problem – in 1940’s America it is not good to have German ancestry. Elise’s late paternal grandfather was a decorated hero of the first World War, and her paternal grandmother, aunts, and uncles still live in Germany. Her parents immigrated to Iowa before her birth and have only recently applied to become U.S. citizens – a fact they will later come to regret. When the American government comes to a hasty conclusion based on five instances involving Otto Sontag (Elise’s father), Elise’s world is torn apart. Otto is suddenly shipped off to an unknown location out west and the rest of the Sontag family – Elise, her mother, and younger brother Max – are left to fend for themselves. Eventually Elise, Max, and their mother join their father at an internment camp in Texas that is home to Japanese, German, and Irish Americans. Otto and his wife are assigned jobs, Elise and Max are enrolled in a federal school in the camp, and the family is given a small house to live in. In a way, the family’s new daily tasks are not all that different than their old ones, but they are doing them behind a barbed wire fence patrolled by guards and dogs. Elise begins to wonder if her life will ever be normal again – until she makes an unlikely friend named Mariko. Mariko is a second generation Japanese American whose story is similar to Elise’s. She makes a plan for how the two girls will live independent lives going forward and gives Elise hope for a better future. (spoiler) When the war comes to an end, Elise and her family and forced to go back to Germany and Mariko and her family to Japan. As a result, Elise decides that she can no longer rely on her family or Mariko. As one circumstance leads to another, Elise makes a rash decision that will change her life forever. What does Elise decide, and will the two friends ever meet again? To answer both of these questions, read the book! Meissner seems to have hit her stride with this biopic-style novel, a fact that is evident through her use of first-person and her excellent continuity. Likewise, she does a good job of balancing the backstories of multiple characters with the large amount of time covered in the novel. Meissner gives great attention to detail by leaving no plot holes along the way and holds the reader’s attention from cover to cover with her above average dialogue and unexpected twists in the storyline. In contrast, the weaknesses in the storyline are minor. First, the middle of the novel contains a bit too much information, which implies that it needed some more editing. Lastly, the brief language in the latter third of the novel, although realistic in the context it is used, is unnecessary. Thus, Meissner rounds out with slightly less than a perfect score in this section.
Character Development (3 points)
Meissner’s character development is also quite good. Elise is an excellent protagonist who displays realistic emotional responses to traumatic events and has above average dialogue for a female lead. Additionally, the hard lessons Elise learns from her mistakes are very realistic and relatable. (spoiler) Furthermore, Meissner’s creative personification of Elise’s illness gives her and the plot depth. Mariko adds a lot to the novel as well and just as good of a character as Elise – this is a rare sighting in this genre. (spoiler) For instance, when asked whether she is a tomboy, Mariko replies: “I am myself.” This response encompasses the whole of her character and demonstrates the author’s grasp on real, authentic people who do not conform to social norms. Much like the last section, the errors here are minor. First, some of the minor characters get lost in the vast amount of time covered in the storyline, thus making it difficult to keep up with roles of secondary characters. Lastly, characters like Pamela and Teddy are only partially developed and needed a bit more depth; however, as their role in the story is very small, the flaw does not have a grest effect on the plot. Therefore, Meissner earns just short of a perfect score in this area as well.
Creativity & Originality (1 point)
Finally, Meissner earns a half point in creativity for her unique use of plot devices and for the pleasantly unexpected twists in the plot, along with a half point in originality for her exceptional dialogue and outside-the-box characters. We here at BOR think this novel would make a great Christian biopic film or series that depicted the lives of Mariko and Elise. The film would need to pick up the deep yet dubtle themes Meissner weaves through the novel – this could be accomplished through a little editing of the storyline and a great cast. In spite of this, Meissner has set up a great framework for success, so it can be done.
Wish List Rating: 7 out of 10 points