Scott Dauer is a successful Hollywood agent, but an untimely accident prevents his ex-wife from driving their daughter across the country to the Christian college she wants to attend. Thus, Scott is forced to reconnect with the young woman he’s been estranged from for many years as they make the four-day journey across the nation. However, little does either one of them know that their time together will forever alter their lives.
Production Quality (1.5 points)
Especially in the beginning, the sets, locations, and props of Miles Between Us are fairly cheap and not well-thought-out. This include some sets that echo a lot of audio, yet most of the scenes have fine lighting and video quality. Camera work is acceptable for the most part, except for the shaky moments and the odd camera angles that sometimes appear. Audio quality is mostly okay, but the soundtrack leaves something to be desired. Finally, there’s virtually no editing in this film as many of the scenes are long and drawn out without proper cuts. In the end, though there’s some improvement as the movie progresses, the production still ends up average.
Plot and Storyline Quality (.5 point)
At the start of this heavily character-based plot, the characters seem to be grasping for things to say in order to fill time while the story moves along. Many of the conversations seem unnatural and don’t do what they need to do with character development even though this plot line heavily depends on them and their personalities due to its limited scope. On top of this, the Christian characters are both perfect and condescending, and many lines spoken by all characters are sterile and clinical, like they were crafted by AI. The progression of time is also unrealistic, no doubt confused by the riveting driving montages and clouded by sequences of sermonizing. One of the only ways to save this plot would have been to transform the memory-based dialogue (“I remember when you did that!”) into actual flashbacks that integrate into a non-linear storyline; this would have done something to breathe life into the dead characters therein. This would have especially helped the fact that an important concept is explored in the last quarter of the film that, while it’s kind of out of left field for the movie’s context, really does need to be discussed in Christian entertainment. However, many viewers will never make it that far due to absolute boredom of the story’s first three quarters. It’s too bad this intriguing idea was wasted, along with the somewhat ambiguous ending, but perhaps, one day, it can be re-purposed in a better way.
Acting Quality (1.5 points)
Throughout a majority of the film, the cast members seem understandably bored with their lot and sometimes awkward around each other. We can’t blame them since they were given such poor lines to work with. However, their delivery of them is still overly practiced and stilted even though there are some fine performances. Emotions are a bit lame at times, and hair and makeup is strange. Nonetheless, there’s some improvement in these areas as the movie goes on, which is enough to warrant and average rating for this section.
The creative team behind Miles Between Us is almost onto something, but they would do well to make sure their screenwriting is up to industry standards. With the growth of Christian entertainment and the collective improvement of productions, the bar has been raised, and there’s little room for vanilla or basement-level creations anymore. Thus, this can be a learning experience for them; in the near future, they may be able to redo this film or at least use some of its concepts with better characters. Overall, film making is always a learning process, so it will be interesting to see what they produce next.
Final Rating: 3.5 out of 10 points