Unscripted by Davis Bunn (BTSNBM)

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Author’s Note: We were provided with a free copy of this novel in exchange for a fair and honest review.

Plot & Storyline Quality (1 point)

Bunn’s latest fictional work has a few good ideas but is mostly uninspiring. It was an interesting idea to write a novel about what happens behind-the-scenes while films are being made, but the plot and storyline are hard to decipher at times and the characters are not very easy to relate to. Danny Byrd is a budding movie producer who has already been involved in several successful projects; however, everything goes awry when he’s betrayed by his partner and best friend, JT. When JT makes off with most of the production funds, Danny is ‘left holding the bag’ and thrown in jail under false accusations. Megan Pierce is a lawyer with more than a little experience under her belt and a longing to do something lasting. Frankly, she’s tired of working with the big business goons playing the big city lawyer game. Megan wants to help someone who cares about the everyday person – oh, and if that person also ended up being her boyfriend it would really seal the deal. When she gets involved in Danny’s case, she recognizes that he isn’t just in the movie-making business for himself, but wants to use his talent to help others realize theirs. It doesn’t take long for Megan to fall in love with Danny, and it takes an even shorter amount of time for him to fall in love with her. Danny and Megan soon realize that many of the puzzle pieces surrounding his case have yet to be discovered, and that getting out of his predicament may be easier than they previously thought. Will their love survive the trials ahead? (pun intended) First off, the plot of this novel is very hard to follow. One minute Danny is in jail, and the next minute he’s making a movie with a recently discovered starlet. Additionally, the list of characters keeps growing as the story continues, which makes it hard for the reader to keep up with who is who. (spoiler) Why, even on the last few pages two characters we’ve never heard of before appear. Another reviewer observed that this story began in the wrong place, but we here at BOR think that it continued in the wrong direction. It wasn’t a bad idea to start out with Danny in jail, but why not switch to how he got in their and come back to him in jail later in the novel? The jury’s still out (pun intended) on whether or not that’s what actually happens in this storyline. Anyway, positive aspects of the novel include the creative idea behind the storyline and the author’s detailed descriptions of scenes as they play out. Besides what we’ve already mentioned, other weaknesses include some too-detailed descriptions of female characters appearances and the author’s tendency to make the reader feel like they’re on the outside looking in. Therefore, for these reasons and others, Bunn earns less than an average score in this section.

Character Development (.5 point)

Next, among the long list of characters the good ones are hard to find. The protagonist, Danny, has the most potential because he has an interesting backstory; however, his backstory needed further development. As it is we only get a few snippets of his past that are explained in a heavily narrated style. If Danny and Megan had had fully developed backstories, the novel could have been much better than it is. Megan is a bit of a wooden character who seems to fall very easily for her male counterpart. It is hard to get to know her because of her sudden appearance in the story, and hard to understand her purpose in the story – she is basically just an observer. Furthermore, there are some odd undertones in this area of the novel. For instance, the male lead seems to perceive females and males as only good at certain things – women are good at portraying emotions well on screen, and men are good at being intimidating and or playing the hero (or the no-account). Lastly, the dialogue is very uninteresting. Readers, please know that we really tried to find the good here, but there wasn’t much good to find. Therefore, Bunn earns just short of zero points in this section.

Creativity & Originality (.5 point)

Finally, Bunn earns a half point in creativity for his attempt to craft an interesting story, but no point in originality because of the errors listed above. Likewise, we here at BOR do not think a screenwriter should adapt this novel for the big screen because there is really nothing here that will point people to Christ. We encourage Christian filmmakers to look to novels on our Wish List that are scored at six points and above for content that would make a great film.

Wish List Rating: 2 out of 10 points

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