The Reliant (Movie Review)

Plot Summary

When the American dollar literally collapses overnight, a family is attacked by desperadoes and is forced to take their gun supply and survival gear into the woods behind their house in order to fend for themselves in the elements. However, the men who gunned their father down are still in pursuit (for some reason), which forces the family to either band together or tear each other apart as they try to defend themselves and survive in the brave new world of looting and living off the land. What will become of them all?

Production Quality (1.5 points)

It’s clear that the money that was donated by people (so that they could be listed as executive producers on the credits) was mostly well-used and not only spent on guns and weaponry. Video quality and audio quality are good, and since the film is mostly filmed in the outdoors, this definitely helps things. The soundtrack is also passable. However, much of the camera work is shaky and dizzy in the name of being action-oriented. Also, most of the indoor scenes are unnecessarily dark and poorly lit. Further, the editing is extremely choppy, which makes things hard to follow, but there are likely other factors to this problem, such as the plot.

Plot and Storyline Quality (-1 points)

From the get-go, the story makes zero sense. There’s no reason why the world would immediately descend into chaos basically in one day due to the sudden collapse of the dollar. How did it happen? What led to this extreme result and knee-jerk looting? This idea is too big and expansive to focus ninety percent of the plot on a collection of characters wandering around in the woods with guns. Did we mention that this movie is OBSESSED with guns? It holds nothing back in being outright propaganda that’s desperate to both create further political divide and garner the attention of powerful lobbying organizations. These concerns aside, there are tons of characters in The Reliant, and while flashbacks are used throughout, it’s not enough to make up for other problems, such as awkward conversations about vague things that are occurring in the world outside the forest, shoehorned Christian concepts, cheesy survival concepts, and outright fundamentalist messaging. Much like Unplanned, there was much fake outrage about The Reliant‘s so-called undeserved MPAA rating, but once again, the rating was actually justified due to the high amount of needless violence without proper balance. Regardless of this, the characters of The Reliant have extremely steep arcs and lack proper motivation for their actions as things just randomly happen one after another, and the plot lacks clear direction or purpose other than to shove certain worldviews down viewers’ throats. Hence, this section’s negative rating is given due to propaganda and due to total pointlessness.

Acting Quality (.5 point)

Throughout nearly every scene, the cast members of The Reliant are coached to exhibit extreme emotions, including a lot of yelling and screaming. Though there is some potential despite these annoyances, dramatic and tense scenes are totally butchered either with awkward line delivery, off-beat emotional delivery, or general uncomfortability with the given roles. In the end, there is little good to highlight in this movie.

Conclusion

After the screener was provided for this film, one of the creators strongly requested that they be given the chance to “approve” this review before it was publicly posted. Surprisingly, this was the first and only request we’ve ever received for this to happen. Moreover, it further shows the amount of control that’s surrounding this movie and reflects the mentality behind its creation. Films like The Reliant have a clear agenda to push on their audiences and purposely make themselves lightning rods for controversy with the hopes of garnering attention from certain groups. There were no attempts in this movie to craft a meaningful plot based on accessible characters, so even if the creative team had the best message in the world, it’s still not correctly packaged. In the end, there are just too many issues here to discern any amount of potential there might have been in this half-baked idea.

Final Rating: 0 out of 10 points

October 24, 2019January 3, 2020 by Box Office Revolutionary Categories: Drama, Movie Reviews, Romance, SuspenseTags: 2019, Aprille Park, Betty Yeary, Blake Burt, Brandon E. Park, Brian Bosworth, Bro Cope, Bryan Friday, Caleigh Anne, David Benham, David Grear, Denise Morris, Doug Yeary, Drama, Elijah Johnston, Elizabeth Johnston, Ellen Pepper, Eric Jellison, Eric Roberts, Faith Victoria Johnston, Fervent House Media, Grace Johnston, Hannah Turner, Ian Lauer, James Everingham, Jason Benham, Jenn Gotzon Chandler, Jesse Boone, Jim E. Chandler, John Loper, Jonathan Bocinsky, Josh Murray, Julia Denton, Katelyn Moore, Ken Strauss, Kevin Sorbo, Kevin Wayne, Kiera Strauss, Marcia Loper, Marisa Lynae Hampton, Matthew Trewhella, McKenna Bintz, Mollee Gray, Nico Zahniser, Nicole C. Mullen, Patrick Johnston, Paul Munger, Ramona Schwalbach, Robin Grear, Romance, Rosie Koebele, Ryan Buggle, Shannon Kirk Johnston, Steve Travis Watson, Suspense, Tim Schmidt, Todd Howard, Tommi Pabst, Tyler Sanders, Yolanda Kay, zero points 68 Comments