We Three Kings [2020] (Movie Review)

We Three Kings (2020) | Trailer | Rebecca St. James | Michael W. Smith |  Nise Davies - YouTube

Plot Summary

The Fay children have had a hard time ever since their mother died, but they can’t wait for their Uncle Henry to arrive for Christmas. He’s trying to add a scandalous new song to the church’s hymnbook despite the resistance he’s getting. The oldest Fay daughter is trying to organize the local Christmas pageant at church, which is what her mother used to do. Will everyone be able to accomplish these things in time for the holiday?

Production Quality (2.5 points)

As a whole, We Three Kings sports a professional production. This is shown by good video quality, camera work, and audio. Historical accuracy is also a big plus, as seen in the authentic sets, locations, and props. Essentially, there are no real errors in this section except for some minor editing concerns. However, this appears to be partially related to the plot. Thus, a high score is granted here.

Plot and Storyline Quality (0 points)

Unfortunately, it’s hard to follow this narrative at the beginning due to its substantial time jumps. This, combined with Shakespearean dialogue, hurts character development, making them seem very stiff and stilted. Scenes go from one thing to another without clear connection or direction, and conversations seem to go in circles and talk about the same things all the time. Because of this, it’s hard to connect with the cardboard cutout characters who never seem to have normal human reactions or emotions. For this reason, it’s unclear why should we care what these people are doing or going through. Therefore, despite the good use of source material, there’s hardly any potential in this plot, which is insufficient given that the story’s framework was already written for the creators.

Acting Quality (1 point)

To fit with the Shakespearean characters, the acting in We Three Kings is very theatrical. Many performances are too stilted due to overly practiced and enunciated line delivery. Additionally, emotions come off as mechanical and robotic. However, some of the acting is acceptable, and the historically authentic costuming is a plus. Nonetheless, the singing leaves something to be desired, which leaves this section with a meager rating.


Many more film makers need to be adapting historical accounts, but this movie is an example of how even that approach can go wrong. Taking shortcuts with writing and acting can easily derail even the best source material. Having a good idea isn’t enough; screenplays are very complex things that require a lot of effort and collaboration. Perhaps, one day soon, the Christian entertainment factory will finally produce quality over quantity.

Final Rating: 3.5 out of 10 points

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