When Calls the Heart, Season 6 (Series Review)

We don’t speak of her anymore

Plot Summary

And once again we return to the fake small town known as Hope Valley for another fruitless season of people living in the dream world crafted by the series creators. Hardly anybody remembers Jack the Mountie anymore except for the fact that he and Elizabeth were married long enough to produce an instant child who’s coincidentally named after him. While Daniel Lissing willingly left the show, which was last season’s biggest news, Lori Loughlin was literally handcuffed, removed, and totally scrubbed from the show. The shadow of her scandal looms over the sixth season, especially with how Hallmark mishandled the whole ordeal and drew unnecessary attention to the problems. As a whole, Abigail’s awkward exit from the show and the subsequent complete rewrite of the show is the most interesting things that happened, but why are we not surprised? Michael Landon Jr. always planned to subject Erin Krakow to his favorite young-widow-starts-sort-of-dating-again treatment as he always has, so there’s nothing left to do but once again point out the same old flaws this series commits and count down the minutes for the Hearties to descend on my little blog post to vehemently defend all things wholesome in the face of such heartless (lol) criticism.

Production Quality (2 points)
What’s a Hallmark production without the same carbon-copy lineup of good camera work and video quality, acceptable audio quality, and that predictable, nauseatingly bubbly soundtrack? When Calls the Heart part VI checks all the proverbial boxes in this category, and it’s getting very difficult to differentiate any of the seasons from each other (except for the first two). Hope Valley still consists of the same old sets, locations, and props that are no doubt re-purposed for other Hallmark productions and are designed to make the audience believe this is a real Western town. Also, there’s still that tiny forest area Bill goes to dramatically reveal another part of his vastly complex yet noticeably cagey backstory. The only complaint for this section (besides their doing the same thing with no noticeable changes or improvements) is that we still don’t have a set for the beauty salon where the female characters get their hair done (although we might have gotten a quick glimpse at it in the finale).

Plot and Storyline Quality (0 points)
As we’ve said before, ever Hamilton took over Hope Valley, nothing has ever been the same. We just get the same old helium-infused characters spinning in circles as they retrace old plots steps over and over again. The only chances we have to get outside of the Hope Valley crossroads are Bill’s forest trips to tell us another part of his ever-fluctuating history, but now that we have a new Mountie, I guess we’ll have some trips to that bridge or something. Elsewhere, Elizabeth keeps us wondering why she’s even still in the series as her heart (lol) is passed around like a football and only exists for Michael Landon Jr. and company to continue their fetish of pairing a woman with a law enforcement character just long enough for her to get pregnant before killing said man near the end of the movie\series or even in between installments. Seriously, how is Elizabeth and Lucas vs Nathan any different from Charles vs Jack (except that Marcus Rosner was an essential addition to the show yet was stolen from us)? Elsewhere, the town is littered with many empty-minded side romances that they desperately want us to care about (although Aren Buchholz is quickly becoming one of the most important aspects of the entire series). Even Rosemary is losing her luster as a satirical comic relief who reminds us how un-serious the whole ordeal is as the writers are muting her character to go all dark and brooding because of [WHOOPS SPOILER]. And then there’s that whole situation with Abigail. Ironically, just before Lori Loughlin was led away by the police, her character made a hilariously funny reference to how Bill needed to bring some random bad guy to justice, and this is definitely the defining moment of the entire season. Loughlin’s scandalous shadow looms large over the poor town; even after the writers awkwardly tried to erase her from the universe’s memories, everything was clunky following the hiatus. Subplots awkwardly start and stop with no real conclusions. Scenes between Elizabeth and Lucas seem directly copied from Beauty and the Beast (yes, he gave her a library). Gowen is as uneven as ever (seriously, what do the writers expect from him at this point?). They all seem lost without Abigail to guide them in their everyday lives, but alas, she and Cody (awwww he left too!) has bigger fish to fry in court “back east.” Thus, with nothing really new to say here besides the same garbage we’ve seen from the past two indiscernible seasons, Hearties only have this incoherent stream of consciousness to parse through as they rush from Facebook to “own” the author of this post with zingers better suited for a clickbait news site.

Acting Quality (0 points)
For the most part, the acting of this season is as sappy as ever, but there are a handful of instances, especially near the end, that feel very muted and more scripted than usual. This is no doubt that this is due to some of the redone footage after Loughlin’s untimely exit, and the cast members were likely just emotionally distraught over her absence. Overall, there’s really nothing new to write home about (although Elizabeth does quite a bit of writing these days), and this section is award no points because we expect better than this after six seasons.

Continuity Quality (0 points)
As previously mentioned, some of this season’s subplots seem to disappear from the writing with no warning, which is a likely byproduct of the rework done following Loughlin’s arrest. Otherwise, it’s just typical plug and play romances as the writers introduce one after another to the point where you can’t hardly tell the different between them. Also, as a side note, at least a third of the subplots in season six relate in some way to the upcoming summer spinoff show When Hope Calls, which is possibly where many characters will escape to once When Calls the Heart finally runs out of steam.

Conclusion

Oh yeah, so there’s a seventh season coming up. MLJ has at least two more seasons to use Elizabeth’s indecisiveness and lack of personality as a carrot to dangle in front of his rabid fans, but sooner or later, they’ll get tired of this song and dance. With Loughlin’s scandal-ridden exit, this series is already running on fumes and has only been sustained by constant romance bait-and-switch. I mean, is anybody the least bit annoyed with how they treat Elizabeth? Anyhow, this has been another WCTH review from your favorite reviewer in which I didn’t talk about much substantial and just sort of rambled on about random things I thought of while I binge-watched this season. Begin commenting now……………………….

Final Rating: 2 out of 14 points

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Daily Bread [2017] (Series Review)

Plot Summary

When a solar flare passes through the earth’s atmosphere, all electricity and electronic devices cease to work, which throws the entire planet into chaos. The cast and crew of a famous cooking show are stranded in a mansion in the middle of nowhere, a group of isolated preppers, and a homeschool colony are all forced to cross paths in unlikely ways as they fight for survival with guns and MRE’s. In the end, who will survive the deadly new world that’s been created since the power went off?

Production Quality (1 point)

On the bright side of this season, a lot of good time and money was spent on the video quality and drone shots in the episodes. Thus, for the most part, camera work is acceptable. The same can be said for the sets, locations, and props, even if some of them are overused (liked num-chucks). One of the most glaring issues to point out in this production relates to audio quality, as there are a lot of loud background sounds in outdoor scenes and echoes in indoor scenes. The audio as a whole is very uneven as many scenes are full of clattering noises and as the soundtrack is all over the map since many songs are not situation-appropriate and since the music often overpowers spoken dialogue. It goes without saying that the introductory sequence is arguably better than the rest of the series, mostly due to the fact that the editing throughout the season is horrific with many cut-off scenes and many choppy transitions that throw scenes at the audience one after the other with little organization. As a whole, unfortunately, while there could have been something here, it just didn’t pan out.

Plot and Storyline Quality (0 points)

Needless to say, it gets worse too. The most glaring issue with the plot is obviously the 48340982 characters that have to be kept up with due to the sheer number of subplots that this season forces upon the viewer. For the first half of the season, every episode is constantly introducing new characters to the point of embarrassment. Thus, it’s nearly impossible to keep up with the sheer number of subplots throughout the course of this season, and this causes many subplots and storylines to become ‘extra’ and easily discard-able. Even if these subplots were the best in the world, it’s very difficult to understand the actual point of people randomly wandering around and acquiring guns and possessions in violent ways immediately after the power grid collapses. What are the characters defending themselves from? How are we supposed to know who they are as people? What does any of it have to do with a cooking show? Any hope or time there was for real content was frivolously used on trivial scenes and utterly purposeless asides. Narration randomly pops up throughout the course of the season, and flashbacks are used inconsistently where they should have been a focal point. A more consistent use of them would have been one of the only ways to fix this mess, along with eliminating nearly half of the characters and coming up with a real central focus other than prepping for an unknown and unseen apocalypse. What’s going on in the world outside of these characters? What is the government’s response? These are all unanswered questions that would be pertinent in this genre rather than sequences of forced drama, conversations depicting off-screen content that seems way more interesting than the actual season, cooking montages, and literal recitations of the Constitution and other forced Christian content. Basically, it’s better luck next time with trying a different genre.

Acting Quality (1 point)

Due to the high number of characters, this obviously leads to the assembling of a giant cast. One would think this would mask the minor weaknesses of some cast members, but that’s not the case as there are many acting errors, including overly practiced line delivery and stiff emotions. Some line delivery is half-hearted, unsure, and slightly mistaken at times, and many scenes depict cast members awkwardly standing around talking to each other like they’re not really filming a scene because it seems impromptu. Besides this portion of acting, the costuming is extremely random, and the hair and makeup do not jive with the notion that these people have been trying to survive an apocalypse away from civilization for days. Basically, this is just another mistake-prone aspect of this season.

Continuity Quality (1 point)

As previously mentioned, there are many, many storylines to contend with here, but despite this, there is actually some continuity between the episodes. However, the story and character arcs aren’t any good since there are no substantial instances of character growth or dynamic storytelling. There are, of course, the usual instances of romantic subplots and villain plans, but other than that, there’s not much continuity to mention here.

Conclusion

There’s no doubt in the world that Christian entertainment is starved for new genres and new concepts, and we have to commend this creative team for sticking their necks out there to try something unique, but this isn’t the way to do it. Regardless of genre, characters have to always be deep because audiences want to connect with real, accessible people. Science fiction stories can be difficult to write and even more difficult to produce professionally, which is why proper planning and truly creative writing are essential. The budget may not be there, but if the storyline is dynamic, it shows that the creator is ready for bigger and better things. If you’re faithful with the little God’s provided you, He will give you the bigger budget down the road.

Final Rating: 3 out of 14 points


When Calls the Heart, Season 5 (Series Review)

Why are we still here?

Plot Summary

When Constable Jack Thornton returns from the North back to the nice little town of Hope Valley, everyone expects him to finally marry Elizabeth Thatcher, which the series has been building up for way too many seasons now.  Thus, the TV couple finally ties the knot and is married long enough for Elizabeth to get pregnant, and Michael Landon Jr. and company follow this up by the long-awaited and long-expected death of the male lead, which leaves Elizabeth (shockingly) free to love again.  Elsewhere in Hope Valley, the other characters are doing the same things they always did with no significant alterations in their character arcs (except Jesse is a good guy now or something like that), but when you have a rabid fan base and unlimited season renewals, why would you try anything creative as a writer?

 

Production Quality (2.5 points)

If anything improved in this season of When Calls the Heart, it’s that the production got slightly better.  Video quality is still crisp, and camera work is still professional, but the sets and locations seem to have improved somewhat.  Props are pretty much the same old stuff.  The soundtrack is that same recycled and very tired and uncreative score that can be found in pretty much any other Hallmark production.  Further, the editing is pretty standard in Season 5, and overall, there’s not much keeping this production from being nearly perfect (except for the soundtrack), which shows you that it pays to have a good budget.

Plot and Storyline Quality (0 points)

What was Season 4 about?  I already forgot.  The railroad?  Anyways, I challenge any Heartie to tell me what Season 5 is actually about except for completing Michael Landon Jr.’s favorite romantic chase storyline with the female lead’s marriage, pregnancy, and eventual husband’s death.  Shocking turn of events, I know.  Well, Hearties can be consoled that Michael Landon Jr. is known for rebuilding the romantic chase for the young widow by introducing a new love interest later in the series.  By killing off Jack and freeing Daniel Lissing from this nonsense, Landon Jr. and company opened up a whole new world of storylines to pursue for at least three or four or five more seasons, so you can rest easy!

Acting Quality (1 point)

Are we still here?  These same old tired cast members are still old and tired.  Erin Krakow, Lori Loughlin, Daniel Lissing, Kevan Smith, Pascale Hutton, et al. haven’t changed much since last season.  Michael Landon Jr.’s approach to casting, acting, and makeup is no better than it’s always been.  However, there are a few bright spots from some of the peripheral cast members that keep this section from being zero.  Nevertheless, most of Landon Jr.’s casting work seems like a plastic surgery pageant.

Continuity Quality (1 point)

At least this season creates a story arc that is somewhat interesting, which is the loss of Jack.  It was really the only card this show had left to play, so now this move opens up a whole new world of plot possibilities.  However, I don’t expect many of them to be any good.

 

Conclusion

As I predicted months ago, after wasting away at least two seasons kicking the can down the road ad nauseum and trolling with his typically pageantry and empty characters that are ripped off from a Janette Oke novel series that doesn’t even remotely resemble the dollhouse show this series has become, Michael Landon Jr. has finally come full circle with his favorite storyline of all: the young widow plot.  As can be seen throughout the Love Comes Softly series, including Love Comes Softly and Love’s Unending Legacy, Landon Jr. is infatuated with the chase of a romance, but once the couple marries and has some kids, it’s time to kill off the husband between movies and introduce a new romantic chase for the young widow.  It’s no surprise to see the long overdue exit of Jack Thornton from this series, especially since Daniel Lissing probably has better things to do.  Expect next season to introduce Elizabeth’s new love interest and her new chase after the grief has subsided (please bring back Charles).  Also, since we’re going to keep mindless renewing this troll-fest, let’s go ahead and experiment with some other cast members this show needs right now.  I vote for Erik Estrada, Morgan Fairchild, Kris Kristofferson, and Corbin Bernsen, to name a few.  Cast-member-guessing is the only thing keeping this show interesting at this point.

 

Final Rating: 4.5 out of 14 points

 

When Calls the Heart, Season 4 (Series Review)

Happy plastic people

Nurse Carter’s still here for some reason

Can’t forget about Rip

Plot Summary

After the marriage of Lllllllee and Rosemary, stuff just sorta keeps happening in Walnut Grove Hope Valley.  Rosemary has a daily ‘funny’ escapade and continues to parody herself until she becomes a perfect character like the others.  The town counselor, Abigail, tries to take over the mayor’s office from the breathy Gowen while she’s still trying to run her café.  That odd fake-looking guy named Bill is still hanging around being mysterious and doing sheriff stuff.  Elizabeth and Jack are still performing their endless and painful will-they-won’t-they dating dance until the writers finally get tired of it and decide to send Jack to the north to fight the good fight.  A railroad subplot is introduced (I wonder where that idea came from) to try to keep this television series on life support.  But who cares what happens anyway—ratings are up and a fifth season is on its way already, so who are we to talk?

 

Production Quality (2 points)

Much like Season 3, the production of When Calls the Heart has remained relatively stable since the early, low-budget days passed.  Video quality and camera work are professional as always.  Audio quality is standard, but that same old stupid soundtrack gets really old, especially when you hear it on other Hallmark movies.  Sets and locations are extremely limited as the series further settles into its small town feel.  There’s no branching out here, that’s for sure.  Editing also standard and very phoned in as each episode follows and mindlessly predictable progression.  They stretch out, one after the next, like indistinguishable zombies in Michael Landon Jr.’s makeup jobs.  What more can we say?  The money is clearly spent pretty wisely, but for what?

Plot and Storyline Quality (.5 point)

In a change from Season 3, this season’s storylines bring some minor complexity to the screen, especially where the railroad is involved.  However, the writers overplayed their hand with the railroad characters and made them too evil in some kind of weird attempt to make the breathy Gowen a nice guy.  Regardless, the railroad intrigue is resolved far too easily and dispensed with as quickly as it was introduced.  Besides this, Season 4 is full trite subplots and asides: Elizabeth helps a troubled child with something, Rosemary always has a new scheme, the fake-looking Bill is mysterious, Abigail is the town hero, Lllllllee does business stuff, Pastor Hogan does protective stuff, Cody is a middle school boy, Jesse is still hanging around for some reason, and Jack has to ‘fight the good fight’, as we are reminded in nearly every episode.  Too many characters are fixed and too many conflicts are easily resolved.  Random ‘mysterious’ characters are introduced to only be discarded or used as more fodder for manufactured drama.  Overall, with tons of inconsistently used characters and a host of overused ones, Season 4 of this series overall lacks direction and focus, but what else is new?  The writers are clearly either trolling or phoning it in because they don’t have to try.  Why try something risky when safe pays so well?

Acting Quality (1 point)

New season, same old cast full of fake-looking plastic people and Hallmark retreads.  No emotions are believable and everything seems manufactured and childish.  There’s nothing new to talk about here except for the fate of Daniel Lissing.  Is this an elaborate scheme to generate attention or just the loss of a main actor?  Only time will tell.

Continuity Quality (0 points)

As noted in last season, Season 4 has no plot or character arcs that should be commonplace in recurring series’.  Most characters are static or become more perfect.  There are no plot twists or character complexities.  Though the railroad storyline had potential to be complex, it simply did not reach its full potential.

Conclusion

When Calls the Heart has long been a series that has lost its way.  Living off of the old days at the beginning of the series and constantly reminding us through flashbacks what these cast members used to look like before they became #Hallmarked, Landon Jr. and company are just phoning in episode after episode as their sappy series gets mindlessly renewed time and time again.  But what does it matter as long as they have a faithful following who are intent to grab on to anything of remote substance produced by the pharmaceutical-backed mother channel that still tries to pretend like it’s about greeting cards.  It still remains true that When Calls the Heart fills a huge void of wholesome entertainment that no one else seems to be able to fill with anything more substantial than this.  So here we sit, in mediocrity and safeness.

 

Final Rating: 3.5 out of 14 points

 

When Calls the Heart, Season 2 (Series Review)

Plot Summary

With the high-stakes trial against the corrupt Henry Gowen’s coal company brewing in Coal Valley, Elizabeth Thatcher, Jack Thornton, and Abigail Stanton all have other issues of their own to deal with.  Just as she and Jack begin growing closer together, Elizabeth feels a pull from her well-to-do family in Hamilton to come back them.  She soon feels her relationship with Jack become clouded by an old childhood friend.  Jack’s troublesome brother resurfaces and forms an ill-advised connection to Elizabeth’s family.  As Abigail discovers the hard truth about Bill Avery, she also receives word of a family member she never knew she had.  With new and sometimes frightening things on the horizon, the people of Coal Valley must band together and be prepared to face the unexpected.

 

Production Quality (2 points)

Despite increased popularity and an obviously increased budget, Season 2 of When Calls the Heart does not gain any more ground in production quality.  For what it’s worth, it doesn’t lose any ground either.  Camera work is the same, including great angles and video quality.  Sound quality is the same, and unfortunately, so is the vanilla soundtrack.  The introduction of new surroundings—Hamilton—is both a blessing and a curse.  As they progress, series should change and do different things as to not get stuck in a location rut, but Hamilton also brings with it a license for Michael Landon Jr. and company to commit one of their favorite errors—pageantry and over-costuming.  Characters in both Coal Valley and Hamilton are transformed, almost into dolls.  It would be one thing to pose a distinction between rich city characters and frontier characters, but this does not occur.  In other issues, the editing does not improve in Season 2, as it is still equally choppy as Season 1.  In short, Landon Jr. and company once again fall into the typical Hallmark trap: pretty good production with overdone and unrealistic costuming.  This puts a damper on a series with huge potential.

Plot and Storyline Quality (1.5 points)

The season begins on a strange note by discarding an otherwise interesting wildcard character and by quickly and easily resolving the coal mine trial without any real suspense or appreciation.  It’s like the writers were just trying to rush to something else, but it’s not clear what they were rushing to.  The Hamilton subplots are intriguing, but it’s hard to feel like there’s any real meaning or purpose behind them.  Season 2’s central plot and subplots not only water down the original Christian message, but they also feel shallow.  For the most part, the original characters remain mostly intact, but the newer characters are not developed as they should be.  Bill Avery perhaps has the most interesting character arc and shows potential for the next season.  However, Season 2 ends on a head-scratching note with a slightly forced cliff hanger that only seems to be begging Hallmark for a renewal.  In summary, while there was great potential in a Season 1 follow-up for further character development, Season 2 falls flat and does not meet expectations.

Acting Quality (1.5 points)

Despite a largely similar cast to Season 1, Season 2’s cast takes the foot off the brakes, so to speak, and seems to not try as hard as before.  Several actors and actresses, including Erin Krakow and most of the Hamilton characters, seem to be overplaying their roles and forcing emotion.  Some actors and actresses remain the same, but the biggest issue here is that no one improves.  This should be the case in a television series.

Continuity Quality (1.5 points)

Within the season, Season 2 is fairly consistent as far as internal subplots.  It is hard to discern its overall arc except for indecision.  However, the relationship between Season 1 and Season 2 is disjointed.  The increased budget popularity seemed to make the writers think that they did not need to preserve the honest originality of Season 1, because they didn’t.  This was a disappointment.

Conclusion

There was much anticipation and expectations following the unprecedented success of When Calls the Heart, Season 1, yet Season 2 failed to meet these.  As a season itself, it was about average, and would have been fine as another pilot season.  But sophomore seasons should build of the successes of the first, eliminate mistakes, and overall improve, not start over at square one.  The writers have given themselves an interesting choice and framework to work within for Season 3, and it will be interesting see how it goes.  This concept has loads of potential in its corner—time will tell how it plays out.

 

Final Rating: 6.5 out of 14 points

 

When Calls the Heart, Season 1 (Series Review)

Plot Summary

Elizabeth Thatcher always dreamed of helping students in struggling western America towns, but when she arrives in Coal Valley, she realizes that her privileged eastern life has not prepared her for the task at hand.  Recently hit with the tragedy of the local mine collapsing and killing most of the men in town, the survivors, mostly widows, are still reeling and trying to come to grips with their new lives.  Elizabeth is tasked not only with teaching children who just lost their fathers but also with adapting to the new unfamiliar and rugged surroundings that stand in stark contrast to how she grew up.  She finds solace in her friendship with Abigail Stanton, the strongest of the widows, who is determined to bring the mine owner to justice for the death of her husband and son.  Elizabeth’s life is also complicated by her budding relationship with local Canadian Mountie Jack Thornton, who has been sent to investigate the nature of the mine collapse.  Elizabeth, Abigail, and Jack must not only grapple with the challenges in front of them, but must also discover that love is not what you expect at first.

 

Production Quality (2 points)

It’s definitely about time that someone started making good Christian television series.  There’s no better way to start than to adapt from a talented Christian author with established novel series.  As far as production goes, the first season of When Calls the Heart has meager beginnings but a lot of good honest and raw material.  The camera work is professional, including good angles and video quality.  For the most part, in a break with previous habits of Michael Landon Jr. and his crews, the costuming is mostly realistic to the time period and setting.  The setting and surroundings are realistic, even if the sets are somewhat limited.  The musical score is just average.  The editing needs some work, since there are unnecessary rabbit trails, but this is to be expected of these sorts of TV shows.  The main point is that for a pilot season in mostly uncharted territory, season one was mostly a production success.  With a few small things tweaked, it could have been perfect.

Plot and Storyline Quality (2 points)

Though season one slightly departs from the original plot structure crafted by Janette Oke, it is not a major mistake at this point.  The overall plotline stays mostly faithful to Oke’s original purposes.  Within the overarching plot, there are multiple subplots, as expected from a TV show, some of which are quickly resolved and others of which are intriguing.  Throughout this season, the main characters—Elizabeth, Jack, and Abigail—are fairly well developed through witty and believable dialogue.  The circumstances and events that the characters experience are realistic.  In the end, this section is held back from being, once again, by a host of small issues, such as underdeveloped or stereotypical supporting characters and subplots not reaching their full potential.  Even with this, the plots are very interesting watch and the end of the season makes the viewer want more.  In short, Season 1 ended on a high note and left the door open for greater things to be achieved.

Acting Quality (2 points)

The cast of Season 1 is a mixture of professional and semi-professional.  For the most part, the actors and actresses deliver their lines well and demonstrate believable emotion.  Unfortunately, some of the supporting cast leaves something to be desired and the main cast does not live up to their full potential.  As is the case with the remainder of the season, small issues plague the acting and keep it from being its best.  But despite these small problems, the cast shows great potential for future seasons.

Continuity Quality (3 points)

When it comes to within-season continuity, Season 1 achieves a perfect score.  The driving purpose of the season is to discover the truth behind the mine disaster, and this is not wavered from.  Character arcs are both static and dynamic, a perfect balance.  By the end of the season, it feels like the characters are different than they were at the beginning, without compromising personality traits.  This should be the goal of continuity.  Season 1 sets the standard for continuity quality.

Conclusion

When Calls the Heart, Season 1 has almost everything we can ask from a pilot season: above average characters, intriguing plotlines, realistic surroundings, a professional cast, and a driving purpose.  Small alterations to plot and\or character quality would have changed everything for Season 1 and would have made it Hall of Fame, something to truly be proud of.  But even as it is, Season 1 is enjoyable and will forever be a landmark achievement in the history of Christian TV shows and series.  It created anticipation of another season and proved that Christian shows can be quality.

 

Final Rating: 9 out of 14 points