Why We Breathe (Movie Review)

Plot Summary

Carrie Hicks just wants to catch a country music break in Nashville, but her relationship with her current boyfriend consistently complicates things. However, things escalate when he inadvertently paralyzes Carrie’s daughter, leading the aspiring artist to flee town and seek shelter with her great uncle, who she’s barely spoken to in years. Carrie wants to get back on her feet and move on with her life, but her daughter’s new disability often halts her in her tracks. In the end, Carrie will have to not only come to grips with her new reality but with the faith she’s been running from all these years.

Production Quality (2 points)

Despite a limited budget, it’s obvious that great care was taken to maintain mostly good production quality in Why We Breathe. This is evidenced by acceptable video and audio elements. Though there are some random moments of shaky camera work and some obvious overdubs, there is enough positive in the film’s first half to keep this section above the average line. Sets, locations, and props are well-constructed and well-utilized throughout the movie. Unfortunately, however, the editing tends to become more choppy as things progress, which prevents this area of the movie from being all that it could be. Nonetheless, this is acceptable for a first-time effort.

Plot and Storyline Quality (1 point)

In the beginning of the narrative, the ideas are creatively presented without the use of narration and through the eyes of believable characters with realistic struggles. In the plot’s first half, the dialogue is authentic, and the use of subtlety is commendable. However, by the film’s middle point, things tend to become more abrupt as some montages waste valuable time while a handful of conversations reference off-screen content that would have been better to see. Not a few scenes feel like they’re unfinished or cut off as the storyline unnecessarily rushes to an inevitable conclusion that is fairly cheesy. Unfortunately, in this pursuit, the previously positive elements lose their value as the story’s progression becomes more and more rapid. In the end, since the movie’s premise was mostly typical with some predictable elements, it needed deep character development and a more natural conclusion instead of ending with unrealistic fixes and unfinished ideas. The effort is notable, but more fleshing out was needed before it went into production.

Acting Quality (2.5 points)

As a whole, the acting in Why We Breathe is mostly professional. Line delivery and emotions appear natural as the cast members seem comfortable in their roles. Though there are some slight moments of robotic and awkward performances, for the most part, the actors and actresses are definitely working to be earnest. Thus, this rounds out an above-average attempt that could develop into better things in the future.


The creative team behind this film definitely had a lot going for them, and they began very strong. However, somewhere at the halfway point, it seems like the process became rushed in a possible desire to quickly release the movie. It’s a shame because with a little more collaboration and a slight amount of fleshing out, Why We Breathe could have scored much higher. Even so, it’s highly possible that the lessons learned from this project could lead to better things in the coming days.

Final Rating: 5.5 out of 10 points


Summer of ’67 (Movie Review)

Plot Summary

In the years of the Vietnam War, families faced many different unique challenges posed by the international conflict.  Milly and Gerald have recently been married, but they have been forced to live with Gerald’s eccentric mother due to financial challenges.  Milly’s sister Kate is torn between the pro-war and anti-war efforts due to her mother’s past suicide.  When Gerald and Kate’s on-and-off boyfriend Peter are called to the war front for various reasons, Milly and Kate must both live with Gerald’s eccentric mother Joanna as the world around them seems to be falling apart.  Together, they must rekindle the faith they were always taught in order to make it through.


Production Quality (2 points)

Sharon and Fred Wilharm of Mainstreet Productions have always had a commitment to building authentic productions.  Summer of ’67 is no exception, as they demonstrate a clear attention to specific historical detail in the props, sets, and locations.  Video quality and camera work are also quite professional.  Audio quality is mostly fine as well, although the soundtrack can sometimes be too loud and somewhat out of place.  As they are still transitioning from making silent films, some adjustments like this can be expected.  Also, the editing can be a bit choppy at times, which can cause the story presentation to be confusing.  Overall, with just a few more tweaks, the Wilharms are very close to mastering professional productions, especially those in need of historical authenticity.

Plot and Storyline Quality (.5 point)

Unfortunately, as Mainstreet Productions used to only make silent films, the plot of Summer of ’67 is not really what it could be.  It comes off as a loose collection of ideas that need better synthesis and organization.  The good thing is that the story does unfold without narration, but some of the dialogue is slightly expository.  Outside of a few interesting conversations, unfortunately, the dialogue does not do enough to build the characters as people.  Some scenes are too short and not explained very well, and time seems to jump from one thing to the next without very clear coherency or organization.  Thus, a lot of the characters come off as shallow, even though they have potential, and a lot of story ideas seem unfinished.  While the ending is very interesting and realistic, the lead-up is not quite enough to hold the attention of the audience.  Overall, it’s clear that the Wilharms really care about trying to making great films; they are just not quite there yet in the plot department.

Acting Quality (1.5 points)

Another adjustment from making silent films is obviously going to be acting coaching.  While this cast is mostly fine and has a lot of potential, there are one too many scenes where the cast members don’t appear to know what they are doing.  Some of the acting is too stilted and robotic in both line and emotional delivery.  As a good note, this might be Mimi Sagadin’s best role, but she needed a bit more screen time than she was given.  On the whole, this section is mostly average.


We know that the Wilharms really do mean well in their films, and the historical authenticity of this production has great value.  It’s definitely going to be an adjustment to move from silent to non-silent films, so growing pains are to be expected.  However, since the Wilharms have always been committed to improving however they can, we believe that Summer of ’67 is something that can be built off of for future improvement.  Perhaps next time, if a more substantial plot is crafted, the next Mainstreet film could be Hall of Fame.


Final Rating: 4 out of 10 points