Though they have comfortable lives, the Border family feels like God wants them to adopt a child. As they look into the process, they are somewhat skeptical but their hearts are stolen by a little boy who they feel needs their help. They begin the adoption process and bring him into their home, buy they soon discover the terror and violence he conceals inside of himself due to the trauma he has experienced. Will their family be able to survive this new strain or will they give up?
Production Quality (.5 point)
Though this film is obviously a cheap church production, there is no excuse for the production being this bad. The only good assets are the clear video quality and lack of poor lighting, but that’s not saying much. Camera work is very shaky and dizzying and sets are very cheap and limited. Audio quality is very poor and the soundtrack is too loud. The most obvious and negative standouts pertain to the horrific editing, which includes terrible transitions and far too many repeated sequences. The editing is disorienting and creates a lot of confusion for the audience. Overall, this is a highly disappointing production.
Plot and Storyline Quality (.5 point)
Though Beyond Acceptance can be commended for attempting to highlight good and pertinent issues pertaining to foster care and adoption that need to be discussed in Christian film, this is the worst possible way to do it. The plot structure is hopelessly disjointed and confusing, mostly because the story jumps all over the place with no continuity or sense of direction. Mental health is portrayed very well, however, even though there are too many unrealistic occurrences in this story. Finally, there are no meaningful or tangible solutions to the problems presented here—only magical and unrealistic solutions are given that automatically fix everything. Unfortunately, though it’s likely this creative team meant well in this film, the delivery is not there.
Acting Quality (.5 point)
As an amateur cast, these actors and actresses have some work to do. Again, it seems like they really do mean well, but their emotions are either flat or extreme. There is too much yelling and screaming. Line delivery is disjointed, but there are some brief good moments here. In the end, this cast needed a lot more coaching.
First-time, under-funded productions like this one are often better suited as short films rather than feature-length films because it gives the team better opportunities to focus their limited resources on a smaller scale. Making a short film at first can give the team experience and help them work out the kinks without having to go through the hassle of making a longer film that will only hurt their reputation. But perhaps this is only the beginning of something greater at hand.
Final Rating: 1.5 out of 10 points