A Cowgirl’s Story (Movie Review)

A Cowgirl's Story': Movie Review | HORSE NATION

Plot Summary

Dusty Rhodes has had a hard time due both of her parents being in the military and being called out for duty at the same time during the Iraqi War. While she lives with her grandfather, Dusty has an idea to force her school to start a horse program by riding her horse to school. As a result, she gets a whole bunch of her classmates together to compete in horse competitions, but things get even more complicated from there. Can Dusty rely on her faith to make it through?

Production Quality (1.5 points)

For the most part, A Cowgirl’s Story has an average production, including fine video quality but odd camera work as some scenes appear to be filmed in busy public places. Audio quality is acceptable, however, and the sets, locations, and props are run-of-the-mill. Other aspects are okay, but the editing is a big detractor. The cuts and transitions are very poor, making for a choppy viewing experience. Due to this mixed bag, a middle-of-the-road score is warranted here.

Plot and Storyline Quality (0 points)

With absolutely no substantial plot content to speak of, this film lacks meaningful conflict and story focus. The narrative jumps all over the map as one thing happens after another without any clear connections to other events. A disjointed and spastic narrative presentation takes the audience on a wild ride through cheesy high school romances and horse subplots that just happen for no good reason other than the writers’ whims. The characters experience extremely unrealistic and absurd circumstances just for the sake of coincidences, and there’s so many things to keep up with since more and more new concepts are continually being introduced. This is disorienting to the viewer, and it makes matters worse that the characters are incredibly blank. Stiff and forced conversations accomplish absolutely nothing as they’re full of vanilla and stock dialogue. Therefore, due to purposelessness and pointlessness in this section, no points can be awarded here.

Acting Quality (1 point)

Despite some average performances from a handful of cast members, much of the acting in this movie is cringeworthy, especially the teenage and young adult actors and actresses. This includes forced line delivery and emotions. It’s hard to take some of the cast members seriously, especially when Pat Boone posts creepy performances. Thus, this section can only receive a meager score.

Conclusion

A Cowgirl’s Story is just another pointless screenplay littering the Christian entertainment landscape. There’s no point to films like these except to make an attempt at a cash grab. Hopefully, however, these days are ending as we look forward to an improved market where creators actually care about producing quality content that can connect with audiences.

Final Rating: 2.5 out of 10 points

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Life With Dog (Movie Review)

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Plot Summary

Joe Bigler wants to shut the world out after his wife died a tragic death. However, his daughter won’t leave him alone, the bank wants him to pay his mortgage, and a big company is threatening to turn his neighborhood into a housing development, which prompts them to constantly offer to buy his house. Nonetheless, when a stray dog takes up residence with Joe, his life begins to take a different trajectory. Will he finally be able to make peace with his past and move on with his life?

Production Quality (2 points)

As is the typical custom of Corbin Bernsen and his team, Life With Dog sports a respectable production, including good video and audio qualities along with professional usage of sets, locations, and props. There are really no concerns to note save for the randomly poor lighting and the inconsistent application of editing. Also, the soundtrack is a bit off since it sometimes doesn’t fit the moods of scenes, but as can be seen in the remainder of the film, much of the oddness seems purposeful.

Plot and Storyline Quality (.5 point)

Life With Dog is a capstone of Corbin Bernsen’s erratic and unusual Christian entertainment career because it’s the ultimate encapsulation of everything he’s ever done. Not only does this film boast the typically odd elements he inserts into movies, but it carries an inexplicably unusual tone that can’t be easily quantified. Some example of this intangible bizzareness are evidenced by some actually interesting scenes that appear to make fun of cliched film tropes, some subtle asides that range from eyebrow-raising to borderline inappropriate, and a tendency for the dialogue to frustratingly meander among some actually pertinent topics that need to be discussed, some complex philosophical concepts that are difficult to grasp, and a constant itching feeling that the narrative is hiding some deep secret that’s never to be revealed. Besides this, there are logical inconsistencies in the writing, such as the fact that the main character is seemingly able to do whatever he wants with little to no consequences for his sometimes questionable actions and the fact that there are too many coincidences that allow the plot to exist. Though there are many half-hearted attempts (we suppose) to do something meaningful in the story, like provide an accessible character exploration, nothing specifically significant materializes and is instead left as an unfinished, off-the-wall idea. The climax scene is probably the best example of the entire film in a nutshell because it pretends to keep building to something real but never gets there and only leaves the viewer with something that’s both vaguely significant and head-scratchingly odd, as if the storyline was purposely written to dangle hidden things in front of the audience without actually revealing their true natures. In the end, though there is some potential in this chaos, it’s not enough to keep this movie above water.

Acting Quality (2 points)

Much like other Home Theater films, the acting of Life With Dog is fine without many noticeable errors. Though there are some overdone emotions are certain moments, the cast members’ line deliveries are consistently on point. Also, each individual appears to assume their roles well. Thus, this rounds out a slightly below average effort.

Conclusion

Unfortunately, Bernsen’s career is marked with wasted potential (Christian Mingle, In-Lawfully Yours, 25 Hill, to name a few), and it’s unclear whether or not he ever intends to change. It seems like he’s always striving to make the next great iconic Christian film but consistently falls short due to intangible oddness. The worst part is that he clearly has the connections and the resources to do better than he is, yet he usually comes up short as he settles for second best. Perhaps, in future projects, he will finally unleash his full skill set and collaborate with others who can make up for his shortcomings.

Final Rating: 4.5 out of 10 points