Unplanned [2019] (Movie Review)

Plot Summary

Abby Johnson, a former Planned Parenthood clinic director and abortion rights advocate, was taken by God on an unforgettable journey of redemption and forgiveness that led her to reject her former way of life and trade it for a ministry of pro-life activism. Though no one could have ever dreamed that an abortion clinic supervisor would switch political sides and join her former enemies, there is no end to the power of prayer.

Production Quality (2 points)

As expected at this point from PureFlix, the production of Unplanned is above-average and hits all the right notes, for the most part. On the surface, it looks good due to high video quality, professional camera work, and adequate sets, locations, and props. Audio quality is also good. They’ve checked all the typical boxes, but there are some issues with the soundtrack as many of the songs don’t properly fit the situations they are played in. However, the most glaring problem is the horrific editing that takes the viewer all over the map of a story that could have been good but only ends up playing like an audio book, as we see next.

Plot and Storyline Quality (1 point)

At this point, it’s painfully clear that the current PureFlix team can’t even properly portray a great true story even if it hit them in the face like Abby Johnson’s story did. Even if the book is already written for them, you can count on PureFlix to fumble the ball at the goal line by falling back on their old tried-and-failed pitfalls of trying to be too obvious without trusting the audience to read in to the subtlety and of crafting too many climax scenes for dramatic effect. The obvious goal was the hit all the high points of the story in order to maximize the most shock and awe possible with the hopes of scaring people about abortion. There’s no doubt that there were many powerful parts of Abby’s story, but we’ll never really know as the demonstrative elements are over-emphasized in the movie while the potential for character building is simply replaced with incessant and heavy-handed narration. They seem like great characters, but it’s impossible to know them due to the narration and the wild time jumps that leave the viewer disoriented. Since there’s a lot of content in this story, it could have been effectively laid out via flashbacks that built character motivation, yet instead, we were left with talking-points conversations and overly emphasized strawman villain moments. The film is written for basically one good scene near the end where we actually get realistic dialogue uninterrupted by Bratcher’s narration, but it’s too little too late. Unfortunately, where Abby Johnson’s story could have been a powerful treatise on prayer and a change of heart, all we’re given is a smile-and-wave, run-of-the-mill experience dedicated to grossing people out about abortion whose R-rating is warranted due to lack of balance.

Acting Quality (2 points)

Surprisingly, Ashley Bratcher is a bright spot in this cast, which suggests her performance in Princess Cut was heavily controlled by the creators of that film. While the supporting cast might have been interesting, it’s hard to tell due to the famine of lines and dialogue in this film. Even still, the casting and acting are mostly good without many glaring errors…it’s just basically unfinished and left wanting, like the overall feel of this movie.

Conclusion

There’s absolutely no doubt that Abby Johnson and David Bereit played integral roles in bringing the pro-life movement out of the dark ages through prayer and expert leadership, and Abby’s story is an amazing one that deserved a movie of its own. However, PureFlix’s treatment of the story doesn’t do it any justice. Moreover, Unplanned, in a way, represents the current state of the pro-life movement: lots of well-meaning people who want to do the right thing, along with a collection of more influential people who believe that ‘gotcha’ talking points and graphic displays of the evils of abortion will change things. The early marketing for this film proclaimed it to be (another) death knell for the corrupt Planned Parenthood, yet we beg to differ. Any success the pro-life movement will find moving forward is by both listening to and telling actual stories of real people, not by falling into the trap of unleashing smoking guns that will ‘sink’ your opposition. There was a massive opportunity to tell a real story in Unplanned that could actually reach people, but once again, PureFlix proves that they can’t tell stories properly because this requires actually knowing people. Unfortunately, while the gory moments of this film can be powerful if packaged properly, when they are separated from an emotional connection with the characters, they can re-traumatize those who have been hurt by abortion, which doesn’t win any ‘converts.’

Final Rating: 5 out of 10 points

Like Arrows: The Art of Parenting (Movie Review)

Plot Summary

Charlie and Alice began their parenting journey sooner than they expected, but they quickly adapted to their new life as a family, even as their family continued to grow.  They encountered many different struggles and challenges as their family dynamic changed and expanded, but they always did their best to rely on wisdom from God in their parenting.  However, when they reached a breaking point one day, their wise friends invited them to a church conference that helped them fix all of their mistakes and begin building a lasting legacy!

 

Production Quality (2 points)

On the surface, Like Arrows has a decent enough production, which is no doubt due to the consultation of the Kendrick Brothers.  This is evident in good camera work, crisp video quality, and mostly fine sets, locations, and props.  Unfortunately, audio quality is quite up to par as many lines are difficult to discern; however, the soundtrack is mostly fine.  While most scenes are well-lit, there are some head-scratching moments of poor lighting with little to no explanation.  Further, it goes without saying that the major detractor of this production is the atrocious editing, which can mostly be blamed on the ridiculous amount of content that is shoved into this film.  On the whole, this production is fine and passable, but the issues with Like Arrows go much deeper.

Plot and Storyline Quality (.5 point)

This ‘movie’ was originally a collection of skit clips to accompany FamilyLife’s new curriculum called The Art of Parenting.  It’s painfully obvious that this choppy and rough presentation of random ideas was borne out of these beginnings.  What begins as a semi-interesting storyline quickly descends into a roller coaster of content that takes the viewer from one high point to the next at breakneck pace.  The audience is dropped into a moment in time to look at one spoon-fed issue that needs to be highlighted, and just as soon as the sequence began, it comes to a predictable conclusion as the audience is prepared to zoom forward in time to another ‘important’ tidbit from FamilyLife’s outdated worldview that needs to be included.  This wild ride wreaks havoc on any hope of character development as dialogue is stilted and programmed based on what the ministry needed to push to whoever may watch this mess.  This section is only saved from nothingness by a semi-effective final scene that has absolutely no build-up or justification due to the fact that nobody knows who the characters even are at that point even as more characters are constantly introduced.  Also, it goes without saying that the FamilyLife product placements are vomit-inducing.  Essentially, Kevin Peeples was saddled with the impossible task of trying to force a collection of worldview-heavy curriculum skits to be a continuous and understandable screenplay.  No one should have been expected to pull this off since, based on the content provided, the task was a losing one to begin with.

Acting Quality (1.5 points)

The acting of this ‘film’ is very uneven.  Alan Powell has had better performances, and a lot of the cast members seem lost and unsupported by coaching.  However, it’s not like they had any good lines to work with in the first place.  Also, the sheet number of cast members required for the constantly changing ages (with the exception of the parents) causes a lot of confusion and extra work for directing.  Once the parent cast members are finally changed (there is a point when they seem like the same age as their adult children) and once other professional cast members are brought on (Alex Kendrick, Garry Nation, etc.), the acting actually improves for the final sequence.  However, it’s simply not enough to save this film from itself.

Conclusion

Space does not permit a full discussion on the myriad issues actually present in this film, including the mindless and patronizing treatment of women (what do you expect?), the trippy ‘futuristic’ elements in the final sequence, and the general lack of regard for understanding the struggles of real people.  This film claims to show real people doing real things, but it actually demonstrates just how far out of touch FamilyLife really is.  Did I mention how horrible their product placements are?  Implying that a family is totally fixed by going to your conference and buying your merchandise is the height of arrogance and is extremely tone-deaf.  Unfortunately, it’s unlikely that this film will make any lasting impact.

 

Final Rating: 4 out of 10 points