When Nate’s mother dies, he’s forced to return to his small hometown in Ohio to settle the estate, which involves deciding whether or not to sell the family business. This enterprise is a factor that’s the only thing keeping the town afloat, but Nate’s cousin insists that they take the cash from a shady businessman and get out. However, Nate is extremely wishy-washy about this for no particular reason except that the selloff deal is opposed by Nate’s former girlfriend, Grace. Will Nate make the right decision before it’s too late???
Production Quality (2 points)
For the most part, the production quality of A Walk With Grace is professional with just a few problems. While video quality and audio quality are on par, there’s some inconsistent lighting throughout as well as some moments of shaky camera work. However, these concerns improve with time, and the sets, locations, and props are stable throughout. Elsewhere, the soundtrack is fairly cheesy, and there are a handful of editing problems to contend with. Nonetheless, this section does enough to earn an above-average score.
Plot and Storyline Quality (0 points)
From the get-go, everything about A Walk With Grace screams “Return to Hometown Plot.” This is evident by the obvious expository dialogue that constantly reminds viewers of what the returning character used to do and by the stereotypical characters that are only supported by vanilla conversations and bland, repetitive statements that only center around the main plot points. As such, there’s no good reasons for why characters do what they do, and things only happen in the narrative so that they can fit into the predictable molds that were predetermined for this type of story. In this vein, the scenes are too carefully planned out and choreographed for certain events to happen at just the right times, including instances when characters perform actions that are opposite their previously stated intentions. It also goes without saying that there is simply a lot of content in this film, including stupid opinions about young people, nauseating references to small town vs big city concepts, and yes, tons and tons of lame romantic subplots. Because A Walk With Grace aims at nothing from the beginning, it only gets worse as it goes on and culminates in a ridiculous concluding sequences that fixes everything in every possible way and completes every possible romance it started. In short, there’s nothing that earns this section any points.
Acting Quality (1.5 points)
Despite the fact that many of this movie’s scenes are quite staged, which makes the acting a bit stiff and overly practiced, the performances aren’t as bad as they could be. Nonetheless, there’s definitely some improvement in the area of being more natural with line and emotional delivery. However, this cast does enough to receive an average score.
A Walk With Grace is basically just another installment of old news. Though it’s a given for new Christian films to possess respectable production quality (which is something that unfortunately took too long to achieve), storylines are still mightily suffering. It’s not acceptable to continually churn out the same old, worn-out narratives and hope something new will happen. However, since one category of Christian entertainment has shown elevated effort, perhaps the other elements will soon follow.
Every year, movies and series are released, and cast members show off their talents. Writers and directors showcase their creativity. Films and series are separated into roughly three groups: the truly talented, the potentially great, and the others. At Box Office Revolution, we believe it is our prerogative to annually recognize those entertainment creators and players who have the ability to bring revolution to Christian entertainment.
Staff Choice Movie of the Year: The World We Make
Runners-Up: The Least of These: The Graham Staines Story, Heavenly Deposit
Reader’s Choice Movie of the Year: The World We Make
Runners-Up: Overcomer, Breakthrough, Unplanned
Staff Choice Season of the Year: The Chosen, Season 1
Staff Choice Actor of the Year: Jonathan Roumie
Runners-Up: Shahar Isaac, Paras Patel, Erick Avari, Caleb Castille, Kevin Sizemore, Sharman Joshi
Staff Choice Actress of the Year: Elizabeth “Liz” Tabish
Runners-Up: Lara Silva, Rose Reid, Ashley Bratcher
Staff Choice Director of the Year: Dallas Jenkins
Runners-Up: Brian Baugh, Aneesh Daniel
Staff Choice Writers of the Year: Ryan Swanson and Tyler Thompson
Runners-Up: Chris Dowling, George D. Escobar, Rose Reid, Andrew E. Matthews
Staff Choice Soundtrack of the Year: The Chosen, Season 1
Runners-Up: The World We Make, The Least of These: The Graham Staines Story
Writer(s): Paul Munger, Sheila Munger, D. B. Hansen, Elizabeth E. Hansen
Director(s): Paul Munger
Producer(s): Paul Munger, Sheila Munger
Starring: Ashley Bratcher, Joseph Gray, Kendra Carelli, Brett Varvel, Kate MacCallum, Ella Dane Morgan, Bill Barrett, Sheilah Munger, Martin Peña, Giselle Torres, Chandler Macocha, Sterling Hurst, Mimi Sagadin, Jeannie Garcia, Joe Bunner, Rusty Martin Sr.?, Rusty Martin Jr.?
Plot Synopsis: Two expectant couples that are best friends face crushing upheavals in their lives which force them to make life-altering choices.
Cast: Stephen A. Elkins, Ashley Bratcher, Alex Ryan Brown, Nick Caldwell, David Dittmeier, Amanda Joy Erickson, Andrew Flagg, Jeremy Gauna, Eddie T. Gomez, Jourin Hannah, Micah Lynn Hanson, Ryan T. Johnson, Wayne Matychuk, Willie Mellina, Nathan D. Myers, Jeff Pearson, Darrell Philip, Sophie Proctor, William Row, Nicolas Shook, Todd Terry, Kevin Toy, Colton Vaughn, Kimberly Gail Williams, Tim Ross
Plot summary: Follows the trajectory of George Washington as a boy and a young man as he develops his relationships and ideals.
Starring: Corbin Bernsen, Ashley Bratcher, Joel DeVisser, John Smoltz, Isabella Zentkovitch, more TBA
Plot Synopsis: Game Changer follows the best, richest, and possibly most self-centered quarterback in the pro’s as he’s forced to coach an inner-city little league baseball team. A hilarious comedy for all ages that showcases how our lives are better if we live to help people around us.
Detective Travis always wants to bring the criminals of his small Texas town to justice. However, he’s not always right, and he can’t do it all on his own, despite what he believes about himself. Through every twist and turn of each case, the detective learns something new about himself and about life, but the ultimate challenge of his work and life involves his daughter and her checkered past. Thus, when she comes to stay with him and his wife, he’s sure she’s got something to hide. However, he could have never foreseen the end result of this.
Production Quality (1.5 points) For a relatively low-budget series, Vindication is definitely trying when it comes to production. The video quality is great throughout, and the camera work is respectable. Sets, locations, and props are mostly fine, but the audio is sometimes too quiet. At first, there’s basically no soundtrack, but this tends to improve as the series goes on. While there are some creative story overlays and plot criss-crossing throughout, the editing can be fairly choppy at times. Sometimes, scenes start and stop at awkward places, and some portions seem unnecessary. However, this element also tends to improve with time. In the end, this is an average production that shows commendable effort.
Plot and Storyline Quality (.5 point) What an absolute roller coaster of a storyline. It’s difficult to know where to begin with this; in the first two-thirds of the series, many of the cases are either fairly unrealistic or extremely simplistic. Some contain improbable circumstances just for the sake, it seems, of being unique and tricky. Others contain lots of coincidences and convenient turns; many of them include partially or mostly inappropriate content seemingly just because. While being edgy and realistic is a good quality to have in Christian entertainment (rather than white-washing humanity), there’s a fine line to walk between authentic and trashy. As a side note, some of the ‘crimes’ that are actually ‘twists’ are substantially questionable and borderline ‘vindicate’ the wrong types of behavior. Elsewhere, the suspense elements don’t seem to jive with reality even though there are some interesting psychological elements throughout. Besides the head-scratching partially objectionable content included, the treatment of police ethics and criminal procedure throughout the series would be offensive to many real police officers. Rules are callously broken with no resource, and while it would be one thing to portray a rogue cop in a negative light for the purpose of being realistic, it’s another thing to downright condone unethical practices in the name of doing the right thing, including mixing personal vendettas against certain people and in favor of family members with police work. The detectives’ time is spent on petty misunderstandings that would likely draw the attention of higher authorities due to their frivolous use of resources and questionable methods of arresting people with little reasonable suspicion. These two major problem areas (inappropriate content and offensive portrayal of procedure) are almost enough to totally derail the series from the get-go, especially when these issues are combined with a lot of blank and empty dialogue and cheap Christian messaging throughout the first two-thirds of the season. Odd portrayals of women and minorities throughout the series are also concerns to contend with, but the recurring subplot between the main character and his daughter keep the narrative on life support long enough to get to the final two episodes of the season, which almost save the writers from themselves. It’s clear that the entire series was made for this storyline, and the daughter is the only notably interesting character in the entire creation. The last two episodes are so starkly different from the other ones (except for the disregard for jurisdiction and other questionable practices in the name of being police with agendas) that it seems like an entirely different idea, yet the thinly-developed characters still shine through due to their lack of depth in the first eight episodes. Had they been properly built in the first two-thirds of the season via real cases and authentic circumstances, we would be looking at a totally different concept. As they are, the last two installments include very effective flashbacks that take a good look at hard issues effecting many people. In doing so, the final ‘villain’ is fairly realistic, and the partial conclusion of the subplot between the father and daughter is mostly authentic and believable. Nevertheless, despite the acceptable ending, it doesn’t cover over the multitude of sins committed by the rest of the storyline.
Acting Quality (1.5 points) Acting isn’t a glaring problem throughout the series even if many cast members come off as very robotic and overly practiced. However, this is likely not a talent problem or a coaching issue because the lines they are given are usually uninspiring. This is evident since acting seems to improve as dialogue gets a slight upgrade in the latter third of the season. Although makeup is terrible at first, this seems to get better too. The key standout performance from every episode she’s in comes from Emma Elle Roberts as she sets herself apart as a truly talented actress with potential beyond this series. In the end, this is neither the best nor the worst acting from a Christian season.
Continuity Quality (1.5 points) As previously mentioned, the only significant continuity throughout season one of Vindication involves the storylines of the central character’s family, especially his interactions with his daughter and her checkered past. However, these recurring subplots are fairly good in the midst of a mostly typical recurring crime drama style. Still, it would have been preferable to see some other interwoven subplots that were worthwhile to follow.
The creators of Vindication are trying to do something, but there are too many elements of season one that are way off base. The use of edgy content is commendable for a crime series, but it would be nice to see better standards of propriety when it comes to dealing with sensitive topics. For another, a lot of significant research needs to be conducted before anyone creates a drama centered around criminal procedure and police work because it can be easy to make careless mistakes. Further, there needs to be a better look at mental and behavioral health issues beyond simplifying them and reducing them to trite Christian sayings and prayers. In the end, this concept may work better as a larger-scale federal investigative storyline rather than confining it to a small town with unusual half-mysteries. To summarize, the creators have potential somewhere in here, but there’s too much blocking out the light.
Abby Johnson, a former Planned Parenthood clinic director and abortion rights advocate, was taken by God on an unforgettable journey of redemption and forgiveness that led her to reject her former way of life and trade it for a ministry of pro-life activism. Though no one could have ever dreamed that an abortion clinic supervisor would switch political sides and join her former enemies, there is no end to the power of prayer.
Production Quality (2 points)
As expected at this point from PureFlix, the production of Unplanned is above-average and hits all the right notes, for the most part. On the surface, it looks good due to high video quality, professional camera work, and adequate sets, locations, and props. Audio quality is also good. They’ve checked all the typical boxes, but there are some issues with the soundtrack as many of the songs don’t properly fit the situations they are played in. However, the most glaring problem is the horrific editing that takes the viewer all over the map of a story that could have been good but only ends up playing like an audio book, as we see next.
Plot and Storyline Quality (1 point)
At this point, it’s painfully clear that the current PureFlix team can’t even properly portray a great true story even if it hit them in the face like Abby Johnson’s story did. Even if the book is already written for them, you can count on PureFlix to fumble the ball at the goal line by falling back on their old tried-and-failed pitfalls of trying to be too obvious without trusting the audience to read in to the subtlety and of crafting too many climax scenes for dramatic effect. The obvious goal was the hit all the high points of the story in order to maximize the most shock and awe possible with the hopes of scaring people about abortion. There’s no doubt that there were many powerful parts of Abby’s story, but we’ll never really know as the demonstrative elements are over-emphasized in the movie while the potential for character building is simply replaced with incessant and heavy-handed narration. They seem like great characters, but it’s impossible to know them due to the narration and the wild time jumps that leave the viewer disoriented. Since there’s a lot of content in this story, it could have been effectively laid out via flashbacks that built character motivation, yet instead, we were left with talking-points conversations and overly emphasized strawman villain moments. The film is written for basically one good scene near the end where we actually get realistic dialogue uninterrupted by Bratcher’s narration, but it’s too little too late. Unfortunately, where Abby Johnson’s story could have been a powerful treatise on prayer and a change of heart, all we’re given is a smile-and-wave, run-of-the-mill experience dedicated to grossing people out about abortion whose R-rating is warranted due to lack of balance.
Acting Quality (2 points)
Surprisingly, Ashley Bratcher is a bright spot in this cast, which suggests her performance in Princess Cut was heavily controlled by the creators of that film. While the supporting cast might have been interesting, it’s hard to tell due to the famine of lines and dialogue in this film. Even still, the casting and acting are mostly good without many glaring errors…it’s just basically unfinished and left wanting, like the overall feel of this movie.
There’s absolutely no doubt that Abby Johnson and David Bereit played integral roles in bringing the pro-life movement out of the dark ages through prayer and expert leadership, and Abby’s story is an amazing one that deserved a movie of its own. However, PureFlix’s treatment of the story doesn’t do it any justice. Moreover, Unplanned, in a way, represents the current state of the pro-life movement: lots of well-meaning people who want to do the right thing, along with a collection of more influential people who believe that ‘gotcha’ talking points and graphic displays of the evils of abortion will change things. The early marketing for this film proclaimed it to be (another) death knell for the corrupt Planned Parenthood, yet we beg to differ. Any success the pro-life movement will find moving forward is by both listening to and telling actual stories of real people, not by falling into the trap of unleashing smoking guns that will ‘sink’ your opposition. There was a massive opportunity to tell a real story in Unplanned that could actually reach people, but once again, PureFlix proves that they can’t tell stories properly because this requires actually knowing people. Unfortunately, while the gory moments of this film can be powerful if packaged properly, when they are separated from an emotional connection with the characters, they can re-traumatize those who have been hurt by abortion, which doesn’t win any ‘converts.’
Dr. David Horton is known as a great professor in Lynchburg, and his ‘running’ class is extremely popular. His reputation is that he helps all of his students by connecting with them on a personal level. Dr. Horton is also a marathon enthusiast, but his passion often takes away his time from his family, which is something his wife greatly struggles with. Much to her chagrin, David embarks on a dangerous cross-country marathon for two months, even though he is secretly battling health problems. Will his health and their marriage survive the trek?
Production Quality (2 points)
Liberty University has all of the toys and resources an independent film maker could dream of, yet they consistently settle for just above average productions. There’s no doubt that Extraordinary has some great cinematography, even if it’s mostly a collection of American landmark shots. Nevertheless, camera work is excellent, and video quality is great. Sets, locations, and props also make this production a mostly good experience. Editing is standard, and on the surface, this is a well-produced film. However, beneath the surface, there are some head-scratching inclusions, such as silly production gimmicks and weirdly bad special effects. These elements are reminiscent of film school professors playing around to see what they can do with what they have. However, most audiences will likely look past these issues and see the above-average production that it is.
Plot and Storyline Quality (.5 point)
Based on a true story, the Liberty University team had a lot to work with, even though they have struggled in the past with storylines. However, in Extraordinary, the Curlee\Schultze team continued their issues with very thin and empty plots and characters. Though this is based on real people, they clearly had no idea how to craft realistic characters as the story does not translate well at all. The characters are empty due to dialogue that is full of title-dropping, pedestrian platitude-pushing, and repeated content. Many scenes are basically filler with no substantial contribution to the overall plot. There are one too many ‘funny’ scenes, and the majority of the movie is packed with musical montages and dramatic moments that have no meaning. In the end, though the basic idea behind this story was great, the film version leaves the audience with no real focus or purpose as it tried so hard to drive the point home that it fell flat.
Acting Quality (1.5 points)
Acting coaching and casting is another area the Curlee\Schultze team struggles in, which is a shame since they claim to be prodigies of the Kendricks. The lead actor of this film is particularly weak and awkward, and several supporting cast members are annoying. Kirk Cameron is beyond obnoxious, and Shari Rigby struggles without better directing. However, there are enough good areas here to make this section at least average; one has to consider that this cast didn’t have many substantial lines to work with. Nonetheless, the Liberty University team continues to disappoint.
Scotty Curlee and Stephan Schultze have the film world at their fingertips, yet they constantly settle for half-measure and expect you to deal with it because at least it’s a Christian movie or something. Unfortunately, they are consistently wasting the time and money of Christian audiences as all of their marketing is for nothing but a quick cash grab. Extraordinary is another example of a squandered opportunity because Curlee and Schultze refuse to retain a truly talented screenwriter (like Sean Morgan) and have demonstrated time and again their lack of regard for improvement. Now we can just wait with bated breath for their upcoming Trump film.
When Don Piper was driving home from a church conference one rainy day, he was blindsided by a rogue eighteen-wheeler semi-truck, which crushed his car and killed him on the spot. When he passed into the afterlife, he entered Heaven and saw people who has gone before him. However, due to the prayers of a man at the crash site, Don was pulled back to earth, full of injuries. For months, he was confined to a hospital bed and his wife and children went through many trials due to Don’s uncertain medical condition. However, through it all, God showed Himself to be faithful.
Production Quality (3 points)
90 Minutes in Heaven is one of those mainstream films about Christian concepts that puts many Christian films to shame due to its commitment to a high production quality. Video quality, camera work, and audio quality are all what it should be. The soundtrack is very creative and engaging. Sets, locations, and props are highly authentic and realistic, especially for the time frame. Finally, the editing is relatively good considering the large amount of content that is taken on in this film. In the end, this is the standard production quality we should see with each movie that comes out.
Plot and Storyline Quality (1 point)
Though this is a very interesting and realistic true story that definitely warrants a movie of its own, it’s hard to think that it was handled very well in this particular film. For one, unnecessary and heavy-handed narration forces the plot along and explains things that should be allowed to develop on their own. The narration stunts character development and subverts the use of effective flashbacks. There are plenty of characters in this film, but it’s hard to get to know any of them very well due to the constant voiceover. Besides this, the presentation of this otherwise good story is very slow and boring, perhaps in attempts to be overly dramatic. Nonetheless, it doesn’t come off right as there are too many stop and start scenes and dead sequences before all of the important information is shoved at the end. In the end, this movie carries an important message that is not handled very well.
Acting Quality (2 points)
This movie clearly has a professional cast with plenty of recognizable names, yet sometimes the cast members appear to be overconfident in their abilities. There’s no question that they have talent, but they underwhelm in their performances, like they are just phoning it in. But for the most part, this section does reflect a professional effort.
Movies like this one, that are made by ‘Hollywood’ for Christians are usually a mixed bag. Professional production and casting is rarely shirked on, but there always seem to be those lingering problems that drag it down. The story behind 90 Minutes in Heaven is worthy of the Hall of Fame, yet this film is not due to a handful of small issues that hold it back. Yet regardless, many will find this film to be enjoyable and it’s certainly worth your time.
Bryan Lawrence was a well-respected police officer who was caught in an unfortunately violent situation that ended with him becoming paralyzed. However, through this very difficult situation, he fought to keep his optimism up as his family came around him and supported him. Though it was deemed impossible, Bryan sought to walk again with the goal of walking his future daughter-in-law down the aisle. Times were hard and sometimes he and his family felt like giving up, but his faith in God always kept him grounded.
Production Quality (2.5 points)
Badge of Faith is clearly a well-funded production with professional caliber video quality, camera work, and audio quality. The soundtrack is somewhat generic but is respectable. Sets, locations, and props are highly realistic and appropriate. There is little negative to speak about here, except for the fact that the editing seems unfinished in that some scenes seem abruptly cut off before they’re done. However, despite this issue, this is a nearly perfect production that the creators should be proud of.
Plot and Storyline Quality (.5 point)
This story is a very inspiring real-life story, but one has to question how it is presented in this film. As it is, the storyline is fairly boring and somewhat flat, even though there is a lot of potentially interesting content here. For instance, there are too many montages that stunt character development. Even though there are some good attempts at developing the characters through realistic dialogue, since there are not many characters and since this is a character-driven plot, we would have liked to see further development. Though there are many pertinent and accessible issues explored in this film, the storyline overall lacks the necessary continuity and driving purpose that would make this movie dynamic. Though the struggles of the characters can be appreciated, it feels like this is just a string of random sequences. In the end, Stone Table Films knows how to find a realistic story and make a movie out of, but like Touched by Grace, the plot of Badge of Faith leaves something to be desired.
Acting Quality (3 points)
The acting is definitely the strongest point of this film. The cast is highly professional and well-coached. Each member is case highly appropriately. Emotions are very realistic and line delivery is on point. There are no errors to point out here.
It is certainly enjoyable and refreshing to watch the movies produced by the Stone Table team, but it is also frustrating to see the potential they left behind. If Touched by Grace and Badge of Faith had slightly better plot improvement, each of these films would be on the Hall of Fame. Yet the Stone Table team is continually improving, so there is great hope for their future. We firmly believe they will keep trying until they finally get that blockbuster release.
Grace has had her share of heartache when it comes to romantic relationships. She feels like men have played games with her heart, even though she desperately wants to find the right man to spend the rest of her life with. She looks to her parents for guidance, but she also wants to be her own woman. After she finally hits rock bottom when a man treats her in a way she does not feel is appropriate, she decides to make changes in her life and to stop seeking men. Little does she know that true love could be right around the corner.
Production Quality (1 point)
The production of Princess Cut is its one redeeming quality, but that still isn’t saying much. The video quality is clear and the camera work is passable, except for in-shot zooming. The editing is decent, but the sound quality is the biggest detractor here. Many scenes are obviously overdubbed because of the lack of a boom mic. Some sound is hard to hear and there are quite a few musical montages that cover up what could have been valuable dialogue. Also, the sets are severely limited; too much content takes place off screen. In short, we realize that Princess Cut had a very small budget, but it seems like more could have been done here.
Plot and Storyline Quality (.5 point)
There is an underlying philosophy in this plot that is slightly commendable, but there are so many negative issues. Good principles of dating are talked about, but they are also forced down the throats of the audience through robotic paragraph dialogue. Also shoved in the viewers’ faces is a far right Christian-ese worldview based on patriarchy, matronly women’s roles, anti-psychology ideals, and self-help books. The female characters are portrayed as empty-headed and clueless. ‘Bad’ characters are over-the-top strawmen. As previously mentioned, there is no real dialogue that builds the characters—most of the time, the characters seem to be reading self-help books verbatim. The plot is choppy and leaves out many key parts, some of which are made up for with extremely awkward and strange dialogue. Intended humor falls flat. In summary, this plot contains only a small amount of positive amid a conglomerate of strange philosophies and robotic characters.
Acting Quality (.5 point)
We felt like there was some potential in this cast—Rusty Martin Sr. and his son has both demonstrated good acting skills before—but it was not tapped in Princess Cut. Ashley Bratcher seems like a good actress, but she is not given any help. Unfortunately, most of the line delivery is emotionless and very stodgy. If coaching had been employed, the acting quality could have improved.
It’s great that more independent Christian film-makers are making movies and are able to make them, but what is the cost of these sorts of films? Princess Cut portrays Christians as living in their own bubble, owning a farm that the men run while the women slave away in the kitchen all day and knit. People outside of this bubble are portrayed as bad, and psychology is a definite no-no. Yet at the same time, the Bible is not given near as much attention in this film as self-help book product placements. What type of philosophy is exactly being espoused here? It is wonderful to portray healthy dating, but if you’re looking for that, we highly recommend Old-Fashioned, not Princess Cut.
Elizabeth Jordan, on the surface, has an ideal life—a good job, an expensive house, a husband with a high salary, and a nice daughter. However, something isn’t right, something is just missing. She can’t really seem to get along with her husband anymore, he seems distant and preoccupied with other women, and she barely knows her daughter anymore. Everything changes for Elizabeth when she meets her new realty client, Miss Clara. Miss Clara subtlety pricks into Elizabeth’s personal life just enough to make Elizabeth interested in finding out what Miss Clara’s secret to happiness is. After talking long enough, Elizabeth discovers that her life is not alright and that Miss Clara’s secret weapon is worth a try. The secret weapon? A war room, or a prayer closet. Miss Clara teaches Elizabeth to fight for herself and for her family on her knees so that God can fight for her rather than her fighting for herself. Little did they know that the battle had only begun.
Production Quality (3 points)
In the same vein as Courageous, the production quality of War Room is high. Despite this being the first Kendrick movie away from Sherwood Baptist Church, nothing in the area of production quality changed between Courageous and War Room. While there are no real action scenes in War Room, the diversity of sets is still present. The soundtrack fits into the film neatly. The editing and the production give the movie a close to home feel, which seems to be what the creators were going for. In short, this is business as usual for the Kendricks.
Plot and Storyline Quality (2 points)
The plot of War Room follows a typical non-linear Kendrick plot with minor twists and turns—one that defies conventional plot structure. In the beginning, the plot depicts realistic struggles of accessible characters paired with a clear Christian message, which is a hallmark of the Kendrick brand. Dialogue is mostly effective in building character motive and driving character arcs, and the message is obviously a powerful one, but there is a point where the storyline of this film overstays its welcome through multiple moments that seem like the end and through stop-and-start sequences that lag on a bit too long with the purpose of driving home how the characters have become seemingly perfect. Thus, while there is plenty of good in this plot and while there is no doubt of the film’s success, we needed a bit more realism in the arcs of the characters. However, the message of War Room is still worthwhile.
Acting Quality (2.5 points)
In the first movie away from the Sherwood acting pool, there are no concerns here. The actors behave just as all actors do under the tutelage of a Kendrick movie crew. The delivery of lines is solid and the emotions are believable. This type of movie is heavily dependent on the acting quality, and they did not disappoint. A continued under-appreciated aspect of Kendrick films is their commitment to diversity of casting. This is huge, since Christian movies should be better than mainstream movies.
The Kendricks have a brand, and they are sticking with it. War Room feels like a redux of Fireproof with better cast members and a less textbook message, but the up-and-down career of the Kendricks continues in this rendition. They know their audience, they have the marketing skills down, and they have the name recognition to basically do whatever they want from here on out and still have box office success. War Room takes another spot on the Hall of Fame, but we have to wonder if the Kendricks will branch out in their post-Sherwood career or if they will continue to churn out more high-quality but safe films. We are banking on the latter, but we will be looking for them to do something more creative in their next film.