Eyes to See (Movie Review)

Eyes to See (2010) - IMDb

Plot Summary

What Ray cares about most in the world is being a successful camera operator for a traveling national media crew. However, this demanding profession frequently keeps him away from his wife and daughter, who desperately want to be close to him. Nonetheless, Ray pushes forward for career success until a Haitian earthquake traps him underneath rubble and forces him to reexamine everything he holds dear.

Production Quality (2.5 points)

From start to finish, Eyes to See is a very professional production, which is evidenced by good camera work and video quality. The authentic sets, locations, and props are well-utilized and make for a very gritty, realistic setting. Audio quality and soundtrack are also great, and it should be noted that it was very ambitious to take on a difficult natural-disaster-style production idea like this one. As such, the earthquake sequences are mostly accurate. The only minor concerns to point out in this section pertain to some unnecessarily soft lighting within some of the flashbacks and some slightly choppy editing in the film’s second half. However, there’s plenty of positive in this production, which earns it a high score.

Plot and Storyline Quality (1.5 points)

Eyes to See sports a very strong message about the stark contrast between actually helping people in need during a natural disaster and just looking for media entertainment. This is accomplished through believable characters, which are built with accessible dialogue that establishes character personality as well as a very effective use of flashbacks that reveals character motive. Through these excellent narrative tools, recurring themes and thought-provoking conversations are presented to the audience that offer a brave and honest look at how Americans can easily mistreat those struggling in developing countries. Although it was great to efficiently use time and money with a short film rather than a long one, this is a rare instance where we wish a movie was longer than it was, especially since hearing more from the Haitian characters in this narrative would be have been good to balance out the American characters that tend to dominate the screen time. Also, the plot’s ending is a bit rushed, which leads this section to the rating that it gets, but it’s still an enjoyable experience.

Acting Quality (3 points)

This screenplay’s strongest aspect is its highly professional acting performances, which sport realistic emotions and on-point line delivery. Costuming and disaster makeup are also positive points to note. Further, the culturally accurate casting is very refreshing and essential. In this, this section rounds out an effort that does just enough to achieve Hall of Fame status.


Normally, we would like to see many films that are over ninety minutes long to be shorter, but Eyes to See is an outlier instance since we would have rather seen more than half an hour of content. As previously mentioned, extending the runtime could have been done by giving more focus to the experiences of the local characters instead of focusing so heavily on the Americans, but as it is, this brief narrative is enough to warrant a position on the Hall of Fame. It’s a prime example of how good a small creation can be as well as something adequate can be even better. Hopefully, future entertainment makers can take cues from this example, and perhaps, we’ll see even better things from this creative team in the future.

Final Rating: 7 out of 10 points

Believe [2016] (Movie Review)

Plot Summary

Matthew Peyton has tried to keep his father’s struggling factory afloat, but with the unions bearing down his neck and the economy tanking in the small town he lives in, it may be too late for him, even with Christmas just around the corner.  One night, when Matthew is attacked by angry workers, he is left for dead yet tended by a community of homeless people he never knew existed in the city.  They change his outlook on life and give him a new hope for the holidays that he thought he had lost.


Production Quality (2 points)

As a modern production, Believe is mostly high quality and professional.  Video quality is great, and camera work is good except for some unnecessarily odd camera zooms at dramatic moments.  Audio quality is good, however, as is the soundtrack.  Sets, locations, and props are realistic and appropriate for the film.  However, there are some confusing special effects throughout, and the editing is generally disorienting as time goes back and forth without warning.  Nevertheless, it is clear that this production team wanted to make a good film, so they mostly succeeded on this front.

Plot and Storyline Quality (1 point)

Believe is one of the most complex yet disorganized Christmas plots I have ever witnessed.  It begins with unusual apocalypse undertones that depict a small town falling apart almost like a disaster film.  There is a lot of information dump dialogue to ‘catch the audience up,’ yet a lot of it is politically charged and agenda-driven.  At first, the drama seems manufactured as characters are seemingly swept along in uncontrollable circumstances like stand-ins for plot devices.  The story is also heavily centered around a stereotypical Christmas pageant that can save everything.  The protagonist is hated by almost everybody, which is another premise that seems very forced.  However, the plot pulls itself out of the nosedive in the middle as some really interesting issues and ideas are brought to light in what could have been a very unique and creative Christmas film.  However, the sheer number of ideas packed into this film cripples its influence, especially since the storyline returns to predictability and extremely quick problem-fixing and conflict-resolving for the final sequences.  Regardless, there is a lot of potential here that could be reworked into a different film.  The complexity at least keeps the viewer interested.

Acting Quality (2 points)

For the most part, this cast is professional and well-coached.  There are some moments when they are too practiced and forced in their emotions and line delivery, but this is not enough to derail the positive efforts.  On the whole, like other parts of this film, this casting and acting is what is needs to be to keep things interesting.


Many audiences will likely enjoy Believe, and it’s not really that bad of a movie.  But it needs some serious reorganization, along with a final sequence rework.  Too much is trying to be accomplished in this film, but we can never fault wanting to handle a lot of content when most films—especially holiday ones—suffer for any shred of substantial content.  Still, it would be interesting to see a remake of this film because there is definitely tons of potential here.


Final Rating: 5 out of 10 points