When a worship pastor is facing a crisis in his marriage and his career, he feels like he’s at the end of his rope. The minister wonders if his faith is even real, which is why he’s suddenly visited by mysterious men who claim to be from history. They show the pastor what the true meaning of Christmas is, but the minister will have to decide for himself.
Production Quality (.5 point)
Starting off with odd lighting and tinted filtering, the production quality of The God Cafe is quite low. Cheap special effects and overlays clutter the viewing experience despite acceptable video quality. Sub-par audio is accompanied by a generic soundtrack. Limited sets, locations, and props are supplemented by embarrassing fake backgrounds, and some odd camera angles further contribute to this section’s problems. Additionally, the editing is marred by sudden and abrupt flashes and transitions, which disorients the audience. In the end, only a very meager score can be awarded here.
Plot and Storyline Quality (0 points)
Despite the fact that this plot is centered around the inherent problems with celebrity worship pastors (a pertinent discussion that needs to be had), it’s unclear why certain apostles from church history have to visit the protagonist to clear things up. What’s more, the story is frequently interrupted with random, out-of-context songs just because it’s a Christmas musical, I guess. Dialogue is basically a general regurgitation of Bible reading, making the story a long informational diatribe. As such, character development is thrown out the window in favor of a constant stream of facts and references to offscreen content. In the end, besides being a an alternate redux of The Perfect Gift, The God Cafe accomplishes next to nothing, which is the reasoning for zero points in this section.
Acting Quality (1 point)
Between forceful line delivery and manufactured emotions, this section is overall subpar. It seems the cast members are trying to be too interesting, which just comes off as annoying. As a whole, the performances are too theatrical, but there are some bright spots that keep the acting from being a total loss. The amount of positive is enough to warrant a point in this area.
Films like The God Cafe don’t even begin with a sound plot structure, just a vague idea that could be interesting. This isn’t sufficient for a Christian movie, so it’s long past time for collaboration to be the norm in the field. No one can make a movie on their own, and everyone has different talents to bring to the table. If God wants you to make a screenplay, He’ll supply the team and the resources that you need, so you don’t have to try to force more films to happen that will likely fail.
Final Rating: 1.5 out of 10 points