Love’s Unending Legacy (Movie Review)

Plot Summary

Following the tragic death of her husband Willie, Missy LaHaye moves back to the town her parents, Clark and Marty Davis, live in order to try to start a new life.  She is determined to insulate herself from anymore heartache by taking care of her son Matty and by quietly settling into another teaching role.  However, her carefully constructed world is disrupted when an orphan train comes to town looking for new parents to take in starving orphans and when Missy finds herself falling for the town sheriff, a broken man who also wants to protect himself from hurt.  Little do they know that out of sadness can come new beginnings.

 

Production Quality (1.5 points)

With the exit of Michael Landon Jr. from the franchise, the production quality diminished considerably.  While the camera work, video quality, and sound quality are still above par, there are other problems to contend with.  The sets are obviously limited as some things take place off screen and some surroundings don’t really even capture what they’re meant to capture.  The costuming is partially unrealistic as some characters never seem to get dirty and obviously have modern hairdos.  Furthermore, the editing can best be described as stop and start—the story does not flow well, as we will see next.  In short, Michael Landon Jr. still knows how to produce a film well, and his absence is felt in Love’s Unending Legacy.

Plot and Storyline Quality (.5 point)

At this point, the Love Comes Softly franchise completely abandons the original intent of the novel saga and begins to attempt to excessively replicate the original series storyline—a youngish widow falls in love with a hurting man who she really didn’t like at first and who likely had a ‘romance hurt’ in the past.  We really don’t understand why Janette Oke continued to rubber stamp this series since it undermines her better novels.  Love’s Unending Legacy is wrought with bizarre lines, forced dialogue, and unrealistic happenings.  There is really no good dialogue and the dialogue that exists is very head-scratching.  “[Dancing] is an excuse to get your arms around a pretty woman” is not exactly a wholesome Christian line.  Besides this, the end of the plot is predictable and neatly-fixed-up—yet it is not even accessible by audiences since there is really no feeling put into it.  The only positive to raise here is some potential with the orphan train story, but that’s it.  In short, we have to wonder why the original novel plot could not have been at least adapted in some small fashion when this is the alternative.

Acting Quality (0 points)

As previously mentioned, the costuming and makeup on the ‘good’ actors and actresses is unrealistic for the time period.  The actual acting is very unusual, like some characters were allowed to improvise most of their lines.  Other actors and actresses are left looking robotic because of an obvious absence of coaching.  There is really nothing good to say here.

Conclusion

The big question Unending Legacy raises is ‘Why?’  With the departure of Michael Landon Jr., who at least partially adhered to Oke’s original books and brought above average production quality, was it realty worth making four more movies that borrow characters and titles from the novels and use them with large creative license?  Unending Legacy doesn’t even have a good enough plot to justify the departure from the book—if it did, then this will be an entirely different review.  An eight-movie saga is hard enough to craft successfully; four movies was likely enough.

 

Final Rating: 2 out of 10 points

Love’s Abiding Joy (Movie Review)

Plot Summary

When Clark Davis makes a cross-country journey to visit the LaHaye’s cattle ranch, he finds a family trying to hold things together as they ride through tough financial times.  Problems are only compounded when the infant Kathy LaHaye dies suddenly of unknown causes.  Each family member is scattered from each other, dealing with grief in different unhealthy ways.  Willie is forced to take an extra job as the town sheriff as many local families are struggling to make ends meet under the firm grip of the cruel mayor Samuel Doros.  With so many negative circumstances pressing in around them, the Clark and the LaHayes will have to pull together and remember that the darkest times come right before the light.

 

Production Quality (2 points)

Consistent with the previous Love Comes Softly films, the production quality of Love’s Abiding Joy is above average.  The video quality and sound quality are solid.  The camera work is professional.  However, there are some minor issues here, such as the stock musical score.  In keeping with a main Michael Landon Jr. error, the costuming, especially the makeup, is inconsistent with the historical period.  Also, the editing is very choppy, not giving any opportunity to truly engage in the story, as will be discussed further next.  But in sum, Abiding Joy looks good on the surface and is mostly good in this area.

Plot and Storyline Quality (.5 point)

As previously alluded to, the plot seems like a collection of random scenes glued together.  It meanders without any real identity, forcing too many different issues together in one storyline.  In the midst of this, the tragic struggles of the characters cannot be connected with or accessed by the audience because they seem very shallow.  The dialogue is quite stock; no care is given to originality.  Each character is very procedural and stereotypical, including the cheesy villain.  Abiding Joy begins a new theme of the remainder of the Love Comes Softly series: forced extra romance subplots.  At this point, the original novel plots have been completely abandoned.  On a brighter note, this grief story had some great potential, but it was left untapped.  There is a slightly interesting twist at the end of the story, but it’s pretty much washed over by all the other negative elements.  Unfortunately, that’s the only good that can be said.

Acting Quality (.5 point)

Abiding Joy marks the beginning of vain actors and actresses in this film franchise.  Dale Midkiff once again takes on a large role in this movie, and it’s not a good thing.  Other cast members portray annoying forced emotions and awkward line delivery.  Erin Cottrell has a lot of half-screamed lines.  The only good element to bring light to here is the presence of at least some good acting, though it’s just not enough.

Conclusion

Love’s Abiding Joy had just as much of an original idea behind the plot as Love’s Long Journey did, but the originality is left on the proverbial playing field.  We need more movies about the real struggles of families portrayed in realistic settings, but this film just doesn’t cut it.  There was a significant decrease in overall quality in this fourth Love Comes Softly installment, and unfortunately, it was the unhindered beginning of a major slide for the film saga.

 

Final Rating: 3 out of 10 points