Savior [2014] (Movie Review)

Plot Summary

What if Mary and Joseph lived in modern day Britain rather than the fantasy world of British Judea?  What if the Magi were random business people who read about it all in the newspaper?  This unique movie reimagines the Christmas story in a way that even BBC has not thought of yet.

 

Production Quality (1 point)

This film is basically a small church production, and thus it has its share of quality concerns.  This includes a lot of shaky camera work and sequences of odd lighting.  While video quality is fine, there are also a lot of strange close-up shots of cast members that are off-putting.  There are also some minor background sound issues to content with, as well as some weird sound effects and not enough soundtrack.  As is customary for these types of productions, sets, locations, and props are fairly limited and low-budget.  Furthermore, the editing has some signs of amateurism.  In the end, this is a nice try, but not good enough.

Plot and Storyline Quality (0 points)

At least since they had a lot of British people at their disposal, they decided to go ahead and commit to the idea properly by setting the story in modern day Britain rather than in an imaginary location like British Judea.  But even so, there are plenty of problems that come of these sorts of modern-day Bible allegory things, as usual.  For one, time progresses far too quickly to the point of stunting proper character growth.  Thus, they come off as stiff and unnatural due to rushed, uninspiring dialogue.  There are also too many unrelated asides that waste time, as well as a lot of boring conversations that do nothing to help the characters.  The ending is confusing and isolating, thus hurting any chance of meaningful impact.  In short, while it is always problematic to transpose Biblical events over modern-day circumstances, the plot doesn’t have to be this drab, boring, and confusing.

Acting Quality (1 point)

As an amateurish cast, these cast members would have benefitted from upgraded coaching.  Most of the time, they come off as flat and forced.  There is too much melodrama and yelling throughout.  However, there are some good moments that redeem this section from being worse.  Yet this film overall struggles to find identity.

Conclusion

When a Biblical event is recast in a modern setting, a lot of care needs to be taken and a lot of planning needs to be employed.  This is not a venture to take lightly.  Even so, we don’t try to reconstruct other historical events into modern venues, do we?  This method of storytelling is somewhat questionable, but even if you’re going to use it, it has to be done right, not haphazardly, as this movie was.  Better luck next time.

 

Final Rating: 2 out of 10 points

 

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The Young Messiah (Movie Review)

I’m British!

Plot Summary

According to some fake historical accounts written down in pseudepigraphical infancy gospels, while the British boy Jesus lived in British Egypt, he supposedly had no idea that He was God in the flesh as His family ‘concealed’ His true identity from Him.  Stalked by Satan, British Jesus accidentally raised people from the dead and healed them.  But when British Herod sent a British Centurion to kill the little British Messiah, young British Jesus must discover who He is before it’s too late.

 

Production Quality (2 points)

Despite its glaring flaws, The Young Messiah does have good production merits, which is becoming the new baseline of Christian film.  Camera work and video quality are obviously professional, except for a few strange moments of weird camera angles.  The audio quality is fine but the soundtrack leaves something to be desired.  The sets and locations are mostly realistic.  However, there are some editing issues pertaining to useless scenes and generally confusing plot development.  Overall, this is a respectable effort and lends to the new normal of Christian film, which is quality productions.  However, it gets worse from here.

Plot and Storyline Quality (-1 points)

I don’t care what your theology is—if you believe that Jesus was fully God and fully man from birth, then there’s no way you can believe that the young Jesus had zero clue what He was supposed to do on earth or that Mary could conceal anything from Him.  What is the actual point of constructing an entire plot around keeping a ‘secret’ from God Himself?  Even without this issue, this plot is meandering, useless, and without focus as it jumps from one sensational scene to the next.  With tons of extra-Biblical, questionable, and even borderline explicit content, The Young Messiah has an overall dark feel to it and an unhealthy addiction to sadistic violence.  Bizarre spiritual elements are also present as this film has a typical obsession with Satan, who is mostly portrayed as smarter than Jesus.  Perhaps the entire motivation for making this mess should be reexamined.  With no truly redemptive qualities to speak of and an offensive portrayal of Christ, this plot warrants negative points.

Acting Quality (-1 points)

Obviously the standard for slapping together a Bible film is to put out a casting call for people who sound like they stepped out of a Charles Dickens novel.  There’s nothing wrong with cockney British accents, mind you, as long as they are kept in their proper place, like Jane Austen movies and such.  But why, can anyone tell me, do movie creators feel the need to endlessly cast Roman and Middle Eastern figures as WHITE BRITISH PEOPLE?!  It effects everything—not just the accents—but even the out-of-place culture-specific references like ‘hubbub’.  Besides this, costuming and makeup is generally weird and line delivery is overly dramatic.  Any good hidden here is totally overshadowed by all things BRITISH.

Conclusion

If you’re going to make a Biblical movie, first why do you feel the need to cast an entirely and extremely BRITISH cast?  Second, why not portray a clearly written story from Scripture rather than some made up garbage from a false historical source (see pseudepigrapha and Infancy Gospels)?  It’s not like we’re running out of Bible stories to choose from for movies.  And we’re certainly not at an international shortage for Middle Eastern cast members as some have shown.  Even if you’re not going to cast totally Middle Eastern people, can’t you at least have them learn different accents?  Some actors conceal their accents for some roles because that’s their job.  Can’t we respect the Bible enough, at least as a historical document, and attempt some authenticity?  Finally, if you don’t care to portray Jesus and Satan properly, don’t make a movie about them, KTHXBYE.

 

Final Rating: 1 out of 10 points