Secrets in the Fall (Movie Review)

Plot Summary

After being stuck in school for a snowbound night, a group of teenagers became friends for life. Now, they’re working together as counselors at a Christian camp. However, not everything goes smoothly as some campers don’t want to be there for various reasons. Will they all be able to wok together to make the week memorable?

Production Quality (1.5 points)

Beginning with a cheap found-footage feel, this production doesn’t live up to professional standards. Background noises and shaky camera work don’t help matters. While video quality, sets, locations, and props are okay, there’s not much soundtrack to speak of. Editing also contains concerns, including lagging scenes, awkward fadeouts, and weird sped-up portions of the film that confuse the audience. Despite some slight production improvement with time, this section can’t receive any more than an average score.

Plot and Storyline Quality (.5 point)

From the get-go, the narrative is filled with convenient exposition that shoves information into the viewers’ faces. When this finally stops, the dialogue is somewhat acceptable yet could use some work. Although this screenplay is a sequel, characters are one-dimensional due to lots of blank scenes that accomplish nothing. Additionally, the high number of characters crowds out the runtime, causing many subplots to get lost in the shuffle and characters to get neglected. As a result of wasted time, character arcs are too steep as shortcuts are taken to force lessons upon the audience. Though there are some good attempts at making the “bad” characters neutral by giving them reasons for their actions, which is the tiny shred of potential in this story that keeps it from receiving no points, there is still not much focus or purpose in this narrative. Characters undergo very self-aware growth without experiencing circumstances that would promote these behaviors, which is unrealistic. In the end, the Every New Day creative team often tries to craft character-based plots but continue to lack key elements that are needed or success.

Acting Quality (1.5 points)

As a whole, the acting of Secrets in the Fall is mostly generic due to there being nothing special or terrible. Line delivery and emotions are standard. Thus, with no positive or negative standouts, this section receives an average score.

Conclusion

Secrets in the Snow had a good amount of potential, but this follow-up seems forced and unnecessary. Sequels should build upon what was previously accomplished, but this movie takes a step backward. It seems like that the Goodwins have noble intentions with their creations, but they have taken a quantity over quality approach. Perhaps it’s time for them to take a step back and focus on producing fewer screenplays that contain more meaning.

Final Rating: 3.5 out of 10 points

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July 6, 2021 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2015, 3.5 points, Aaron Michael Johnson, Andrew Walters, Andrew Wilson Williams, Ariana Wendell, Ashley Murray, Audrey Easton, Benjamin Goldman, Brittany Goodwin, Catherine Allen, Celina Tolbert, Daniel Bostic, David Topp, Desiree Ross, Drama, Duane A. Sikes, Every New Day Pictures, Greg Wait, Hakeem Stevens, Hollie Bahar, Hollie Shay, Hosanna Gourley, Inspirational, John Goodwin, Joseph Cox, Josiah Blount, Karen Haught, Katie McCaffrey, Kelsey Kupecky, Kim Carr, Kyle Kupecky, Luke Ptacek, Madelyn Branca, Natalya Hill, Ricky Valadez, Ryan Patrick Williams, Taylor Slay, Vincent Seidle, Voltaire Colin Council Leave a comment

The Perfect Race (Movie Review)

Plot Summary

Courtney Smith-Donnelly is still teaching high school track-and-field, but when she gets the opportunity to fill in for a college track-and-field coach, which also involves coaching a former student, Courtney jumps at the chance. Much like her past experiences, Courtney faces heat for teaching basically conventional running techniques. Nobody thinks that Courtney knows what she’s doing although her advice is common-sense. Will they ever be able to run the perfect race?

Production Quality (2 points)

For the most part, the production of The Perfect Race is acceptable. This includes good video quality, standard camera work, and passable audio quality. The soundtrack is generic, but sets, locations, and props are realistic and professional. Lighting is on par with industry standards. The biggest drawback in this section is the very choppy editing that makes for a confusing viewing experience. Nonetheless, the production is still above-average.

Plot and Storyline Quality (0 points)

Throughout this plot, many of the scenes are quite short and end prematurely, making for rushed conversations. It doesn’t help that much of the dialogue is full of boring and procedural information, thus leading to blank and empty characters. As meaningless scenes speed by one after another, the audience is subjected to proprietary sports content that involves characters who no one cares about due to lack of development. Much like the predecessor of The Perfect Race, Remember the Goal, this sequel film ridiculously shoe-horns Christian messaging into the sports elements, using empty platitudes to do so. Although the middle of this narrative explores some surprisingly interesting themes pertaining to self-esteem in relationships and Christians not liking death, it’s too little too late. These topics were not properly set up, and it doesn’t help that most of the Christian characters are basically perfect people who can fix everything really easily. In the end, there’s hardly any difference between The Perfect Race and Remember the Goal as both screenplays involve the same character being unrealistically persecuted for using basic cross-country running strategies that pretty much any sports professional would agree with. Because of these concerns, no points are awarded in this section.

Acting Quality (1 point)

Unfortunately, The Perfect Race continues the long-term Christiano tradition of poor acting. The line delivery is too quick, and emotions are quite robotic. Throughout the movie, it feels like that the cast members are simply going through the motions without conviction behind their performances. However, the acting is not all bad as the work of some actors and actresses is acceptable. Thus, a small score is merited here.

Conclusion

It’s very hard to believe that the Christiano team squeezed two full films out of this extremely limited and boring idea. There’s very little difference between The Perfect Race and Remember the Goal except that the sequel has a bit more potential. Nonetheless, this screenplay is still a relic leftover from the old era of Christian entertainment that we are hopefully transitioning away from.

Final Rating: 3 out of 10 points

April 29, 2021April 29, 2021 by Box Office Revolutionary Categories: Drama, Inspirational, Movie Reviews, SportsTags: 2019, 3 points, Allee Sutton Hethcoat, Amanda Torp, Ann Cameron, Austin Haley, Bethany Davenport, Bill Billions, Brittany Goodwin, Christiano Brothers, Clarence Gilyard Jr., Daniel Chioco, Dave Christiano, Dave Christiano Films, Drama, Egypt Taylor, Five & Two Pictures, Given Sharp, Grant Fonda, Harrison Stone, Inspirational, Jack Young, Jermaine Boswell, Johanna Chunn, Johnna Standiford, Jonathan Everett, Rebekah Durham, Reen Vogel, Ryan Barboza, Sports, Tiffany Montgomery 1 Comment

The Dream Motel, Season 1 (Series Review)

Plot Summary

Jesse and Matteo are angels who have been assigned to do various tasks on earth, one of which is to fix up an old motel in rural Georgia so that they can win the spiritual war of owning buildings around the world. If the angels can own enough buildings, they can apparently lead more people to salvation, but if the demons in disguise keep taking over God’s properties, they’ll somehow be able to bring more darkness to the earth. Can Jesse and Matteo stop them one motel guest at a time?

Production Quality (1 point)

Although the video quality and camera work are mostly fine in The Dream Motel, save for a few shaky action shots, there aren’t many other positives to point out here. Audio quality is too inconsistent, including annoying background sounds, and there’s basically no soundtrack at all. Also, outdoor lighting is fairly poor, and the sets, locations, and props are often cheap to the point of not even representing what they’re supposed to represent. Further, there’s no real editing or transitions throughout the season, and there some awkward fadeout moments. To top things off, there are bad special effects throughout, which rounds out a mediocre effort.

Plot and Storyline Quality (0 points)

Besides the fact that The Dream Motel is a boring stock plot based on robotic dialogue and wooden characters, the world constructed in the premier and finale episodes makes no sense at all for a number of reasons. For one, it’s unclear from Scripture whether or not angels have emotions or free will to wrestle with various philosophical issues like these characters do. For another, why would God need magical locations around the world to do His bidding, and how could demons steal them without His allowance? How are atheism and secularism powerful enough to halt Christ’s will? Why would demons even have an interest in stealing magic buildings rather than actual people? These premise problems aside, the villain is stupidly obvious, some of the characters seem unnecessarily outraged at logical things, the narrative incorrectly portrays realistic circumstances involving HIPAA protection, and it’s downright creepy to have smiling angels tell humans private things about the people. It feels like this storyline exists outside of reality even though scenes drag on as lines are painfully dragged out of the characters, who talk in circles to fill the runtime, and although boring activities of daily living, expository dialogue, and off-screen content make The Dream Motel seem like most poorly crafted Christian entertainment. With basically no personality or motive for the characters and far too many coincidences to hold up the plot, this series is just a collection of disasters.

Acting Quality (0 points)

Having very stilted and overly practiced acting is almost a given when it comes to Rossetti Productions, and The Dream Motel doesn’t disappoint. Using the patented Rossetti style of basically reading lines for a church play, the cast members exhibit forced wooden emotions that make the viewers think that the actors and actresses don’t actually care about what they’re doing. Some cast members seem unnatural or even uncomfortable in their roles, and a portion of the theatrical annunciation is off-kilter. Many scenes feel like one-takes as some actors and actresses appear to forget their lines in some instances and awkwardly grasp for something to share that can fill the blank silence. Essentially, there’s nothing positive to note in this section.

Continuity Quality (1 point)

Following a predictably typical series model, The Dream Motel offers premier and finale episodes that depart from the norm while all the between episodes are standard recurring dramas that introduce characters only to discard them before the credits roll. Concepts explored in the pilot aren’t returned to until the last episode, which concludes with a cheesy cliffhanger ending. While this section isn’t all bad due to some recurring subplots among the main characters, it’s still a run-of-the-mill offering with missed opportunities for continuity.

Conclusion

There are just so many things wrong with The Dream Motel from the get-go. Basically a redux of The Encounter, only with angels, this Rossetti series is based on illogical and questionable concepts yet still commits errors beyond this. Even the best ideas can be easily derailed by poor storytelling, low production quality, and abysmal acting. With so much experience under their belt and a trailed of wasted opportunities, it’s hard to know where the Rossetti Productions team is headed at this point, but this series is definitely not worth your time.

Final Rating: 2 out of 14 points

April 11, 2020 by Box Office Revolutionary Categories: Drama, Inspirational, Series ReviewsTags: 2019, Allen Hogan, Bella Martin, Brittany Goodwin, Caleb Martin, Carey Jones, Chip Rossetti, Christian St. John, Christian Weissmann, Christopher Hensel, Cole Cadman, Dakota Bruton, David Ditmore, David Ross, Dominick Wilkins, Donna Botts, Doris Collier, Doug Stroup, Drama, Francine Locke, Inspirational, Jeff Armstrong, Jeff Rose, Jessica Rossetti, John Cameron Bishop, John Schlitt, John Wells, Jonathan Plowman, Kaity Martin, Kamber Cain, Katie Stewart, Leah White, Margaret Tant, Mark E. Holmes, Peggy Goodman, Preston Douglas, Questar Entertainment, Reen Vogel, Robert Shepherd, Rossetti Productions, Shane A. Doyle, T. Graham Brown, TJ Cates, Todd Halliburton Leave a comment

Be Still and Know (Movie Review)

Plot Summary

Childhood friends CJ and Sophia have lost connection with each other due to various life circumstances, but they now have a chance to rekindle their friendship during a fall break getaway. Along with two other friends, they go off the grid in a family cabin in order to re-establish what they once had. However, things don’t go as planned, and their sort of vacation takes a turn for the worst, which forces them to rely on God for their help.

Production Quality (1 point)

After showing concerted production improvement in If You’re Gone, the Goodwin creative team has unfortunately gone backward in quality with Be Still and Know. This is due to many very dark indoor scenes and quite a few outdoor scenes that are dominated by background noises. Camera also tends to be shaky throughout, and some odd camera angles are used, likely for some type of dramatic effect. However, it doesn’t work, and the sets, locations, and props are fairly cheap. While video quality is one of the only bright spots of the production and although there are some good portions of this film’s presentation, there are many concerns as well, including a soundtrack that almost always plays in the background even though it doesn’t fit with the moods of the scenes. It goes without saying that many scenes are quite long and drawn out, which is due to random editing. In the end, while it’s not all bad in this section, it’s still a major letdown from a collaborative team that was headed in such a good direction.

Plot and Storyline Quality (0 points)

Unlike previous efforts from the Goodwin team, the plot of Be Still and Know unfortunately has no real potential since there’s barely anything to it. The characters are either blank or stereotypical, and the conflict in the story really makes no sense at all. Conversations and dialogue are very bland and uninspiring, which makes the viewing experience a drag. The premise is highly unrealistic and questionable as it tends to involve slightly illegal activity that’s nonsensically justified. Further, the Christian message feels extremely forced and contrived. In the end, there are either too many issues with this storyline or too much boredom to justify its creation; it’s rare to see a plot with no potential from a experienced creative team, but this is unfortunately the case with Be Still and Know.

Acting Quality (1 point)

In this small cast, errors are more obvious, and they tend to carry the weight of the movie on their shoulders. However, the cast members cannot be fully blamed for the lack of adequate lines to work with. Nonetheless, many of them come off as either bored or overplaying, yet they aren’t all bad. Most of the acting is very boring, unchallenging, and uneventful, and emotions are vanilla. Further, costuming is unusual at times, but this section isn’t completely lost, which rounds out a surprisingly low-quality attempt.

Conclusion

John and Brittany Goodwin definitely care about making an impact in Christian entertainment, and every creator must come to a crossroads in their career: will they choose to continue in mediocrity or step out with something even better than before? Some movie makers are better suited to be series makers (see Dallas Jenkins), so this may be the missing piece of the puzzle for the Goodwins. There’s also plenty of Christian fiction to explore, which can supply ample content for struggling screenwriters if permission is secured. In the end, one movie doesn’t define someone’s entire career, so Be Still and Know could be a rough patch before the breakthrough.

Final Rating: 2 out of 10 points

October 17, 2019January 3, 2020 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2 points, 2019, Andrew Goodwin, Ashleigh Chambers, Ben McIntire, Brianna Booker, Bridgestone Multimedia Group, Brittany Goodwin, Drama, Elizabeth Potthast, Emily Oppmann, Every New Day Pictures, Gil Johnson, Inspirational, Jacob Briggs, John Goodwin, Kelly Bartram, Kelsey Steele, Olivia Arokiasamy, Ramsey Whitney 1 Comment

Secrets in the Snow (Movie Review)

Plot Summary

When a snowstorm hits unexpectedly, six teenagers are trapped at Eastbrook High to wait it out.  None of them want to be there, and each of them as a secret to hide.  As time goes on, frustrations and stress increase, which causes the secret stories to come to light one by one.  However, the storm also continues to worsen, which threatens their safety.  Will they be able to make it out before it’s too late?

Production Quality (2 points)

Although it appears the budget was somewhat limited, Secrets in the Snow has a mostly good production, including fine audio, video, and camera quality.  However, the soundtrack is a bit generic and loud at times, and the sets, locations, and props are understandably limited by design, even though they are well-utilized for the most part.  There is also some inconsistent lighting, as well as some randomly shaky moments of camera work, but the editing is good.  As a whole, this is an above average production that could have been slightly better than it was.

Plot and Storyline Quality (1 point)

John and Brittany Goodwin have always attempted to develop their characters through backstories, so the effort to do this in this film is definitely commendable.  However, since this is a heavily character-based plot with almost nothing but the characters to hold it up, we needed to see much deeper character development and growth through meaningful conversations and flashbacks.  The dialogue therein needed to be less shallow and less scripted, and there are too many wasted scenes on activities that don’t build characters or help us to understand who they are as people.  Even still, this is a non-typical and mostly creative plot structure that demonstrates the true potential the Goodwins have as both screenwriters and film makers.  As they continue to grow in their careers, we expect great things from what they have to offer as they continue to deepen their character development over time because we know that they mean well and want to do their best.

Acting Quality (2 points)

Like other parts of this film, the cast members also mean well, but some of the line delivery and emotions come off as overly practiced and not natural enough.  Some performances seem to stilted and measured while some lines appear to be read.  However, there is plenty of positive here as most of the cast members appear to be comfortable with their character roles and seem to be committed to the process.  As a whole, this is an average film, which is great for a debut.

Conclusion

After this film and If You’re Gone, the Goodwins and their team are definitely on the cusp of something great.  Once they are able to deepen their characters and refine their plot structures, they will definitely be a force to be reckoned with since they have already rectified their production and acting shortcomings.  As the Goodwins continue to produce their own source material for films, we anticipate better things from them in the near future.

Final Rating: 5 out of 10 points

December 13, 2018December 30, 2018 by Box Office Revolutionary Categories: Christmas, Drama, Inspirational, Movie ReviewsTags: 2012, Aaron Michael Johnson, Ashley Murray, Audrey Easton, Branden Johnson, Branislav R. Tatalovic, Bridgestone Multimedia Group, Brittany Goodwin, Catherine Allen, Christmas, Derrick Hunter, Duane A. Sikes, Elizabeth J. Branca, Elizabeth Potthast, Every New Day Pictures, five points, Flora Cyrus, Garrett Dorthy, Gil Johnson, Greg Wait, Hollie Shay, Inspirational, John Goodwin, Justen Overlander, Justin Price, Karen Boles, Karen Haught, Katie McCaffrey, Kim Carr, Kimmie Grimes, Martin Peter Murray, Mary Jewell Gutowski, Miranda Dixon, Natalya Hill, Nichole Amerson, Phase 4 Films, Ricky Valadez, Ryan Tibbs, Skylar Rowland, Steve Bearden, Vincent Seidle 1 Comment

If You’re Gone (Movie Review)

Plot Summary

Brad and Lillian believed that they were meant to be together forever.  When Brad graduates from high school, Lillian believes this will not affect their relationship as she has one more year to go.  However, on the night of the graduation, Lillian’s life is changed forever when Brad disappears for days without contacting anyone.  The town searches for him and holds vigils for him, but nothing ever comes of it all as the months go by with no word about Brad’s whereabouts.  Lillian’s emotions collapse as she can think of nothing else besides the future life she thought she had.  Will she be able to pick herself back up and remember the faith she claims to have had?

Production Quality (2.5 points)

After several years of trial and error, the production efforts of husband-and-wife movie team John and Brittany Goodwin have paid off.  Though If You’re Gone had a modest budget, it was allocated very well.  This is evident in the professional video quality and camera work.  The soundtrack is a very good original creation, and the audio quality is spot-on.  Sets, locations, and props, though somewhat limited, are utilized very well.  The only minor issues to point out here that keep this production from being perfect are some inconsistent lighting and some slight editing issues, but as a whole, this is a very professional production that gives great hope for the future of Every New Day Pictures.

Plot and Storyline Quality (1.5 points)

Based on the original novel from the Goodwins, If You’re Gone delivers a unique plot and a compelling message.  Though the story can be a bit slow at times, there are some great conversations and dialogue throughout that seek to build characters.  However, there were still some missed opportunities to use dialogue to deepen characters just a tad more since this is a character-based story with only a handful of characters.  These missed opportunities are most evident in the middle of the film as it appears to only serve to fill time with montages and somewhat repeated scenes in order to get to the ending.  Though some audiences may not hold on for the end, the conclusion is definitely worth the wait as it contains an unexpected twist combined with a very unique and empowering message that one does not see very often in Christian film.  This ending is very much worth your time, but it would have been even better to see some flashbacks in the middle of the film that helped us to further understand why the characters did what they did and that expanded upon the family of origin issues that were touched on.  This story was clearly written for the excellent ending, so it would have likely been Hall of Fame if the lead-up was more engaging.  Even still, some will find this movie to be worthwhile and interesting.

Acting Quality (2 points)

For the most part, the cast of If You’re Gone appears to be well-coached as each cast member does a good job assuming his or her respective role quite well.  Masey McLain is always a great lead, but it might have helped for her to have further support since some cast members come off as a bit weak and detracting from the overall score.  However, emotions and line delivery are above average as a whole, which rounds out this film very well.

Conclusion

The Goodwins have persevered for several years in pursuit of the greatest film, and they have a unique opportunity to create their own source material by writing it before making their own films out of it.  They have always been close to the mark, and with If You’re Gone, they have come even closer.  Production is in a good spot for them, and acting is nearly perfect.  The next step forward for their team is to ensure stronger plots to accompany their great messaging.  Writing stories can be difficult, so it may be a good opportunity to adapt other source material as well since the Christian fiction world is replete with options.  In summary, If You’re Gone is definitely a good film, and the Goodwins are one step away from true greatness.

Final Rating: 6 out of 10 points

November 9, 2018December 30, 2018 by Box Office Revolutionary Categories: Drama, Movie Reviews, MysteryTags: 2018, 6 points, Abraham Villafuerte Jr., Adaline Mae Steffes, Alex Pineiro, Alyssa Freeze, Alyssa Ross, Andrew Goodwin, Ben Davies, Bobby Bland, Bree Molitor, Brittany Goodwin, Burgess Jenkins, Cobi Noblin, Dakota Henry, Desiree Ross, Emma Holmes, Every New Day Pictures, Inspired Family Entertainment, Jackson Kilburn, Jessica Coerper, John Goodwin, Joy Murphy, Justin Price, Kaylee Evans, Kelly Lynn Sekuterski, Luke Nafrada, Mark Dixon, Masey McLain, Nolan Ming, Oscar Mansky, Stephanie Cardel, Stephen Merriman, Susan Willis, Tara Thomas, Tommy Vahn 4 Comments