When Calls the Heart, Season 6 (Series Review)

We don’t speak of her anymore

Plot Summary

And once again we return to the fake small town known as Hope Valley for another fruitless season of people living in the dream world crafted by the series creators. Hardly anybody remembers Jack the Mountie anymore except for the fact that he and Elizabeth were married long enough to produce an instant child who’s coincidentally named after him. While Daniel Lissing willingly left the show, which was last season’s biggest news, Lori Loughlin was literally handcuffed, removed, and totally scrubbed from the show. The shadow of her scandal looms over the sixth season, especially with how Hallmark mishandled the whole ordeal and drew unnecessary attention to the problems. As a whole, Abigail’s awkward exit from the show and the subsequent complete rewrite of the show is the most interesting things that happened, but why are we not surprised? Michael Landon Jr. always planned to subject Erin Krakow to his favorite young-widow-starts-sort-of-dating-again treatment as he always has, so there’s nothing left to do but once again point out the same old flaws this series commits and count down the minutes for the Hearties to descend on my little blog post to vehemently defend all things wholesome in the face of such heartless (lol) criticism.

Production Quality (2 points)
What’s a Hallmark production without the same carbon-copy lineup of good camera work and video quality, acceptable audio quality, and that predictable, nauseatingly bubbly soundtrack? When Calls the Heart part VI checks all the proverbial boxes in this category, and it’s getting very difficult to differentiate any of the seasons from each other (except for the first two). Hope Valley still consists of the same old sets, locations, and props that are no doubt re-purposed for other Hallmark productions and are designed to make the audience believe this is a real Western town. Also, there’s still that tiny forest area Bill goes to dramatically reveal another part of his vastly complex yet noticeably cagey backstory. The only complaint for this section (besides their doing the same thing with no noticeable changes or improvements) is that we still don’t have a set for the beauty salon where the female characters get their hair done (although we might have gotten a quick glimpse at it in the finale).

Plot and Storyline Quality (0 points)
As we’ve said before, ever Hamilton took over Hope Valley, nothing has ever been the same. We just get the same old helium-infused characters spinning in circles as they retrace old plots steps over and over again. The only chances we have to get outside of the Hope Valley crossroads are Bill’s forest trips to tell us another part of his ever-fluctuating history, but now that we have a new Mountie, I guess we’ll have some trips to that bridge or something. Elsewhere, Elizabeth keeps us wondering why she’s even still in the series as her heart (lol) is passed around like a football and only exists for Michael Landon Jr. and company to continue their fetish of pairing a woman with a law enforcement character just long enough for her to get pregnant before killing said man near the end of the movie\series or even in between installments. Seriously, how is Elizabeth and Lucas vs Nathan any different from Charles vs Jack (except that Marcus Rosner was an essential addition to the show yet was stolen from us)? Elsewhere, the town is littered with many empty-minded side romances that they desperately want us to care about (although Aren Buchholz is quickly becoming one of the most important aspects of the entire series). Even Rosemary is losing her luster as a satirical comic relief who reminds us how un-serious the whole ordeal is as the writers are muting her character to go all dark and brooding because of [WHOOPS SPOILER]. And then there’s that whole situation with Abigail. Ironically, just before Lori Loughlin was led away by the police, her character made a hilariously funny reference to how Bill needed to bring some random bad guy to justice, and this is definitely the defining moment of the entire season. Loughlin’s scandalous shadow looms large over the poor town; even after the writers awkwardly tried to erase her from the universe’s memories, everything was clunky following the hiatus. Subplots awkwardly start and stop with no real conclusions. Scenes between Elizabeth and Lucas seem directly copied from Beauty and the Beast (yes, he gave her a library). Gowen is as uneven as ever (seriously, what do the writers expect from him at this point?). They all seem lost without Abigail to guide them in their everyday lives, but alas, she and Cody (awwww he left too!) has bigger fish to fry in court “back east.” Thus, with nothing really new to say here besides the same garbage we’ve seen from the past two indiscernible seasons, Hearties only have this incoherent stream of consciousness to parse through as they rush from Facebook to “own” the author of this post with zingers better suited for a clickbait news site.

Acting Quality (0 points)
For the most part, the acting of this season is as sappy as ever, but there are a handful of instances, especially near the end, that feel very muted and more scripted than usual. This is no doubt that this is due to some of the redone footage after Loughlin’s untimely exit, and the cast members were likely just emotionally distraught over her absence. Overall, there’s really nothing new to write home about (although Elizabeth does quite a bit of writing these days), and this section is award no points because we expect better than this after six seasons.

Continuity Quality (0 points)
As previously mentioned, some of this season’s subplots seem to disappear from the writing with no warning, which is a likely byproduct of the rework done following Loughlin’s arrest. Otherwise, it’s just typical plug and play romances as the writers introduce one after another to the point where you can’t hardly tell the different between them. Also, as a side note, at least a third of the subplots in season six relate in some way to the upcoming summer spinoff show When Hope Calls, which is possibly where many characters will escape to once When Calls the Heart finally runs out of steam.

Conclusion

Oh yeah, so there’s a seventh season coming up. MLJ has at least two more seasons to use Elizabeth’s indecisiveness and lack of personality as a carrot to dangle in front of his rabid fans, but sooner or later, they’ll get tired of this song and dance. With Loughlin’s scandal-ridden exit, this series is already running on fumes and has only been sustained by constant romance bait-and-switch. I mean, is anybody the least bit annoyed with how they treat Elizabeth? Anyhow, this has been another WCTH review from your favorite reviewer in which I didn’t talk about much substantial and just sort of rambled on about random things I thought of while I binge-watched this season. Begin commenting now……………………….

Final Rating: 2 out of 14 points

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Silver Bells [2013] (Movie Review)

Plot Summary

Bruce Dalt is obsessed with his job as a local sports anchor.  He is also obsessed with his son getting a good basketball scholarship.  However, he lets his emotions get the best of him when he gets angry at a referee who made a call on his son, Bruce finds himself in the middle of a public relations nightmare.  His media employer determines that he needs to complete community service before he can come back to his job.  Thus, Bruce is stuck ringing a Christmas bell for the Salvation Army.  Will he be able to learn the true meaning of Christmas?

 

Production Quality (2.5 points)

Silver Bells is a typically professional PureFlix and UP production collaboration.  As such, there are few errors to note here.  Video quality, camera work, and audio quality are all what they should be.  The soundtrack is a bit too holiday-ish, but it’s fine.  Sets, locations, and props are also fine, albeit filled with Christmas stuff.  There are also a lot of Salvation Army ‘product placements,’ but at least this is a good ministry to promote.  Finally, there are some small editing issues to note, but on the whole, this is a model production.

Plot and Storyline Quality (0 points)

Unfortunately, despite the influence of Andrea Nasfell, this plot suffers from a bout of forced comedy and cardboard cutout characters, including a stereotypical over the top holiday-hating character that is forced to like Christmas throughout the course of the film.  Also, the holiday-hating character constantly reminds the audience of his unexplained cold attitude towards Christmas.  Thus, the Christian message is quite cheap.  There is unfortunately nothing truly creative in this plot as it seems like it was manufactured in a Christmas plot factory.  Any issues raised are too easily resolved, and even though the Salvation Army has some great causes, it’s not enough to save this story from itself.

Acting Quality (1.5 points)

Mostly, the lead cast members trying too hard to convince the audience of who their characters are, much like many PureFlix movies.  In doing so, they come off as very disingenuous and plastic.  However, there are plenty of good moments from the supporting cast members that help this section from being nothing.  Emotions are overall average throughout, thus rounding out a nearly-average film.

Conclusion

Films like this one can’t help but be seen as just one made on the assembly line of holiday inspirational films.  If you’re going to reuse an old plot concept, at least make it was accessible and believable characters that audiences can relate to.  As it is, Silver Bells just seems like it’s trying to check the boxes so it can be a packaged made-for-television film.  We need more creativity than this, but the good thing is that Andrea Nasfell has shown that she has the ability to do this when she is supported properly.

 

Final Rating: 4 out of 10 points

 

Love’s Resounding Courage {Love’s Everlasting Courage} (Movie Review)

Plot Summary

After settling into their new lives together, Clark and Ellen Davis had a daughter named Missie and all seemed well for them.  However, things are about to change for them, as a drought threatens to destroy their very livelihood.  Their financial struggles prompt Ellen to take on extra work in town as a seamstress.  Clark’s parents also come to assist them however they can.  However, the new work begins to take a toll on Ellen’s health, and soon Clark must decide what he is going to do as he is faced with an impending tragedy.  Will he stand strong in his faith or turn away?

 

Production Quality (2 points)

In keeping with most Hallmark movies, the production quality of Love’s Resounding (Everlasting) Courage is above average.  The camera work is solid, along with the video and sound qualities.  The sets and locations are above average and the surroundings give off a truly authentic frontier feel.  The biggest caveat here, besides the typical too-modern costuming, is the sloppy editing.  Events sometimes happen too quickly and other times seemingly out of order.  However, this is a very well produced film, which really make it a shame that the plot is way off base.

Plot and Storyline Quality (.5 point)

From the get go, it seems like Courage is going to be a really good movie about frontier struggles and the tragedy that shaped Clark Davis as a character for the remainder of the saga.  For the most part, this happens.  We need more plots like this that realistically demonstrate the tragic and hard things in life that everyone is faced with from time to time.  The dialogue therein is pretty good, and the characters are obviously flawed.  However, this plot receives a very low score because the obligatory new romantic subplot inserted into this film—the one between Ben and Sarah that was discussed in the inaugural Love Comes Softly film—completely undermines the intent of this entire franchise!  In Courage, their love doesn’t comes softly and they don’t marry out of ‘sheer need’, but for love.  There would be nothing wrong with this, except that, rather than just follow the original storyline that fans know, Hallmark elected to settle for a predictable romance that utterly strips the franchise of its purpose.  Evidently, they thought that audiences wouldn’t notice or care.  When will production teams begin to treat audiences better than this?

Acting Quality (1.5 points)

Much like Love Begins, the acting demonstrates typical Hallmark elements.  As usual, the makeup and costuming do not exactly reflect historical authenticity.  The line delivery is neither great nor terrible.  Emotions can be felt by the audience.  In short, this section is business as usual.

Conclusion

Resounding Courage is a problematic movie.  On one hand, it has a very interesting premise with a lot of potential.  But on the other hand, it completely destroys the original premise of the Love Comes Softly series by inserting a new convenient romance just for the fun of it.  The longer this film franchise dragged on, the worse it became, to the point of turning the entire purpose on its ear.  This is exactly what will happen when creative teams deviate so far from the original purpose of a novel series to the point that they are just reusing the same concepts over and over again rather than provide audiences with fresh ideas that can be found in the pages of the very books the movies are based off of.  This is the end of Box Office Revolution’s Love reviews for now, so we will leave it with this note: make more Christian books into movies, but please, we beg of you, stay true to the books.

 

Final Rating: 4 out of 10 points