Clancy Once Again (Movie Review)

Image result for clancy once again
An actual copyrighted screenshot

Plot Summary

If you thought that Clancy ended where the title character died, you thought wrong (unless this head-scratching sequel is actually a long dream). After they appeared to be on the right track with Reading Kate, husband-and-wife film-making duo Jefferson and Kelly Worthington Moore have create an unnecessary follow-up to a film no one really remembers about characters the audience can’t connect with. In this sequel, Nick Best and Clancy are back to…do things…like get involved in street fighting (see copyrighted photo above) and usurp the rule of law because they feel like it. Beyond that, it’s hard to pinpoint what this movie’s actually about.

Production Quality (1 point)

As a fairly recent production, we should be seeing Moore more from Kelly’s Filmworks than this. While they have a flair for some creative camera angles and establishing shots at times, there are too many dark scenes in this film as well as a lot of silent portions that lack adequate soundtrack support. While video quality is mostly fine, sets, locations, and props are somewhat limited in scope, which doesn’t really hold the attention well. The most glaring problems that negatively affect the entire viewing experience relate to the high amount of long, drawn-out sequences that reflect lazy editing and a desperation to squeeze runtime from the thin amount of movie content. As a whole, while this production isn’t glaringly bad, it’s just not enough coming from a film outfit that’s produced more than five movies, especially since the field has higher production standards these days.

Plot and Storyline Quality (1 point)

The sole point given to this plot is only because of the hilarious exchange between the two main characters about Hallmark cards and Fakebook. Otherwise, there’s nothing to offer here. After the riveting opening sequence about the previous movie’s events, which appears to suggest Clancy Once Again is actually an alternate ending for the first one or some kind of dream sequence epilogue within the former film, this rendition of the uninteresting Clancy story is full of awkwardly useless conversations and complete with a cheesy villain return subplot. As it desperately grasps for content and purpose amidst a confused landscape and forced premise, unrealistic happenings move things along in order to create an unnecessary suspense feel. Full of coincidences and convenient turns, Clancy Once Again advocates for vigilante citizens taking matters into their own hands rather than trying to wait for the authorities. Obviously, there may be a time and place for this type of action, but the reasons behind it in this film are absurd. When all else fails to keep the runtime above ninety minutes, recycled footage from the first film everybody forgot about is right there to extend your viewing experience. In the end, there’s little else to be said except that this is the most unnecessary sequel in the history of unnecessary sequels (and there’s lots of those).

Acting Quality (1 point)

Jefferson Moore’s unusual preoccupation with Christina Fougnie continues in Clancy Once Again, and her acting skills have not improved with age. In this film, she comes off as even more full of herself as her line delivery is shrill and her emotional expressions are off-putting. Other cast members are bland and vanilla with Moore taking on his usual persona, which wouldn’t be all that bad if he actually had lines to work with. Most cast members seem to be phoning in their performances. One standout issue with this section is noticeably bad makeup throughout the whole cast (but most notably on Fougnie). In the end, this rounds out a subpar film lost in a growing sea of Christian movies that’s leaving the old guard behind.


Jefferson and Kelly were on the right track with Reading Kate, but they’ve lost their way again with a useless sequel to a boring film no one cared about in the first place. Where are they headed as movie creators? It’s hard to say, but they certainly won’t accept dissent or any constructive criticism. They do have experience and some production\writing skills to bring to the table, but they will only find true success in a collaborative environment. However, we somehow doubt this will ever happen since they’ve been content to operate on their own all these years. Thus, whatever talent they have will likely continue to go to waste.

Final Rating: 3 out of 10 points


Clancy [2009] (Movie Review)

Plot Summary

Nick Best is a down on his luck veteran of the military who has chosen to live on the streets due to his drinking habits and his emotional issues.  But he is given a so-called second chance when the corrupt mayor of the city he hangs around tells the chief of police to offer a substantial amount of money to Nick for him to keep, Clancy, a runaway abused girl for a week so that the mayor, who is losing his reelection campaign, can have a media field day.  Skeptical of this elaborate scheme, Nick decides to take the girl under his wing to protect her, but he soon finds that she is changing his outlook on life.


Production Quality (.5 point)

Why do Kelly’s Filmworks productions always look so drab?  It’s like they were all filmed in cloudy weather.  Though the video quality of Clancy is fine, the camera work is atrocious, including very tight shots and shaky camera work that looks like it was literally filmed in an alley with a camcorder.  Thus, the lighting is very inconsistent and there are constant loud outside sounds.  There is no soundtrack to speak of—just background silence.  Sets and locations are very cheap—no thought was given to making them look interesting.  Finally, there is absolutely no editing as all content is included—and we mean all content.  Every Jefferson Moore silent staring scene is here.  In short, the continual creation of Kelly’s Filmworks productions is baffling to us.  They obviously aren’t spending much money on these, but what is the real point if it’s going to look this bad?

Plot and Storyline Quality (0 points)

Clancy includes perhaps the most trumped up scheme possible.  Who really believes that a corrupt mayor (aka the most cheesy villain available besides Goliath from Timothy Chey’s David and Goliath) would pay off a random homeless guy to keep an abused girl ‘safe’ for a week in order to boost reelection chances?  In what universe would that work?  Most importantly, why do we need a movie about this?  Why do we need to be forced to see long sequences of characters (mostly Jefferson Moore) wandering around and staring into the distance?  There is no way this is going to hold anyone’s attention, especially when the dialogue is extremely void and lackadaisical.  The story is based on far too many coincidences to keep it going and there is so little content here that we can hardly believe the runtime lasted as long as it did.  All we can say is that we were glad when it was over.

Acting Quality (0 points)

Recycling the same old cast members from Kelly’s Filmworks (they weren’t that good in the first place), Clancy is much like the others from this company.  Makeup is bad, costuming is laughable.  The only emotions present are either deadpan or over the top.  The line delivery is beyond lazy.  One would think these cast members would get better with experience.


Jefferson Moore and company are experts at thinking up the most mundane movie ideas and then following through with them.  How have they made so many feature length films?  One thing you can say for them is that they save money—in all the wrong ways.  These movies are definitely easy and cheap to make, but why do we need them?  They are utterly pointless and contribute nothing.  Maybe they won’t make as many in the future.  But wait…there’s a sequel to this film????


Final Rating: .5 out of 10 points


The Stranger [2007] (Series Review)


Plot Summary

You never know where Jefferson Moore is going to pop up and solve all of your problems.  Whether you’re looking for hope, having trouble with a professor, need some interpersonal assistance, need a boost of faith, or any other issues, Jefferson Moore is there to fix the conflict in less than thirty minutes.  If you look close, you might be able to see his robed cameos.  In short, this is basically a series for the sake of having a series.


Production Quality (1 point)

For the first of The Stranger, production quality is extremely poor, so much so that it barely warrants its creation.  The typical soft light obsession is present and lighting is very poor throughout, especially in the indoor sets.  Video quality is quite grainy, and audio quality is terrible, include a loud and clunky soundtrack.  There are strange and awkward zooms throughout as well.  Though the production improves in the middle of the series, it’s far too little far too late that does nothing remedy the past offenses.  Finally, there is no editing as all content is included.  As we will see next, that’s not saying much.  But essentially, the production of this series is so bad to start with that there is no justification for its existence.

Plot and Storyline Quality (0 points)

Must like its copycat series The Encounter, The Stranger follows a formulaic and predictable model for each of its episodes.  Each one is full of meandering boring conversations and is based around a shallow story concept.  Not much happens as Jefferson Moore shows up to fix stuff, so you know exactly what’s going to happen just by reading the episode description.  The characters are empty and stereotypical—the dialogue carries an annoying Christian message and is full of platitudes and trite sayings.  As expected, there are also a lot of quick fixes to problems.   It makes it all the more childish that things are fixed in less than thirty minutes apiece.  In the end, there is little to no reason to write these juvenile and disconnected stories just for the sake of having a series in which everybody already knows what happens.

Acting Quality (1 point)

Much of this cast demonstrates forceful and annoying acting.  They exhibit unrealistic emotions and lazy line delivery.  While there is some good here, it is still overshadowed by unprofessionalism.  Also, as we have mentioned before, Jefferson Moore is basically Bruce Marchiano’s predecessor, and all that that entails.  Basically, this is just another lazy effort.

Continuity Quality (0 points)

When the same thing happens over and over again in a series of episodes, there is no hope for continuity.  With such a long list of disjointed characters, there are no story arcs or character arcs present.  This type of series may be easy to replicate, but it’s certainly forgettable.


After The Perfect Stranger and Another Perfect Stranger, was there really a need for a series about Jefferson Moore doing the same things that are in these movies?  As if the first two films were even interesting at all, now we get bonuses.  Of all the movies that could have been made into series, this was the one that broke through and got the funding.  For heaven’s sake people, please demonstrate some originality.


Final Rating: 2 out of 14 points