Come Unto Me [2016] (Movie Review)

Plot Summary

Samuel and Mary make their living stealing from others because as young orphans, they have no one to turn to.  However, while on the run from the Romans one day, they are sheltered by a woman they have never seen before.  After talking with her and her carpenter son, Samuel and Mary are intrigued by them and want to know more about them.  Yet little do they know that the woman’s son, Jesus, is about to embark on the ministry work of His Father in order to change the world.

 

Production Quality (2.5 points)

Come Unto Me is the best production yet in this short film series, including high video quality and audio quality, along with great camera work and soundtrack work.  There is still a concerted commitment in this series to use realistic and high quality outdoor locations and props, which is a huge plus.  This is mainly what sets these films apart from your average Bible play movie.  There are really no concerns to point out here except for some small editing concerns pertaining to scenes that overstay their welcome.  Yet on the whole, this is another great production effort that continually shows needed improvement.

Plot and Storyline Quality (.5 point)

Unfortunately, the plot takes a small step back in this film as the cumbersome dialogue returns and Jesus is still portrayed as a lofty and inaccessible individual.  There is also too much talk about off-screen events without showing them.  Indeed, a majority of this film is sitting around talking without developing the characters well enough.  Nevertheless, despite the someone boring progression of the film, there are a lot of interesting ideas here that need further development.  It’s possible that this could only be done in a series format, because the short film series has likely run its course at this point.

Acting Quality (2 points)

The acting remains relatively stable in this third installment as the same positives and negatives as before are present.  Costuming is good, and the cast members are still not completely culturally authentic.  Though there are still some moments of unnecessary drama, this cast is less theatrical than the others, which shows coaching improvements.  Thus, in the end, Come Unto Me rounds out another average film.

Conclusion

The good thing about John Lyde and his team is that they are focused on quality Bible films rather than churning out a bunch of cheap Bible plays.  Thus, they are definitely on the right track here.  Yet it still seems like No Ordinary Shepherd, He Knows My Name, and Come Unto Me are already set up to be a miniseries.  There are already three episodes made—now others just need to be filled in to create continuity.  Series’ and miniseries’ are likely the future of Christian entertainment, so we’re still waiting for someone to step up and show what they can do.

 

Final Rating: 5 out of 10 points

 

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November 9, 2017January 3, 2019 by Box Office Revolutionary Categories: Biblical, Historical, Movie ReviewsTags: 2016, Bible, Biblical, Caddis Adams, Cooper Daniel Johnson, Covenant Communications, Darin Southam, five points, Historical, James Schafer, John Lyde, Joshua Michael French, Mainstay Productions, Paul D. Hunt, Paulist Productions, Shauna Thompson Leave a comment

The Cokeville Miracle (Movie Review)

Plot Summary

When a madman and his wife entered a small Wyoming elementary school and took everyone inside hostage for an astronomical ransom, it seemed like all hope was lost.  As the hours ticked by and tensions rose, no one could have predicted how it all would end.  The crisis escalated and a seeming tragedy struck, but no one in Cokeville was prepared for what happened next.  The children of the school claimed a miracle had occurred, but many were skeptical at first—until they saw the evidence for themselves that God was at work.

 

Production Quality (1.5 points)

The Cokeville Miracle is a raw production effort that starts out, unfortunately, very cheap-looking and drab.  This mostly pertains to some poorly lit scenes, some grainy video quality, and some poor special effects.  However, as the movie goes on, all production elements improve.  It’s clear that this team stayed within their means and did not over-exhaust their resources.  By the second half of the film, there are virtually no production errors, making this a very unique production.  Overall, it comes out as average, and since the production does get better as it goes, the film is saved from total disappointment.

Plot and Storyline Quality (3 points)

We always say you can never go wrong depicting real life on the big screen, as long as it’s depicted properly.  The story of the miracles at the Cokeville Elementary School in 1986 is one that is worth portraying, but also difficult to portray since such a portrayal could easily become sensational and unrealistic.  However, this was not the case with this film.  Each character is realistic and believable—even the villains—and dialogue is effective in building the characters.  This type of story is not easy to craft properly, yet The Cokeville Miracle unfolds exquisitely and makes you stay until the very end.  Historical authenticity is preserved as this story makes everyone, even skeptics, think about the nature of modern day miracles.  In short, this is a film well-worth your time.

Acting Quality (3 points)

For an ‘amateur’ cast with not much notoriety, the cast of this film gave a slam dunk performance.  There are no acting errors here, even where there were potential pitfalls, such as villain acting and child acting.  Care was taken to preserve the original people who experienced this crisis firsthand.  Emotions are believable and line delivery is effective.  This rounds out a job well done.

Conclusion

While we would have loved to see higher production quality, this team did everything they could do with what they had, and that’s really all we ask of film makers.  Whatever God has given you, do the best you can with it.  The Cokeville Miracle proves you don’t need a big budget or big names to make a great movie.  All you need is a good story and the care enough to tell it properly.  ‘Little’ films like this one put ‘big’ ones to shame and demonstrate true greatness.

 

Final Rating: 7.5 out of 10 points

 

February 24, 2017January 11, 2019 by Box Office Revolutionary Categories: Drama, Hall of Fame, Inspirational, Movie Reviews, SuspenseTags: 2015, 7.5 points, Aiden Beagley, Alan Peterson, Alexa Rae, Anika De Leeuw, Anson Bagley, Barta Heiner, Caddis Adams, Caitlin E.J. Meyer, Chandra Allen, Channon Voyce, Chris Clark, Christian Davis, Christina Torriente, Emily Hallows, Emily Wadley, Excel Entertainment Group, Grace Hallows, Heather Brown, Historical, Inspirational, Jasen Wade, Jillette Dayton, Joshua Cooper, Kali Garrett, Karlee Broschinsky, Ken Eklof, Kimball Stinger, Koleman Stinger, Kymberly Mellen, Liz Christensen, Mason D. Davis, Matt Hale, Nanci Wudel, Nathan Stevens, Paul D. Hunt, Rick Macy, Rob Gardner, Ron Tanner, Samuel Goldwyn Films, Sarah Kent, Shaunna Thompson, Shawn Stevens, Skye Grace Herzog, Skyler M. Day, T.C. Christensen 2 Comments