Eyes to See (Movie Review)

Eyes to See (2010) - IMDb

Plot Summary

What Ray cares about most in the world is being a successful camera operator for a traveling national media crew. However, this demanding profession frequently keeps him away from his wife and daughter, who desperately want to be close to him. Nonetheless, Ray pushes forward for career success until a Haitian earthquake traps him underneath rubble and forces him to reexamine everything he holds dear.

Production Quality (2.5 points)

From start to finish, Eyes to See is a very professional production, which is evidenced by good camera work and video quality. The authentic sets, locations, and props are well-utilized and make for a very gritty, realistic setting. Audio quality and soundtrack are also great, and it should be noted that it was very ambitious to take on a difficult natural-disaster-style production idea like this one. As such, the earthquake sequences are mostly accurate. The only minor concerns to point out in this section pertain to some unnecessarily soft lighting within some of the flashbacks and some slightly choppy editing in the film’s second half. However, there’s plenty of positive in this production, which earns it a high score.

Plot and Storyline Quality (1.5 points)

Eyes to See sports a very strong message about the stark contrast between actually helping people in need during a natural disaster and just looking for media entertainment. This is accomplished through believable characters, which are built with accessible dialogue that establishes character personality as well as a very effective use of flashbacks that reveals character motive. Through these excellent narrative tools, recurring themes and thought-provoking conversations are presented to the audience that offer a brave and honest look at how Americans can easily mistreat those struggling in developing countries. Although it was great to efficiently use time and money with a short film rather than a long one, this is a rare instance where we wish a movie was longer than it was, especially since hearing more from the Haitian characters in this narrative would be have been good to balance out the American characters that tend to dominate the screen time. Also, the plot’s ending is a bit rushed, which leads this section to the rating that it gets, but it’s still an enjoyable experience.

Acting Quality (3 points)

This screenplay’s strongest aspect is its highly professional acting performances, which sport realistic emotions and on-point line delivery. Costuming and disaster makeup are also positive points to note. Further, the culturally accurate casting is very refreshing and essential. In this, this section rounds out an effort that does just enough to achieve Hall of Fame status.

Conclusion

Normally, we would like to see many films that are over ninety minutes long to be shorter, but Eyes to See is an outlier instance since we would have rather seen more than half an hour of content. As previously mentioned, extending the runtime could have been done by giving more focus to the experiences of the local characters instead of focusing so heavily on the Americans, but as it is, this brief narrative is enough to warrant a position on the Hall of Fame. It’s a prime example of how good a small creation can be as well as something adequate can be even better. Hopefully, future entertainment makers can take cues from this example, and perhaps, we’ll see even better things from this creative team in the future.

Final Rating: 7 out of 10 points

Marriage Retreat (Movie Review)

Plot Summary

Mark and Claire Bowman, James and Donna Harlow, and Bobby and Melody Castle are all close friends, but they are also all struggling in their marriages.  Mark has unresolved issues with his father, James is gone all the time, and Bobby has a gambling problem.  That’s why they decide to take advantage of a marriage retreat sponsored by their church.  They go into the experience with the wrong intentions and quickly find out that they are not all they thought they were.  They will have to dig deep in order to save their marriages from disaster.

 

Production Quality (.5 point)

To begin, the camera and sound quality are pretty good, but that is the extent of the positive elements.  The sets are very cheap and limited.  Unfortunately, it is difficult to pinpoint how this film could have been edited better, since it is hard for us to quantify its actual plot.  There is little else that can be said about Marriage Retreat’s production since much of the movie appears to be mostly impromptu work.  One other thing that should be noted is that some of the wedding photos used in the beginning credits are obviously photo-shopped, but when the rest of the movie is considered, this should not be surprising.

Plot and Storyline Quality (.5 point)

As mentioned, there is little to no plot in this film, not only because it is very limited in scope, but most of the dialogue is very impromptu.  A majority of the scenes do not appear to have a clear script, so they meander along a path of horrific attempts at comedy, replete with clownish dialogue.  Therefore, the characters greatly resemble the actual actors themselves.  This plot’s one small redeeming quality is that it has a good message, but it is lost in a sea of cheap and ridiculous attempts at humor.  There is plenty of potential here to showcase different marital issues among Christian couples, but it is reduced to a C-grade cable channel movie that will never make any impact in Christian culture.

Acting Quality (0 points)

It is noble and notable to cast married couples together in this sort of movie, but like everything else potentially positive in this film, it is washed away.  There is zero acting coaching for this small cast, which seems to indicate a certain amount of overconfidence on the part of the actors.  With coaching, some of the comedy could have been actually funny, but alas, it is just another item on the list of lost potential.

Conclusion

True comedy is needed in Christian movies, as are movies that take on the struggles of Christian marriages.  However, Marriage Retreat only serves to further make a laughingstock of Christian films.  Instead of quickly spinning out more and more movies, PureFlix crews need to stop and think on the implications of quantity over quality.  It is not worth it to simply make movies about good topics—we cannot stress this enough—care and attention must be given to production, plot, and acting quality.  Otherwise, the valuable message is completely lost.

 

Final Rating: 1 out of 10 points