Project Dinosaur [2000] (Movie Review)

The information room? Correct!

Plot Summary

When Mikey crashes his unusual (haha) remote controlled airplane that probably shouldn’t have worked anyway, he sends one of his female friends to retrieve it, since that’s a woman’s job or something.  But she falls into a hole and accidentally finds a so-called dinosaur bone that was clearly planted in the dirt as it was hardly buried at all.  The only conclusion is that it’s a dinosaur bone, so Mikey swipes it for his new ‘science project’.  Now all they have to do is research some creationism versus evolution talking points, use an archaic computer program to look up types of dinosaurs, and avoid the evil bully Simon, who is bent on destroying the science project for some reason.  Just another day in the life of a Bob Jones kid.

 

Production Quality (0 points)

Another day, another poor production spewed from the minds of white patriarchal Christians.  So much for making Christian things quality.  Video quality is grainy and camera work is pedestrian.  Audio quality is quite low, including a stupid childish soundtrack.  Sets and locations are limited to that same old ‘bed and breakfast’ from Treasure Map and a few others.  Special effects are horrid, including a stupid little beeping computer program that was clearly made for children.  Finally, editing is thrown out the window as a good portion of the beginning of Project Dinosaur rehashes things nobody cares about from Treasure Map.  In short, there is little to no point in making movies like this except to push an agenda, as we will see next.

Plot and Storyline Quality (0 points)

There is zero purpose in an unwanted remake of one of the world’s most horrid films of all time except to push the agenda of creating an extremely rigid dichotomy between creationism and evolution by making a strawman out of everything the writers disagree with.  This propaganda piece is barely an hour long, including rehashing from this movie’s predecessor, as if we care where these characters came from.  These perfect little white robots are programmed with childish dialogue and talking points that expose the ridiculous patriarchal fundamentalist worldview of the creators.  Essentially, with no real conflict or substance, the only reason to waste your time on this mess if you need a good laugh.

Acting Quality (0 points)

Who ever thought it was a good idea to copy over a majority of the Treasure Map cast?  The only ones missing are Edward White Eyes and his grandfather.  But this doesn’t alleviate the fact that not a single one of these cast members should have ever been cast ever again, period.  Yet when you have such a limited pool of perfect little white people who agree with your worldview, what’s a film maker to do?

Conclusion

Sadly, the saga of these white kids ended with Project Dinosaur and we have no more chances to know what happened to them!  As if we cared about what they were doing in the first place.  In all seriousness, it should be noted that the creators of Box Office Revolution were all homeschooled yet we wholeheartedly disagree with the worldviews propagated by fundamentalist Christina groups like Bob Jones.  We have nothing against this model of education, but we do take issue with Christians who purposely isolate themselves in bubbles and refuse to listen to people on ‘the other side’.  This is the real problem with this type of movie, as it further sinks Christian film to new lows.  But hopefully we are past this sort of thing in Christian entertainment.

 

Final Rating: 0 out of 10 points

 

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Milltown Pride (Movie Review)

Plot Summary

Will Wright loves to play baseball, even if it means playing with the ‘poor kids’.  Even though this gets him in trouble with his father, Will never gives up on his dream to play baseball.  As he grows older, he joins the local mill league along with his ‘country’ childhood friends.  But when he gets discovered by a scout, Will finds himself following the wrong crowd and doing things that go against the religion he was taught by his parents.  Will he ever find his way back to the religion he grew up in?

 

Production Quality (1.5 points)

For Bob Jones University and Unusual Films, this is a respectable production.  The camera work and video quality are pretty good, and the audio quality is okay, although the soundtrack is very annoying.  Sets and locations are mostly historically authentic and fairly diverse, though since this is supposed to be an epic, there really should have been more.  Also, there is far too much content that is not very useful and there are too many wasted scenes.  Epics are supposed to concisely portray a period of a character’s life or the lives of a group of characters.  This is definitely hard to do, but the Unusual Films crew shouldn’t have attempted this genre if they weren’t going to follow through.  But all in all, this is an average production.

Plot and Storyline Quality (0 points)

The entire premise of Milltown Pride is based on a strange and over-the-top class warfare conflict between white people, and the writers do not appear to completely condemn looking down on poor people.  Besides this, this films contains the usual fundamentalist and isolationist religious principles that are baked into the fiber of Bob Jones University, including creating a ‘worldly’ strawman out of sports.  As previously mentioned, everything in this failed epic is dragged out and plenty of time is wasted on endless baseball sequences and juvenile conversations.  The plot barely holds the attention as it follows a predictable progression with no twists and turns.  The characters therein are plastic and turn people off to whatever Christian message this movie is trying to convey.  In short, while this could have been interesting, it just wasn’t.

Acting Quality (0 points)

Unusual Films can’t seem to get away from casting awkward white people in their movies.  This cast is very wooden and lacks proper coaching.  Their emotions seem fake and their line delivery is either unsure or forced.  This rounds out a mostly disappointing effort.

Conclusion

We lost count of the time a character says ‘town boy’ in this movie—it got old really fast.  We are also confident that the Unusual Films crew once again just wanted another outlet to propagate their fundamentalist worldview—not that many people are paying any attention.  It’s films like this one that further turn people off to the concept of Christian movies because this is what too many people think Christians are: isolated, prejudiced, backwards, fundamentalist, patriarchal white people.  If we ever needed a major trend reversal, it’s now.

 

Final Rating: 1.5 out of 10 points

Appalachian Trial (Movie Review)

Plot Summary

The Hart family wants to help the hurting Crandall family, so they decide to take them to their favorite camping spot in the Appalachian mountains.  However, the Crandall family, a father and his two sons, are not well suited to the outdoors at all.  Thankfully, the Hart patriarch is an expert outdoorsman and is well-versed in his ability to impersonate an Animal Planet narrator when he instructs others in his art.  But the most horrific thing happens when the Hart siblings and the Crandall brothers get lost on ‘the trail’ and take a wrong turn that sends them out into no man’s land.  But never fear, because Mr. Hart is ready to save the day with his Discovery Channel knowledge as Mrs. Hart does her women’s duty by staying at the tent and praying.  In the end, both families will learn heartwarming lessons of friendship, family, and faith.

 

Production Quality (.5 point)

Appalachian Trial is about what you can expect from a C-grade fundamentalist Christian production outfit.  The only positives are the fairly consistent sound quality and the pretty good camera work.  Otherwise, there’s nothing good to say here.  The video quality is grainy and the sets and locations are severely limited.  While the surroundings are basically realistic, no one really wants to watch a movie shot entirely inside of vehicles, at a fire pit, and in the flora and fauna of Appalachia.  The musical score is just about as annoying as it gets, like it was recorded by Bob Jones’ star music students on a flute and an old piano.  Finally, the editing is abhorrent.  This ‘film’ plays out like a bunch of outdoor and camping tutorials spliced together.  In fact, I wouldn’t be surprised if someone at Unusual Films saw the tutorials they play in class and decided to add some ‘drama’ to them, to splice them together in the reel to reel room, and to call that a movie.  Like seriously.

Plot and Storyline Quality (0 points)

There is zero plot content in this eighty-minute camping docu-drama.  The storylines are flat; no one wants to watch a grainy depiction of people driving, trudging through the forest, stacking wood, building fires, and making hot dogs.  The characters are childish, with the exception of Mr. Hart, who is a walking encyclopedia of outdoor knowledge with a radio voice.  Mrs. Hart fulfills all stereotypes of how fundamentalist Christians think motherhood should be.  Mr. Crandall is obnoxious and petty.  The kids remind us too much of kids from homeschool groups gone by.  The dialogue throughout is absurd and wooden.  If it’s any consolation, there is a pretty good gospel presentation, but it’s so deep into this mind numbing reject video that I seriously doubt anyone will ever find it.  Simply put, there is no plot here and therefore no points are awarded.

Acting Quality (0 points)

This tiny cast was never suited to be in a movie.  Not a single cast member needed to be cast.  This is not a personal attach on the actors and actresses, but some people should never be forced into acting.  I know I would never want to act and I would likely never allow myself to be cast.  Bob Jones seems intent on constantly casting awkward white people in all of their ‘films’.  Emotions are not conveyed well by the cast members and line delivery is terrible.  I’m sorry, but this just wasn’t their calling.

Conclusion

Another Bob Jones creation, another disaster.  But hey, at least it’s better than The Treasure Map!  Of course, improving from -10 points is a feat that could have been accomplished by anyone.  Unusual Films existed so early on in Christian entertainment history that they were likely the only ones making these sorts of films of their day, which should explain why entertainment is where it is today.  All Bob Jones ever wanted to do with these ‘films’ was push their white patriarchal fundamentalist Christian propaganda.  With no real ideas and terrible delivery, there was no reason to ever make ‘films’ like this.

 

Final Rating: .5 point out of 10 points