Let Go and Let God (Movie Review)

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Plot Summary

After Wendy lost her husband in the line of duty, she felt like things couldn’t get worse. However, they did get worse when her son suddenly went missing. A local pastor has lost his faith, but is he being given a chance to look at his worldview from a new angle after Wendy, one of his members, is in a time of need? Will they all be able to see that letting go and giving anxieties to God is the best way to live?

Production Quality (.5 point)

From start to finish, the production of Let Go and Let God is underwhelming for 2019. The camera work is very shaky, even though the video quality is fine, and the audio is quite unbalanced as some scenes are overdubbed and have unnecessarily high volumes while others have distracting background sounds. Also, the soundtrack is quite loud at times, and there are many very tight and strangely close-up camera shots, along with some blurry angles. Lighting is overall poor in the cheap sets and locations, and there are too many cheesy special effects and overlays, including random split screens. In the end, the editing is also an issue, as evidenced by very abrupt cuts and transitions, and this production as a whole just has too many problems to warrant any more than half a point.

Plot and Storyline Quality (-1 points)

In the beginning of Let Go and Let God, there’s no clear way to understand what the writers are trying to convey through the unsubstantial dialogue that creates very dry and bland characters. The conversations don’t properly move the plot forward or develop character motives and personalities, and overall, nothing significant happens throughout this story. There are a lot of vague psychological sequences that only waste time and isolate the audience; it’s very hard to relate to the struggles of the disconnected characters, some of which have zero purpose, and there’s an unexplained air of mystery surrounding the narrative that the viewer can’t put their finger on. As the film progress, it becomes more and more consumed with ethereal artistic sequences that have no meaning for the audience and just make for a slow and boring experience. However, by the final third of the movie, the story begins to take an even more incoherent turn into disorganization before culminating with an incredibly abrupt ending that leaves the viewer with an extremely head-scratching message. Thus, due to the abstract oddness of this plot, it warrants a surprising negative score due to unforced errors and general strangeness.

Acting Quality (1.5 points)

The acting of Let Go and Let God is actually its strongest point, even if it’s generically average. There’s nothing horrible nor dynamic about the cast members’ performances although some of them seem bored and disinterested with the experience. However, they can hardly be blamed due to the nature of the narrative. Elsewhere, some line are a bit over-practiced, and emotions can be flat at times, but this section rounds out a mostly unnecessary film.


It’s extremely difficult to understand why this movie was even made. If the screenwriters knew what message they were trying to communicate, it’s completely lost to the audience. When this happens, the film has already failed. Combine this with poor production and mediocre acting and the project is a total non-starter. Hopefully, as Christian entertainment moves forward, movies like Let Go and Let God will become more irrelevant and and less prevalent.

Final Rating: 1 out of 10 points

Let Go and Let God (coming summer 2019)

Coming select theaters and streaming services in 2019

Writer(s): Nakia T. Hamilton

Director(s): Nakia T. Hamilton

Producer(s): Nakia T. Hamilton

Starring: Clifton Powell, Jenique Bennett, David Schifter, Kimberly Ann Parker, Brynn Mosley, Gary Paige, Delynn Terry

Plot Synopsis: Two people from different worlds question the existence of God after a death in their families. Who would know searching for a lost child would give them the answer they were looking for.

Somebody’s Child (Movie Review)

Plot Summary

Though Constance is going through dialysis and is waiting for a kidney donor match, she knows that God has been good to her.  Her son Douglas always takes care of her and she loves her grandson.  However, she harbors a secret from her past that hardly anyone knows about.  Yet little does she know is that God is about to set into motion events that will reconcile the past and bring redemption to them all.


Production Quality (2.5 points)

Gary Wheeler is always reliable in crafting a professional production.  There are very few errors to speak of in the production of this film.  Video quality is excellent, as it camera work and audio quality.  The soundtrack is good, even if it’s a little pedestrian.  Sets, locations, and props are professional and appropriate for the film.  The only small error to point out here pertains to some minor editing issues that cause the plot to be confusing.  Yet in the end, as a made-for-television movie, this production is what it should be.

Plot and Storyline Quality (.5 point)

Unfortunately, as a made-for-TV movie, Somebody’s Child lacks creativity in an attempt to be safe and marketable.  Though the idea behind it is interesting and though the circumstances the characters experience are realistic, this story is still too underdeveloped.  Dialogue is very generic, thus making the characters one-dimensional.  This is a character-based plot, which means we need deep characters, yet this is not the case here.  There is too much wasted time in this plot and not enough scenes that develop the characters—it feels like they are just swept along in the plot without any feeling.  Finally, the ending is very rushed and seemingly unfeeling.  Unfortunately, though this movie had everything going for it, the story fails to come through.

Acting Quality (2.5 points)

As a professional cast with obviously good coaching, there are very few errors to speak of here.  Sometimes emotions aren’t what they should be, but they mostly are.  Line delivery is always on point, even if the cast member doesn’t have a very good line to work with.  Overall, Somebody’s Child is a professional film that falls short of greatness.


Many audiences will enjoy this film, but we are always looking for films that take that next step out of mediocrity (even professional mediocrity) and become a great, difference-making film.  With this type of funding and platform, this was possible here, but the plot needs a lot of beefing up in order for this to be case with Somebody’s Child.  Hopefully in the future opportunities like this will no longer be wasted.


Final Rating: 5.5 out of 10 points