Plot summary: Strong-willed Tirzah wants to join her people in driving the enemy from the land of Israel and undergoes training for a secret mission inside the stronghold of Shechem. But soon after she has infiltrated the ruthless Aramean commander’s kitchen, she makes a reckless decision that puts her and her allies in grave danger. Fresh off the battlefield, Liyam returns home to discover his beloved daughter is dead. After his vow to hunt down her killer leads to months of fruitless pursuit, his last hope is in a family connection that comes with strings attached. Strings that force him to pose as a mercenary and rescue an infuriating woman who refuses to leave her mission uncompleted. When an opportunity to pave a path to a Hebrew victory arises, can Tirzah convince Liyam to fight alongside her in the refuge city of her birth? Or will Liyam’s thirst for vengeance outweigh his duty to his people, his God, and the woman he’s come to love?
Author’s Note: We were provided with a free copy of this novel in exchange for a fair and honest review.
Plot & Storyline Quality(2 points)
Connilyn Cossette’s third installment in the Cities of Refuge series is a mixed bag that shows both potential and room for improvement. Continuing where the last novel left off, this one starts a new plot with more members of Moriyah’s extensive family. Rivkah is a young widow who feels that her father is forcing her to marry her late husband’s younger brother. She feels that her time with Gidal was too short, and her time with his brother Malakhi will be much too long. Rivkah can’t see any way out of the situation, so she goes ahead with the betrothal ceremony, however, during and after the same she does everything she can to discourage Malakhi from marrying her. Malakhi has loved Rivkah since they were children, and doesn’t understand her cold attitude towards him. From his perspective, his continual needling and teasing on Rivkah as a child was to help keep her spirit alive after her mother’s death. However, from Rivkah’s perspective, he has always been a silly boy who can’t take life seriously. Rivkah sees her way out when her friend Nessa announces her plans to escape her own impending arranged marriage to a less than desirable mate by looking for job opportunities at the festival in Laish. The two depart as planned, but the two women soon find themselves in difficult situations that lead to hard decisions. Overall, the plotline continues in a mostly predictable fashion, and unlike the previous novel, this is just a romance. There is no mystery or intrigue to speak of here. The storyline in this novel is not as good as its predecessor, and leaves room to be desired in creativity. While some good ideas are displayed, and at times implemented, the reader is left wanting depth. It was a semi-interesting idea to use a levirate marriage as the basis for a storyline, however, at times this part of the plot feels like a book of Ruth redux. Furthermore, the plot feels a bit rushed – there is a five-year time jump halfway through the book – and the romance a bit forced at times. Cossette has shown us that she has more potential than this, so she earns an average score in this section.
Character Development(3 points)
In comparison, Cossette’s characters remain her strongest point. Even though the plot leaves room to be desired, the main characters are quite good. Rivkah is the best character because she makes realistic choices and displays many relatable though processes throughout the story. It is also important to note that Rivkah’s character is based off of real events from Cossette’s life. This gives the protagonist depth and believability. Malakhi is a good character because he has a defined personality and consistent tendencies, however, he seems unfinished in the end. In contrast, Cossette does a good job of contrasting how scenarios are viewed differently by various people throughout the novel. On the whole, Cossette’s female leads are always good, but her male leads always feel unfinished. For instance, Eitan has more depth as a minor character than he did as a protagonist. Furthermore, the other minor characters are a mix of good, average, and unnecessary, so a little more editing was necessary here. These strengths and weaknesses level out to an above average score for Cossette in this section.
Creativity & Originality(.5 point)
Finally, Cossette earns a half a point in originality for her good characters. However, there is, unfortunately, not much creativity to speak of here. Most of the storyline feels like it was made with the purpose of writing an epilogue for old characters – I believe Cossette has more to offer than this. This flaw may exist because of contract constraints. Therefore, I still believe that the Cities of Refuge series has potential to be a good Christian series. The screenwriter would need to downgrade Rivkah and Malakhi to minor characters, and use characters from previous novels as protagonists, but it can be done. Additionally, he/she would need to use the potential in the city of refuge foundation to craft a story that contains more than romance.
Plot summary: Tikva has been suffering from blood loss for years and no physician has provided relief or a cure. Tikva’s encounter with The Healer will change her life forever. This novel is a fictional depiction of the woman with the issue of blood in the Gospels. More info to come.
Every year, many Christian books are released, and writers of the same show off their creative talents. Across the many genres, novels are judged based on plot continuity and storytelling skills, character development, and whether or not a novel correctly addresses an issue that relates to current issues in American Christian culture. These novels are separated into roughly three groups of authors and their respective works of art: the exceptional, the potentially great, and those chosen by the votes of our readers. At Box Office Revolution, we believe it is our prerogative to annually recognize the entertainment creators who have the ability to bring revolution to Christian entertainment.
Author’s Note: We were provided with a free copy of this novel in exchange for a fair and honest review.
Plot & Storyline Quality (3 points)
Connilyn Cossette’s sequel to A Light on the Hill is well-written, with a character-driven plot that drives home several important life lessons. Shelter of the Most High is engaging, consistent, and has just enough historical detail to make it believable. Cossette weaves fact with fiction to create a novel that many readers will love, and could make a great movie. The novel tells the story of Sofea and Eitan, two people who have been hurt by their pasts. Sofea grew up on a island and spent much of her time with her cousin Prezi. The two girls often turned to the comforting embrace of the ocean to escape the wrath of Sofea’s father; to shut out reality and for just a moment be children. One day while Sofea and Prezi and diving for lobsters, they are suddenly captured by pirates. When they return to the beach for their clothing, they discover that the pirates have killed everyone in their village, leaving behind only carnage and burning huts. Sofea tries to protect Prezi from the cruelty they experience on-board ship, but in the end it is Prezi who saves both their lives. Both girls wash ashore and are found by a band of men who live in Kedesh – a city of refuge for murderers. The girls quickly find a home with Moriyah (the main character in the previous novel) and begin to learn her Hebrew ways. After being taught to worship and serve many gods, Sofea is not sure if she believes in only one God, but is willing to serve Him in return for Eitan. Eitan has shackled himself to being a Nazarite. He believes that living this way is adequate penance for his past, and the only way to set his mother free. When he meets Sofea and observes the wholehearted way in which she embraces life and others, he dares to believe that God has forgiven him for his sin. However, a plot against them both will cause him to question everything he believes in, and force Sofea to make a decision about Yahweh. Will they survive? Will they turn to the only One who can make them whole again? To answer this question, read the book! Overall, the plot is well-written and holds the attention from cover to cover. What seems to be a calm story in the beginning escalates towards the end with an unexpected and well-crafted plot twist that really sells the conclusion. The main flaws to mention here are some cheesy romantic elements that mature somewhat as the novel continues, and the author’s sometimes too vivid descriptions. While these flaws keep the storyline from perfection, Cossette’s obvious strength is her storylines.
Character Development (3 points)
Eitan and Sofea are well-developed through the use of first person. This writing style helped the reader to connect to their struggles and joys, and made both more believable on the whole. Both have extremely relevant and realistic backstories, and Cossette demonstrates a keen understanding of real people through her character development. Eitan has a realistic struggle with guilt and the burden of his past, while Sofea’s struggle to believe in a God who cares about her is raw and poignant. (spoiler) Furthermore, the villian character is mostly above average and adds a new twist to the historical romance theme. In comparison, Prezi is arguably the weakest character. She has little involvement in the plot and needed more depth and meaning. Additionally, the minor characters are a mixture of good and average, therefore, they needed further development or omission from the story. On the whole, Cossette’s characters show great promise for the future.
Creativity & Originality (1 point)
Finally, Cossette earns a full point in originality for fulfilling our Biblical fiction dream for someone to write about Kedesh and it’s inhabitants. Shelter of the Most High stands out from other Biblical fiction novels because of it’s fearless, honest look at raw topics. For this reason, I believe that this book series would make a great TV series. The character development is above average and the filmmakers have plenty of creativity to work with in the storyline. Once again, we hope that Christian filmmakers will recognize the quality content they already have in many Christian books instead of producing more filler content.