Constance Gibson decides to take her three children to the growing city of Los Angeles in search of her absent husband in the hopes that he has been able to start a new life for them all. However, as they arrive in the strange new city, they find that not all is as they expected, and they will have to make some hard decisions in order to face the future. Through it all, will they be able to press into their faith in God to get through the dark times?
Production Quality (2 points)
For a production created in 1993, Come the Morning is excellent. Worldwide Pictures has always been a standout company for their commitment to production quality. Video quality, audio quality, soundtrack, and camera work are all what they should be in this film. There was obviously great care given to the historical authenticity of this film’s sets, locations, and props. The only small issues to point out here pertain to some slightly low-quality lighting in some scenes, as well as some quick cuts and transitions in the editing. However, in the end, this is an excellent effort and is one that can serve as an example for future films.
Plot and Storyline Quality (1 point)
Unlike other Christian films newer than it, Come the Morning exhibits Worldwide Pictures’ ability to capture the real-life struggles of accessible characters. This story is not afraid to portray gritty circumstances and contains a lot of good ideas. The characters are very believable, yet they could use a little more personality through more complex dialogue. They have a tendency to be swept along by circumstances. It also seems like this story could be longer than it is, since it leaves a lot of potential on the proverbial playing field. But regardless of this, Come the Morning is an accessible story that depicts a realistic story that many audiences will enjoy.
Acting Quality (3 points)
The acting is the strongest section of this film since there are no real errors to point out here. This is a very encouraging acting job to witness, as emotions are all believable and line delivery is very much on point. The costuming is also authentic, which show great effort. This rounds out a very respectable creation.
We desperately need more Christian film making groups and creative teams who are consistently committed to rolling out movies that are quality on all fronts. Five- and six-point ratings should be the norm in Christian film, as Worldwide Pictures always did. If this were the case in Christian entertainment, we would be looking at a completely new field filled with greater opportunities and successes.
Johnny is a foster boy with cancer who sees it as his mission to show people the truth and love of God even though he is suffering. When he encounters Dr. Carter, little do they know that both of their lives will be changed forever as a result. Dr. Carter and his wife are still hurting from the death of their young son, and though they are not ready to believe that Johnny could offer healing for them. However, God has other plans for all of them.
Production Quality (1.5 points)
In keeping with most recent PureFlix productions, Johnny is most fine. Video quality is on standard, but there are some unexplainable moments of shaky camera work. Audio quality is mostly what it should be, but the soundtrack is extremely uninspiring and sometimes it seems like the audio is overdubbed. Sets, locations, and props are professional. However, there are far too many montages in this film that serve as a crutch for actual content. Thus, the editing work is poor. Overall, this is an average production that should have been better than this, considering the funding it had.
Plot and Storyline Quality (.5 point)
Though there is a somewhat good message behind Johnny, there is far too much melodrama that distracts from it. It is very difficult to connect with the struggles of the characters because they come off as very manufactured and plastic. The main character is very cheesily sappy and perfect, almost to the point of embarrassment. A lot of the dialogue from all the characters is very obvious and forceful in moving the plot along rather than developing the characters. Thus, the story follows a predictable progression that is obvious from the start. While there is nothing inherently wrong with the plotline itself, the way it is presented and the lack of authenticity really derails this film. Also, things are fixed too easily, which doesn’t really help us learn anything. In the end, these sorts of movies are very formulaic and are unfortunately designed to make money.
Acting Quality (.5 point)
Though this cast is intended to be professional, there is really no coaching present. While it is not all bad, there are far too many over the top emotions and yelling sequences. Everything is overly dramatic, which makes for a very distracting experience. This is not the way to make a meaningful film.
Johnny is one of those films that uses a generic and predictable plot structure to churn out a made-for-bookstore film that can be easily sold on the shelves. It contributes nothing to the field and only serves the purpose of generating revenue for the production company. A few weeks after the release, it is totally forgotten and eventually turns up in the cheap Walmart bins and in thrift stores. Christian film should not be about profit ventures, even though PureFlix has done this for about a decade now. However, hopefully that tide is turning.
John and Ellen have been married for over two decades. They have done everything together over the years and are still in love after all this time. John and his brother built a successful business while Ellen was a recognized teacher. They had two children whom they love. However, one day, their seemingly perfect world comes crashing down when Ellen suddenly develops Alzheimer’s disease. John is faced with hard choices as Ellen loses memory after memory and becomes increasingly confused. Will he be able to stand up under the weight of it all and remain faithful?
Production Quality (2 points)
Though Worldwide Pictures did a majority of their movie making in the 1980s and 1990s, they perfected a production model that no other Christian film makers could successfully replicate at the time. A Vow to Cherish is one of those productions—it has great camera work and good sets, locations, and props. Audio quality is fine, although the soundtrack is a bit average. Video quality is also acceptable considering the time frame, yet it could be a little better. Some of the indoor scenes are poorly lit, but outside scenes are shot well. Finally, the editing is quite good and makes for a good watch. Overall, this is a great production for the time period and shows what a film maker can do if they truly care about quality.
Plot and Storyline Quality (1.5 points)
Based on a novel by Deborah Raney, A Vow to Cherish is a very engaging and intriguing story. It highlights the little-focused-on issue of aging and dementia as it portrays the progression of this debilitating disease very well, including a commitment to medical realism. The progression of time in this sort of story can be difficult to properly handle, but A Vow to Cherish does so very well. However, it is not without its issues, as the dialogue is largely designed to move the plot along and to tell information without showing it to the audience. While the characters are mostly believable, there is a slightly unnecessary and unrealistic dichotomy between Christian characters and non-Christian characters. Yet the struggles of these characters are meaningful and believable—thus, the audience is able to connect with them on some level. But at the same time, there are too many underdeveloped subplots and characters that we would like to get to know better. Overall, with an honest Christian message, A Vow to Cherish is a mixed bag plot with the potential to go further. Thus, it warrants an average rating.
Acting Quality (2 points)
Worldwide Pictures was always able to assemble professional casts, and this film is no exception. Line delivery is great, but some emotions seem forced and wooden. Yet this cast does an excellent job portraying those who struggle with mental illness and those who care for them. Overall, this is a job well done.
Even during the 90s, when good Christian movies were nearly impossible to come by, Worldwide Pictures demonstrated a commitment to producing quality films that were unfortunately unrivaled for their time period. Though they are not the best, movies like A Vow to Cherish are still enjoyable today and definitely worth your time. Current Christian film makers can learn a lot from the models used to make WWP movies; there are many newer films that unfortunately never made it to this point.
Michael Steele, a major movie star, slowly finds his life changing and being turned upside down as he tries to live the way he feels a Christian should live. Nothing seems to work out and things only seem to get harder as he tries more to do what Jesus would do. As his friends and coworkers call him crazy and shake their heads at what he is trying to do, Michael Steele finds himself wavering at times. Will God really help him endure what he is going through?
Production Quality (.5 point)
If one good thing can be said for this unusual production, it’s that time and money were definitely spent on the sets, locations, and props. However, not much else positive can be highlighted. Camera work is quite shaky and video quality is quite grainy. The soundtrack is bad enough without forcing us to listen to Randy Travis attempt to sing. Also, there are a number of annoyingly bizzare special effects throughout, including constant flashing that seems to be unfriendly to the epileptic. Finally, editing is poorly done, thus leaving the film too choppy and punctuated. In the end, to be a film of this profile, production should have been far better than this.
Plot and Storyline Quality (0 points)
Based on a novel by Bill Myers, this really is not the best book plot that could have been chosen to be placed on the big screen. The plot structure is quite unusual and includes confusing flashbacks that don’t serve much purpose. There is not real plot content as the story hops from one thing to the next. The characters therein are very one-dimensional. Unfortunately, this includes a strawman portrayal of non-Christian characters and a squeaky clean portrayal of Christian characters. While there is some semblance of a good message lost in translation, all the problems of this story are fixed far too easily, thus making it all seem very trite and plastic. In short, this movie was written for a vague idea that never materialized.
Acting Quality (1 point)
After watching The Wager, one has to wonder why Randy Travis is ever cast in a movie. What exactly good acting qualities does he bring to the table. But hey, on the bright side, this film contains Candace Cameron Bure’s best role to date, surprisingly enough. Other cast members, such as Nancy Stafford, are not all that bad, but there is a lot of negative here that detracts from the positive—mostly pertaining to Randy Travis.
What is to be accomplished by these sorts of films? With half-efforts evident in all three categories, what did the creators expect? Do people expect that they can just barely try to put a movie together and then it will just be fine since it’s a Christian movie? Thankfully, we are seeing less and less of these types of films today, so films like The Wager can provide a major lesson to today’s film makers: ‘big name’ cast members and writers do not automatically make for a great movie. Great Christian movies take true effort and care and are unfortunately hard to come by.
In one moment, millions disappear and in the next moment, millions are left to wonder what just happened. As the government tries to sort out the pieces, they send out FBI agents to investigate those left behind (haha). Adam Riley and Charles Baker are just the agents for the job and they soon become caught up in an intrigue involving trying to find a mysterious former Jewish rabbi who seems to have special powers. In the end, which path will they choose as the world descends into chaos?
Production Quality (1 point)
Made in the late 1990s, The Moment After 1 has considerable production deficits. Though video quality is decent and audio quality is okay throughout, there is a lot to be desired here. Sets and locations are pedestrian and action camera shots are not what they should be. The soundtrack is also very standard. There is really no editing present as the plot slogs from one thing to the next. In the end, this is just another below average production that does not live up to full standard.
Plot and Storyline Quality (0 points)
Another year, another carbon-copy apocalyptic film. Likely a precursor to every unfinished PureFlix apocalyptic idea (Jerusalem Countdown, In the Blink of an Eye, and the Revelation Road series), The Moment After 1 really has nothing to offer. Empty characters, stock dialogue, and a predictable apocalyptic progression. Rapture, fallout, Christian explanations and lingo, government takeover, blah, blah, blah. This film offers nothing special and adds nothing to Christian entertainment. It’s inevitably continued and offers no real surprises as Kevin Downes and David A. R. White interview a bunch of people about stuff. Basically, if you watched any of the above mentioned films, you’ve probably seen this one.
Acting Quality (1 point)
Though Brad Heller posts a better performance than usual, David A. R. White and Kevin Downes are their usual action-here-wannabe selves. Though there are no truly embarrassing performances, there are no dynamic ones either. Line delivery and emotions are below average and don’t really inspire. Like the rest of film, this is just unimpressive.
Apparently there was a point in Christian film when creators thought the only action or suspense plots that could be made had to involved the Rapture and another apocalyptic lingo and concepts. The LaHaye pre-tribulation theory has been conceptualized in film too many times to count, and the The Moment After 1 simply adds to the pile. There is simply nothing interesting to note in this film and you’re definitely not missing anything.
The year is 1890. Dr. Carlisle does the unthinkable and writes a seminary textbook advocating for the teaching of morals apart from Jesus Christ, Dr. Andersen sees fit to stall his vote for the book’s endorsement until Carlisle comes and sees his time machine invention. When Carlisle finally stops moping around and agrees to meet with the mad scientist, he is roped into travelling through time to the future so that he can learn what supposedly happens when society teaches morals apart from Christ. What he finds is a shocking new culture he’s not familiar with in many ways. Will he ever make it back so he can sell his textbook?
Production Quality (.5 point)
Time Changer is one of those films that is very memorable, but for all the wrong reasons. While the production team should get some slight credit for attempting to dress characters in historically appropriate attire, there are too many other negatives that outweigh the small amount of positive. For starters, money was wasted building ridiculous time travel contraptions that look like they belong in a 1980s sci-fi film. The camera work and video quality are okay, but the audio quality is inconsistent, including a very annoying soundtrack. As usual, the editing is all over the board and is basically just a pasting together of heavy-handed scenes that demonstrate the Christiano brothers’ ridiculous worldview. Unfortunately, the production isn’t the worst this film has to offer.
Plot and Storyline Quality (-1 points)
Time travel plots are always going to be a problem. There’s rarely an instance when this concept can be justified. But when you merge this mind-bending sci-fi premise with an extreme fundamentalist Christian worldview, disaster occurs. There is no plot present here, since the Christianos are content to shove their unwanted opinions on the state of humanity in your face at every possible turn. Who believes that if some crazy professor from the late 1800s discovered time travel, he would use it to ‘solve’ the world’s biggest theological nitpick? Time Changer is entirely built on the incorrect assumption that the ‘good ole days’ were better, when old white guys made all the decisions, women were not allowed to do anything but sit at home, and religious idolatry reigned. Thus, the dialogue is chock-full of religious jargon and fundamentalist talking points while at the same time making a mockery of anyone who opposes the assumptions of the writers. Besides this, in an attempt to be ‘historical’, the dialogue is also overly awkward and cumbersome. Because of this, the characters are extremely programmed and robotic, just waiting to spew their lingo when the time is right. There are also subtle racial stereotypes and jabs at modern women’s roles throughout the film. The ending of the film is borderline bizarre, as it quietly depicts the nutty professor trying to find the ‘end of time’ using his contraption. Not only do the writers silently let you know that they think the end of time occurs before the year 2050, but they also show disdain for Jesus’ own words in the Scriptures, which state that no one knows the time or day when He’s returning. In short, there is nothing good about this storyline, and it even goes far enough to be rated in the propaganda category. It’s purely preaching to a small audience that already agrees with these narrow-minded views and accomplishes little else.
Acting Quality (-1 points)
As can expected, the acting is as outdated as the ideas in this film. Line delivery is forced and awkward and emotions are not present. Male cast members are overrepresented while female cast members are painted in a strange light. As previously mentioned, there are also some subtle racial stereotypes. But what else is new about this film?
This movie is a wide open window into the disturbing worldview of the Christiano brothers. In the end, they blame all of society’s ills on Hollywood. There may be some truth to this, as there are other nuggets of truth buried throughout the sludge of this film. Immoral Hollywood movies have certainly contributed a great deal to the corruption of society, but the world is always going to do what it does best—recede into sinful entropy. It is up to the Christians to stop this slide; we cannot expect the world to fix itself and pat us on the back for it. What people like the Christiano brothers really want is a return to their idea of a comfortably religious society. But what they don’t realize is that today’s culture is a reaction against that older worldview. If a white patriarchal religious utopia built on ivory tower theology was the answer to the world’s problems, it would have never ended. The problem is that those who claimed the name of Christ tainted His Name with their actions, not those who do not claim His Name. Jesus is the answer for culture’s problems, not some Pharisaical dominion. And when it comes to movies, if you don’t like what you see, make something better. So far, Christiano brothers and everyone else who complains about the state of Western culture, you have not produced any movies that are better or more worthwhile than the Hollywood alternative. So shame on you.
Jason Stevens has always had everything he ever wanted—at least everything that money could buy. Growing up in a successful oil dynasty, he has never seen anything but money, fakeness, and broken relationships. So when his patriarchal grandfather dies and the family gossip turns to who will get the largest share of the family fortune, Jason is uninterested and aimless in life. However, his world takes a unexpected turn when his father’s lawyer informs him that he is the one who is to inherit the largest portion of the fortune—if he can pass a series of seemingly eccentric tests designed to help Jason learn what is most important in life. As a result, Jason is forced to look at who he really is and what God really wants from him.
Production Quality (3 points)
The production crew of The Ultimate Gift showed true talent in this film. The camera work is excellent, including video quality and angles. The sets and locations are quite varied. The story is supposed to take place in at least two different countries, and this feat is pulled of well. The editing is great considering the fact that there is a lot of content in this film that could have cheesily been strung together. The series of gifts is not choppy and comes off naturally. In short, there are no production errors.
Plot and Storyline Quality (2.5 points)
As previously mentioned, it must have been hard to weave this type of content together into a clean plot line. Screenwriter Cheryl McKay actually improved Jim Stovall’s book in this adaptation, building on the characters and the storyline and making it more palatable. Dialogue is not forgotten in this miniature epic, even though it is concise. There are several interesting plot twists and things do not turn out as most inspirational plots would. Comedy and realistic drama are mixed well throughout. The only concerns to raise here are that some of the characters are slightly shallow and stereotypical. Otherwise, the plot content is very strong.
Acting Quality (3 points)
The Ultimate Gift cast is made up of mostly mainstream and professional actors, but they do the job well. They have obviously been coached well. Each one is appropriate in their roles and does the best with what they have. In short, there are once again no errors here.
While The Ultimate Gift is not a perfect film, it is certainly high on the list. It deals with a very unique topic in a very unique way. It would have been easy for the movie format to come off as amateurish, but this does not happen. One caveat is that there is not an explicit Christian message, but there are plenty of Christian values displayed. In short, this film is not only an enjoyable view, but it should also serve as a great example to anyone who wants to create an independent Christian film in the future.