Nicole and her mother are constantly at odds with each other, and Nicole hates that her father left. Thus, Nicole turns to her friends for support and identity. However, when they make fun of the way she looks, Nicole goes to extreme lengths to make herself look like the ‘ideal teenage girl.’ Before she knows it, Nicole is trapped in an eating disorder with no way out. This leads her mother to drastic measures and causes her father to step back into her life.
Production Quality (.5 point)
While In the Mirror Dimly is better than the horrid The Saber, that’s not saying much. Video quality is the only positive aspect to this production. Otherwise, camera work moves all over the place with no warning, and audio quality is poor, even with the obvious overdubs. Background sounds are too loud, and the soundtrack is a dumb ‘country’ number. Flashbacks are unnecessarily black and white, and sets, locations, and props are cheap and limited. Finally, the editing is very disorienting and confusing. Unfortunately, the Cross Wind team has very low production standards.
Plot and Storyline Quality (0 point)
Much like The Saber, In the Mirror Dimly struggles for any remotely substantial content. Tons of scenes are wasted on procedural activities of daily living. The story has no clear purpose as basically all of the dialogue is immature character arguing in the most juvenile ways. There is a lot of wasted time, along with strange psychological elements. The premise is basically a predictable city-girl-moves-to-a-rural-area-with-a-horse idea again. Once again, an otherwise important issue is totally mishandled and ends up being portrayed in an over-the-top and unrealistic way that reflects the writers’ lack of understanding of real problems. There is a lot of message-pushing as the character as basically pawns in the plot’s clear agenda. If you’re going to make movies about people’s struggles, please at least attempt to ground your plots and characters in some shred of reality.
Acting Quality (0 points)
Much like other Cross Wind efforts, the acting in this film is as terrible as you can imagine. Line delivery and emotional delivery are very forceful and unnatural, like it pains the cast members to be there. Some cast members are especially annoying, and lot of them engage in unnecessary yelling. This rounds out yet another awful excuse for a Christian movie.
So you want to make a movie about people’s struggles with identity and sin. Your first task is to learn about real people and how these problems manifest, grow, and heal. Yet in their films, Cross Wind has demonstrated the exact opposite. It is very hard to believe that they have a realistic grasp of the struggles of real people, so this sort of film is downright insulting.
Final Rating: .5 out of 10 points