I Can Only Imagine (Movie Review)

Plot Summary

Bart Millard always loved to sing, but he grew up in a broken home.  His mother left while he was young, and his father beat him and told him he would never amount to much.  When Bart failed high school football due to injuries, he and his father spent as little time around each other as possible.  Out of this, Bart began singing in high school plays and was told that he had a special talent for the stage.  This led Bart to pursue a career in Christian music, but life on the road was hard.  When he was forced to make a pivotal decision at a crossroads in his career, Bart was finally faced with having to go back to reconcile with the person he came to hate the most: his father.

Production Quality (3 points)

What else can be said about the talent of the Erwin Brothers at this point?  They have clearly mastered production quality, especially when it comes to historical epics.  The attention to detail in I Can Only Imagine is exquisite.  Video quality, camera work, and audio quality are flawless.  With Brent McCorkle involved, the soundtrack is always going to be a hit.  Sets, locations, and props in I Can Only Imagine are excellent and demonstrate wonderful historical authenticity.  This content-packed epic is edited nearly to perfection.  In short, it’s rare to have a perfect production, but the Erwin Brothers are still schooling the industry in how it’s done.

Plot and Storyline Quality (3 points)

Naturally following their epic film Woodlawn, the Erwin Brothers seem to have found a niche in biopics.  The story of Bart Millard is one that is absolutely worth being told, especially since so many people are familiar with MercyMe and their original breakout hit single, which is the title of this film.  What some audiences may not expect is the profound and timely message this film has to offer.  This film is more than just another inspirational film to grab cash from a willing audience.  In typical Erwin fashion, I Can Only Imagine is the film the western church needs now.  Besides this, the characters are very realistic, authentic, and easy to access via believable dialogue and back stories.  Each character is flawed and gray rather than black and white.  There are really no errors to point out here as the Erwins have masterfully captured another poignant true story in the context of film.

Acting Quality (3 points)

The Masters of Casting did their homework once again in crafting a cast that was true-to-life to the real people behind the story.  Each actor and actress is cast appropriately and assume their roles very well.  Costuming is excellent and correct for the time period.  Dennis Quaid likely posts one of the performances of the year as a very complex three-part role.  In the end, there are little to no errors to raise about this film, which has become the norm of the Erwin brand.

Conclusion

I Can Only Imagine receives an x-factor point for presenting an extremely important issue in a realistic way.  Audiences will flock to this film on the basis of its title recognition alone, but many will receive a message they least expected, yet one that the church as a whole desperately needs.  Many, many Christians and those associated with the church are running from parts of their lives that are broken and are not always their fault because they do not know how to deal with them.  I Can Only Imagine brings this paradigm to front and center at a time when the message of redemption for broken families needs to be heard.  Also, in keeping with their perfect record, the Erwins have notched another one on the Hall of Fame and have possibly taken the top spot of Christian film.

Final Rating: 10 out of 10 points

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Though None Go With Me (Movie Review)

Plot Summary

Elizabeth LeRoy grew up in a small town in the 1950s, but she considered her life to be boring.  That is, until the new young pastor came to town and began spending a lot of time with her.  They eventually fell in love, but as they were engaged, he was called off to fight in the Korean War.  Elizabeth waits for him, but when her father dies and she receives word of the death of her fiancé, she feels like she has no choice but to ask her lifelong friend Will for help.  With everything seemingly falling apart, will she be able to follow God’s plan for her life?

 

Production Quality (2.5 points)

Made in the era of collaboration among Larry Levinson, Hallmark, and Fox Faith, Through None Go With Me is clearly a quality production.  Video quality and camera work reflect this professionalism, as do historically authentic sets and locations.  Audio quality is fine, except for the stock Hallmark soundtrack.  There is really nothing negative to highlight here except for some editing problems, mostly pertaining to excessive time jumps.  But overall, this is a great effort.

Plot and Storyline Quality (1 point)

Based on Jerry Jenkins’ novel, the film is mostly fine, though there is a slightly altered plot.  However, since there are excessive time jumps, there is too much content that is passed over due to there being too much to start with.  Thus, information dump dialogue replaces natural plot progression.  Narration also serves as a crutch to bridge the gaps.  Everything is far too rushed as the story just hits the high points.  Character development is left in the dust as dialogue is empty and trite.  However, the plot does portray a somewhat realistic progression of life, even if the ending is slightly predictable.  In the end, it’s great to base films off of books, but don’t do it in such a way that the original point is lost.

Acting Quality (1.5 points)

Though None Go With Me is a pretty standard early 2000s Hallmark casting job.  As such, there are plenty of good elements but others that weigh it down.  Some acting is effective while some of it is overdone, forced, or lazy.  Also, some costuming and makeup are unrealistic, another typical Hallmark pitfall.  But overall, this portion is pretty average.

Conclusion

Jerry Jenkins is a gifted writer, and thus, his stories should be portrayed on the big screen.  But they should not be done in this fashion, so that they are compressed and chopped up in pursuit of fitting into a comfortable ninety-minute, made-for-TV runtime.  A life epic cannot unfold like this and characters cannot be developed properly in this time span.  So when bringing novels to life, consider that you might need to do so in two parts, not all at once.

 

Final Rating: 5 out of 10 points