The Follower [2018] (Movie Review)

Image result for the follower christian movie

Plot Summary

Elisha just wanted to get to Pittsburgh on time, and he never intended to cross paths with an eccentric character named Elijah. Elisha reluctantly decides to aid Elijah’s hitch-hiking, but he immediately regrets the choice as Elijah continually delays Elisha’s plans and hampers his progress. Thus, Elisha keeps trying to get Elijah off of his back. However, little do either of them know that they are about to both learn something valuable that will stay with them for the rest of their lives.

Production Quality (.5 point)

The cheapness of The Follower‘s production is very evident from start to finish. There are loud background noises and a generic soundtrack that tend to cover up other audio, and video quality is inconsistent throughout. The camera work is randomly shaky at times, and there are some obvious overdubbed lines in some portions. In other parts, cheesy sound effects are inserted on top of the video, and there some instances of weird camera angles. Further, the sets, locations, and props are cheap-looking, and the editing has a handful of glaringly obvious cuts. Thus, while there are some slightly positive moments in this production, it’s overall quite negative, which warrants the low score.

Plot and Storyline Quality (0 points)

It’s unclear whether or not The Follower is supposed to be another modern-day Bible application, but character names like Elijah and Elisha make things very confusing. Besides this, the dialogue is full of corny attempts at comedy, and the cheesy conversations mainly waste time. This causes the middle of the film to be very aimless since it’s appearing to just kill time until the ending, but the storyline actually makes less and less sense as it progresses. The more some hidden purpose is kicked down the road, the more the narrative seems to get lost in its own mind. The story pretends to conceal some great secret, yet the whole concept is too vague to be grasped and only leads to a hollow conclusion. In the end, while there may have been some interesting ideas here, it’s all too rushed and slapped together to make any sense.

Acting Quality (1 point)

Surprisingly, the acting is actually the strongest point of The Follower as Goodwin and Sigler post their best performances to date. They seem very comfortable with their character roles and demonstrate niche talents. Even still, the few cast members that there are seem to be trying way too hard to be funny, and many emotions are quite forced. Line delivery is also uneven, and the acting overall gets worse as it goes even though it started out semi-okay. Therefore, this rounds out a very underwhelming effort.

Conclusion

In the end, The Follower is yet another example of how quantity over quality hurts the Christian entertainment world. Trying to cram more than two movies into one year is very difficult to pull off without sacrificing essentially positive elements. While we do need more Christian movies and series being made each year, we need more Christian entertainment that is not sub-standard and is capable of truly making a difference. Thus, it would be better to have fewer annual releases until the industry is able to consistently produce quality content.

Final Rating: 1.5 out of 10 points

A Child of the King (Movie Review)

Plot Summary

Dr. Wesley King and his late wife were called to the jungles of South America to aid the needy and those who were considered to be hopeless. However, after his wife died, Wesley became lonely in his mission. In the states, a woman named Donna began following Wesley’s story via the letters he sent back to his home church. Then, Donna feels called to join Wesley in his overseas mission field, and God brings them together to minister to the least of those in South America.

Production Quality (0 points)

Unfortunately, there are virtually no good aspects to this production as the audio quality is poor, including echoes in the background, a random soundtrack that sometimes interrupts lines, and some invasive outside noises. Similarly, the video quality is not quite what it should be, and there is some very poor lighting throughout the cheap sets and locations. Props also leave something to be desired, and the camera work is inconsistent at best. To top things off, the special effects used therein are very bad, and the editing is extremely choppy as some scenes drag on while others awkwardly or abruptly end. In the end, any small positives in this production are outweighed by the very obvious negatives.

Plot and Storyline Quality (0 points)

From beginning to end, the storyline of A Child of the King is very hard to follow since it’s filled with blank conversations between characters and lacks an overall focus or purpose. The stiff and awkward dialogue between characters makes it very difficult to relate to them as people, and the main character is basically perfect. The plot essentially meanders around without the viewer being able to easily follow its progression, and it’s really nothing more than an informational video or mock docu-drama about overseas missions. While there may be some good ideas lost in here somewhere, people who can relate these concepts to the real world are needed to bring them to life. Further, the narrative just randomly ends in an unexpected place without any warning or resolution because that would require something to resolve in the first place.

Acting Quality (1.5 points)

Surprisingly, the acting of A Child of the King is its strongest point even though it’s mostly pedestrian, generic, and boring. There’s neither anything special nor horrible about the cast members’ performances, despite the fact that they have little content to work with. One bright spot is that the cast, for the most part, is culturally accurate with real accents and dialects, which is unexpected based on the remainder of the movie. Nonetheless, this average section isn’t enough to save this failed effort from itself.

Conclusion

An international film should very rarely be made in conjunction with other projects due to the time and financial freedom it requires. However, 2019 was an indicator of how committed the JC Films team was to producing as much content as they possibly could. The result of this is even more low quality Christian films to crowd out the market. Hopefully, however, the tides are still turning since Christian audiences want and deserve better than half-baked ideas.

Final Rating: 1.5 out of 10 points

A Promise to Astrid (Movie Review)

Image result for a promise to astrid

Plot Summary

Astrid Nicosia lived in a small town and tries to do good to each person she comes in contact with. She freely gave the little money that she had to those who needed it. She also wanted to walk closely with the Lord and to make a difference with what time she had left. Those who were touched by her kindness and generosity made a promise to return her favors either to her or to other people who were also in need.

Production Quality (1 point)

As a 2019 production, A Promise to Astrid has no excuse to be as bad as it is. While the video quality and the camera work are okay, the audio quality throughout the film is quite bad, including loud background sounds, echoes inside of the sets, and an invasive soundtrack that sometimes interrupts dialogue and others times causes confusion since it doesn’t fit the mood of the scenes. In addition, the sets, props, and locations are quite cheap, and there are some obvious continuity errors between scenes. There are also other editing concerns, such as the quick and awkward cuts and transitions, the high number of fade-outs, and the fact that many scenes do not flow together and seem very disconnected from each other. In the end, this is an unacceptable effort with many unforced errors.

Plot and Storyline Quality (0 points)

Even though it’s based on a book, A Promise to Astrid is not what it should be, mostly due to the lack of substantial characters. Although this is a heavily character-based plot, dialogue is usually a bit clunky and awkward and does not adequately develop character personality or motive. Additionally, it’s very difficult to understand the true purpose of this narrative beyond random people doing random things. The vague ideas behind the storyline might be interesting, but without effective connections with the audience, it really has nothing to show for its meager efforts. Essentially, the plot meanders around as a collection of random scenes before suddenly ending and leaving the viewer wondering why they just watched the movie, which is why this section warrants zero points.

Acting Quality (1 point)

While the acting of A Promise to Astrid is not entirely bad, it’s very marked by incompetent attempts at obviously fake accents. Also, some cast members seem unsure of their roles, even though there’s not much to work with in the beginning. Further, other cast members are either clearly overplaying their roles or half-heartedly trying. Throughout the film, line delivery and emotions are uneven but not all bad, which is enough to warrant at least a point out of this section. In the end, however, this is a very sub-par movie.

Conclusion

Based on their 2019 slate of films, it’s evident that it was the goal of the JC Films team to flood the market with as many movies as they could squeeze into their limited budget. This was an old model PureFlix used in the early 2000s and 2010s, and they had some success due to lack of many other options. However, as the calendar turns to 2020, times have changed in Christian entertainment, and higher quality is demanded. Thus, it’s better to save your funds to make one good film or series and then to see how you can build off of the success of one quality project rather than to get ahead of yourself and to over-extend your means.

Final Rating: 2 out of 10 points

The Follower (May 2019)

Coming in May 2019

Writer(s): Robert Stark

Director(s): Jason Campbell, Ryan Crossey, Timothy E. Goodwin

Producer(s): Jason Campbell, Robert Stark

Starring: Dean Cain, Michael Sigler, Timothy E. Goodwin, Lea Hutton Beasmore, Gary Lee Vincent, Zoe Scarborough, J. W. Myers, Ramona Bowles, Chuck Winstead, Veronica Rogers,

Plot Synopsis: A modern, comedic retelling of the Biblical story of Elijah and Elisha.

Megan’s Christmas Miracle (Movie Review)

Plot Summary

When Meghan and her father were forced to move to West Virginia when he lost his job, she absolutely hated it.  However, in the future, as she looks back upon this time, she likes how she was able to teach some local girls how to dance and how she was in a Christmas play that year.  She was able to reestablish her relationship with her father, which still affected her as she grew older.

Production Quality (.5 point)

Megan’s Christmas Miracle, though it’s a 2018 production, is one of the cheapest-looking in recent memory.  Although video quality is fine, the camera work is a wild ride that includes bizarre camera angles and roving shots that are dizzying.  Besides this, the limited sets and locations are very cheaply lit, like this was literally filmed in somebody’s extra house, and the props are also lacking.  There’s also weird audio quality with obvious background sounds and barely any soundtrack, and there is no editing to speak of or any substantial transitions between scenes.  This rounds out a very poor production effort for 2018.

Plot and Storyline Quality (0 points)

It was a monumental struggle to even fabricate anything to write for the plot summary of this film because it’s so wanting for content that it’s sad.  With basically no storyline or plot concept to work with, the characters are extremely empty and cheesy due to flat and uninspiring dialogue.  Other than predictable Christmas concepts and stereotypical small-town and ‘bad teenager’ characters, there is little to sustain this movie’s painful runtime other than drab conversations and riveting activities of daily living (ADL’s).  For a brief moment, some confusing ‘magical’ elements are teased out of left field before they disappear just as soon as they came.  Essentially, as one thing after the next happens with no organization or continuity, there is little to no nope of potential in this ‘story.’

Acting Quality (1 point)

Understandably, a majority of the cast members in this film seem bored and uninterested with the job they’ve been subjected to, and who wouldn’t be with this little amount of lines to work with?  No coaching is evident as lines are half-heartedly delivered and as emotions are flippant.  While some cast members appear to actually care about this film enough to put forth some sort or effort, it’s only enough to keep this section from being zero, which surprisingly makes this area the best of the film.

Conclusion

What exactly is this film going for?  I feel like we ask ourselves this question a lot when reviewing Christian films – especially Christmas ones.  It would be one thing if Megan’s Christmas Miracle was from the early 2000s, but 2018 films are expected to be higher quality than this with the recent upgrades and newfound advantages for independent Christian films, especially in the area of production.  A production this bad is unacceptable in this new era, so any production below average is basically an automatic disqualifier because there’s no more excuses.

Final Rating: 1.5 out of 10 points

Gosnell: The Trial of America’s Biggest Serial Killer (Movie Review)

Plot Summary

In late 2009 and early 2010, the evil deeds of a rogue abortion doctor, Dr. Kermit Gosnell, were uncovered when his suspect abortion clinic in downtown Philadelphia was raided by multiple agencies due to suspected drug laundering and mysterious deaths of women who went there.  What the authorities found during the raid was shocking and appalling.  A local prosecutor and her detective friend were immediately plunged into a politically-charged trial centered around the controversial social issue of abortion.  As it becomes more evident that Dr. Gosnell exhibited the behaviors of a serial killer, the pushback from powerful lobbyists only increased until the truth was finally exposed for the world to see.

 

Production Quality (2 points)

Gosnell had fairly good funding despite their persecution-complex claims.  This translated to a mostly professional-looking production, including good video quality and camera work.  The sets, locations, and props are mostly well-constructed and well-utilized.  There are some randomly dark scenes throughout, but this may be purposeful.  Also, the editing of the film is fairly choppy due to the large amount of plot content that is taken on.  However, overall, this production is above-average even if it could have been a little better than it was.

Plot and Storyline Quality (1 point)

Gosnell makes many attempts to be overly realistic in its presentation of real events, including unnecessary profanity and edgy content that may be off-putting to a lot of pro-life audiences.  Besides this, there is a lot of expository dialogue throughout that is designed to mask the time jumps and to connect otherwise unconnected scenes together.  Thus, there is lots of content shoved into a small amount of time, even though the writers found plenty of time for shock-and-awe scenes.  There are one too many over-dramatized sidebars detailing the perceived persecution of the pro-life movement, and the ‘bad’ characters are flat-out strawmen.  One bright spot is the interesting use of flashbacks with characters we don’t see enough of, which is a technique that needs to be used more.  If this film’s plot had been more about detailing the real stories of the women who were adversely affected by the negligence and twisted ideas of Dr. Gosnell rather than a politically motivated trial plot reminiscent of God’s Not Dead 2, this would have been an entirely different film.  Thus, while there is some good messaging in this film that keeps it from having no potential, the real stories of real people need to be depicted in film rather than political grandstanding.  Stories and personal experiences are what changes the culture and changes people’s minds on social issues.

Acting Quality (2 points)

Some cast members are hamstrung from the get-go of this film by the poorly written dialogue that is a direct consequence of the time jumps, but Dean Cain posts another weirdly awkward performance regardless.  Cain’s fake attempts at a Philadelphia accent are annoying, and his typical forced line delivery and emotions are wearing.  However, the rest of this cast appears to know what they’re doing, and despite their shortage of things to work with, they are mostly professional and comfortable in their roles.  Overall, this film is basically average.

Conclusion

The pro-life cause does have history and science on its side, but pro-lifers must be very careful to avoid becoming caught up in the political games that are played by the pro-abortion lobby.  There’s no denying that the abortion business is gruesome and downright evil, but the pro-life cause is better than stooping to their level.  Gosnell presents a very important and real-life issue, but one has to wonder how many people will be converted to the cause due to the gruesome nature of this story.  Though it’s extremely difficult to maintain professionalism and balance in a heavily biased and lightning-rod political culture, it’s important that pro-lifers don’t adapt the pro-abortion mentality of victim status and shock-and-awe theatrics just to try to gain political power.  The pro-life movement should not be politically charged, but we are unfortunately far from that reality.  Politics is only a reaction to culture, but changing the culture is much harder to do.  However, it can be done with real stories, and there were real stories to present in this sordid tale, even if we didn’t get to see them very well in this film.  Real women are hurt everyday by the abortion business, and many of them suffer in silence or are compelled to join the pro-abortion political lobby because they feel like the pro-life movement won’t accept them.  We are seeing some change in this area, however, so hopefully we will see more movement in the right direction in the coming days.

 

Final Rating: 5 out of 10 points

 

Movie Renovation: God’s Not Dead

See original review here.

 

Production Improvements

There are really few production errors to note in the first God’s Not Dead film.  The primary issue with this production is, of course, the editing, due to the large and complex amount of content that is attempted to be used in this film.  Thus, if the plot categories were improved, the editing issue would likely also improve.

Plot and Storyline Improvements

The plot of God’s Not Dead needs some serious work.  For one, there are too many ideas shoved into one two-hour film.  A lot of these ideas really need to be movies of their own, such as the Muslim family subplot and the Chinese student subplot.  The blogger character and all of her connections (Dean Cain, the Robertsons, etc.) need to be deleted completely.  The woman with dementia is an interesting aside, but it needs better development.  Pastor Dave and his connections really wouldn’t be missed either; this area might be better if it was altered.  Finally, the portrayal of the atheist professor is noteworthy and better than most, but it still could be better and less over the top.  The “character who is an atheist because their mother died of cancer” trope is a bit thin.  Also, there are obviously instances of anti-Christian bias in academia, but this story could have been a bit more down to earth.  Thus, with a lot of separation, editing, organization, and focus, this plot could have pushed the film into the Hall of Fame.

Acting Improvements

While the acting of the original God’s Not Dead is actually a major improvement over most PureFlix casts, it still isn’t perfect.  For one, David A. R. White and Tommy Blaze rarely need to be acting.  Trisha LaFache is average at best and needs serious coaching.  Dean Cain should probably never be cast again.  Kevin Sorbo has his place, but not as a raging professor.  Otherwise, this cast is fine.

Conclusion

There was a reason the beginning of the God’s Not Dead saga was so popular, and it wasn’t because of its portrayal of atheists.  It has a lot of intriguing content and a lot of ideas that need further exploration in different venues.  Trying to lump all of it together in one film was a disappointment.  However, it was the first time PureFlix actually proved they could be at least somewhat responsible with their budget, including a high-quality production.  Perhaps one day someone will use some of the half-baked ideas of God’s Not Dead for greater purposes.

A Mile in His Shoes (Movie Review)

Plot Summary

Arthur Murphy manages a minor league baseball team, and he is obsessed with discovering the best talent no one else has discovered yet.  Thus, when he stumbles upon Mickey Tussler, a young adult with autism, and sees his raw pitching skills, Arthur tries to recruit him immediately.  After convincing his fundamentalist and over-protective father to let Mickey try, Arthur takes him back to the team, where Mickey makes a difference in each of their lives, even Arthur’s.

 

Production Quality (2 points)

The Nasser brothers have had an unusual film career, but they usually are committed to fine production quality.  A Mile in His Shoes is no different, as it has good video quality, camera work, and audio quality.  The soundtrack is adequate, and a commitment to historical authenticity is evident in the good use of sets, locations, and props.  The only issue to point out here is the fairly choppy editing that hampers the plot presentation.  However, in the end, this is not enough to hold this production back from being above average.

Plot and Storyline Quality (1 point)

A Mile in His Shoes is another one of those sports movies that is based on a good true story, yet it is not handled as well as it could have been.  This is mainly because the characters therein are too shallow and not realistic enough.  They tend to just be stand-ins for plot points rather than real people with real lives.  Elsewhere, the storyline presentation is too pedestrian and standard.  Also, the Christian message is too vague.  As usual for sports films, the plot is replete with montages, and the story is framed as an against-all-odds plot progression.  However, although there are a few too many unnecessary asides that waste time, there are plenty of realistic life circumstances in this plot that keep this section from being zero, even if the ending is too predictable.

Acting Quality (2 points)

While Dean Cain is usually a damper on the casts he’s involved in because of his annoying demeanors, pretty much all of the other cast members of this film are fine.  For the most part, this cast shows emotions and delivers lines appropriately and adequately, and each cast member is cast well.  In short, this rounds out an overall average effort.

Conclusion

All in all, the average rating fits this movie well.  It is easy and safe to choose an inspirational and true sports story to make a pedestrian film out of, especially one made for TV.  However, it takes greatness and dynamic creativity to make these sorts of stories into truly memorable films.  Otherwise, they are just too easily forgotten.

 

Final Rating: 5 out of 10 points

 

Movie Renovation: Meant to Be

See original review here.

 

Production Improvements

The only major production improvement that should be noted in Meant to Be is the need for more organized editing.  In this film, scenes tend to be tossed here and there in a confusing fashion.  However, the editing can only be improved as the plot content is improved.  Thus, a more organized plot would have likely led to improvement in this area.

Plot and Storyline Improvements

Meant to Be is one of the most creative and most frustrating films we have ever reviewed.  Without spoiling the major twist at the end, it should be noted that this twist is mostly unexpected, especially after sitting through the boring and purposeless first half of the plot.  This is where most of the audience will be lost, so the most effective thing that could have been done in this situation would have been to make the first half of movie a good film on its own without having to rely on the twist in the second half.  This would also cause misdirection and make the twist even more surprising and out of left field.  As it is, Meant to Be seems to be rushing to get to the twist, and character development is sacrificed in the process.  We need to know what these characters care about and what their motivations are, and this can be done through substantial dialogue.  If these characters would be able to stand on their own apart from the twist, this would have been a truly great film.

Acting Improvements

Step one: take out Dean Cain.  Further, the jury is still out on whether or not Bradley Dorsey should be acting in his own films.  Other cast members in Meant to Be were underwhelming in their performances, so more improved acting coaching might have helped this section improve.

Conclusion

Bradley Dorsey has some great ideas, but he often stunts their full impact by getting in his own way.  The best thing he can do at this point in his career is to work with a team approach.  He may need to step back from acting in his films and work collaboratively with someone to bring his creative ideas to full fruition by developing deeper characters.  In the end, while it is unclear what his next steps are, if he heeds this advice, he could soar to new heights.

I Am Gabriel (Movie Review)

Yes, this happens in this movie

Plot Summary

Promise, Texas is a sad town with little hope for the future.  That’s why an angel boy named Gabriel is sent there to fix everything up.  There are several townspeople who wish miracles would happen, and there are others who believe miracles are impossible.  So Gabriel has to show off what he can do in order to convince them are turn them back to God (?).  Will he be able to convince everyone before it’s too late?

 

Production Quality (1 point)

For some reason, this production was invested in.  While the camera work and video quality are fine, there is not much else to redeem this film.  The original soundtrack is okay, but sometimes the music is far too loud.  In an attempt to be dramatic and spiritual, the special effects used are cheesy and childish.  Sets and locations look very cheap and there is generally a lot of wasted time in this film as the story jumps all over the place and demonstrates horrid editing work.  In the end, this is a big disappointment compared to the work EchoLight usually produces.

Plot and Storyline Quality (0 points)

Since this story is filled with heavy-handed melodrama about how hard everything is in the small town, the viewer cannot appreciate the struggles of the characters since they seem so manufactured.  Despite attempts to be ‘interesting’, this plot is very slow and flat and full of wooden dialogue that forces the plot along.  Though there may be some good messages somewhere in this mess, they are made juvenile and silly by the stupid ‘magical’ miracle elements and the child angel premise.  Finally, after jumping from thing to the next and fixing most of the problem subplots, this plot culminates in the dumbest ending ever.  In short, I Am Gabriel started in the horrible position of having no potential and became a self-fulfilling prophecy.

Acting Quality (0 points)

Similarly, this cast starts off already skewed by throwing John Schneider, Dean Cain, and Carey Scott into one movie together.  Thus, the cast lives up to its expectations by being very amateurish and robotic, with quick and forced line delivery.  As a side note, makeup is as ridiculous as the childish angel costuming.

Conclusion

What is the point of even making a movie like this?  A child angel plot is doomed from the start, as is any story including juvenile miracles and quick fixes.  EchoLight should be ashamed of distributing this type of movie because it only makes them look silly.  Movies like this contribute nothing to Christian entertainment and only further create a laughable image of Christian film.  But hopefully that image is changing, slowly but surely.

 

Final Rating: 1 out of 10 points

 

Movies That Are So Bad They’re Not Even Worth Our Time, Christmas Edition (MTASBTNEWOT Christmas)

In our vast Christian entertainment viewing experience, we sometimes come upon films that we can hardly justify writing a full review for.  Therefore, for your convenience, so you don’t have to go watch those free films that invade your suggested watch list in on-demand video services, we’ve provided a quick overview here.  For now, here’s a collection of Christmas films that fall into this category.

 

It’s very hard to explain

Beverly Hills Christmas

This is barely a Christmas movie at all except that it’s based on the typically bizarre magic premise you find in many knockoff holiday films.  Dean Cain and a Meryl Streep lookalike star in this movie that’s filled with wacko works-based theology and abstract vague fantasy lingo and concepts.  Apparently some dead woman has to get into heaven by making her spoiled brat daughter act good, so she decides to bring a nice kid back to life by shooting lightning into his skull even though Dean Cain told her not to touch people.  It’s a shame this off-the-wall movie wasted a decent character arc and a remotely interesting idea.

 

Look, a rose!

Natalie’s Rose

Also barely a Christmas film (or a Christian one), this time about a horse named—guess what—Rose.  Basically, this movie wastes an hour of your time on farm footage and sitting around talking before coming to the shocking conclusion: the horse is a “special” horse that turns into a rose.  [ENTER GIANT FACEPALM HERE].  No joke.  The production is terrible and most people won’t even make through the entire slogfest to see the main character having hallucinations about glowing horseback riders at night.  How this garbage gets made is beyond us.

 

DAX!

The Heart of Christmas

When you use kids with cancer as props and parade vain Christian actors and actresses in front of the camera in some kind of lame attempt to raise money for St. Jude’s Children’s Hospital in a shameless commercial soliciting you for money, we don’t have much respect for you.  Sure, St’ Jude’s does some great things and helps families in need, but can’t we just have a normal movie without all the advertising, drama, and pageantry?  They didn’t even try to make this true story a realistic plot.  It’s really shameful when you have characters telling you to make donations.

Movies That Are So Bad They’re Not Even Worth Our Time, Part 2 (MTASBTNEWOT 2)

In our vast Christian entertainment viewing experience, we sometimes come upon films that we can hardly justify writing a full review for.  Therefore, for your convenience, so you don’t have to go watch those free films that invade your suggested watch list in on-demand video services, we’ve provided a quick overview here.  Someday we might post more, if we’re fortunate enough to find more.

 

Our reaction to this film
Our reaction to this film

Heaven’s Door

Travel to a magical fantasy land where Dean Cain, that odd girl from Your Love Never Fails, and some other C-grade cast members discover the truth about the afterlife.  When the kid from the previously mentioned Hallmark movie accidentally kicks a soccer ball into a tree, she discovers that the tree actually holds a portal into the heavenly dimension.  If you don’t believe her, then shame on you.  Anyways, one thing leads to another and the girl’s psychic grandmother reveals to her that she talks to the girl’s unborn sibling (who died in a miscarriage) about how the portal will save her family from splitting apart or something.  It’s sort of like the teenage David A. R. White from Second Glance trying to save his family, but not really.  In the end, they all have to learn that talking to the dead will tell you the future and that this is somehow a Christian movie[/sarcasm].  If you don’t agree with this movie’s message, then you’re the Grinch who stole Hallmark cards.

 

Who knows what this cover is trying to convey
Who knows what this cover is trying to convey

This is the Day

With films like these, we can see why garbage like Princess Cut wins awards at film festivals.  If you can watch this film for five minutes without going batty from the incessant banging background ‘soundtrack’ and the constant fidgeting of several cast members, you can learn that the poor dying man lying in the bed with the trophy has cancer and he needs some seaweed to cure him.  Also, he needs his friend to find his daughter for him.  Any other dialogue was totally lost on us as we could not understand it due to the ‘soundtrack’.  God only knows what this nonsense is trying to convey.

 

Crosspoint

Most readers will probably never even find this ‘lost’ film as it was exclusively sold at a local church (we reserve the right to not disclose how we came upon a copy).  Basically, some lawyer guy likes to ride motorcycles with the ‘guys’ and his wife wants him to go to church and spend time with their son.  But he decides to ride one last time and his son goes out on a dangerous bike and crashes (offscreen) and ends up in the church hallway hospital under the care of a local mafia leader rich guy pretending to be a doctor[/insidejoke].  There’s not really much to be learned here since it’s so short and shallow; the acting is so bad that this can barely be classified as a movie.  We just had to include here for reasons.

 

Well that’s all for now!  Maybe we’ll post another one someday…maybe not…

Meant to Be [2012] (Movie Review)

Plot Summary

After a negative turn of events in his life, Nathan Burr begins to search for meaning in life.  Recalling his younger years of living with foster parents, he decides he needs to search out his birth mother, who he has never met.  His search takes him to a mysterious hotel where he finds surprising wisdom from the hotel’s aging maid.  But he also finds more questions than answers.  Linda Dickson is a social worker who has guarded a terrible secret all her life.  That’s why she jumps at the chance to help a girl escape from a domestic violence situation.  Little does she know that her world is about to be changed forever.

 

Production Quality (2 points)

Starting off, the limited budget of Meant to Be must be accounted for.  The sets are pretty good; the video and sound quality are great.  The camera work tends to be a little too artistic at times, but it seems to work well more than not.  The biggest error here is the confusing editing.  Some scenes seem to cut too quickly and some seem to drag on too long.  This is likely due to the low amount of plot content, but it is overall produced fairly well.

Plot and Storyline Quality (2 points)

As mentioned, the plot is very limited in scope when it could have been very broad.  There are really only two and half subplots, but it didn’t have to be that way.  Some movies have little room to work, but this one had a mansion.  Though there are few characters, they seem unfinished.  The dialogue is inconsistent.  At first, this plot doesn’t seem sustainable at all.  But more than halfway through the film—if you stick it out—Bradley Dorsey introduces a huge twist that completely changes the audience’s outlook.  This is perhaps the best twist ever in the PureFlix movie.  It makes up for a lot of the movie’s errors, but it also shows just how far the movie could have gone.  Nonetheless, the twist is genius and makes it worth watching.

Acting Quality (1.5 points)

Unfortunately, the average to poor acting quality also detracts from Meant to Be’s creative premise.  Some of the actors show great potential with better coaching.  Dean Cain seemed like an unnecessary addition to the cast.  Overall, the acting has a lot of potential that was not tapped.

Conclusion

This movie had a mountain of potential—it could have been a nearly perfect film.  It does receive an x-factor point for presenting an important social issue in a very unique and creative way.  We desperately want this movie to be remade, or least the idea to be allowed to be used in a different movie, one with more and better characters, a more complex plot, and better actors.  Bradley Dorsey show great potential as a movie maker, and we anticipate his future films.  He needs a better crew to surround him and to support him in his excellent ideas.  He has a corner on the Christian psychological thriller market if he takes the chance.

 

Final Rating: 6.5 out of 10 points

God’s Not Dead (Movie Review)

Plot Summary

Josh Wheaton didn’t ask to be put in the philosophy class of the infamous Professor Radisson.  He also didn’t anticipate having to sign a piece of paper stating that God is dead in order to achieve a high grade in the class.  But prompted by the help of a local pastor, Wheaton decides to not only refuse to sign the paper but also to prove God’s existence in front of the class in addition to his other class assignments.  It’s something that those closest to him do not understand or agree with, but it brings him closer to God and to other people.  Little does he know that Professor Radisson and even those connected to him are being profoundly impacted in ways he never expected.

 

Production Quality (2.5 points)

This is perhaps the strongest area of the movie.  God’s Not Dead has better production than a majority of PureFlix movies, which shows great progress.  The camera work is great, and the editing is pretty good considering the many interconnected story lines.  The sets are authentic and varied and the lighting is good.  The soundtrack is effective.  The only real error to consider here is the fact that there may be too much content included.  In short, the money used for the movie is mostly put to good use.

Plot and Storyline Quality (1.5 points)

Unfortunately, the plot is a bit weak, mostly due to the large number of story lines.  There is nothing inherently wrong with a movie about the interconnected lives of people, and for the most part, God’s Not Dead does a fairly good job managing the content.  However, it seems like there are one too many subplots and one too many characters.  If one or two of these were eliminated and that time used to develop other more interesting characters, this movie would greatly improve.  As it is, the dialogue is pretty good considering the number of characters.  There are some interesting twists and not everything turns out as expected in the end.  Most of the characters are believable, but some seem to be caricatures.  In summary, the plot is a mixed bag with a lot of untapped potential.

Acting Quality (2 points)

When compared to older PureFlix movies, the acting in God’s Not Dead is superb, for most of the actors.  This is David A. R. White’s best acting job to date.  Shane Harper is great in his major debut.  However, Dean Cain and Trisha LaFache are uninspiring.  But still, one could argue that they did not have much to work with.  All in all, the acting is another mixed bag.

Conclusion

God’s Not Dead is the best PureFlix-created movie in their existence.  Improved acting, improved production quality, and improved plot development all contributed to this rise.  However, they still have not hit their ceiling.  There is a lot of potential in this movie, and on its face, it is still an above average movie.  What is most important is that the core message of God’s Not Dead is driven home without being overly preachy or unwatchable.  This is success in and of itself.

 

Final Rating: 6 out of 10 points