See original review here.
Much like other newer, more mainstream PureFlix releases, Do You Believe sports professional production quality with very few errors to speak of. Naturally, due to the nature of this film, the editing is mostly a mess as each scene tries to be a dramatic climax with no resting periods or relief scenes. Thus, the only issue with the production can be rectified by improving the plot.
Plot and Storyline Improvements
Much like God’s Not Dead, Do You Believe takes on far too many subplots than it can handle. Easily half of them are unnecessary, as each of them try to insert a dramatic turn into nearly every scene that comes up. The paramedic subplot is mostly unrealistic and unnecessary, and its deletion would have also rendered the Andrea Logan White\Sean Astin subplot useless. The military veteran suffering from PTSD and the girl with the unknown past who tries to commit suicide belong in their own film, so they can be developed better as characters. The criminal brothers subplot is awkward and stereotypical. With the removing and reassignment of these subplots, the more pertinent elements of this storyline, namely the older couple who helps the homeless mother and daughter and the pastor and his wife who help the young homeless mother, could have been given more room to grow and be developed beyond their current state. An alternate option to improve this plot would have been to start at the mass car accident scene and then work backward by following each character’s path to the accident, but this would take a lot of skill and discipline. Also, the narration has to be totally eliminated. In short, there is so much content in Do You Believe that there is bound to be potential in here somewhere.
While there are some good elements to the acting of this film, most casts would be improved in the absence of Liam Matthews, Andrea Logan White, and of course, Ted McGinley. There are just so many cast members involved here that any good portions are cancelled out by poor performances. However, if the storyline was pared down to a realistic medium, the cast would have also been trimmed to ensure quality of quantity.
Quality over quantity was truly the order of the day for this film. Dumping every subplot you can think of into one film will make a film that a lot of people will see and perhaps like momentarily, but its lasting impact is blunted by its onslaught of content. However, there are enough good ideas in this film to perhaps kickstart a better film in the future.