The Trump Prophecy (Movie Review)

Image result for the trump prophecy movie shofar
Shofars!

Plot Summary

Mark Taylor was burnt out as a firefighter after nearly twenty years of service, and he began having physical symptoms of his exhaustion. He also began having mental symptoms of the trauma he experienced, which led to a diagnosis of post-traumatic stress disorder. He went on leave from work due to the condition and eventually retired, and during this time, he believed that he received visions both from Satan and from God of how Donald Trump would become President of the United States.

Production Quality (0 points)

So Liberty University wants to make another movie to showcase their expensive equipment and unusual application of it. While on the surface this production seems fine, there are too many film school experiments exhibited throughout, such as bizarre camera work and choppy ‘artistic’ editing. Sets, props, and locations are surprisingly limited for the supposed scope of this film, and it seems like with the budget that was funded for this film, things would look better than this. The audio quality as a whole is unacceptable for a movie of this budget level since there are many weird background noises throughout and since the many musical montages use an invasive and unrelated soundtrack. Besides these obvious problems, it goes without saying that the special effects are horribly bad and very cheap-looking for a film school who purports to have some of the best resources at their fingertips. As a side note, there are too many CBN product placements, probably because they couldn’t license the big networks in a film that depends too heavily on news sequences to move time forward. In the end, any good parts of this production are cancelled out by the bad, which leaves us with nothing here.

Plot and Storyline Quality (-2 points)

As expected from the build-up and from the divisive political atmosphere surrounding the origin of this film’s idea, this story is utter madness. The fact that a large section of the American Christian population has embraced the bizarre ramblings of a self-proclaimed prophet who has many prophecies that never came true is very disturbing at best. Due to money, Liberty University has chosen to give a platform to these wacky theories, but they packaged them in the most boring and vanilla plot you can imagine. The weird worldview aside, this story has basically nothing to offer the viewers except for boring activities of daily living, random life montages, and off-the-wall acid trip vision sequences that have little to no explanation or understanding of what’s going on. Besides the fact that this film gives a platform to highly unusual and offbeat ideas that borderline on false teaching and peddles cult-life politically Christian propaganda, the main story is actually quite short and irrelevant. There’s hardly anything to it at all, and all of the negative brings it lower than zero, which isn’t really surprising, given the history of this story’s origins.

Acting Quality (0 points)

To combine with one of the most boring plots possible, Liberty University’s film school made sure to cast the most boring cast members we’ve ever seen, and we thought that the cast of Extraordinary was bad enough. The lead actor is extremely dead-faced for most of the movie, and most of the cast members don’t exhibit any substantial emotions except for overly practiced ones. Line delivery is very stilted and robotic, and the interactions between the cast members come off as very awkward and impersonal. In short, if there’s something bad about any movie, it’s probably represented somehow in The Trump Prophecy.

Conclusion

We have to wonder if Liberty University will ever learn from their series of colossal failures (see Extraordinary). Even if you agree with the total drivel propagated by this film of madness, there’s no way you can contort this film to be a quality movie or even an interesting one. Whoever is behind the decision making at LU’s film school clearly has no idea what they’re doing in the entertainment business because they consistently roll out some of the most well-funded and tone deaf movies we’ve ever seen. Words cannot express how far out of touch with reality they are; anyone that even thought about making a film based on a scam-worthy book like The Trump Prophecy has their priorities seriously out of whack and out of tune with what really matters.

Final Rating: -2 out of 10 points

One Church (Movie Review)

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Plot Summary

Cornelius Barlow is a devious politician who has had a vendetta against organized religion ever since his daughter was killed by a cult. Instead of eradicating religion, however, once he becomes President of the United States, he decides to make his own united religion by bringing all faiths together and by forcing them to work together. Unfortunately, this doesn’t go as simply as he planned as he faces opposition from a secret resistance who claims that they know the only truth of salvation: Jesus Christ. Will their numbers be able to survive the coming persecution?

Production Quality (1.5 points)

One Church is one of those Christian suspense films that bites off more than it can chew in the production department. This is evident by the shaky camera work, the loud soundtrack and sound effects, and the inconsistent audio that is sometimes muted. There are also a lot of tight shots and a weird aspect ratio, along with some randomly blurry camera shots and odd camera angles. Some scenes also cut off very abruptly as if this is an early cut that wasn’t finished. However, not all is bad in this production as there are some elements that are fine throughout, such as the sets, locations, and props, which keep this production from being below average. Even still, if the funding and resources aren’t there for a good suspense plot, it’s better to not make it.

Plot and Storyline Quality (0 points)

While this is an interesting attempt at a different type of plot, it’s based too much on far-fetched concepts and ‘bad’ characters that are total strawmen and get worse as the film progresses. The premise also progressively become more unrealistic, and large time jumps hurt any hope there was of plot and character growth. Time is mostly spent on montages, which leaves characters shallow and the purpose of the film unclear. One thing happens after the next in very rapid fashion, and expository dialogue is used as a shortcut. There are too many vague ideas that are started without backup or follow-through, and sequences of boring activities are used in place of actual conversations between characters that could help us get to know them as people. In the end, the story ends in a very awkward and abrupt fashion that makes it even more unclear why this movie was even made.

Acting Quality (1.5 points)

For the most part, the acting is fine without any major problems, even though it’s underwhelming and vanilla at times. Sometimes, dialogue is slightly mumbled, and line delivery is under-performing at times. It seems like some cast members become more and more dramatic as the film goes on, and other case members don’t do enough to make up for these poor performances. However, the early acting does enough to keep this section average, which rounds out an overall blah movie.

Conclusion

The JC Films team still hasn’t found itself in movie-making. They are disjointed and disconnected from both reality and relevance in the film world. They have a lot of ambitions and want to try different things (sometimes), but they have no foundation or basis for what they do. This likely won’t change until they begin retaining real screenwriters and actually put their funding and resources to good use.

Final Rating: 3 out of 10 points

Uncommon [2015] (Movie Review)

Plot Summary

When Aaron Chase’s brother dies in a school shooting, his family moves to a new area in the hopes of starting over.  He ends up going to Rosewood High School, whose arts department budgets have been slashed due to overall budget cuts.  The students in those departments are disappointed and seek to put on their own show.  Aaron gets involved and decides to stand up for the faith he has been hiding, even though an evil atheist teacher is trying to stop him at every turn.

 

Production Quality (2 points)

For what it’s worth, Liberty Counsel and JC Films made sure Uncommon looked good on the surface.  Video quality is clear and camera work is professional.  Audio quality also meets industry standards, although the soundtrack is bloated and full of cheesy songs.  Sets, locations, and props demonstrate that time was put into them.  Yet editing is quite poor, as there are far too many musical montages and filler scenes that appear to just be filling up the runtime rather than imparting real content.  Essentially, care was put into making this production look good, which is fine, but it’s just not enough when it comes to substance.

Plot and Storyline Quality (0 points)

As is to be expected, Liberty Counsel and JC Films construct a false reality where religious persecution is rampant in public schools—to a degree that is unrealistic and requires half-truths to be told—and which is full of heavy-handed propaganda messaging and narration to drive their points home.  Atheists are extremely offensive strawmen, while Christians are downtrodden and overly perfect.  Dialogue only forces the plot along, which is actually quite boring and melancholy when all is said and done.  There is an attempt to be complex and different with some of the plot elements, but it’s not enough to make up for the outright twisting of reality that has to be done to make this movie’s message work.  Basically, when all is said and done, Uncommon simply boils down to a sophisticated version of God’s Club.

Acting Quality (2 points)

Another interesting element to Uncommon is that time and care were also put into the casting and acting.  This is a semi-professional cast, yet they appear to be coached fairly well.  There are some awkward moments and unrealistic emotions, but on the whole, this is actually not that bad of a performance by this cast.  If only this truth could translate to other films.

Conclusion

Uncommon is an anomaly.  Usually movies that have small-minded plots like this one are terrible in all areas, yet time and care were spent on production and acting.  It proves that anything can be done if you put your mind to it.  Just think if this type of effort was put toward other movies that have better plots than this.  But in the end, Christians overall need to steer clear from these types of plots for like forever, unless they’re going to portray real persecution that happens anywhere except the Western world.  We need to change the mentality that ‘the atheists’ are always around the corner trying to snipe us and just live out our faith the way God wants us to.  Jesus didn’t constantly gripe at or sue the Pharisees or Romans for religious persecution, and He had plenty of His ‘rights’ violated.  God’s work can proceed whether or not you have your Bible club in a public school.  People need to know that Christians care, and with stuff like this being put out there, it’s really hard to see that Christian leaders care about anything except ‘getting back’ at atheists.

 

Final Rating: 4 out of 10 points

 

Virtuous [2015] (Movie Review)

Plot Summary

After Simone Burner is attacked by the grandson of a powerful man, she is arrested for the grandson’s murder and mostly everybody in the city turns against her for no particular reason.  Therefore, she has to seek out the help of an estranged attorney who doesn’t really like her as her last resort.  Meanwhile, there are tons of others subplots are all going on at the same time as other random characters are briefly introduced who have very loose connections to the original point.  With so much going on, the question is not what will happen, but will anyone understand what is happening?

 

Production Quality (2 points)

Virtuous has a professional and adequate production, as evidenced by clear video quality, good camera work, acceptable audio quality, and an intriguing soundtrack.  Sets, locations, and props are professionally chosen and presented.  On the surface, it seems like Virtuous checked all the necessary boxes to receive a passing score.  However, the major detractor here is the horrific editing.  Somewhere in post-production, someone needed to sit down and have a serious talk with the JC Films team about whether or not it’s justified to have a 150 minute film that has next to no continuity.  This was the editor’s job; however, this was not done, and thus, it leaves a gaping hole in this film.

Plot and Storyline Quality (.5 point)

As previously mentioned, this perhaps the most convoluted and non-continuous plot in all of our viewing days.  With hundreds of subplots that have very little connection to one another, there is no way to make sense of what is going on as the story hops from one random thing to the next.  There’s all kinds of intrigue with this local judicial and law enforcement system and how corrupt businessmen are trying to control stuff, plus some stereotypical down-on-his-luck who takes on a seemingly impossible case that has some ties to a non-profit involving Erin Bethea, and this doesn’t even cover the random guy in the hospital and the nurse who takes care of him who also has a questionable position on the jury of the original trial.  This previous run-on sentence doesn’t even cover all the points Virtuous tries to expand on.  It’s like twelve different people all had ideas and decided to shove them all together into one bloated film.  With so much going on, there is no hope for character development as dialogue is stunted and all over the place.  The only characters that stand out are strawmen villains, unfortunately.  Yet despite all of this massive blending of concepts, there is a really interesting idea somewhere lost in the fray that would be better served in a miniseries format.  It’s disappointing to see good ideas go to such waste, especially when it’s like this.

Acting Quality (1.5 points)

With so many cast members, it’s really hard to keep up.  This is an unusually large cast for a Christian film, thus making the performances inconsistent and random.  Sometimes line delivery and emotional delivery are good, while other times they are not.  Overall, it comes out as fairly average.

Conclusion

When you’re in the process of making a film that is over two and a half hours and you actually have the budget to make a film this long, perhaps you need to stop and consider: with so much content, I should make this a series!  People love series: just look at the unexplainable success of When Calls the Heart.  Why not, instead of making a cumbersome film like this one, try something different and create an interesting genre-busting Christian series.  It would be a huge hit.  Yet once again, we are left wondering what could have been.

 

Final Rating: 4 out of 10 points

 

God’s Compass (Movie Review)

Plot Summary

As Suzanne Waters is giving her official retirement address from her position as a school principal, something happens that night that alters the path of her life and the path of her family.  Her daughter-in-law does into labor while en route back home and is saved by a would-be car thief.  Suzanne’s busy son, an ER doctor, has allowed himself to become swamped with work so much that he barely has time to care for his wife.  Everything changes for them when their baby is born with a potentially life-threatening condition.  As Suzanne tries to support her son and daughter-in-law, she also seeks out the now-arrested criminal who saved the life of her grandson.  Through God’s leading, she does the unthinkable and takes a huge step of faith that changes her life forever.

 

Production Quality (2 points)

Having good quality production elements was obviously a key focus of new filmmakers Stephan Schultze and Scott Curlee.  They used their somewhat limited resources wisely and focused on amplifying their strengths.  The video quality is fairly good throughout, as is the sound quality.  The camera angles are sometimes artistically enhancing and sometimes a bit odd and confusing.  There is some obvious CGI throughout, but it is not completely negative.  The soundtrack is very frustrating because it is sometimes very good and other times non-existent; it needed to be more consistent.  The sets and locations are simple yet realistic.  The editing is good considering the small scope of the plot.  Overall, this is an average production, but it’s really good for a freshman voyage.  Schultze and Curlee stuck to the basics and didn’t get too crazy, which is the most you can ask from new filmmakers.

Plot and Storyline Quality (1.5 points)

As previously mentioned, the plot is small in scope and little bit too simplistic.  But there is also a creative element that underlines the story and is revealed through creative flashbacks.  Without these flashbacks, the story would be very drab.  Psychological elements such as these should be used more in Christian film, since they make the movie more than what it would have been in their absence.  The characters are few in number, but they are mostly well developed.  We would have liked to see a little more development since there aren’t very many, but they are adequate as they are.  The dialogue is simple yet believable.  There is only one minor twist in the plot, but everything that happens to the characters is very down to earth and accessible by all audiences.  The purpose behind the plot is clearly communicated without being too obvious—the same goes for the Christian message.  In the end, going with a simple plot to begin with is a good idea so you don’t get too far ahead of yourself.  We realize that complexity comes with time and experience, and we also know that God’s Compass will still be popular as it is in many Christian circles.

Acting Quality (2.5 points)

Having a solid cast in a rookie film is key.  Schultze and Curlee accomplished this.  Though it is small in size, they carry the movie on their shoulders.  Karen Abercrombie and T. C. Stallings remain to be solid cast members.  Jazelle Foster and Joey Ibanez show a lot of potential for the future.  Line delivery and emotional delivery are professional throughout.  The major drawback to this cast is Erin Bethea, as she is awkwardly inserted into the cast for no particular reason or function.  Also, Robert Amaya seems downplayed; it seems like he could have had a larger role.  Otherwise, this is a great casting job.

Conclusion

God’s Compass is a solid beginning to a promising film career.  ‘Solid’ is a word that can easily define this film.  It takes time and experience to make a groundbreaking film, especially when the budget is limited.  Schultze and Curlee did the right thing with a direct to DVD release and they made the right waves in the right places with Compass.  With more creativity coming down the pipe from Liberty University’s film department, we heartily expect even greater things in the future.

 

Final Rating: 5.5 out of 10 points