The Dream Motel, Season 1 (Series Review)

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Plot Summary

Jesse and Matteo are angels who have been assigned to do various tasks on earth, one of which is to fix up an old motel in rural Georgia so that they can win the spiritual war of owning buildings around the world. If the angels can own enough buildings, they can apparently lead more people to salvation, but if the demons in disguise keep taking over God’s properties, they’ll somehow be able to bring more darkness to the earth. Can Jesse and Matteo stop them one motel guest at a time?

Production Quality (1 point)

Although the video quality and camera work are mostly fine in The Dream Motel, save for a few shaky action shots, there aren’t many other positives to point out here. Audio quality is too inconsistent, including annoying background sounds, and there’s basically no soundtrack at all. Also, outdoor lighting is fairly poor, and the sets, locations, and props are often cheap to the point of not even representing what they’re supposed to represent. Further, there’s no real editing or transitions throughout the season, and there some awkward fadeout moments. To top things off, there are bad special effects throughout, which rounds out a mediocre effort.

Plot and Storyline Quality (0 points)

Besides the fact that The Dream Motel is a boring stock plot based on robotic dialogue and wooden characters, the world constructed in the premier and finale episodes makes no sense at all for a number of reasons. For one, it’s unclear from Scripture whether or not angels have emotions or free will to wrestle with various philosophical issues like these characters do. For another, why would God need magical locations around the world to do His bidding, and how could demons steal them without His allowance? How are atheism and secularism powerful enough to halt Christ’s will? Why would demons even have an interest in stealing magic buildings rather than actual people? These premise problems aside, the villain is stupidly obvious, some of the characters seem unnecessarily outraged at logical things, the narrative incorrectly portrays realistic circumstances involving HIPAA protection, and it’s downright creepy to have smiling angels tell humans private things about the people. It feels like this storyline exists outside of reality even though scenes drag on as lines are painfully dragged out of the characters, who talk in circles to fill the runtime, and although boring activities of daily living, expository dialogue, and off-screen content make The Dream Motel seem like most poorly crafted Christian entertainment. With basically no personality or motive for the characters and far too many coincidences to hold up the plot, this series is just a collection of disasters.

Acting Quality (0 points)

Having very stilted and overly practiced acting is almost a given when it comes to Rossetti Productions, and The Dream Motel doesn’t disappoint. Using the patented Rossetti style of basically reading lines for a church play, the cast members exhibit forced wooden emotions that make the viewers think that the actors and actresses don’t actually care about what they’re doing. Some cast members seem unnatural or even uncomfortable in their roles, and a portion of the theatrical annunciation is off-kilter. Many scenes feel like one-takes as some actors and actresses appear to forget their lines in some instances and awkwardly grasp for something to share that can fill the blank silence. Essentially, there’s nothing positive to note in this section.

Continuity Quality (1 point)

Following a predictably typical series model, The Dream Motel offers premier and finale episodes that depart from the norm while all the between episodes are standard recurring dramas that introduce characters only to discard them before the credits roll. Concepts explored in the pilot aren’t returned to until the last episode, which concludes with a cheesy cliffhanger ending. While this section isn’t all bad due to some recurring subplots among the main characters, it’s still a run-of-the-mill offering with missed opportunities for continuity.

Conclusion

There are just so many things wrong with The Dream Motel from the get-go. Basically a redux of The Encounter, only with angels, this Rossetti series is based on illogical and questionable concepts yet still commits errors beyond this. Even the best ideas can be easily derailed by poor storytelling, low production quality, and abysmal acting. With so much experience under their belt and a trailed of wasted opportunities, it’s hard to know where the Rossetti Productions team is headed at this point, but this series is definitely not worth your time.

Final Rating: 2 out of 14 points

Saving Faith [2017] (Movie Review)

Plot Summary

Faith Scott and her uncle Donny live in the struggling small town of Clifton, Tennessee.  Everything’s closing down in town, and people are either strapped for cash or leaving the area.  Thus, the theater that has been in their family for years is on the brink of foreclosure, which is the delight of the evil local businessman Peter Marsh.  Thus, Faith and Donny decide to schedule a desperation attempt to save the theater: a Christmas in June show featuring big names in Christian music.  Will it be enough to save the theater and even the town from extinction?

 

Production Quality (2 points)

The good thing for Chip Rossetti is that he has shown great production improvement over his movie career.  This fact is also evident in Saving Faith, as evidenced by great video quality and camera work.  Sets, locations, and props are mostly fine, if not a little quaint.  However, the soundtrack can be too loud at times, and there are a handful of unnecessary background sounds, as well as some cheesy sound effects and special effects.  Moreover, the editing is pretty good, thus rounding out a slightly above-average production.

Plot and Storyline Quality (0 points)

Unfortunately, there is little to nothing creative about the plot of Saving Faith as it follows a stereotypical save the _____ with a holiday show plotline.  The progression of the story is very predictable, as are the characters involved.  A good portion of the characters are also cheesy and generally eccentric, such as the head-scratching Elvis character (no, it’s not The Rev).  The villain is also ridiculous and over the top; each character fits into a predetermined small-town mold: the local eccentric, the local business owner, and the local evil bank guy.  While there are some attempts to have a good Christian message, all the problems are very easily solved in the end.  The romantic subplot is also awkwardly predictable.  In short, there aren’t many positives to note here.

Acting Quality (1 point)

For the most part, the acting of this film is awkward and overplayed.  It is at least good to see Jenn Gotzon and Jim Chandler star opposite each other as a couple.  There are some good moments in this cast, but for the most part, unfortunately, it is mostly bland or silly.  Thus, this rounds out an unfortunately disappointing and pedestrian film.

Conclusion

There truly is little point in constantly perpetuating this same small-town narrative over and over and over again.  If we need more of that, we can always watch Hallmark.  There is no creativity or authenticity in this concept, unless a film maker wants to explore some legitimate reasons behind collapsing small towns.  Constantly making movies about the ‘good old days’ in the name of Christian film is disingenuous and worn out.

 

Final Rating: 3 out of 10 points

 

The Colors of Emily (Movie Review)

Plot Summary

Kate Montgomery is a big city art dealer who travels to a quaint small town to purchase some mysterious paints from a mysterious artist whom no one in the art dealing world knows the true identity of.  However, she is also on the run from her psychologist and her dark past.  While running away, she will have to end up facing everything she’s trying to hide from in the most unlikely ways.

 

Production Quality (1.5 points)

While there are some positive elements in this production, there are also some negative ones.  For instance, video quality and camera work are mostly fine, but there is some poor audio quality throughout.  The soundtrack is also a bit generic.  Lighting can be a problem at times, and the sets, locations, and props are somewhat limited in some areas.  For the most part, editing is fine, even though there are a few too many lagging scenes.  Thus, as a whole, this production is basically average and has some room for improvement.

Plot and Storyline Quality (.5 point)

The Colors of Emily is mostly a departure for the Rossetti group.  This story tries to delve into the psychological\suspense\mystery genre, and it contains interesting attempts at psychological elements, but there is too much wasted time before getting to the substantial mystery elements.  This wasted time mostly consists of tongue-in-cheek dialogue about predictable fish-out-of-water concepts, as well as a seemingly vague premise and loose grip on reality.  At times, the storyline seems very unfinished, and the characters come off as too understated and under-developed.  Further, the villain is fairly cheesy, especially in the ‘climax’ scene that’s full of monologuing.  In short, while there is some potential in this story idea, its final product is too vague and undeveloped.

Acting Quality (.5 point)

Unfortunately, most of the acting in The Colors of Emily is very awkward and not well-coached.  A lot of the cast members come off as too unnatural, although Jenn Gotzon posts a more authentic performance than usual.  Moreover, there are some other strange characters in this cast, and there are too many sequences of yelling and screaming, especially in the suspense scenes.  Overall, there are too many forced lines and emotions to warrant any more than half of point here.

Conclusion

The Colors of Emily has a good idea behind it, but its effort is basically half-cocked and incomplete.  On the whole, the production needs an upgrade, as does the acting.  The storyline needs more clarification and deepening, as do the characters and dialogue.  This film appears to be an example of the importance of taking time to make quality films rather than just making another movie most people are going to forget about.

 

Final Rating: 2.5 out of 10 points

 

The Borrowed Christmas (Movie Review)

More delicious cookies!

Plot Summary

John Dale is all alone this holiday season, so he wants to manufacture his Christmas by going to a random store and ordering them to buy all kinds of things that are necessary for him to enjoy an artificial holiday experience, including paying off people from the local ‘actors guild’ to play along with his games.  Will they be able to put together his borrowed Christmas before it gets too late?

 

Production Quality (1 point)

From the ridiculous opening sequence to the end, this production is very cheap-looking.  While camera work and video quality are fine, the audio quality has a lot of issues, including dead portions and unnecessary background noises.  The soundtrack is also a cheesy Christmas one.  The sets, props, and locations are also very limited and underwhelming.  Finally, there is really no editing to speak of as all of the content is just presented at face value.  In short, there is really not much good to say about this movie as a whole because it seems like most of the time that it is trying its best to not be interesting.

Plot and Storyline Quality (0 points)

Besides the absurd Christmas premise, The Borrowed Christmas is probably the most anti-conflict film we have ever seen, Christmas or not.  The story is very boring, childish, and extremely contrived.  Even so, there are strange attempts to be overly dramatic for no reason at all.  Also, the characters come off as extremely cheesy and plastic due to bubbly and overly happy dialogue.  It’s really hard to understand how this idea even came to be, especially due to the fact that there is basically no conflict to drive this plot.  Thus, the story really has no clear purpose and only comes off as a silly church play.  Even though there may be some good ideas here, they are not presented properly at all.

Acting Quality (1 point)

For the most part, this cast is dry and generic, as well as too theatrical at times.  While they are fine at times, there are also some laughably random outbursts throughout.  Another unfortunate negative to note is some poorly done makeup.  However, not all is bad here, even though this movie still lacks overall purpose.

Conclusion

The Borrowed Christmas is basically a lesson in how to make a movie that completely lacks conflict.  Even most Hallmark movies have more conflict than this one—it’s kind of a requirement for plot writing.  Alas, especially in holiday films, story writing continues to suffer as it is substituted for silly and trite holiday ideas.  The time has come to move past these sorts of conventions and truly make a difference in the film world.  At least Chip Rossetti and his team showed improvement after the creation of this film.

 

Final Rating: 2 out of 10 points

 

94 Feet (Movie Review)

Plot Summary

The coal town of St. Michaels is falling apart.  The mill has already closed and now the coal mine is downsizing.  The town is shrinking and people are leaving to find better times elsewhere.  But one tragic day, the mine collapses and traps all of the miners beneath the surface of the earth.  The entire town comes together to pray and rescue the miners from certain death before time runs out.  Will they all lose the men they love and their faith at same time?

 

Production Quality (2 points)

In the past, Chip Rossetti has had many rough moments when it comes to movie making, especially production elements (see Right to Believe and Fathers).  However, 94 Feet demonstrates a definite improvement in this department, including professional video quality, camera work, and audio quality.  The soundtrack is also intriguing.  Sets, locations, and props are very appropriate and realistic.  There are some minor issues in the special effects department, but this and some confusing editing are the only errors to highlight.  Overall, this film demonstrates that no matter how small you start, you can always improve in your movie career if you put your mind to it.

Plot and Storyline Quality (1 point)

Though the plot of 94 Feet is a definite improvement over past efforts, it still leaves something to be desired.  It’s great to use a real life story to base your movie on, but the premise if this film is still somewhat shallow as the characters and their dialogue need better development.  There are too many very dry attempts at comedy and too much wasted time.  The beginning of the plot is too slow and not engaging enough and does not use time wisely to develop characters.  While we can appreciate their struggles, they still need more realism to deepen the experience.  As it is, this story is fine and will many audiences will enjoy it, we just can’t help but feel it could have gone a step further.

Acting Quality (2.5 points)

This section is also a major improvement over swing-and-miss casts of previous Rossetti films.  These cast members appear to actually know what they are doing and demonstrate honesty and realism.  Each cast member is cast appropriately.  Emotions and live delivery are on point; this cast only demonstrates minor errors, thus making it this film’s strongest portion.

Conclusion

Though improvement is sometimes slow and meager, any improvement is always good regardless.  Sometimes it takes time to hone film making skills, and it appears that Chip Rossetti and his team are on the right road.  Production and casting have greatly improved, so the final frontier for them will be plots.  With better characters and a more engaging storyline, the Rossetti team will be looking at a Hall of Fame film in no time, if they stay the course and don’t give up.

 

Final Rating: 5.5 out of 10 points

 

Daughters (Post-Production)

Currently in post-production

From Rossetti Productions

 

Writer(s): John Cooper, Chip Rossetti

Director(s): Chip Rossetti

Producer(s): Chip Rossetti, Jeff Rose

Starring: Gregory Alan Williams, Francine Locke, Torry Martin, Jeff Rose, Shannen Fields, Andrew Masset, Doris Collier, Tracy Goode, Brittany Mann, Riley Bundick, Cledus T. Judd, Collin Alexander Brown, Donna Botts

 

Plot Synopsis:

Joel and Megan Graham have been happily married for almost 20 years. High school sweethearts since freshman year, they knew they were meant to be together. Just two years into their marriage, they were blessed with their first baby daughter, Genie. It was always Joel’s dream to have a son, so they kept trying. After two more daughters, they decided that having a son just wasn’t meant to be. So they settled into their lives as parents to three beautiful daughters. Over the last year, however, Joel and Megan have been getting tested at every turn. Genie has become an out of control, rebellious teen. Ten year old Katie has been having trouble in school, having issues with anger management and she can’t seem to control her temper. Three year old Sidney always seems to be sick. We are told that God will never give us more then we can handle. The Grahams are about to find out that He will always test the limits of what we can handle. The greatest thing a person can be in life is a parent. Something tells me that person never had three daughters.