The Dream Motel, Season 1 (Series Review)

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Plot Summary

Jesse and Matteo are angels who have been assigned to do various tasks on earth, one of which is to fix up an old motel in rural Georgia so that they can win the spiritual war of owning buildings around the world. If the angels can own enough buildings, they can apparently lead more people to salvation, but if the demons in disguise keep taking over God’s properties, they’ll somehow be able to bring more darkness to the earth. Can Jesse and Matteo stop them one motel guest at a time?

Production Quality (1 point)

Although the video quality and camera work are mostly fine in The Dream Motel, save for a few shaky action shots, there aren’t many other positives to point out here. Audio quality is too inconsistent, including annoying background sounds, and there’s basically no soundtrack at all. Also, outdoor lighting is fairly poor, and the sets, locations, and props are often cheap to the point of not even representing what they’re supposed to represent. Further, there’s no real editing or transitions throughout the season, and there some awkward fadeout moments. To top things off, there are bad special effects throughout, which rounds out a mediocre effort.

Plot and Storyline Quality (0 points)

Besides the fact that The Dream Motel is a boring stock plot based on robotic dialogue and wooden characters, the world constructed in the premier and finale episodes makes no sense at all for a number of reasons. For one, it’s unclear from Scripture whether or not angels have emotions or free will to wrestle with various philosophical issues like these characters do. For another, why would God need magical locations around the world to do His bidding, and how could demons steal them without His allowance? How are atheism and secularism powerful enough to halt Christ’s will? Why would demons even have an interest in stealing magic buildings rather than actual people? These premise problems aside, the villain is stupidly obvious, some of the characters seem unnecessarily outraged at logical things, the narrative incorrectly portrays realistic circumstances involving HIPAA protection, and it’s downright creepy to have smiling angels tell humans private things about the people. It feels like this storyline exists outside of reality even though scenes drag on as lines are painfully dragged out of the characters, who talk in circles to fill the runtime, and although boring activities of daily living, expository dialogue, and off-screen content make The Dream Motel seem like most poorly crafted Christian entertainment. With basically no personality or motive for the characters and far too many coincidences to hold up the plot, this series is just a collection of disasters.

Acting Quality (0 points)

Having very stilted and overly practiced acting is almost a given when it comes to Rossetti Productions, and The Dream Motel doesn’t disappoint. Using the patented Rossetti style of basically reading lines for a church play, the cast members exhibit forced wooden emotions that make the viewers think that the actors and actresses don’t actually care about what they’re doing. Some cast members seem unnatural or even uncomfortable in their roles, and a portion of the theatrical annunciation is off-kilter. Many scenes feel like one-takes as some actors and actresses appear to forget their lines in some instances and awkwardly grasp for something to share that can fill the blank silence. Essentially, there’s nothing positive to note in this section.

Continuity Quality (1 point)

Following a predictably typical series model, The Dream Motel offers premier and finale episodes that depart from the norm while all the between episodes are standard recurring dramas that introduce characters only to discard them before the credits roll. Concepts explored in the pilot aren’t returned to until the last episode, which concludes with a cheesy cliffhanger ending. While this section isn’t all bad due to some recurring subplots among the main characters, it’s still a run-of-the-mill offering with missed opportunities for continuity.

Conclusion

There are just so many things wrong with The Dream Motel from the get-go. Basically a redux of The Encounter, only with angels, this Rossetti series is based on illogical and questionable concepts yet still commits errors beyond this. Even the best ideas can be easily derailed by poor storytelling, low production quality, and abysmal acting. With so much experience under their belt and a trailed of wasted opportunities, it’s hard to know where the Rossetti Productions team is headed at this point, but this series is definitely not worth your time.

Final Rating: 2 out of 14 points

Christmas Manger (Movie Review)

Image result for christmas manger movie

Plot Summary

Jessica ran away from home as a teenager after she did something she would regret forever, but now, after living with an abusive boyfriend for several years, she finds herself running back home for help. However, when she arrives on the farm she once lived on, she finds that all is not well nor how she left it. As she struggles to begin a new life, she discovers that she will need to return to her childhood faith in order to move forward.

Production Quality (2.5 points)

As should be the case for all recently-made Christian films, Christmas Manger demonstrates high production quality, as evidenced by good video quality and camera work. Though the audio can be quiet at times due to not having enough soundtrack, the sets, locations, and props are adequately used and well-constructed. Besides a few one-off lighting issues in some scenes, which may be by design, the editing is good, which rounds out a great production that we should see become more and more commonplace as we move into a new year of Christian film.

Plot and Storyline Quality (1.5 points)

Andrea Gyertson Nasfell has always been good at writing plots that portray real and accessible characters in believable life situations. This is paired with dialogue that is mostly good at building character personality and motive, but we really needed to see a bit more from the conversations among the characters in order to develop them a bit further since this is a highly character-based plot. While there are some great character back stories, flashbacks would have been helpful to enhance them. However, this return-to-hometown for Christmas plot does a great job with avoiding most of the cliches that come with this genre, and it’s a more meaningful Christmas movie than usual, even if the story is a bit simplistic. As a whole, this is an enjoyable story with no glaring errors but nothing truly dynamic either.

Acting Quality (2.5 points)

This film also has surprisingly good acting, including Andrea Logan White’s arguably best performance to date as she excels at playing herself. Other cast members are also effective and comfortable in their roles, even if a few random cast members tend to put a damper on things to keep this section from being perfect. In the end, however, this is a professional acting job to round out a professional and adequate film.

Conclusion

Films like Christmas Manger should be the norm and the baselines in Christian film (especially Christmas movies) rather than the exception. Hopefully, as we close out another year of Christian entertainment, we are beginning to see more of this, which will presumably lead to more dynamic and groundbreaking films from Christian creators. Movies like this one was a good launching pad to begin with, so it will be good to see Andrea Nasfell continue to release quality content that is memorable and culture-changing.

Final Rating: 6.5 out of 10 points