Root of the Problem (Movie Review)

Root of the Problem movie - One News Page VIDEO

Plot Summary

Paul Campbell centers his life around making money. As a realtor, he’s always trying to make the best sales, but his life changes forever when he and his wife suddenly inherit a strange plant from her beloved uncle. This plant actually grows dollar bills on it, but after discovering this fact, Paul hides it from his wife and uses the new money for himself. However, it all comes to a head as his crazy spending finally catches up with him and forces him to come face-to-face with what he’s been running from the entire time.

Production Quality (2 points)

Root of the Problem sports a professional production, including good video quality and camera work. This involves some creatively comedic camera angles, and the sets, locations, and props are also good. However, the audio department isn’t quite enough up to par due to poor background audio, some obvious echoes, and a generic soundtrack. Also, while the editing begins as acceptable, it becomes more and more choppy as the film progresses. Nonetheless, despite these pitfalls, this section does enough to get past the average mark.

Plot and Storyline Quality (1 point)

Surprisingly, Root of the Problem has instances of slightly funny dialogue and plot elements. There are a handful of truly comedic moments, and the characters are mostly believable. However, the story sometimes relies too much on the comedy and tends to waste time on silly montages. While the main characters are fairly well-developed, a few of the minor characters seem to do random things that lack logical basis. Also, besides the obvious issues with the money tree concept that this narrative is based on, the screenplay seems to lack solid basis in reality. There are just one too many coincidences that make it feel like a far-fetched dream sequence. Nonetheless, it’s realistic that some of the characters receive real consequences for their actions, but there are some gaping plot holes that are never explained, addressed, or rectified by the conclusion. Therefore, there’s enough good here to warrant a substantial score, but it holds itself back in nonsensical ways.

Acting Quality (2 points)

For the most part, the acting in this movie is pretty good and mostly professional. Sometimes, the acting is a bit disingenuous and unnatural, especially during comedy scenes, but it’s not all bad. Emotional delivery can be a bit forced at times, and some line delivery is breathy, but the acting overall gets better as it goes. Thus, it warrants a slightly above-average score.

Conclusion

Root of the Problem goes right down the middle of the scale as a run-of-the-mill effort. It has plenty to offer, but there are some befuddling aspects that keep it from being all that it could be. These types of films are frustrating because it’s easy to see what small changes needed to be made in order for it to attain a better level. Nonetheless, they can serve as learning experiences for the creators as well as for future makers.

Final Rating: 5 out of 10 points

David vs. Goliath: Battle of Faith (Movie Review)

Amazon.com: Watch David vs. Goliath: Battle of Faith | Prime Video

Plot Summary

David going up against Goliath was the ultimate underdog story, but what could have happened before this face off? David was trained by both the Lord and those around him. What could have prepared him for the great battle? When David finally faced the giant, what occurred change Israel’s history forever.

Production Quality (1.5 points)

For the most part, this rendition of the famous biblical account has a fairly average production. This is due to some shaky cam despite great video and audio quality. Some scenes have poor lighting, but the sets, locations, and props are acceptable. One of the movie’s biggest detractors is its editing as some scenes are quite drawn out. Others are somewhat cut off, and this rounds out an overall middle-of-the-road effort.

Plot and Storyline Quality (.5 point)

This plot is unnecessarily hampered by narration and by a fixation on extended fight scenes that go outside the biblical narrative. These issues also crowd out important sequences of dialogue and cause conversations to be unsubstantial. As such, the characters seem like play actors rather than actual people. Some audience will find there to be too much violence, which may be realistic but is unbalanced in this context. Elsewhere, the pace of the story is quite rushed and doesn’t allow an effective conclusion to develop. This causes a very hollow experience for the viewer even though there are some interesting ideas contained within this narrative, such as the possibility that Samuel trained David for battle and the psychological elements that are ascribed to David. Unfortunately, there are definitely something here, but the idea seemed too forced and rapidly presented. Slowing the process down a bit may have helped this screenplay to gain its footing.

Acting Quality (1.5 points)

The costuming is actually one of the better aspects of this movie. However, the cast isn’t always culturally authentic. At times, the acting is acceptable, but other times, it’s a bit dramatic and theatrical. Emotions and line delivery are inconsistent: sometimes fine and sometimes not. Thus, this section rounds out an unfortunately underwhelming effort.

Conclusion

It seems like David vs. Goliath was made in haste just for the sake of making another Bible film that could have been popular. In doing this, a lot of corners were cut, which always shows up in the finished product. This formula of hacking together a recognizable inspirational title for a quick cash grab is very word out and has seemingly met its demise. In the future, new Christian creators will hopefully learn from the mistakes of the past and correctly apply their God-given talents to produce truly quality projects.

Final Rating: 3.5 out of 10 points

Home of the Brave [2020] (Movie Review)

Amazon.com: Watch Home of the Brave | Prime Video

Plot Summary

Drew Thomas returns from active duty and wants to get back to normal, but he finds it difficult due to the trauma he experienced overseas. Nonetheless, he goes right back to working for a nonprofit he started with his brother and friends. Before they realize it, their paths are unintentionally crossing with group of local police officers who want to see change come to their city. They must all come to grips with how God wants them to act and react to the difficult circumstances they are placed in.

Production Quality (1.5 points)

Home of the Brave has some good and some bad aspects in its production. The video quality and camera work are acceptable, but audio is very poor at times, including loud background sounds and an inconsistent generic soundtrack. The sets, locations, and props are mostly average, however. Possibly one of this section’s worst aspects is the extremely choppy editing, which involves some weird fadeouts and abrupt transitions between scenes. Though this could be due to the large amount of content within the film, this rounds out an overall middle-of-the-road effort.

Plot and Storyline Quality (.5 point)

At its very core, Home of the Brave is trying to do way too much at once. It feels like an entire season of a series was crammed into less than two hours as there are many, many characters who seem like they have potential yet crowd each other out due to the sheer number of them. The plot tries to cover too many topics at once, and in doing so, short-circuits any hope for meaningful themes even though there could have been some. Some of the dialogue is actually pretty good and shows a lot of potential, but the narrative is just a long string of scenes and sequences, some of which seem totally out of place and context. Certain circumstances that characters find themselves in seem very staged and contrived only to force the storyline to go in a certain direction that the writers wanted it to go. As such, characters are pawns in the plot, and many scenes are very unnecessary and waste time. There are far too many coincidences throughout the screenplay, and it all leads to a very rushed ending where mostly everything is fixed in unrealistic ways. In the end, although there was plenty of potential in this movie for a thought-provoking story, it got in its own way by biting off more than it could chew.

Acting Quality (1.5 points)

For the most part, the acting in Home of the Brave is most okay. It could be a bit better than it is, but it’s not horrible. Emotions and line delivery are a bit forced in dramatic scenes, and many instances are fairly bland. Thus, the mixed aspect of the acting in this film makes this an average section.

Conclusion

This screenplay had a lot going for it, but it needed to be slowed down and planned in a more efficient way. The creators needed to strongly consider turning it into a miniseries so that the full weight of their ideas could have been felt. As such, a remake may be in order. In the end, Home of the Brave can be a learning experience for all movie makers: don’t try to do too much at once.

Final Rating: 3.5 out of 10 points

Barabbas, Season 1 [2012] (Series Review)

Billy Zane to Portray Barabbas, Murderer Chosen Over Jesus, in ...

Plot Summary

Barabbas led a band of rebels against the occupying Roman government, but his criminal activity led him to have close contact with Jesus at His own trial. Barabbas was set free in exchange for Jesus, but afterward, he was faced with a series of choices. What would he ultimately decide?

Production Quality (2 points)

As a well-funded production, Barabbas has fine video quality and camera work. Its sets, locations, and props demonstrate great historical authenticity. Audio quality is passable despite a generic soundtrack. The biggest issues with this section is the poor editing, which is evidenced by quick cuts and abrupt transitions. Otherwise, this is likely the season’s best element.

Plot and Storyline Quality (.5 point)

Even though this miniseries contains a slightly interesting premise, it’s difficult to connect with the characters as they seem to just be pawns in the plot. Barabbas has some believable aspects to his personality, but all of the characters need a lot more work with more substantial dialogue and flashbacks in order to avoid their being very blank and generic. As usual, Jesus is portrayed in a very odd way, and the narrative is full of pronounced and forceful drama. Action and fighting scenes fill time and circumvent opportunities to establish reasons why the characters do what they do besides what the storyline wants them to do. This wasted time also causes important scenes to be quickly skipped through, which causes off-screen content to be referenced rather than shown. Some scenes go by really fast for the sake of hitting certain high points while others contain some oddly suggestive content that seems very out of place. Although there are too many characters as too many things are trying to be done at once and while the main character’s motivations don’t make much sense, the ending is actually unique. However, it takes forever to get there and lacks the proper build-up, which rounds out a section with slight potential yet plenty of problems.

Acting Quality (1 point)

In keeping with other offerings from the Trinity Broadcasting Network, the acting of Barabbas is only dramatic and theatrical. Many cast members come off as robotic, and most of the actresses seem like they’ve been coached (or even forced) to sound like they’re always out of breath. Much of the makeup work is unusual, and the cast isn’t always culturally authentic. Elsewhere, the injury acting is quite poor. Nonetheless, despite these obvious concerns, there are some positive moments of acting, and it tends to improve with time.

Continuity Quality (1 point)

Throughout this fairly short miniseries, it’s hard to keep up with the different timelines. Many things just happen with no warning, lead-up, or explanation. Also, the tone is constantly changing throughout the saga, which hampers continuity. As such, there’s often no real driving focus even though it’s named after a historical character. Nonetheless, much like other elements there is some slight potential in the series’s latter third, which is enough to save this section from a null score.

Conclusion

In the end, there’s unfortunately not much to work with in Barabbas. It had a lot going for it to be a unique take on a biblical narrative, but fell short in nearly every category. It could never decide what it wanted to be and thus isolated all potential audiences. Now, it’s simply been forgotten by much of the Christian realm and only serves as an example of how not to do it.

Final Rating: 4.5 out of 14 points

Run [2017] (Movie Review)

Director & Actor Josiah Warren On the Problem of Human Trafficking ...

Plot Summary

After months of anticipation, Levi and Natalie have finally been able to get married. He’s a businessman while she’s a news anchor with a passion to end human trafficking. However, on their wedding night, Natalie is tragically kidnapped by human traffickers who want to put a stop to her activism. Thus, Levi begins a frantic search for his wife that leads him down paths he never thought he would travel and gives him a front row seat to the social issue he only ever heard about.

Production Quality (.5 point)

Strong Foundation Films is notorious for having low-quality productions, even in recent years when the field has evolved for the better. Run is no exception to this, as evidenced by over-driven audio, a loudly invasive soundtrack, and stupid sound effects. Though video and camera quality are average, lighting is inconsistent, and there are some weird zooms and camera angles. Sets, locations, and props are okay, but flashbacks are dizzying. The editing is atrocious since it’s very quick and abrupt; one scene after the next whizzes by at breakneck speed. Therefore, with very little positive to note here, this low score is warranted for this section.

Plot and Storyline Quality (0 points)

From the beginning, which contains creepy sequences, to the end, which basically resolves everything before cutting off in a wacky way, Run is one of your typically bad narratives. When the plot isn’t heavily relying on coincidences, it’s fully of obvious message-pushing as everything in the storyline is about the central issue rather than actually developing the characters. The dialogue is bland, and the conversations are extremely procedural; there’s also a lot of forced drama and constant suspense. The absurdly strawman villains are unrealistically obsessed with the protagonists and are somehow able to commit human trafficking crimes around literally every corner. This brings up the point that the premise is quite childish and is based on a ridiculous amount of luck and giant leaps in logic. It’s hard to understand why certain things happen except for the fact that the writers need them to occur in order to reach a certain point. Besides all of these problems, there are simply too many characters to keep up with, even if some of them do have flashbacks and though some of the minor characters are actually better than the major ones. Nonetheless, it’s not enough to make up for the sea of issues throughout this movie.

Acting Quality (0 points)

As is typical for Strong Foundation screenplays, Run contains a lot of unsure acting. This includes awkward and muted line delivery, forced juvenile emotions, yelling, and screaming. Josiah David Warren posts a traditionally bad performance due to trying way too hard to be something he’s not. While the supporting cast members are better than the principles, it’s not enough to present this section from earning zero points.

Conclusion

Even after terrible movies like The Takeover, A Golden Mind, and Seventy Times Seven, to name a few, the Strong Foundation team continues to churn out awful creations. Run is no exception to this. Despite the Christian entertainment market moving in a positive direction for the past few years, Josiah David Warren, Sun Hui East, and their team members continue to do the same old thing. With a lot of experience under their belts, they should be trending upward, yet they continue to be mired in the basement of Christian film.

Final Rating: .5 out of 10 points

Upside (Movie Review)

Upside (2010) - IMDb

Plot Summary

Solomon White was a successful high school lacrosse player until a concussion knocks him out of commission. What’s more, the head injury also causes him to see everything upside down. This puts his lacrosse scholarship in jeopardy as he does his best to recover. Part of this rehabilitation is attending a sight impairment support group. At one of these meetings, he meets a blind girl whom he falls in love with. However, with his new complicated life, what path will Solomon take?

Production Quality (2 points)

Despite some instances of shaky camera work, such as dizzying action shots, other camera elements are fine, and the video is consistently clear. Audio is acceptable even though the soundtrack is a bit generic and too loud at times. Additionally, there are some loud sound effects and confusing special effects. However, the sets, locations, and props are great, as is the lighting. Also, all aspects of the production get better as they go, and it should be noted that the camera work depicting the protagonist’s medical condition is creative. Thus, an above-average score is warranted.

Plot and Storyline Quality (1 point)

In the beginning, Upside tends to waste time with sports and musical montages, along with basic, vanilla dialogue that leaves characters as somewhat vague. Nonetheless, the narrative contains a good exploration of disabilities even though the characters tend to represent the issues rather than actual people. Also, the first half of the plot meanders as it lacks focus and wastes good ideas, but the psychological elements are notable. Unfortunately, it’s hard to understand how some characters know certain things, and there’s an arbitrary application of character motive. As the storyline celebrates unearned victories that lack basis or lead-up, it’s mostly a collection of random scenes that lack consistency and major themes between them, which causes the movie as a whole to lack a focused purpose. At times, it’s hard to understand why certain things transpire except for the fact that the writers needed them to happen at specific moments. Even with all of these concerns, there’s some potential to note, such as the interesting ending that applies some creatively relevant themes although it takes too long to get to and lacks adequate build-up. In general, there are just too many things going on, and integration of themes throughout the narrative is greatly lacking as some portions of the movie unnecessarily fall by the wayside. The character arcs are just too steep for what the creators wanted to do, and in general, Upside needs a full rewrite.

Acting Quality (2 points)

Though some of the acting in this film seems unsure and like it was done in one take, things do tend to improve as they go. Despite slightly robotic emotions and line delivery, some cast members appear to be trying harder than others. As a whole, however, the improvements are enough to warrant an above-average score, which rounds out a basically run-of-the-mill screenplay.

Conclusion

We definitely need more films like Upside that explore the everyday struggles of people who have disabling conditions, but writers have to always be careful not to only treat these characters as representations of disabilities. The only way important issues are presented in movie form is when each character is treated like a real person with believable motives and backstory. When a screenplay is reduced to simply presenting a cause, it doesn’t have anything meaningful to offer even though there may be other positive aspects.

Final Rating: 5 out of 10 points

Selfie Dad (Movie Review)

Watch the Trailer for Hilarious New Christian Film: Selfie Dad

Plot Summary

Ben Marcus isn’t happy with his life. He always wanted to be a comic, but he definitely doesn’t want to follow in his father’s footsteps. However, stuck in a job he doesn’t like and aloof from his family most of the time, one day, Ben suddenly stumbles upon how much money some people make on the UTOO video platform. Thus, he decides to use this as a launching pad for the comedy career he always wanted. Nonetheless, it leads him down a path he never thought he would go down.

Production Quality (2.5 points)

As a 2020 production, Selfie Dad sports a lot of pluses, including great video quality and camera work. Audio quality is also professional, and the soundtrack is acceptable. Sets, locations, and props are also good. The only minor concerns to note here relate to very cheap special effects (even though there are few of them) and some minute editing issues. However, this production is on the level we would like to see all Christian entertainment possess.

Plot and Storyline Quality (.5 point)

Despite some acceptable attempts at comedy, Selfie Dad is mostly full of failed humor that simply falls flat. While the character backstories are okay, the plot seems to meander around without really finding its actual point, fueled by inconsistent dialogue that mostly just forces the storyline forward. Some conversations are quite obvious with the messaging, including a lot of unnecessarily patriarchal ideals and typical gender stereotyping. A lot of the narrative’s important scenes are overly staged and spoon-fed to the audience, and most of the characters seem to say the same things over and over again just to fill time. Even with this, the passage of time is a bit vague, and things mainly happen just because they need to. With a lot of things going on at once, quite a few scenes feel unfinished and disconnected from the others, which makes it very hard to comprehend what the writing team even wanted to do besides string a bunch of cheesy asides together without a common thread to truly connect them. Further, the story’s model Christian characters are super-perfect, and all the stale conflicts are magically fixed by the film’s unearned musical conclusion, which seems to imply that the movie is much more important than it actually is. In the end, though there’s a small amount of potential in Selfie Dad, there are too many other problems that get in the way.

Acting Quality (2 points)

Another reflection of this film’s modern amenities is its professional acting. As such, there are only a handful of problems in this section, such as some overdone funny acting. However, for the most part, emotions are believable, and lines are delivered well. Unfortunately, Michael Jr. doesn’t post a particularly strong performance as the lead, but Chonda Pierce is good in her unfortunately small role. Other cast members are passable in their performances. Hence, this is an above-average aspect.

Conclusion

In Selfie Dad, one character (ironically played by Karen Abercrombie) hilariously asks another if she’s ever seen War Room. The other character says she doesn’t really like Christian movies. This exchange is absurd on a number of levels. For one, Selfie Dad‘s plot is almost synonymous with War Room: a dad is having trouble at work and never pays attention to his family. His wife is frustrated but is directed by a wise spiritual character to pray for her husband. The husband almost commits infidelity but, due to his wife’s prayers, is seemingly prevented from doing so. The dad gets fired from his job but is able to bond with his kids, including a teenage daughter, over activities they like. The parents reconcile their marriage. As added bonuses, Michael Jr. and Karen Abercrombie star in both screenplays, with Abercrombie playing the wise spiritual character in both instances. Moreover, it’s equally absurd to have a character state that they don’t like Christian films (a legitimate concern) in a movie that isn’t even that good. It’s evident that the creative team is aware of the problems in Christian entertainment, but they basically fell into the same old traps that others have also slipped into. This seems to imply a lack of understanding about the overall problems still plaguing the field. Overall, Selfie Dad is just another prime example of how good funding and marketing aren’t the automatic keys to success in Christian entertainment: the storyline is equally important.

Final Rating: 5 out of 10 points

Destiny Road (Movie Review)

Destiny Road (film) - Wikipedia

Plot Summary

The lives of three people may all take different turns, but one way or another, they are destined to meet up with each other. A young couple who met in church, a successful megachurch pastor, and a poor boy from the slums may not have much in common, but they all have common lessons to learn. Will they find their true purposes before it’s too late?

Production Quality (2 points)

For the most part, the production of Destiny Road is acceptable, including good video quality and camera work. Sets, props, and locations are also fine, but the audio is quite uneven throughout the film. Sometimes, it’s too quiet, and other times, there are obvious overdubs. However, there aren’t that many notable issues to note here save for the poor editing, which can be explained away by the sheet amount of content included in this movie. Thus, this section earns an above-average score.

Plot and Storyline Quality (1 point)

Destiny Road, from start to finish, is determined to be full of confusing interlocking subplots, which causes the film to try to cover too much ground in one creation. As such, it may have been better suited as a series or as several movies, especially since there is plenty of potential to note here, including characters that are realistic at times, authentic looks at secret problems within ministries that put on shows for their congregations, and believable sequences of dialogue that demonstrate church fakeness, expose soft legalism, and establish relatable character backstories. However, narration absolutely decimates any hope of having better characters as it sometimes unnecessarily covers up conversations and just never stops. Besides this, there’s tons and tons of scenes that show many things happening all at once and include far too many concepts shoved into one screenplay. Additionally, there are very bizarre, creepy, and trippy content that’s very much out of place for the rest of the narrative and may frighten some audiences. In the end, it all leads to a confusingly vague ending that’s hard to grasp and leave the viewer feeling lost. Therefore, despite some potential, Destiny Road mostly gets in its own way.

Acting Quality (1.5 points)

As a whole, the acting of this film is average since it’s sometimes unsure and sometimes acceptable. In parts, line and emotional delivery are fine while in other portions, they’re not. Nonetheless, there are plenty of good parts to balance out the bad. Therefore, this section earns an middle-of-the-road score.

Conclusion

Despite being based off of source material, Destiny Road hurts its cause by crowding itself out and overwhelming the audience with too much content to focus on. In doing this, it falls in line with with so many other screenplays that have something to offer yet ruin their chance in one fashion or another. Perhaps, one day, as we see a possible increase in writing quality among Christian entertainment, we’ll no longer have unfinished disppointments like this one.

Final Rating: 4.5 out of 10 points

Runnin’ From My Roots (Movie Review)

Runnin' from My Roots (2018) - IMDb

Plot Summary

After country music star Faith Winters receives some bad publicity for a bad decision of hers, she’s obviously forced to return to her hometown, where she happens to reconnect with her high school sweetheart, also known as the local pastor. Coincidentally, the church is about to go under from lack of funds, so it’s possible Faith might be able to help there. However, she’s being stalked by her sort-of boyfriend and will have to rediscover the way she used to be in order to move forward or something.

Production Quality (1.5 points)

Runnin’ from My Roots has a mixed bag for a production, including very shaky camera work and inconsistent lighting. Some of the audio is fine, but some of it is quite over-driven, echoed, or too quiet. The soundtrack is also random and sometimes conflicts with itself, yet the sets, locations, and props are acceptable. Further, the editing leaves something to be desired as there are awkwardly abrupt cuts and transitions. Even still, there’s some slight improvement as the film goes on, which is enough to warrant an average score for this section.

Plot and Storyline Quality (0 points)

As if Runnin’ from My Roots wasn’t already basically the most typical plot ever, invasive narration interrupts whatever flow it could have had. Even still, since the storyline is so chock full of predictable small town stuff, stock dialogue, and generic stereotypes, it’s basically a fruitless effort. One random thing happens after another, and it all seems surprisingly disconnected from itself, such as the vague, unexplained conflicts and the very fast pace that the narrative moves at. Due to the speed, things are forced on the viewer without them naturally developing or having a basis for occurring. Besides this, there are too many confusing subplots that don’t fit together, and what the characters claim to experience doesn’t realistically translate to what the audience feels. Conversations are full of stupid one-liners and nonsensical big city/small town dichotomies, which makes the entire movie seem unserious and phoned in. In the end, without a little dose of save-the-church elements, this story really has something for everything in the category of lame screenplays and nothing for points that matter.

Acting Quality (1 point)

Though there are times when the acting of Runnin’ from My Roots is average, a lot of the time, it’s quite forceful. An example of this is the myriad of fake accents and overdone makeup work. Also, some cast members try to draw a lot of attention to themselves with over-the-top drama and pageantry. Elsewhere, line delivery and emotions are too deliberate and pronounced. While it’s not all bad, this section rounds out a very low-quality effort.

Conclusion

There’s no longer a place in the market for films like Runnin’ from My Roots. Run-of-the-mill, half-baked offerings like this one are unacceptable and easily forgotten. It’s an unfortunate waste of resources, and hopefully, Christian audiences will continue to ignore movies like this so that they are no longer made.

Final Rating: 2.5 out of 10 points

Worth Fighting For [2017] (Movie Review)

Amazon.com: Watch Worth Fighting For | Prime Video

Plot Summary

Alex has made a name for himself as an underground prize fighter, which has attracted the attention of the local mob. Thus, when Alex agrees to be one of their enforcers, he doesn’t realize how much he’s agreed to do. This seems to jeopardize the relationship Alex wants to have with Lilly, a girl he met at a local diner. Because of his decision, Alex will have to confront both his past and his present in order to be free.

Production Quality (1 point)

The production of Worth Fighting For is likely its weakest area, with wild camera work in action scenes, loud background sounds, and inconsistent lighting. For instance, some outside scenes are too bright while some inside scenes are too dark. Also, there are very obvious overdubs throughout the film, and the live audio sounds quite cheap. Video quality also leaves something to be desired, but the soundtrack is one of the bright spots. Further, some elements of the production do tend to improve as the movie goes on, such as the video quality, so this section overall does enough to warrant a point.

Plot and Storyline Quality (1.5 points)

From the beginning, Worth Fighting For contains surprisingly well-constructed dialogue that makes the characters mostly believable. However, there are also some drawbacks here, such as cheesy conversations that unnecessarily reinforce gender stereotypes and build thin romantic subplots. Nonetheless, it’s good that the viewers are able to slowly learn about the characters rather than all at once, and most of their dialogue is authentic and organic, which develops realistic character struggles and motives. Even so, there were plenty of chances for the characters to be a bit deeper and to drive the plot with their choices. As it is, the storyline tends to sweep the characters along with some head-scratching coincidences, including the slightly forced romantic relationship. Unfortunately, the narrative tends to worsen as it goes, including a lot of patriarchal messages and things happening without enough precedent, which all culminates into a cheesy against-all-odds sports climax that’s paired with a very forced and rushed conclusion that leaves things too empty. However, the first half of the screenplay is enough to warrant an average score, which is encouragement for the future.

Acting Quality (1.5 points)

Though the acting sometimes comes off as a bit blank and vanilla while some performances are a bit stiff, there are moments when the acting is better. Despite some dramatically forced lines, for the most part, emotions are believable, and the cast members definitely appear to be trying to do their best. At the very least, this is Alan Powell’s best performance to date, and the cast as a whole does enough, even though there are some rocky moments, to warrant an average score for this section.

Conclusion

Films like Worth Fighting For are complicated because they have something to offer, but it’s usually packaged in the wrong way. This is almost always due to some shortcoming within the movie-making process, and it’s typically poor screenwriting. However, that’s not the case in this screenplay; a lack of adequate funding is to issue this time. Nonetheless, all a film maker can do is put their best foot forward and let God take care of the rest. Thus, perhaps we’ll see more from this creative team in the near future.

Final Rating: 4 out of 10 points

12 Days With God (Movie Review)

12 Days With God - Home | Facebook

Plot Summary

When Devin Sherman undergoes surgery for cancer around his eye, he’s given a chance to reflect on all he’s recently done. This includes his mistakes and failures, which he still regrets yet cannot make up for. During the procedure and recovery, he looks back on where he’s been and where he is now. These reflections will determine what the future trajectory of his life will be.

Production Quality (2 points)

On the whole, the production of 12 Days With God is above average as it contains good video quality and an acceptable soundtrack, despite the fact that there are some noticeable background sounds and obvious overdubs. Though lighting can be inconsistent, the sets, locations, and props are professional. Also, some of the problem areas get better as the movie progresses, and the editing is at least above the halfway mark. Thus, this section earns a good enough score.

Plot and Storyline Quality (1.5 points)

While it’s a little boring at first, the concept behind 12 Days With God is interesting and intriguing. Although there is unnecessary narration throughout, the effective use of psychological elements and flashbacks create a non-linear plot style and establish strong character motives. Despite the somewhat slow pace, the interconnections of characters is good, even if the meandering storyline can be a bit hard to follow sometimes. Also, character arcs come off as too steep at times, and the narrative’s timeline is difficult to comprehend in some instances as the presentation is often muted and confusing. Elsewhere, many of the comedy asides seem out of place and unnecessary, and there are annoying title cards between the days that transpire during the plot. Further, some scenes are fairly wasted as they’re not used like they could have been. Nonetheless, the epilogue stands out though the lead-up isn’t that great, which blunts the otherwise good message’s full impact. In the end, this section does enough to earn an average score but still could have been better.

Acting Quality (2 points)

While there are some situations of robotic line delivery, emotions are mostly okay despite some circumstances of over-acting. Many of the cast members come off as overly practiced while some are better than others. The good thing is that the acting overall improves as the movie goes on, which raised this section’s rating higher than it would have been.

Conclusion

Since the creative team behind 12 Days With God is committed to using real stories in their films, they already have great potential for the future. Once they’re able to work out the pesky concerns with production and acting, like many new film makers, they need to dedicate resources to people who know how to effectively write screenplays. This is perhaps the most pervasive issue of modern Christian entertainment, but once it’s rectified, the field will look completely different.

Final Rating: 5.5 out of 10 points

A Walk With Grace (Movie Review)

Amazon.com: A Walk with Grace: Ashley Bratcher, David Lee Smith ...

Plot Summary

When Nate’s mother dies, he’s forced to return to his small hometown in Ohio to settle the estate, which involves deciding whether or not to sell the family business. This enterprise is a factor that’s the only thing keeping the town afloat, but Nate’s cousin insists that they take the cash from a shady businessman and get out. However, Nate is extremely wishy-washy about this for no particular reason except that the selloff deal is opposed by Nate’s former girlfriend, Grace. Will Nate make the right decision before it’s too late???

Production Quality (2 points)

For the most part, the production quality of A Walk With Grace is professional with just a few problems. While video quality and audio quality are on par, there’s some inconsistent lighting throughout as well as some moments of shaky camera work. However, these concerns improve with time, and the sets, locations, and props are stable throughout. Elsewhere, the soundtrack is fairly cheesy, and there are a handful of editing problems to contend with. Nonetheless, this section does enough to earn an above-average score.

Plot and Storyline Quality (0 points)

From the get-go, everything about A Walk With Grace screams “Return to Hometown Plot.” This is evident by the obvious expository dialogue that constantly reminds viewers of what the returning character used to do and by the stereotypical characters that are only supported by vanilla conversations and bland, repetitive statements that only center around the main plot points. As such, there’s no good reasons for why characters do what they do, and things only happen in the narrative so that they can fit into the predictable molds that were predetermined for this type of story. In this vein, the scenes are too carefully planned out and choreographed for certain events to happen at just the right times, including instances when characters perform actions that are opposite their previously stated intentions. It also goes without saying that there is simply a lot of content in this film, including stupid opinions about young people, nauseating references to small town vs big city concepts, and yes, tons and tons of lame romantic subplots. Because A Walk With Grace aims at nothing from the beginning, it only gets worse as it goes on and culminates in a ridiculous concluding sequences that fixes everything in every possible way and completes every possible romance it started. In short, there’s nothing that earns this section any points.

Acting Quality (1.5 points)

Despite the fact that many of this movie’s scenes are quite staged, which makes the acting a bit stiff and overly practiced, the performances aren’t as bad as they could be. Nonetheless, there’s definitely some improvement in the area of being more natural with line and emotional delivery. However, this cast does enough to receive an average score.

Conclusion

A Walk With Grace is basically just another installment of old news. Though it’s a given for new Christian films to possess respectable production quality (which is something that unfortunately took too long to achieve), storylines are still mightily suffering. It’s not acceptable to continually churn out the same old, worn-out narratives and hope something new will happen. However, since one category of Christian entertainment has shown elevated effort, perhaps the other elements will soon follow.

Final Rating: 3.5 out of 10 points

Sons of Thunder, Season 1 [2019] (Series Review)

Sons of Thunder | Pure Flix

Plot Summary

Simon, ever since becoming a Christian, doesn’t want to be in his motorcycle gang anymore, but the gang leader won’t let Simon out very easily. Afraid for his girlfriend’s life and uncertain of the future, Simon decides to go on a road trip since he thinks this will keep everyone safe. Along the way, Simon hops from town to town, trying to make enough money to pay his way. In each area, he’s able to magically help someone before he has to return to his pursuit of unknown goals. The question is, will he ever be safe from the grasp of the biker gang?

Production Quality (2.5 points)

For the most part, in keeping with the new ways of a well-funded PureFlix machine, Sons of Thunder sports a respectable production. This is evident in the video quality, camera work, and audio quality, including a pretty good soundtrack. Sets, locations, and props are also above average. Despite some obvious continuity errors and less-than-perfect editing, this production improves as it goes. Thus, this section is easily the strongest point of the series.

Plot and Storyline Quality (.5 point)

From the get-go, the first season of Sons of Thunder is full of constant narration, which is only combined with cheesy, juvenile dialogue that’s quite obvious and expository in most scenes. Many of the plot’s circumstances come off as unrealistic and trumped up, and many of the situations characters find themselves in seem quite staged and contrived just to move the narrative forward. This makes it difficult to know who the characters actually are and why they do what they do other than the fact that they are pawns in the whims of the storyline, which forces everything to reach certain conclusions, no matter how unnatural the premises may be. Some characters have extreme swings in their behaviors without legitimate explanations or catalysts, all just to make specific instances transpire. Besides these obvious problems, the fact that the protagonist can just stumble from town to town without any clear direction or objective and always find some kind of sticky situation to patch up with his wisdom before quickly leaving without good explanation is pretty ridiculous. Why would so many people trust him and benefit from him right in a row, and how would one person benefit from so many coincidences? Elsewhere, the villains and ‘bad’ characters are beyond cheesy strawmen, and basically all of the action sequences are unrealistic. However, surprisingly, not all is bad in this section since there is a consistent presence of partially effective flashbacks that build some semblance of a backstory for the main character. Further, there are some interesting themes explored in a few of the episodes, such as desperate people doing illegal things for desperate reasons, but any good is easily wiped out by the cringe-worthy climax that leaves the viewers with a painfully obvious attempt to create a second season of this madness. Therefore, only half a point can be awarded here.

Acting Quality (2 points)

Moreover, despite obvious plot problems, the acting of this series actually isn’t half-bad. Though there are moments of unsure delivery and while some performances could be better, this section is at least above-average. Dramatic scenes are a bit overacted at times, and the villain cast members were presumably coached to be absurd. Nonetheless, this aspect of the season shows improvement with time, which is enough to warrant this score.

Continuity Quality (1 point)

Sons of Thunder follows a typical recurring drama model that hearkens back to The Lone Ranger where every episode has different characters save for the main ones. As such, the protagonist hops from situation to situation, easily resolving problems within the given episode time frames. In this pursuit, episode conclusions aren’t backed up by logical progression and are rushed for the sake of time. Every episode ending is essentially the same, and while the flashbacks tend to interrupt this mold, it’s not quite enough. Another predictable aspect of this series is its use of the premiere and finale episodes to explore the bigger subplot outside of the smaller episodic ones, and though not all is bad, it’s just not quite there.

Conclusion

Despite itself, this series is actually best PureFlix Original series to date, which is really saying much considering the other options (see The Encounter, Hitting the Breaks, Malibu Dan the Family Man, and Hilton Head Island). Sons of Thunder has moments of potential and is definitely well-funded, but it just commits too many avoidable errors, mostly pertaining to poor writing. However, this isn’t anything new when it comes to PureFlix, so, at this point, we unfortunately don’t expect anything less from them.

Final Rating: 6 out of 14 points

The Big Fix [2018] (Movie Review)

The Big Fix (2018) - IMDb

Plot Summary

The Reynolds family members all have many commitments and obligations, yet none of them want to see anything from the others’ perspectives. However, after asking God to change each other, they get the surprise of their lives when they suddenly switch bodies with each other. This gives each of them a chance to see what it’s like to walk in the others’ shoes, and what they find out is unexpected.

Production Quality (2 points)

Overall, the production of The Big Fix is good without many errors. This includes a great soundtrack and professional audio quality. Camera work and video quality are also up to standards. Sets, locations, and props are well-constructed and well-utilized. The only drawbacks in this section are some cheesy special effects and some choppy editing. In the end, however, this production is enough to be above average.

Plot and Storyline Quality (.5 point)

At times, The Big Fix offers some good dialogue and realistic looks at problems with families and businesses in American culture, but other times, the film is a bit in-your-face with obvious messaging and sermonizing. This aside, the movie’s entire basis is a bit off, to say the least, as it comes with all the expected logical problems and inconsistencies that usually accompany body-switching plots. Despite these obvious concerns, not much actual content actually transpires in this narrative apart from forced comedy, unearned silliness, wasted time, and useless montages, which all pertain to the questionable premise. Along with these errors comes inevitably unusual content and insinuations that make for awkward stop-and-start scenes and meandering sequences that lead to nowhere. In order to effectively pull off any type of character-switching idea, you have to actually have good characters to begin with rather than basic stereotypes. This storyline’s poor character development also gives rise to cheesy views of young people. In the end, the conclusion is forced and cheesy as it basically fixed everything very rapidly, and the last scene is quite bizarre in general. Therefore, not many points can be awarded to this section.

Acting Quality (2 points)

For the most part, the acting in The Big Fix is okay even though it can be too forceful at times. Other times, however, the emotional and line deliveries seem more natural. The biggest issue here is that, in order to properly execute a character switching plot, you need high-level acting. Unfortunately, these performances are just a bit above average. Nonetheless, while the acting is a bit stop-and-start at first, it tends to improve with time, which rounds out a run-of-the-mill effort.

Conclusion

This creative team is usually almost there (see Fat Chance), but a collection of things always holds them back from reaching the next level. They would greatly benefit from improved screenwriting so that they can focus their talents in other areas, like beefing up production and acting. With a more substantial plot and stronger characters, The Big Fix could have really been something. Nevertheless, perhaps we’ll see better things from this group in the coming days.

Final Rating: 4.5 out of 10 points

Joseph’s Gift (Movie Review)

Joseph's Gift (1998) - IMDb

Plot Summary

Joseph is the youngest sibling of a family who owns a successful garment business in 1970’s Los Angeles. However, his brothers are jealous of how their father favors their younger brother, so they concoct a scheme to land him in trouble and out of their hair. Nonetheless, despite Joseph’s hardships, it all comes full circle as God places him exactly where he needs to be at the right time.

Production Quality (1.5 points)

In the beginning of Joseph’s Gift, there are some tight shots, a handful of odd camera angles, and instances of inconsistent lighting. However, video and audio quality are both fine even though there could be more soundtrack than there is. Elsewhere, the film’s psychological sequences have very poor special effects within them, and a few scenes are cut off very abruptly. As it is, the editing is extremely choppy due to the large amount of content trying to be covered. Nevertheless, all production aspects besides the editing improve as the screenplay goes on, which is enough to earn an average score for this section.

Plot and Storyline Quality (.5 point)

Whereas the premise of Joseph’s Gift, including the 1970’s setting and the psychological integration of Joseph’s visions are interesting, many of the film’s scenes are disconnected from each other due to lack of adequate continuity. The plot tends to jump all over the place with no warning, which hampers any hope of proper character development. A high number of characters confuses the viewer as it’s unclear who to focus on since there are so many different perspectives. This fact often causes dialogue to be fairly cheesy in order to move the story forward and precludes the audience from getting to know who the characters actually are. Elsewhere, there are some unnecessary instances of off-screen content and weirdly creepy experiences. Further, the ending is extremely rushed. Overall, this movie would have worked better as a series or non-linear plot that centralized on Joseph’s character so that certain intriguing concepts, such as Joseph being admitted to a mental institution, wouldn’t have been wasted.

Acting Quality (1.5 points)

As a whole, the acting of Joseph’s Gift is mostly acceptable. Though the emotions are forced at times and could be a bit more authentic, most of the performances, including line delivery, are least passable. While some moments seem just a bit off sometimes, the cast members collectively do enough to post an average score for this section.

Conclusion

When it comes down to it, offerings like Joseph’s Gift aren’t able to make a difference due to a handful of avoidable problems, such as fixable production issues and poor screenwriting. It’s one thing to have an interesting idea, but it’s enough to properly execute it. Movies are certainly complex projects to undertake, so they should never be done so in light manners. There are many forgettable films like this one that, if combined together, could make a handful of truly groundbreaking ones.

Final Rating: 3.5 out of 10 points

Where Was God? [2014] (Movie Review)

Where Was God (2014) - IMDb

Plot Summary

Pastor Thompkins has a secret, but his life becomes even more complicated when a desperate man decides to hold him hostage in the pastor’s own home. During their standoff, the man asks Thompkins pressing questions about the problem of pain and life’s true purpose. Will either man come out of the situation alive?

Production Quality (1 point)

With such a low budget, it’s unclear why this production was put forth just for it to contain cheap sets and props, lack actual locations, and have inconsistent lighting throughout. As it’s basically people hanging around in a house, the camera work and video quality are fine, yet it all feels very cut-rate. The soundtrack is very generic, and all audio is quite hit-and-miss, including silly sound effects. There’s also no editing to speak of, which rounds out an overall poor effort that undermines this film’s existence.

Plot and Storyline Quality (0 points)

As a heavy character-based plot, Where Was God? needed some serious help in the narrative department for it to even have a chance, but with only wooden characters to speak of due to overly constructed, obvious dialogue, there’s really no hope for this movie. The entire premise, full of unrealistic circumstances, feels very contrived, and the storyline is an overused waste of time because it seeks to drag things out as long as possible. Dead time also fills gaps where substantial content could have gone. Instead of a real plot containing believable dialogue, the audience is only left with silly gender stereotypes and a strange endings that both instantly fixes all the problems and almost negates the entire situation at the same time. Due to all of these factors, no points can be awarded to this section.

Acting Quality (0 points)

In nearly every facet of Where Was God?, the acting is extremely awkward, including wooden emotions and incredibly forced line delivery. The drama is also manufactured, and the cast is so small that even the smallest errors are very noticeable. Unfortunately, there’s just nothing positive to say about this category, which rounds out an overall basement-level offering.

Conclusion

What else is there to say? Where Was God? is just another in a long line of embarrassing Christian projects that will fade from memory as time goes on. There’s next to nothing that justifies its existence and no reason for it to be made. The only thing that can be gleaned from it is how not to produce Christian entertainment, but there are already too many examples of that.

Final Rating: 1 out of 10 points

Modern Prodigal (Movie Review)

Modern Prodigal (2019) - IMDb

Plot Summary

Brian Sanderson is an investigative reports who’s addicted to painkillers and never ceases in his quest to solve the mystery of his son’s untimely death to the same drug he’s hooked on. Even though his obsessions cause him to lose his dream job, Brian will stop at nothing to discover the truth of what really happened while also wrestling the demons inside his head. Ultimately, Brian will have to confront his dark past in order to face the future.

Production Quality (1.5 points)

After an odd opening sequences that seems to suggest Modern Prodigal is part of a crime series, weird gray lighting seems to dominate much of the film. Audio quality is also an issues as there are some obvious background sounds as well as too much dead air, even if the little soundtrack therein has some potential. Sets, locations, and props are are bit cheap-looking, and there are some unnecessarily tight shots and instances stationary camera work. Furthermore, the editing leaves something to be desired with awkward cuts and transitions, but the good news is that the production takes a turn for the better in the film’s second half that amends a lot of the earlier errors. However, this is only enough to raise this section to the halfway mark.

Plot and Storyline Quality (1.5 points)

Surprisingly, the characters are one of the strongest aspects of Modern Prodigal as some of them possess subtle characteristics that make them come off as relatable and human; their dialogue is also not all bad since it establishes them as imperfect people. However, while some conversations are quite good, others are too obvious and over the top. Nonetheless, the narrative makes fairly good use of mystery concepts throughout the plot progression and does a reasonable job at concealing important facts and revealing them bit by bit throughout the film. While there are plenty of positive aspects, there are also nagging concerns with this story, such as the fact that it’s trying to cover too much ground in one screenplay. Much of its content would have been better suited for a series, and a sudden massive time jump at the movie’s conclusion leaves the viewer somewhat confused. Nevertheless, Modern Prodigal offers a lot of hope for this writing team’s future potential.

Acting Quality (1 point)

Unfortunately, the good aspects of this film’s plot are detracted from by a lot of over-acting in many of the screenplay’s important scenes. This includes quite a bit of overdone emotional performances and forced line delivery. While there is some good in this section, such as some good supporting cast members and better acting in the less dramatic scenes, better coaching could have lifted Modern Prodigal to a better level.

Conclusion

This film joins a sizable collection of Christian creations that had a lot going for them but never made the next step in to greatness. Much of this shortfall is due to financial constraints, but a lot of it can be blamed on a lack of collaboration or a tendency to force something to happen before it’s time. Ideas were never meant to be carried out alone, and sometimes, it’s just not the right season for them. Nonetheless, it will be interesting to see what this creative team offers next.

Final Rating: 4 out of 10 points

The Father’s Love (Movie Review)

The Father's Love | Christian Movies On Demand

Plot Summary

Sarah has always wanted the perfect relationship with a man, and for a while, it seems like Reece can fulfill this role for her. However, when things unexpectedly take a strange turn, Sarah is left asking questions about her real purpose in life. She’s spent most of her time trying to make relationships work so that she can escape previous pain, but how will she react when it’s all taken away from her and she’s forced to confront her past?

Production Quality (2 points)

For the most part, The Father’s Love sports a professional production, including good video quality and mostly fine camera work, even though there is some slight shakiness at first. Audio quality is also similar as there are some unnecessary background sounds though other aspects are fine. The soundtrack is good, but it sometimes covers up spoken words. Further, the sets, locations, and props are well-constructed and well-utilized, yet the editing leaves something to be desired with some very quick cuts and awkward transitions throughout. However, on the whole, the production gets better as it goes and does enough to get past the halfway mark.

Plot and Storyline Quality (1.5 points)

The Father’s Love is a rare look at the fake, surface-based dating scene and at how the family of origin affects adult relationships. Creative symbolism, implied scenes, and effective flashbacks are used to portray the narrative without narration and in a non-linear plot style. Dialogue is also effectively used to build character personality and motive, and conversations properly apply themes even though there is some slight sermonizing and message-pushing therein. Moreover, there are some concerns in this storyline, such as some filler scenes and sequences that tend to waste time. In a similar vein, the passage of time is a bit vague in the film’s middle third, and some time jumps are hard to reconcile with the plot’s flow. The ending is also a bit discombobulated as a handful of random scenes are tacked onto the conclusion, which finishes in a way that isn’t very logical. Nevertheless, this movie still possess a great idea and a very meaningful message about finding identity in relationships.

Acting Quality (2.5 points)

As a whole, the acting is the strongest factor in The Father’s Love. Though there are some slightly awkward moments, the cast members overall assume their respective roles very well. Emotional and line delivery are on point, and the culturally diverse casting is refreshing. In the end, this rounds out an above-average effort.

Conclusion

It’s a shame that films like this one, which have high amounts of potential, fall just short of the Hall of Fame, but it still provides great potential for the future. The Father’s Love would benefit from either a remake or a similar project that provides deeper characters, more substantial backstories, and clearer connections between the movie’s themes and the events of the narrative. Nonetheless, many audiences will find enjoyment in this screenplay.

Final Rating: 6 out of 10 points

Runaway Hearts (Movie Review)

Amazon.com: Runaway Hearts DVD: Keith Alan Morris, John Schneider ...

Plot Summary

Gabe returned to his hometown to try to forget his past and his current problems, but it all came back to him when he crossed paths with two kids who were running away from a dangerous situation. Thus, based on his previous experiences with the government, Gabe decides to take matters into his own hands by deciding what’s best for the children. However, at the same time, Gabe wants to once again get to know his former girlfriend, yet all of these factors become increasingly complicated. Will be be able to find his way amidst the turmoil?

Production Quality (1.5 points)

The production quality of Runaway Hearts is uneven is many ways, such as the poor audio quality, which includes background echoes and a sporadic soundtrack that doesn’t usually fit the mood. While video quality and camera work are acceptable, the sets, locations, and props sometimes come off as cheap. Further, the editing is all over the map as some scenes change without warning or explanation and weird fadeouts make for an extremely choppy presentation. However, there is enough overall improvement through the movie to warrant an average score this section, even if there are a handful of negatives.

Plot and Storyline Quality (.5 point)

From the beginning of Runaway Hearts‘ plot, there’s an unusual tone that can’t be easily quantified, but it makes things seem like a joke at times. This is exacerbated by the fact that some dialogue feels like it’s meant to be in a noir or a satire, yet other conversations are actually quite substantial with building themes and characters. In this way, the writers sort of try to craft realistic and imperfect characters, but a lot of the narrative just seems a bit off as some things randomly happen with no clear purpose or reasoning behind them. However, there’s an interesting use of flashbacks in certain moments even though they can be a bit abrupt, and the story overall becomes more interesting as it goes due to clearer character motives. Nonetheless, problems still plague the screenplay, such as unusually staged scenes that feel like a parody is being made, odd inclusions that can’t be ignored or explained, unrealistic legal situations, and a cheesy climax to top things off. Despite the ending that’s designed to magically fix all the issues, Runaway Hearts is still at least a half-idea that explores authentically broken characters, which begs the need for some type of rework.

Acting Quality (1.5 points)

Initially, the acting of this movie is a bit all over the map as it’s sometimes authentic gritty yet lackadaisical and wacky other times. In some instances, the cast members seem like they’re being coached to be overly dramatic and sappy, but in other circumstances, they are more professional. Hence, emotional and line delivery are inconsistent; however, the performances overall tend to improve with time, which leaves this section with an average score.

Conclusion

Films like Runaway Hearts are unfortunately too common on the market and are thus easily forgotten. They don’t offer much that’s particularly special but are also not in the basement of Christian entertainment. The best they can offer is a template for how things can always be improved and how audiences can be better reached. Either way, it’s time for the market to move past pedestrian offerings like this one and to produce more consistently quality creations.

Final Rating: 3.5 out of 10 points

Little Notes to Heaven (Movie Review)

Watch Little Notes To Heaven | Prime Video

Plot Summary

Kyle and Amelia met in a seemingly chance encounter and quickly became friends despite the less-than-desirable circumstances around them. The more time they spent together, the more they fell in love. However, the closer they grew, the more complicated things became as they discovered that there was more holding them back than they previously realized. When it all finally comes to a head, they discover valuable lessons that will stay with them forever.

Production Quality (2 points)

Despite an under-funded production, Little Notes to Heaven does enough to get past the middle mark, such as having clear video and artistic camera angles even though the camera work is sometimes shaky. Audio quality is on point except for a few obvious overdubs, and the original soundtrack is excellent as it flows with the scenes and mixes were creatively edited overlays. Though the sets, locations, and props are slightly cheap, they are overall okay, and the same can be said for the editing save for a few lagging scenes. In the end, however, this is a great first-time effort.

Plot and Storyline Quality (2.5 points)

Surprisingly, the plot is the strongest element of Little Notes to Heaven. Combining artistic tone and voice-over with a creative non-linear storyline, the writers use great conversations and flashbacks to establish the narrative’s philosophy and the characters’ motives. As such, the characters are extremely accessible and realistic via their believable personality and backstories. Psychological elements are also a plus since the creators demonstrate a profound understanding of what some people experience and secretly endure, such as complex family systems concerns and emotional struggles. It all reaches a slightly unexpected conclusion that carries a lot of weight and drives home awesome messaging. The only factors keeping this section from being perfect are the fact that some characters appear to have vague existences at times and the tendency for some events to happen because the story needs to reach a certain conclusion. Otherwise, from start to finish, this film demonstrates an excellent integration of concepts throughout its progression and serves as a great example for how to write a plot that’s driven by relatable characters.

Acting Quality (2 points)

Though the acting of Little Notes to Heaven is a bit awkward at first, for the most part, the cast members do well with assuming the roles of the characters. Emotions can be a bit extreme at time, but as a whole, line delivery is professional. By the movie’s end, the acting is nearly perfect, which is enough to make up for the earlier shortcomings. Thus, this caps off a very encouraging freshman offering.

Conclusion

It’s very clear that the creative team behind this screenplay did the best they could with what they had, which is really all we can ask as reviewers. However, it’s a shame that Little Notes to Heaven couldn’t take that final step onto the Hall of Fame due to a handful of rookie mistakes. Nonetheless, many audiences will enjoy this film, which is a great way to begin and shows that its creators have a lot of potential for the future. With better funding and collaboration, they could easily make a bigger impact and find their place in the Christian entertainment field.

Final Rating: 6.5 out of 10 points

Scion [2018] (Movie Review)

Kingdom Sight

Plot Summary

Kendra Williams is tired of the way things are. She never gets to have any fun because her parents won’t let her go to dangerous all-night parties with her “friends.” One of these said nights, Kendra meets a mysterious man who promises to grant her secret wish of living however she wants. Kendra accepts his offer but suddenly wakes up in a world where she was never born. Will she be able to escape the nightmare before it’s too late???

Production Quality (1 point)

For the most part, Scion offers a very cheap production experience, including shaky camera work, tight shots, and bizarre camera angles designed to be “cool.” Audio quality is also uneven as backgrounds sounds are too prevalent and invasive sound effects annoy the viewer even though the soundtrack is somewhat interesting. The video is also sometimes blurry, and lighting is inconsistent throughout. Sets, locations, and props are mostly average if not slightly limited, and cheesy special effects plague the audience with dizzying sequences. Further, though there is some slight improvement throughout, continuity errors and various editing concerns keep this section on the low end of the spectrum, but it’s not even the worst of it.

Plot and Storyline Quality (0 points)

Scion starts off with the completely wrong premise by portraying a tone-deaf view of young people being wayward and throwing in with strawman villains. Also, the psychological fantasy world created for this plot is very difficult for viewers to understanding since its rules seem very subjective. For instance, things in the alternate universe randomly happen for no particular reason, and obstacles are arbitrarily applied to the characters just for the sake of expanding the narrative and illogically getting them where the writers wanted them to go. Similarly, the story’s progression makes little sense as unnecessary time jumps disorient the audience and endless meandering sequences waste time just so that the characters can run all over the place and fill the runtime. Very convenient dialogue also forces the plot to go where screenwriters wanted it to go, and forced suspense scenes crowd out any shred of potential there was for character development. In the end, this screenplay is just a bad version of the typical It’s a Wonderful Life style of psychological narrative.

Acting Quality (1.5 points)

Though it’s a bit average and sometimes even awkward, the acting is the best aspect of Scion. However, emotions still aren’t very believable throughout, and line delivery is pedestrian. Nonetheless, it’s unclear how the cast members could have done much better with how poorly written this movie was. Thus, this rounds out a severely underwhelming effort that should have never gotten past the initial planning stages.

Conclusion

Kingdom Sight Studios has demonstrated some slight potential in the past, such as in 2nd Greatest, but more recent projects, like Scion and A High School Story, have not instilled any confidence in their commitment to quality. Often, being a lone ranger studio rarely pays off, but the least they could do is overcome their low production quality with deeper storylines that would make bigger companies take notice. However, this isn’t the case as they further contribute to the already low image of Christian entertainment.

Final Rating: 2.5 out of 10 points

Finding Grace (Movie Review)

Finding Grace | Home

Plot Summary

Alaska Rose has been a troubled youth ever since her mother left her life. Allie has gotten in and out of trouble, but now that she’s 18, the stakes have risen since a judge has ordered her to complete community service and to avoid run-ins with the law in order to avoid prison. Hence, Allie has been tasked with volunteering at a nursing home, which she immediately hates. However, as time goes, Allie discovers things about herself and about those around her that change her perspective on life.

Production Quality (1.5 points)

All throughout, Finding Grace is uneven in the production department, including some shaky camera work and poor audio quality, such as obvious background sounds and a generic soundtrack. While the sets, locations, and props are mostly okay, some of the lighting in scenes in inconsistent. Also, there is a lack of logical transitions between scenes and quick, abrupt cuts that make for a choppy editing experience. Although there is some improvement as the production progresses, it doesn’t do enough to get past the halfway mark.

Plot and Storyline Quality (0 points)

From start to finish, Finding Grace has a mostly typical premise and is based on very stereotypical characters due to vanilla dialogue and predictable circumstances. Most things done in this film have been done and seen before, yet it’s hard to understand what the purpose of some of the characters is. Many of the scenes are very vague and black such that they don’t properly present the story in way that the viewer can clearly understand. This makes it difficult to comprehend the actual point of the narrative and the focus of the plot since it just feels like a random collection of instances strung together for the sake of making a movie. The storytelling is all over the map since some characters have erratic personality changes and lack justification for some of their actions. However, after some sermonizing and meandering, the final third of the film tries to pull itself out of the nosedive by inventing important character motive out of thin air. It’s unfortunate that the idea behind why the characters act the way they do is actually very believable and well-concealed until its reveal since it was completely wasted on a train wreck movie that many audiences will give up on after about twenty minutes. Further, the screenplay concludes with some rather suspect legal procedures, which caps off a wasted effort.

Acting Quality (1 point)

Besides the other concerns with Finding Grace, many of the cast members force their emotional and line deliveries throughout the movie, and many lines actually come off as mumbled rather than clearly spoken. While it’s likely not their fault, a lot of the actors and actresses don’t seem to really understand what type of characters they are playing as they post lackadaisical and disingenuous performances that demonstrated boredom for the whole experience. However, based on the hacked-together script they were given, it’s very difficult to blame them. There is some potential in this section, which keeps it from being zero, but it overall puts the icing on a very bad cake.

Conclusion

While it’s evident that this film’s creators had an interesting idea concealed somewhere in this mess, this was one of the worst possible ways to package it. Even the best concepts can be greatly ruined by bad storytelling, which is the tale of Finding Grace. This fact, combined with the unforced production and acting errors, make for a very disappointing experience and can only be used as an example of how not to make a movie.

Final Rating: 2.5 out of 10 points

Eyes to See (Movie Review)

Eyes to See (2010) - IMDb

Plot Summary

What Ray cares about most in the world is being a successful camera operator for a traveling national media crew. However, this demanding profession frequently keeps him away from his wife and daughter, who desperately want to be close to him. Nonetheless, Ray pushes forward for career success until a Haitian earthquake traps him underneath rubble and forces him to reexamine everything he holds dear.

Production Quality (2.5 points)

From start to finish, Eyes to See is a very professional production, which is evidenced by good camera work and video quality. The authentic sets, locations, and props are well-utilized and make for a very gritty, realistic setting. Audio quality and soundtrack are also great, and it should be noted that it was very ambitious to take on a difficult natural-disaster-style production idea like this one. As such, the earthquake sequences are mostly accurate. The only minor concerns to point out in this section pertain to some unnecessarily soft lighting within some of the flashbacks and some slightly choppy editing in the film’s second half. However, there’s plenty of positive in this production, which earns it a high score.

Plot and Storyline Quality (1.5 points)

Eyes to See sports a very strong message about the stark contrast between actually helping people in need during a natural disaster and just looking for media entertainment. This is accomplished through believable characters, which are built with accessible dialogue that establishes character personality as well as a very effective use of flashbacks that reveals character motive. Through these excellent narrative tools, recurring themes and thought-provoking conversations are presented to the audience that offer a brave and honest look at how Americans can easily mistreat those struggling in developing countries. Although it was great to efficiently use time and money with a short film rather than a long one, this is a rare instance where we wish a movie was longer than it was, especially since hearing more from the Haitian characters in this narrative would be have been good to balance out the American characters that tend to dominate the screen time. Also, the plot’s ending is a bit rushed, which leads this section to the rating that it gets, but it’s still an enjoyable experience.

Acting Quality (3 points)

This screenplay’s strongest aspect is its highly professional acting performances, which sport realistic emotions and on-point line delivery. Costuming and disaster makeup are also positive points to note. Further, the culturally accurate casting is very refreshing and essential. In this, this section rounds out an effort that does just enough to achieve Hall of Fame status.

Conclusion

Normally, we would like to see many films that are over ninety minutes long to be shorter, but Eyes to See is an outlier instance since we would have rather seen more than half an hour of content. As previously mentioned, extending the runtime could have been done by giving more focus to the experiences of the local characters instead of focusing so heavily on the Americans, but as it is, this brief narrative is enough to warrant a position on the Hall of Fame. It’s a prime example of how good a small creation can be as well as something adequate can be even better. Hopefully, future entertainment makers can take cues from this example, and perhaps, we’ll see even better things from this creative team in the future.

Final Rating: 7 out of 10 points

The Dream Motel, Season 1 (Series Review)

Watch The Dream Motel | Prime Video

Plot Summary

Jesse and Matteo are angels who have been assigned to do various tasks on earth, one of which is to fix up an old motel in rural Georgia so that they can win the spiritual war of owning buildings around the world. If the angels can own enough buildings, they can apparently lead more people to salvation, but if the demons in disguise keep taking over God’s properties, they’ll somehow be able to bring more darkness to the earth. Can Jesse and Matteo stop them one motel guest at a time?

Production Quality (1 point)

Although the video quality and camera work are mostly fine in The Dream Motel, save for a few shaky action shots, there aren’t many other positives to point out here. Audio quality is too inconsistent, including annoying background sounds, and there’s basically no soundtrack at all. Also, outdoor lighting is fairly poor, and the sets, locations, and props are often cheap to the point of not even representing what they’re supposed to represent. Further, there’s no real editing or transitions throughout the season, and there some awkward fadeout moments. To top things off, there are bad special effects throughout, which rounds out a mediocre effort.

Plot and Storyline Quality (0 points)

Besides the fact that The Dream Motel is a boring stock plot based on robotic dialogue and wooden characters, the world constructed in the premier and finale episodes makes no sense at all for a number of reasons. For one, it’s unclear from Scripture whether or not angels have emotions or free will to wrestle with various philosophical issues like these characters do. For another, why would God need magical locations around the world to do His bidding, and how could demons steal them without His allowance? How are atheism and secularism powerful enough to halt Christ’s will? Why would demons even have an interest in stealing magic buildings rather than actual people? These premise problems aside, the villain is stupidly obvious, some of the characters seem unnecessarily outraged at logical things, the narrative incorrectly portrays realistic circumstances involving HIPAA protection, and it’s downright creepy to have smiling angels tell humans private things about the people. It feels like this storyline exists outside of reality even though scenes drag on as lines are painfully dragged out of the characters, who talk in circles to fill the runtime, and although boring activities of daily living, expository dialogue, and off-screen content make The Dream Motel seem like most poorly crafted Christian entertainment. With basically no personality or motive for the characters and far too many coincidences to hold up the plot, this series is just a collection of disasters.

Acting Quality (0 points)

Having very stilted and overly practiced acting is almost a given when it comes to Rossetti Productions, and The Dream Motel doesn’t disappoint. Using the patented Rossetti style of basically reading lines for a church play, the cast members exhibit forced wooden emotions that make the viewers think that the actors and actresses don’t actually care about what they’re doing. Some cast members seem unnatural or even uncomfortable in their roles, and a portion of the theatrical annunciation is off-kilter. Many scenes feel like one-takes as some actors and actresses appear to forget their lines in some instances and awkwardly grasp for something to share that can fill the blank silence. Essentially, there’s nothing positive to note in this section.

Continuity Quality (1 point)

Following a predictably typical series model, The Dream Motel offers premier and finale episodes that depart from the norm while all the between episodes are standard recurring dramas that introduce characters only to discard them before the credits roll. Concepts explored in the pilot aren’t returned to until the last episode, which concludes with a cheesy cliffhanger ending. While this section isn’t all bad due to some recurring subplots among the main characters, it’s still a run-of-the-mill offering with missed opportunities for continuity.

Conclusion

There are just so many things wrong with The Dream Motel from the get-go. Basically a redux of The Encounter, only with angels, this Rossetti series is based on illogical and questionable concepts yet still commits errors beyond this. Even the best ideas can be easily derailed by poor storytelling, low production quality, and abysmal acting. With so much experience under their belt and a trailed of wasted opportunities, it’s hard to know where the Rossetti Productions team is headed at this point, but this series is definitely not worth your time.

Final Rating: 2 out of 14 points

The Cabin [2019] (Movie Review)

The Cabin (2019)

Plot Summary

Roy, a former pastor, has decided to go out to a secluded cabin in the woods to determine whether or not the spiritual realm exists. He’s determined to lock himself in until something spiritual manifests, which attracts the undue attention of various supernatural forces, both good and evil. In the end, Roy will have to battle for his soul, using homemade armor, against poorly animated demons!

Production Quality (.5 point)

Although the video quality of The Cabin is fine, this is the only positive production element. The camera work is very shaky, including some really wacky camera angles, and the audio leaves something to be desired due to its background sounds, constant generic soundtrack, and weird sound effects. Also, the sets, props, and locations are quite cheap, and it goes without saying that the special effects are terrible. Elsewhere, the flashbacks are unnecessarily black and white, and editing is sub-par. Essentially, this is an unacceptably bad production, but it’s not even the worst of what this awful film has to offer.

Plot and Storyline Quality (-3 points)

Although The Cabin‘s plot begins with boring sequences of activities of daily living and vanilla dialogue that produces cardboard characters, things quickly become much more outrageous. Through a combination of stupid jump scares, blank scenes where basically nothing happens, cheesy found footage sequences, and drug trip montages that are nearly impossible to quantify, this film successfully finds its way all the way down to the bottom of the barrel. Besides the forced drama that has no logical lead-up, the narrative is so vague that it’s barely even a story and completely lacks purpose. However, this doesn’t even though the fact that many of the plot points lack realistic support and that the spiritual elements of the story are either portrayed in juvenile ways or through very bizarre methods that cause the viewer to question whether or not the screenwriters actually comprehended the serious subject matter they wrote about. Basically, the movie’s second half is utter nonsense and full of over-the-top sensationalism such that it makes a laughingstock of otherwise important spiritual topics. It’s incredibly difficult to include all of the complete madness that’s contained within this one screenplay without asking the audience to see for themselves, but that would be a total waste of their time.

Acting Quality (1.5 points)

Despite other glaring problems in The Cabin, the acting is actually quite average, considering the fact that there’s not much for the cast members to work with. Not many lines are demanded of them due to the abysmal writing, but many of the performances contain forced emotions. Nonetheless, this section isn’t all bad, but it’s not enough to salve the utter disaster that is this film.

Conclusion

The Cabin puts the proverbial icing on the bad cake that JC Films made in 2019. Flooding the market with tons of sub-par movies is never the way to go, as we’ve previously stated. Doing such will inevitably lead to horrific disasters like this one that further tarnish the reputation of Christian entertainment. All that can really be learned from train wrecks like this are how not to do it and how important it is to continually produce more quality creations in the future.

Final Rating: -1 out of 10 points

Harriet [2019] (Movie Review)

Film review: All aboard the freedom train with “Harriet ...

Plot Summary

Harriet Tubman was a Civil War hero although many did not initially regard her in that way. While she was raised as a slave on a Maryland plantation, she heard God call her one day to leave and run to freedom. With the help of her pastor, Harriet persevered through perilous circumstances to reach the free state of Pennsylvania, but it was there where her real work began. She knew God had called her to free slaves on her own…starting with her family… even though the Philadelphia abolitionists were reluctant to help. In the end, Harriet’s obedience to God left a lasting mark on American history.

Production Quality (2.5 points)

As a well-funded, mainstream project, Harriet sports very high production quality with very few errors to note. Video quality, camera work, and audio quality are exceptionally high, and the soundtrack is excellent at tying the movie together, including using real-life singing that was historically authentic. The sets, locations, and props are realistic and well-utilized, and the production overall has a gritty feel to it that shows attention to detail and care for accuracy. The only small concern to point out relates to some slightly choppy editing, but this also pertains to the storyline. As a whole, however, this is a highly professional offering.

Plot and Storyline Quality (2 points)

The true story of Harriet Tubman was definitely one that was long overdue to be put into movie form. In this rendition, the characters are very well-developed through believable and accessible dialogue, and the high number of them is handled well as even the minor characters are given efficiently used scenes. Also, the major element of Harriet’s faith in and relationship with God is well-integrated throughout the narrative and is presented at face-value so that the viewers can decide for themselves. Other themes are creatively interwoven throughout the plot to tie together an epic biopic that was likely difficult to effectively condense. Moreover, the sheer amount of content covered in this movie does pose a problem that creates some choppiness in the storyline. It would have been better for Harriet to be presented in a non-linear style so that the story didn’t simply jump from one high point to another. Another pitfall of this section is the fact that some of the writing went out of its way to include unnecessarily edgy content (although some of it is unfortunately realistic) and slightly extreme language (though some is still authentic). Nevertheless, despite these shortcomings, this narrative is still high quality and leaves a lasting impact on the viewers.

Acting Quality (3 points)

With professional acting and directing, Harriet has virtually no flaws in this category. The costuming is period-accurate and reflects attention to detail. Line delivery is on point, and emotions are very accessible. Thus, this rounds out an encouraging effort and completes this film’s campaign for the Hall of Fame.

Conclusion

Harriet also receives an x-factor point for being re-watchable and for tackling a highly relevant topic in a memorable way. One thing to note is that this movie could have been even better in the hands of different directors who could have portrayed the story in a more Christian manner, but the current market was unfortunately not suitable for this to happen. Nonetheless, this creative team did enough to preserve Tubman’s Christian worldview and to make this a high-level screenplay, which caused it to earn a spot on the Hall of Fame. Therefore, we highly recommend it for appropriate audiences.

Final Rating: 8.5 out of 10 points

John Light [2019] (Movie Review)

John Light (2019)

Plot Summary

John Light is a prisoner nearing the end of his sentence, and he’s paired with Matt Garrett as a part of a prison ministry mentor program. Though Matt is ambivalent about the experience at first, he quickly becomes friends with John, who has no one else in life who cares about him. Thus, when John is released, Matt is there to help the ex-con get back on his feet. However, John has to face some dark elements of his past in order to move forward with his life.

Production Quality (1.5 points)

In the beginning, the production of John Light is as poor as those from other JC Films offerings. One example of this is inconsistent audio quality, including some background echoes and noises as well as a generic soundtrack that never stops playing. Also, some scenes obviously begin right after the camera starts rolling rather than already being in motion. However, on the bright side, sets, locations, and props are all acceptable, and video quality and camera work are both fine. While the editing is basically average, the good thing is that all production areas show concerted improvement as the film goes on, which is enough to warrant an even score.

Plot and Storyline Quality (1 point)

From the get-go, John Light is one of the most noteworthy ideas put forward by the JC Films team, probably because it’s based on true events. However, in the beginning, the characters are a bit blank due to some rushed conversations and some unsubstantial dialogue that fails to properly develop them. This makes it difficult to grasp the overall flow of the plot as the narrative tends to meander without clear themes to guide it. In the first half of the movie, it feels like a bunch of random scenes were strung together, but somewhere in the middle, things suddenly take a turn for the better. While the central purpose is still unclear, there are some realistic attempts at family systems issues and some considerably adequate conversations that make the characters a bit better throughout the storyline’s second half. There is some slight focus on the latter parts of the film, and the characters become more accessible, but the plot’s beginning causes the entire experience to be disjointed. Nonetheless, there are enough noteworthy concepts explored after the midpoint of John Light for it to warrant a modest score.

Acting Quality (2 points)

Although some of the acting is a bit forced at first, including some unnatural line and emotional delivery, like other elements of this movie, these problems do improve with time. Throughout the screenplay, some cast members are better than others, but they all show good effort by the time it’s over. Also, the culturally diverse cast is commendable, so this rounds out a mostly average film effort.

Conclusion

John Light really does deserve a remake since it contains such an interesting true story. In reality, the JC Films team should have nixed all of the other movies they had planned for 2019 and instead put all their eggs in one basket for John Light. In doing so, it’s highly possible that it would have had enough funding (and maybe expanded collaboration) to propel John Light to the Hall of Fame. Unfortunately, however, we’ll never know what could have been, yet it’s still an excellent lesson for all Christian entertainment creators: don’t rush to make more films just for the sake of making them; wait to make a quality offering that God actually wants you to make.

Final Rating: 4.5 out of 10 points

Jack Jonah (Movie Review)

Image result for jack jonah movie

Plot Summary

Each family member of Jack Jonah dealt in different ways with the teenager’s untimely death to opioid overdose. Kirk Jonah, his father, launched himself into a non-profit designed to provide anti-drug education to whomever will listen. Both of Jack’s parents believe they can still communicate with the dead boy, and this drives them in their efforts to save other lives from deadly overdoses. However, all of those close to Jack must ultimately come to the point where they trust that good can come out of tragedy.

Production Quality (.5 point)

While the video quality of Jack Jonah is acceptable, the camera work is often quite shaky, and the audio quality is quite poor, including loud background sounds, painfully obvious overdubs, some bouts of over driven audio, and a cheesy never-ending soundtrack that tries to cover up these problems. Additionally, lighting is inconsistent in both the outdoor locations and the indoor sets. Further, the special effects that are used are quite bad, and the editing is marred by abrupt cuts and transitions, which tops off an unacceptable level of production quality that should never be approved in the current entertainment field.

Plot and Storyline Quality (-2.5 points)

There are a myriad of problems with this film’s plot, beginning with its heavy-handed message pushing, which is joined by endless, meandering conversations that are full of forced information-dump dialogue. This causes the characters to be cardboard cutouts who represent issues rather than real people. Also, the choppy story presentation makes the passage of time seem unclear to the viewer, especially since there are many random characters and spider-webbing subplots that only have loose connections with each other. Besides the fact that many of the scenes are blankly vague and hard to understand, the plot becomes more and more bizarre as it progresses due to its weird exploration of other dimensions wherein people who have passed away can come back and talk to those who are still alive. What begins as a typically vanilla story quickly becomes a wacky drug trip into the strange, and it’s laced with an unusual air of mystery that’s not well-explained. Then, the narrative suddenly ends with little to no purpose or clear message to offer to the audience. For all of these reasons, this section receives a negative score, which drags the overall movie below water.

Acting Quality (1 point)

To cap off the other issues in Jack Jonah, its acting leaves much to be desired since most of it is robotic and stilted. Emotions are difficult to believe, and line delivery is mostly vanilla. While some cast members are somewhat average in their performances, others are simply too poor to warrant any higher score than this.

Conclusion

In their race to make as many films as possible in 2019, the JC Films team produced indefensible projects like this one. This is unfortunately yet another example of why quantity over quality is never the way to go in Christian entertainment. Additionally, this may be the only lesson future creators can learn from Jack Jonah: how not to go about it.

Final Rating: -1 out of 10 points

The Islands [2019] (Movie Review)

Image result for the islands christian movie

Plot Summary

John Thornton felt called to be a missionary on the remote island of Hawaii in the early 1800s, so he took his wife, Mary, and went with their friend Hiram to the unknown place. Once there, the missionaries met Chiefess Kapiolani and those her were in her tribe. Although the chiefess was familiar with the English language and American customs, many of her people were suspicious of the Caucasian visitors and preferred to practice human sacrifice to their pagan gods. However, one fateful day, as the island’s volcano raged, they all came face to face with what it truly meant to believe in a god.

Production Quality (2 points)

Overall, it’s clear that this production was well-funded with money that was mostly responsibly spent. All the standard elements are up to par, including video quality, audio quality, sets, props, and locations. However, there are a few pesky issues that hold this section back from being perfect, such as some cheesy sound effects that were obviously added on top of the normal audio and a generic soundtrack that never stops playing. Further, the editing leaves something to be desired as there are some abrupt cuts and transitions that cause some scenes to end without natural conclusions. Nonetheless, this production does enough to stay above average.

Plot and Storyline Quality (.5 point)

From the get-go, The Islands‘ plot is nearly crippled by immediate narration that continues throughout the narrative and is sometimes substituted with information dump dialogue, which seems to serve as some type of history lesson. To make matters worse, there are far too many characters for the viewer to keep up with much less for them to have time to be properly developed. Time jumps also complicate matters and make the story seem like just a collection of random scenes strung together as the film goes from one high point to the next and even seems to repeat itself on several occasions. Several interactions between characters feel like they’re on repeat and are simply designed to waste time until the climax. A lot of the conversations and situations seem very contrived just for the sake of the plot-line, and there are no clear or consistent themes that underlay the idea and give it true purpose. Nonetheless, all of these problems aside, Timothy Chey and his team did stumble upon a very intriguing true account that still shines through despite the poor storytelling. This fact is most evident in the famed final sequence that actually demonstrates some potential, which is why this section isn’t zero points. However, it’s too little too late and makes for a disappointing experience.

Acting Quality (1.5 points)

One of The Islands‘ strongest points is its encouraging commitment to assembling a diverse and culturally accurate cast, even if the costuming is a bit cheesy at times. However, this main strength is slightly weakened by the fact that much of the acting is fairly robotic at times, and emotions are sometimes difficult to believe. While it’s good to see the proper foreign language being applied in this setting, there is a lot of fight-acting throughout the film that is poorly executed and coached. Moreover, in the end, there is enough positive in this section to keep in at the average mark.

Conclusion

The historical narrative behind The Islands appears to be a very interesting and potentially powerful story that could and should have received better treatment. It’s one thing to have a good idea, but it’s another to successfully execute it, and it’s definitely a difficult feat to accomplish. Nonetheless, the experience Chey and his team bring to the table is enough to ask more of them, and the amount of potential for engaging concepts and overarching themes that was left on the table in this film was simply unacceptable. However, Chey is still on an upward trend in his career when compared to his earlier days, so perhaps his true success is just around the corner.

Final Rating: 4 out of 10 points

The Power Couple, Season 1 [2019] (Series Review)

Image result for the power couple penavega

Plot Summary

Gabby and Vince Powers are both superheroes with the same goal of saving the people around them from certain evil. However, they can’t seem to keep their marriage out of trouble. Thus, in order to be ready for their toughest assignment, the couple decides to attend marriage counseling, but it only seems to make things worse. Will they be able to settle their differences before it’s too late?!?

Production Quality (1 point)

Although not all of the production qualities of The Power Couple are bad, such as okay video and audio, there are also quite a few other concerns to note. For instance, cheap special effects are used throughout the series, and camera work is inconsistent, including some unnecessarily tight shots. Similarly, the sets, locations, and props are fairly limited, and the soundtrack and its accompanying sound effects are beyond cheesy. It also goes without saying that many scenes seem like there aren’t enough people in the shot to adequately support the number of individuals the scene is supposed to represent. Further, the editing leaves much to be desired, which, along with the other problems, overall contributes to an underwhelming performance in this category.

Plot and Storyline Quality (0 points)

Despite The Power Couple‘s childish premise, the dialogue is surprisingly not all bad as this story attempts to do something different and tries to present real issues. However, it’s simply not enough as the superficial nature of the narrative overtakes any small amount of potential there might have been. This is evidenced by too many very poor attempts to be funny and lots of surface conversations that prevent us from properly understanding who the characters are. Additionally, many biblical and possibly substantial concepts are awkwardly shoehorned into the plot; these ideas are improperly used to magically fix the characters’ problems in illogical and unrealistic ways. Then, before the viewer is prepared, the storyline abruptly ends and expects the audience to beg for another season. In short, though there was a very slight amount of potential in this idea, it wasn’t enough to rescue the narrative from triviality and lazy writing.

Acting Quality (1 point)

For the most part, the acting in The Power Couple is pedestrian and sometimes a bit worse. Emotions are usually forced in unrealistic ways even though line delivery is mostly fine. Some cast members are better than others, but all of the costuming is horrible. One positive note is that it’s good to see a husband and wife (Carlos and Alexa PenaVega) star alongside each other, but this section is overall a disappointment.

Continuity Quality (1.5 points)

While this series has a basic amount of continuity, as evidenced by continuations between episodes and consistent subplots being focused on, it’s still not as good as it could be. For one, each episode is extremely short, which raises the question of this even needing to be a series at all. Further, all character and story arcs are basically predictable and expected with no real twists and turns. Therefore, this rounds out a very underwhelming effort.

Conclusion

It’s very unclear how and why The Power Couple was made, but it’s unfortunately a squandered idea that could have been better in different hands. For one, this type of concept requires higher amounts of funding and a lot of writing collaboration to ensure cheesiness is avoided. In the end, it seems like whatever was spent on this series would have been better used in a different way, such as being saved for higher quality productions.

Final Rating: 3.5 out of 14 points

Why We Breathe (Movie Review)

Plot Summary

Carrie Hicks just wants to catch a country music break in Nashville, but her relationship with her current boyfriend consistently complicates things. However, things escalate when he inadvertently paralyzes Carrie’s daughter, leading the aspiring artist to flee town and seek shelter with her great uncle, who she’s barely spoken to in years. Carrie wants to get back on her feet and move on with her life, but her daughter’s new disability often halts her in her tracks. In the end, Carrie will have to not only come to grips with her new reality but with the faith she’s been running from all these years.

Production Quality (2 points)

Despite a limited budget, it’s obvious that great care was taken to maintain mostly good production quality in Why We Breathe. This is evidenced by acceptable video and audio elements. Though there are some random moments of shaky camera work and some obvious overdubs, there is enough positive in the film’s first half to keep this section above the average line. Sets, locations, and props are well-constructed and well-utilized throughout the movie. Unfortunately, however, the editing tends to become more choppy as things progress, which prevents this area of the movie from being all that it could be. Nonetheless, this is acceptable for a first-time effort.

Plot and Storyline Quality (1 point)

In the beginning of the narrative, the ideas are creatively presented without the use of narration and through the eyes of believable characters with realistic struggles. In the plot’s first half, the dialogue is authentic, and the use of subtlety is commendable. However, by the film’s middle point, things tend to become more abrupt as some montages waste valuable time while a handful of conversations reference off-screen content that would have been better to see. Not a few scenes feel like they’re unfinished or cut off as the storyline unnecessarily rushes to an inevitable conclusion that is fairly cheesy. Unfortunately, in this pursuit, the previously positive elements lose their value as the story’s progression becomes more and more rapid. In the end, since the movie’s premise was mostly typical with some predictable elements, it needed deep character development and a more natural conclusion instead of ending with unrealistic fixes and unfinished ideas. The effort is notable, but more fleshing out was needed before it went into production.

Acting Quality (2.5 points)

As a whole, the acting in Why We Breathe is mostly professional. Line delivery and emotions appear natural as the cast members seem comfortable in their roles. Though there are some slight moments of robotic and awkward performances, for the most part, the actors and actresses are definitely working to be earnest. Thus, this rounds out an above-average attempt that could develop into better things in the future.

Conclusion

The creative team behind this film definitely had a lot going for them, and they began very strong. However, somewhere at the halfway point, it seems like the process became rushed in a possible desire to quickly release the movie. It’s a shame because with a little more collaboration and a slight amount of fleshing out, Why We Breathe could have scored much higher. Even so, it’s highly possible that the lessons learned from this project could lead to better things in the coming days.

Final Rating: 5.5 out of 10 points

Silver Twins (Movie Review)

Image result for silver twins christian movie

Plot Summary

When Larry and David Silver each find Christ while attending separate colleges, they have no idea how they will tell their Jewish parents when they both return home for fall break. Once back home, things don’t go as planned, and they find themselves at odds with some of their family members. However, just as God brought them into a new faith in the true Messiah, the twins discover that He will also provide what they need as they follow Jesus.

Production Quality (1.5 points)

For the most part, Silver Twins has an average production; it has fine video quality, audio quality, and camera work, but there are some obviously overdubbed lines. Also, there are times when the soundtrack doesn’t adequately fit the mood of the scenes. While the sets, locations, and props are mostly good and realistic, some of them seem slightly cheap and poorly utilized. Further, a handful of scenes are sometimes prematurely cut off, and there are some quick transitions that tend to hamper the viewing experience. In the end, the mixture of positive and negative leaves this section as middle-of-the-road.

Plot and Storyline Quality (1 point)

It’s usually a good thing to base a film off of a true story, especially an interesting one like this account. However, although the use of flashbacks is commendable, they sometimes unexpectedly invade the narrative and don’t always relate to the plot’s flow. Similarly, though the exploration of realistic family issues is a plus, the character arcs are too steep and lack believable explanations for why the people change as rapidly as they do. Also, while non-linear storylines can be a very good addition to the movie, the constant criss-crossing of Silver Twins‘ timelines is quite confusing and disorienting for the audience. Further, much of the dialogue is full of platitudes and cliched statements rather than substantial lines that reveal character motive and personality. In the end, the film ends seemingly before many of the subplots come to logical or meaningful resolutions; it was almost as if they intended to make a second part but never did. Thus, although there was some potential here, it just wasn’t enough and was weighed down with avoidable problems.

Acting Quality (1 point)

There are also a handful of unforced errors among the acting, such as obviously manufactured accents that come off as too fake. Also, some cast members trying to play multiple age brackets in the same film properly translate to reality. As a whole, many of the performances are a bit stiff and awkward in parts, and some of the emotions feel very forced and wooden. Certain instances of line delivery seem off point and somewhat robotic, like there are scenes that were done in one take. However, not all is bad here as there are some positives in each of these subcategories, but it’s just not enough to keep this movie’s proverbial head above water.

Conclusion

Films like Silver Twins tend to rely too much on the ideas behind them rather than the execution of the concepts. Dramatic conversion stories are intriguing and noteworthy to portray on the big screen, but in order to truly make a difference and to effectively engage the viewer, it has to be adequately represented. For potentially good narratives like this one, it’s typically better to wait until a good team can be assembled and an adequate budget can be applied. Later-released, quality content always beats quickly created and rapidly distributed movies.

Final Rating: 3.5 out of 10 points

I Still Believe [2020] (Movie Review)

Image result for i still believe movie

Plot Summary

Jeremy Camp didn’t grow up with much, but he always had the love of his family, which is why they supported him in his dream to pursue a music career. When he attended a Christian college to fulfill this goal, Jeremy unexpectedly met Melissa Henning, who he quickly fell in love with. However, as Jeremy and Melissa grew closer together, they embarked on a harrowing and arduous journey into the unknown as Melissa battled cancer. Through the twists and turns, they discovered that God is always present in the midst of suffering and that there’s always a purpose to pain.

Production Quality (3 points)

It’s no surprise that, after the success of I Can Only Imagine, the Erwin brothers and their team have crafted yet another perfect production. I Still Believe hits all the right notes in every aspect of production, including video quality, camera work, audio quality, sets, locations, and props. Many camera angles are creatively artistic, and the soundtrack is a huge plus as it enhances the audience experience in all portions of the film and seamlessly integrates Camp’s music without turning it into a product placement. Further, the editing professional handles a story that is obviously difficult to properly present due to its scope. In short, there is nothing negative to note in this section.

Plot and Storyline Quality (3 points)

The Erwin Brothers, along with Jon Gunn, have no doubt mastered the art of the biopic as they have wisely chosen to focus their movie-making efforts on adapting real life stories into feature films. Though I Still Believe is a slight departure from the traditional Erwin brand since it zeroes in on a very small collection of characters, there are still no concerns with this storytelling adjustment. This narrative may signal a new era of Erwin creations, but it’s still another installment in their history of reliably quality offerings. In many ways, I Still Believe is almost two different movies as the first and second halves are quite different in tone, but these talented screenwriters correctly applied their God-given skills to weave the source material into a life-changing plot that will resound with many viewers from diverse backgrounds. Based off of real people, the characters therein are very poignant and relatable via realistic and profound dialogue that brings the story to life. Musical montages are responsibly used and don’t encroach upon important conversations that build characters; similarly, creative overlays effectively aid the complex plot presentation. Further, there are clear themes that are used throughout the film and serve to tie the major points together. Essentially, there are no issues to note in this section either.

Acting Quality (2.5 points)

Once again, in I Still Believe, the Erwin collective proves that they take great care in their casting and acting coaching work. Even though some of the cast members don’t entirely represent the real people they are portraying (which is the movie’s only flaw), every performance is still on point. Line delivery and emotional delivery are basically flawless as the audience is able to easily experience the characters’ feelings. Though this is a relatively small cast compared to previous Erwin projects, it still shines nonetheless and rounds out another blockbuster hit for the brothers.

Conclusion

Jeremy Camp’s compelling backstory was absolutely worth bringing to the big screen and will no doubt lead to further success for Kingdom Story Company. I Still Believe receives an additional x-factor point for being realistic, re-watchable, and generally worthwhile for all audiences. Many viewers will enjoy this film, and it’s likely to leave lasting impact on the Christian entertainment market. However, no matter what, we still highly recommend this film for all Christians and always look forward to future Erwin productions.

Final Rating: 9.5 out of 10 points

Desires of the Heart [2009] (Movie Review)

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Plot Summary

Ethan and Jack always had a strained relationship as brothers, but events surrounding the death of their father lead to an even larger wedge being driven between them. Now, after time has passed, things have greatly changed in each of their lives, and there are other family members to forgive. The family business is thriving, but rifts still abound. Will each person make the decisions they need to make in order to heal wounds from the past?

Production Quality (2 points)

Although this production’s background audio quality tends to be poor at times, this is really the only major error to note, and it does improve as the film progresses. Elsewhere, camera work and video quality are good, and the sets, locations, and props are well-utilized. Though the soundtrack is a bit generic and the editing mostly average, the second half of the production is better than the first and overall ends on a good note. Thus, this is enough to warrant an above-average score.

Plot and Storyline Quality (1.5 points)

Desires of the Heart is a rare instance in which a modern-day adaptation of a biblical story actually works because the writers successfully preserved the narrative’s original concepts without being over-representative or too obvious with their rendering. As such, the plot makes good use of flashbacks and creatively weaves a non-linear storyline that explores the complexities of family inner workings. The characters are pretty good even if they could be a bit better with more substantial, motive-revealing dialogue. Nonetheless, they do have very authentic backstories, and the story as a whole isn’t afraid to create unfortunately realistic consequences that can come as a result of family disputes, bitterness, and unforgiveness. It also contains a great message that is relevant for many audiences, but the slightly abrupt ending seems to keep it from being all that it could be. Nevertheless, this section does enough to earn an average rating.

Acting Quality (1.5 points)

For the most part, the acting in Desires of the Heart is average since some if it is fine while the rest of it is a bit robotic and overly practiced. However, many of the cast members seem honest and committed to their roles. Additionally, much of the line delivery and emotions are mostly believable. Thus, this section rounds out an overall standard effort.

Conclusion

Desires of the Heart is a good example of how focusing on a shorter story is sometimes better than overextending resources with a longer project that could be lower quality. While many audiences enjoy longer creations, beginning small is a great way to maximize potential and practice entertainment making skills. For these reasons, we look forward to seeing what this creative team will produce next.

Final Rating: 5 out of 10 points

Translated [2018] (Movie Review)

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Plot Summary

Through an unusual turn of events, the Apostle Paul is transported through time to the present day, where he finds the modern church looking very different than the one he knew in his day. Paul is found by Tim, who takes him in and helps the Apostle acclimate to the new world. Then, Paul shares the old messages he was given by God in new ways for the future church.

Production Quality (1.5 points)

As a seemingly basic and essentially modern production, it’s unclear why Translated scored only average, but this rating is due to a handful of avoidable concerns. One of these is some moments of shaky camera work while other relates to invasive background sounds that are present inside of indoor sets. While the outdoor shots are better, the audio quality overall needs some balancing work, and the soundtrack is mostly average. Nonetheless, video quality is very good, and the prop usage is effective. There are some minor special effects issues, such as low quality black-and-white flashbacks, but editing is mostly in line with standards. In the end, the mixed bag quality of the production causes it to be run-of-the-mill, which is actually unacceptable given the uncomplicated nature of what was being created.

Plot and Storyline Quality (0 points)

From the get-go, the entire premise of this plot seems off. Not only does time travel almost always present major logic problems for narratives, but it’s unclear why the Apostle Paul would either need to come to the present day or even would be sent to it. Attempting to alter such a cornerstone Bible story causes many issues that are not easily resolved, and besides this, even if this weren’t a problem, it’s still very difficult to discern the actual purpose of this plotline. Nothing much happens as the film meanders around and touches on some typical fish-out-of-water concepts, such as introducing the ‘different’ character to various ideas that are foreign to them. There is no driving focus to the storyline, and the dialogue is mainly used to spoon-feed the audience with obvious messaging. As such, the characters are poorly developed and are swept along in disconnected subplots that lack meaningful purpose. Essentially, once one random thing happens after another, the story suddenly concludes in an abrupt fashion and doesn’t leave the viewer with much to work with. In the end, there’s little to no potential in this idea, which is why it really never should have been made.

Acting Quality (1.5 points)

For a small cast, there really isn’t much dynamic in this movie’s performances. While there’s nothing obviously bad, there are also no positive standouts. Emotions and line delivery are both just pedestrian, which ultimately leads to an average rating.

Conclusion

Starting off with such a bizarre premise likely doomed Translated from the start. There’s just nothing that can be done with a story that inexplicably transports a historical character to the present day for no particular reason. There are just so many other things that could be made that would be far more worthwhile than this. We need more Christian films that present transformative meaning rather than more run-of-the-mill throwaways that will be automatically lost in the shuffle.

Final Rating: 3 out of 10 points

Epiphany [2019] (Movie Review)

Plot Summary

Ever since Luka’s mother died, she’s been raised by her uncle while her father seeks to drown away his emotional pain with gambling and other illicit ventures. Luka steals from people to get attention, but she really just wants to help her father and her uncle with their struggling sea sponge business. However, her community service assignment that’s intended to make restitution for her indiscretions sends her down a path she never anticipated that will help her reconnect with her Cyprian heritage.

Production Quality (2 points)

Despite being a small-time production, Epiphany possesses a mostly professional production, as evidenced by good video quality, adequate audio quality, and a mostly engaging soundtrack that’s culturally authentic. The sets, locations, and props are also well-utilized while the lighting is consistently on par. The only major concerns to highlight here are some editing issues and some odd camera angles, but on the whole, this is respectable for a first-time effort.

Plot and Storyline Quality (0 points)

Unfortunately, it’s very difficult for the audience to follow Epiphany‘s storyline or to grasp what its actual purpose is. In between random sequences of narration, the plot is a scattering of many loose ends that never logically come together or demonstrate realistic connections with each other. Haphazard scenes come off as being patched together to create a long string of vague ideas that never come to anything significant. The inconsistent story presentation also harms character development by making conversations between them very abstract and unpredictable. While this could have been a more interesting exploration of broken family systems and the generational effects of ethnic prejudice, there’s too much edgy content to make things palatable, and there are too many aspects of the narrative that are difficult to grasp, such as the dreamscape elements and what seems to be historical flashbacks portrayed as visions (?). This short-circuits the viewer’s ability to properly connect with the characters, and the film’s overall feel is just too conjectured to have any real impact.

Acting Quality (2 points)

On the whole, the acting of Epiphany is mostly average with only a few concerns, such as some forced emotions and some slightly overdone line delivery at important moments. However, there are also some bright spots, such as the culturally authentic casting. Other aspects are basically pedestrian. In the end, this is an above-average section to round out a film that otherwise underachieved.

Conclusion

It’s great to explore little-referenced cultures and aspects of international Christianity that many audiences never think about, but this just isn’t the way. When the viewer can’t follow where the story is going to or coming from, even the best messages are lost in translation. Narratives have to possess core purposes that are clearly communicated and properly presented, and sometimes, this can only be effectively accomplished through collaboration.

Final Rating: 4 out of 10 points

Sweet Inspirations (Movie Review)

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Plot Summary

When four women who feel like they aren’t making a difference through the church events they attend are inspired to somehow help a struggling women’s shelter, they begin an unanticipated journey that takes them to the unlikeliest of places. Their church has recently acquired a dilapidated restaurant, so the four friends take it upon themselves to renovate the establishment in order to use it to raise money for the domestic violence ministry that’s in financial straits. However, things don’t go as they planned, and they must each learn unique lessons about trusting God and not living in their own strength.

Production Quality (2 points)

Although there are some random moments of inadequate production in Sweet Inspirations, such as some instances of shaky camera work and some inconsistent lighting in certain scenes, the movie’s production quality does overall improve as the film progresses. The sets, locations, and props are mostly well-constructed throughout, and the video and audio qualities are up to industry standards. While the soundtrack is a bit generic and the editing sometimes uneven, this is a passable production albeit one that could have gone a bit further than it did.

Plot and Storyline Quality (1 point)

Sweet Inspirations tries to do a lot in a limited amount of time, and it’s not all bad. It tries to present an interestingly complex storyline about relevant, real-life topics, but the many characters who are used to pull this off tend to crowd each other out and make the narrative go in many different directions at once. Some characters are downright unnecessary while others have relatable personalities and characteristics; the same critiques can be applied to the conversations among the characters as some of them are really meaningful and worthwhile while others are completely pointless and fruitless. Similarly, there are some great messages to embrace in Sweet Inspirations, such as no longer wasting time on useless church activities, waiting on God, not trying to do everything in your own strength, and doing too much ministry work to the point of exhaustion, but some of these are pushed too hard on the audience, and at times, they are undermined by illogical coincidences and unjustifiable character actions that seem condoned by the writers. In the end, the high number of romantic subplots, the desire to cover too many things in one story, and the generally wasted scenes overshadow the otherwise interesting and realistic ending that could have capped off a very good effort. There was a lot going for this movie, but there may have been too many proverbial cooks in the kitchen and not enough trimming before the project moved forward.

Acting Quality (2.5 points)

For the most part, the acting of Sweet Inspirations is its strongest point as many of the cast members are comfortable in their roles and realistic in their performances. Though there are some who are trying a bit too hard, they are not as prominent as the better actors and actresses. Also, the emotions are a mixed bag but are overall acceptable. Thus, this rounds out a slightly above-average effort that could have been a bit better.

Conclusion

In the end, Sweet Inspirations would have benefited from taking its own advice that it gave to one of its main characters about not trying to do everything “good” at once and not attempting to accomplish things in their own strength. It’s clear the creators had a lot of intriguing ideas along with meaningful messages, but trying to include all of them alongside too much pedestrian content was this movie’s ultimate downfall. Nonetheless, there is enough positive here to keep many viewers interested, and some audiences will find it to be worth their while.

Final Rating: 5.5 out of 10 points

Life With Dog (Movie Review)

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Plot Summary

Joe Bigler wants to shut the world out after his wife died a tragic death. However, his daughter won’t leave him alone, the bank wants him to pay his mortgage, and a big company is threatening to turn his neighborhood into a housing development, which prompts them to constantly offer to buy his house. Nonetheless, when a stray dog takes up residence with Joe, his life begins to take a different trajectory. Will he finally be able to make peace with his past and move on with his life?

Production Quality (2 points)

As is the typical custom of Corbin Bernsen and his team, Life With Dog sports a respectable production, including good video and audio qualities along with professional usage of sets, locations, and props. There are really no concerns to note save for the randomly poor lighting and the inconsistent application of editing. Also, the soundtrack is a bit off since it sometimes doesn’t fit the moods of scenes, but as can be seen in the remainder of the film, much of the oddness seems purposeful.

Plot and Storyline Quality (.5 point)

Life With Dog is a capstone of Corbin Bernsen’s erratic and unusual Christian entertainment career because it’s the ultimate encapsulation of everything he’s ever done. Not only does this film boast the typically odd elements he inserts into movies, but it carries an inexplicably unusual tone that can’t be easily quantified. Some example of this intangible bizzareness are evidenced by some actually interesting scenes that appear to make fun of cliched film tropes, some subtle asides that range from eyebrow-raising to borderline inappropriate, and a tendency for the dialogue to frustratingly meander among some actually pertinent topics that need to be discussed, some complex philosophical concepts that are difficult to grasp, and a constant itching feeling that the narrative is hiding some deep secret that’s never to be revealed. Besides this, there are logical inconsistencies in the writing, such as the fact that the main character is seemingly able to do whatever he wants with little to no consequences for his sometimes questionable actions and the fact that there are too many coincidences that allow the plot to exist. Though there are many half-hearted attempts (we suppose) to do something meaningful in the story, like provide an accessible character exploration, nothing specifically significant materializes and is instead left as an unfinished, off-the-wall idea. The climax scene is probably the best example of the entire film in a nutshell because it pretends to keep building to something real but never gets there and only leaves the viewer with something that’s both vaguely significant and head-scratchingly odd, as if the storyline was purposely written to dangle hidden things in front of the audience without actually revealing their true natures. In the end, though there is some potential in this chaos, it’s not enough to keep this movie above water.

Acting Quality (2 points)

Much like other Home Theater films, the acting of Life With Dog is fine without many noticeable errors. Though there are some overdone emotions are certain moments, the cast members’ line deliveries are consistently on point. Also, each individual appears to assume their roles well. Thus, this rounds out a slightly below average effort.

Conclusion

Unfortunately, Bernsen’s career is marked with wasted potential (Christian Mingle, In-Lawfully Yours, 25 Hill, to name a few), and it’s unclear whether or not he ever intends to change. It seems like he’s always striving to make the next great iconic Christian film but consistently falls short due to intangible oddness. The worst part is that he clearly has the connections and the resources to do better than he is, yet he usually comes up short as he settles for second best. Perhaps, in future projects, he will finally unleash his full skill set and collaborate with others who can make up for his shortcomings.

Final Rating: 4.5 out of 10 points

Mountain Top [2017] (Movie Review)

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Plot Summary

Mike Andrews retired from his law career to follow what he thought was God’s call to be a pastor. However, that all changed when Muriel Miller came to his office to ask her to represent her eccentric husband who has gotten himself in trouble with the law due to his self-proclaimed spiritual gift of prophecy wherein he has visions of the future. Through a set of unusual circumstances, Mike agrees to represent Sam Miller pro bono, which sends the lawyer-pastor on a wild ride that he never expected to experience and that will forever change his life.

Production Quality (2.5 points)

Gary Wheeler and his team are well-known for their professional productions, and Mountain Top is no exception. There are virtually no concerns to note in this instance, which entails the use of effective camera work, high video and audio qualities, and well-utilized sets, locations, and props. The only minor nitpicks to note are the somewhat generic soundtrack and the minuscule editing issues that are mostly due to the expansive plot. However, this is an overall nearly perfect effort.

Plot and Storyline Quality (.5 point)

The Level Path creative team has always had the right idea of adapting Christian novels into films, and Robert Whitlow has wisely sought dramatizations of his books. However, it’s unclear whether or not Mountain Top was the best choice of source material. While the psychological elements that make up the core basis of the plot are interesting, they are also a bit over the top and far-fetched since one of the main characters claims to have many supernatural visions covering a wide range of topics and issues. There’s never been historical precedent for any Christian being able to receive so many special revelations in their lifetime. Besides this, the character receiving the dreams is basically perfect and inaccessible as a person. Additionally, the sheer number of characters in this storyline is overwhelming for the audience and makes for a choppy presentation. They crowd each other out and cause dialogue to be inadequate at developing who they are. The many interlocking subplots are difficult to effectively follow and are better suited for a series if this idea must be portrayed in entertainment. However, there are simply too many convenient turns and coincidences that push the narrative along as the writers seek to cover as much ground as possible while at the same time including wastefully slow sequences. Due to Whitlow’s legal expertise, this aspect of the plot is mostly realistic, and it’s commendable to explore the existence of miracles in the modern world, but Mountain Top treats God’s power like a magic charm, which causes its premise to be simply too unbelievable. There was some potential here, but it was squandered in pursuit of sensationalism.

Acting Quality (2 points)

It seems like Mountain Top endeavored to include nearly every recognizable Christian cast member in one film, and it’s not a bad thing to have experienced cast members. There are actually only a few acting concerns here and there, such as some bland moments, but the sheer number of actors and actresses may mask potential weaknesses. In the end, emotional and line deliveries are at least average, if not better, with only a handful of small issues. In the end, this rounds out a basically average offering.

Conclusion

Wheeler and his team have always been so close to the Hall of Fame, and they do many things the right way. Adapting Christian novels and being committed to professional productions and experienced casts are a winning model on paper. However, many of their films still lack meaningful connections with their audiences and require deeper and more meaningful purposes in order to be truly successful. Perhaps, in the coming days, the Level Path team will finally make a breakthrough.

Final Rating: 5 out of 10 points

MBF: Man's Best Friend (Movie Review)

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Plot Summary

Paul Landings retired from the military after a disability prevented his further service, so now he works at a dog shelter and takes in dogs who have no homes. However, his practices draw ire from locals, and several troublemakers set fire to his house with the dogs still in it. Affected by PTSD, Landings commits a crime in revenge for his dogs and finds himself embroiled in a lawsuit charged with local politics. Will he be able to be set free from the bondage both in his head and in his life?

Production Quality (2 points)

For the most part, the production of Man’s Best Friend is respectable, including good video, camera, and audio qualities. While the sets, locations, and props are mostly well-chosen, there is some inconsistent lighting in the indoor sets. However, the outside locations are better, and these issues overall improve as the film progresses. Elsewhere, the soundtrack is acceptable, and the editing is a bit odd at types although it is mostly fine. In the end, this is an above average production that could have been a little better due to the year it was made.

Plot and Storyline Quality (0 points)

The opening sequences of MBF are a bit of a drag for the viewer since they are drawn out and full of stock footage and vague voiceover that both isolates the audience and wastes valuable time. However, once it gets to the substantial parts of the plot, there are actually some good explorations of how warfare effects people after the military and how one’s life can be greatly altered by the service. Nonetheless, there are a number of problems in this narrative’s character department, beginning with the fact that most of the ‘bad’ characters are total strawmen who hate the main character for no particular reason, are unrealistically anti-military, and are generally annoying. At the same time, the military characters are painted in perfect lights as they create a very odd dichotomy that tries to force the viewer to choose between the importance of a paralyzed character’s life and the lives of dogs that died in a fire. There are either perfect victim characters (though it’s not clear how some of them are actually victims) or highly corrupt small town characters, which is likely realistic in many contexts but is too over the top for this situation. Moreover, the storyline provides both a realistic look at post-war trauma and a hard examination of corruption in small towns, but many audiences may find the premise to be a bit dark and without significant hope or redemption. Elsewhere, the judge seems unnecessarily biased toward the protagonist, and some of the characters attempt to nearly justify the paralysis-inducing crime that is on trial. Dialogue is inconsistently used for information dumps, and a lot of the characters feel unfinished as they tend to crowd each other out for screen time. Also, there is some inappropriate language throughout the plot, and the ending is a bit hard to follow. Overall, much like this creative team’s previous efforts at crafting complex suspense situations (Wild Faith), MBF tries to interest the viewer in legal intrigue mixed with military drama, but there are just too many issues with this concept to justify any points for this section.

Acting Quality (2 points)

While many of the cast members of MBF tend to force their lines and their emotional deliveries in the beginning, the performances as a whole improve as the film progress. The most significantly positive aspect is the fact that DJ Perry posts an extremely memorable and groundbreaking performance as he becomes a character unlike any other he’s previously played and transforms himself for a very difficult role. This element is very impressive and is one of the main bright spots in this otherwise flawed project. Thus, this rounds out an overall above average acting effort that could have been slightly better.

Conclusion

Man’s Best Friend, like many of this creative team’s past projects, had a lot going for it, but it didn’t quite make it past the finish line. Perry, Hagedorn, Teaster, Hornus, and the rest had a lot of momentum following Wild Faith and The Christ Slayer, but MBF tends to blunt this success with its confusing messaging and dark focus. However, Perry’s breakout performance is a key bright spot that gives renewed hope for the future, so it will be interesting to see what this collective produces next.

Final Rating: 4 out of 10 points

The 3 [2019] (Movie Review)

Cylk Cozart, Tina Wesson, Chip Rossetti, Jessica Bell, Kate Kilcoyne, Jeff Armstrong, and Jonathan Plowman in The 3 (2019)

Plot Summary

After his daughter’s tragic death in a school shooting, Jimmy Collins retreats to his cabin in the woods to sulk and drink alcohol. He wants to be left alone in his misery, but he keeps being visited by mysterious characters, some of which he’s all too familiar with from the past. Nonetheless, each visitor keeps trying to steer him away from self-destruction and to the love of God that he’s forsaken. Will Jimmy turn around before it’s too late??

Production Quality (.5 point)

It’s unclear why Chip Rossetti and his team continually put out very low quality productions even in the new era of Christian entertainment. The 3 exhibits poor audio quality via annoying sound effects that punctuate actions, a stock soundtrack, background echoes, and obvious overdubs. While the video quality is passable, this is really the only acceptable production element. Sets, locations, and props are also quite cheap and limited, and there’s virtually no editing throughout the film. In the end, this level of production problems is simply unacceptable in our current market.

Plot and Storyline Quality (0 points)

Essentially, The 3 is just a collection of very boring and brooding sequences that consistent either drawn-out scenes that lack dialogue or drab and meandering conversations that lack purpose or direction. Although the story explores some interesting psychological concepts centering around confronting family patterns, they are poorly executed and encased in horribly wooden and improperly constructed bouts of dialogue. When a narrative like this is so heavily character-based, conversations are all-important in crafting deep characters with strong motivations, but The 3 greatly drops the ball in this category. While there are some flashbacks throughout, they are improperly applied, and some darker issues, like suicide, are given too much screentime without being balanced by lighter concepts. As the storyline progresses, however, the psychological world that’s created by the plot becomes more and more confusion and ends up getting lost in its own head, much like that of Turbulent. Therefore, this is an effort that lacks any potential or purpose.

Acting Quality (.5 point)

Throughout The 3, the cast members exhibit extremely forced emotions and pushy line delivery that overall come off as very robotic and stilted. Other acting is simply bland and vanilla although some of the supporting cast members are slightly better than the principle cast members. However, it’s simply not enough to register any life for this basically unnecessary film.

Conclusion

The era of Christian entertainment that once tolerated sub-par efforts like this movie is long over. Standards are higher now, so spitting out more low quality films that crowd the Christian market is unacceptable. Christian movie makers are being held to higher standards and can no longer simply make things just for the sake of making Christian creations. It’s high time for us to offer better things for all audiences.

Final Rating: 1 out of 10 points

Home Sweet Home [2020] (Movie Review)

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Plot Summary

What Victoria mostly cares about in life is going from one relationship to the next so that she can be whoever she wants to be without having too much commitment. However, when one of her attempts to get a guy’s attention doesn’t quite go as she planned, she stubbornly decides to do whatever it takes to make him ask her out. Thus, she volunteers at the non-profit her prospect, Jason, heads up and finds herself suddenly building a house for a single mother and her family. Little does Victoria know that she’s about to gain a surprisingly new perspective on life that she never considered before.

Production Quality (2.5 points)

As a whole, Home Sweet Home is a near-perfect example of what a 2020 production should look like for freshman Christian film makers. Not only did they wisely use their budget without over-extending themselves, but they also made sure that key production elements demonstrated good quality, such as video, camera, audio, and music work. The sets, locations, and props are also efficiently used, and overall, there are really no negatives to highlight here save for some minor editing concerns. However, some of these issues can be attributed to the plot; in the end, this is a very solid production effort.

Plot and Storyline Quality (1.5 points)

From the get-go of this plot, it’s very clear that the writers were inspired by very strong and worthwhile themes of people living behind false exteriors versus being comfortable with who God created them to be. Also, Home Sweet Home isn’t afraid to shine a light on fake romantic relationships that may exist in a Hallmark view of the world as well as the ease of finding identity in “scoring” relationships in the Western world. In doing so, the creators gave a lot of attention to detail to produce a truly funny comedy based on mostly good dialogue. However, while many of the characters are spot-on, some of them, such as the male lead, leave a lot to be desired in the personality and motivation departments because it’s hard to get to know him as a person. Elsewhere, secondary characters and subplots could have been a bit deeper than they are had they been provided with more adequate screentime. To make room for them, some romantic comedy cliches, such as the returning ex-love interest, could have been cut out. In the end, even though the narrative follows a basically predictable progression toward a somewhat forced and convenient ending, Home Sweet Home demonstrates tons of potential for future projects because the writers clearly know how to properly integrate themes into their stories.

Acting Quality (2 points)

Despite the small cast, there are not many acting problems to note in this film. One of the biggest drawbacks, however, is the lack of adequate coaching for the lead actor as he seems lost a lot of the time, but then again, his role isn’t very expansive. Elsewhere, Natasha Bure posts an above-average performance while Sarah Kim is also a standout. In the end, like the movie as a whole, there are just small problems that hold this section back from taking the next step.

Conclusion

The 5×5 Productions team is clearly onto something with this unexpectedly refreshing release. With just a few minor tweaks, Home Sweet Home would have easily made the Hall of Fame. Nonetheless, the themes of this film make it worth your time and give us great hope for the future of this creative team’s work. With a bit more funding and collaboration, they could be going great places with their next project.

Final Rating: 6 out of 10 points

The Golden Voices (Movie Review)

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Plot Summary

Terrell Christian College is in trouble, but if they can assemble a choir for the Golden Voices singing competition, which they are hosting this year, they might have a chance to stay alive. That’s why Georgia, the head of the music department, enlists her granddaughter, Sidney, to help her when Georgia has a back injury. Sidney only takes the temporary job since she’s in need of some extra cash, but little does she know that this experience, along with an unexpected run-in with a local celebrity, will change her life forever.

Production Quality (1.5 points)

As a whole, the production for The Golden Voices is average with some positives and some negatives. While the video quality is clear and the camera work is fine, there are one too many outside scenes that have noticeable background sounds and some that are filmed on the side of busy streets. The indoor sets are better, however, and the props are acceptable. Audio quality is a mixed bag due to some background echoes at times and a generic soundtrack that sometimes interferes with spoken lines. There are also some cheesy special effects and some unnecessary aspect ratio changes at random moments. Further, the editing is okay although it has some very quick cuts and transitions. Thus, in the end, this is a run-of-the-mill effort.

Plot and Storyline Quality (.5 point)

It’s clear, however, that there were a lot of honest efforts made in the writing of this plot. The dialogue therein is not all that bad and is even sometimes funny; the characters are also on the right track as they are non-typical and feel more authentic than not. Even though the narrative basically boils down to being a save-the-school-by-winning-a-singing-competition-plot, the conversations among characters are actually pretty well-constructed. Nonetheless, it’s a shame that a lot of time is spent on musical montages rather than deeper character development that could have kept this storyline from being as basic as it is. This would have also helped to soften the basically predictable ending, but as a whole, the messaging in this film is quite good, and the movie in general avoids stereotypes that come with musical productions. It would have been good, however, to see a little more effort put forth to keep this plot from being too basic.

Acting Quality (2 points)

Despite some very obviously poor makeup work, most of the cast members assume their roles quite well. Some tend to overplay their performances, but most of them come off as quite genuine, and many of them improve as the film progress. Throughout the movie, emotions are believable, and this collective effort is enough to warrant an above-average score.

Conclusion

Over the years, Poorchild Films has tried several different ideas (Hiding in Plain Sight, Steps of Faith, A Man Called Jon), but The Golden Voices seems like their most honest creation yet. They keep trying and are getting closer to the mark with each effort. However, most of the time, collaboration is the only way forward, so it may be time for this creative team to reach out and work with someone else both for financial and productive reasons. When this begins happening on a more regular basis on Christian entertainment, we will finally be putting the older days behind us.

Final Rating: 4 out of 10 points

Assassin 33 AD (Movie Review)

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Plot Summary

Ram Goldstein and several other genius scientists are working on a top secret project for a multimillionaire named Ahmed. At first, they’re completely cool with being locked in a room with armed guards patrolling the halls, but when they use their super hacking skills to discover that Ahmed is coordinating with government leaders from Muslim-controlled nations to create time travel, they begin to grow concerned. Ahmed intends to use the mystical power of time travel to return to the past and kill Jesus before He’s resurrected so that Christianity will cease to exist! However, time travel is a bit tricky, and when multiple timelines are created due to the tampering, many different versions of the same characters are apparently created. Also, if they don’t erase the extra timelines before it’s too late, they will all converge into an APOCALYPSE! Can Ram and his friends stop this wicked plot before it’s too late?!?!?

Production Quality (-3 points)

Even though it seems like there was a substantial budget spent on Assassin 33 AD, the funding didn’t pay off as it was wasted on extremely cheap CGI and ridiculous special effects that overtake and overpower all other production elements. They have direct connections to the sets, locations, and props and make it clear that this team had no idea what they were doing when they slapped this project together. While there are some notable positives in this production, they are covered up by the myriad concerns created by the CGI and special effects blunders. Also, the editing has a handful of issues, but this could easily be chalked up to having to deal with one of the worst plots in the history of Christian entertainment. Overall, the glaringly obvious negatives throughout this film overshadow any slightly good elements that could be noted.

Plot and Storyline Quality (-3 points)

Where to begin? Assassin 33 AD has achieved the unthinkable feat of being as incoherent and offensive as Kirk Cameron’s Saving Christmas. This is not a title to be lightly delivered, but there plenty of ways Assassin goes further than even Timothy Chey has gone (yet). First of all, the entire premise behind Assassin is totally off-base from the get-go. Messing around with time travel and how it relates to Jesus is an absolute no-no when it comes to story-boarding, so there’s no reason to even broach the subject. Then, to take this a step further and actually make a purportedly Christian film about modern day soldiers being able to shoot Jesus with a pistol in the Garden of Gethsemane is borderline insanity. As if this isn’t enough, to create multiple timelines that both alter Scripture and try to twist biblical history into including the movie’s characters in the actual canon is just the end. I literally cannot comprehend the inanity of this proposition, which by no indication is being done in jest. Besides these glowing red flag problems that are part of the story’s very fabric, there are so many other movie faux pas committed in Assassin that space will likely not permit a full exploration. Nonetheless, here is a very quick rundown: characters are poorly developed via expository dialogue and unnatural lines that are designed to force the plot forward, key plot points are supported by unexplained “science” and convenient technical devices that lack basis in reality or logic, the villains basically stepped out of a conservative fever dream about Muslims taking over the world, wild time jumps are only supplanted by the maddening nature of the multiple timelines created by time travel, basically every character has a minimum of two different versions of themselves (“past” and “present”), some of these copy characters end up having conversations with each other, the protagonists can seemingly do whatever they want in a supposedly high-security facility with armed guards all around them, the Jesus character seems just as confused about what’s going on as the viewers are, etc., etc., etc. Did I mention that the writers took a crazily arrogant creative license to replace Biblical characters (like the thieves on the crosses beside Jesus and the man who fled the Garden of Gethsemane with no clothes on) with modern-day characters from the “future” timelines? This notion is only made complete by the scene where two copy characters (the same cast member) are discussing how the modern-day Bible is changing right before their eyes due to the timelines being altered in the past. Further, as if all of this wasn’t an epic trainwreck, the film’s epilogue completely turns everything on its ear by negating the “past” timeline that set the movie’s events into notion in the first place. Therefore, taking all of this evidence into account, this section is awarded the maximum negative score, and this also affects other aspects of the film.

Acting Quality (-3 points)

The horrid nature of the plot bleeds over into acting and causes this section to suffer even though it may not have been as bad if it were paired with a different narrative. Much of the line delivery is robotic and not earnest, and emotions are hard to believe. Some cast members, especially those who are portraying villains, overplay their roles while others seem bored or confused, which may have been justified. In the end, the major negatives at the core of the project drag the entire thing down into the depths of Christian entertainment.

Conclusion

Assassin 33 AD also receives to honor of scoring a negative x-factor point to round out an effort that joins Saving Christmas as one of the worst films of all time. Whenever a creator sets out to make a movie about how biblical accounts and Jesus’ life on earth in general could be altered via time travel as well as how the Bible could be rewritten based on the changing of previous timelines, they are already way off the road and should entirely ditch the project. Going through with such a travesty raises some serious questions about the true motivation behind its creation. There’s literally no way to redeem this awful concept, so the best thing that can be done is to encourage audiences to stay away from it and to help future film makers avoid these types of monumental blunders.

Final Rating: -10 out of 10 points

Let Go and Let God (Movie Review)

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Plot Summary

After Wendy lost her husband in the line of duty, she felt like things couldn’t get worse. However, they did get worse when her son suddenly went missing. A local pastor has lost his faith, but is he being given a chance to look at his worldview from a new angle after Wendy, one of his members, is in a time of need? Will they all be able to see that letting go and giving anxieties to God is the best way to live?

Production Quality (.5 point)

From start to finish, the production of Let Go and Let God is underwhelming for 2019. The camera work is very shaky, even though the video quality is fine, and the audio is quite unbalanced as some scenes are overdubbed and have unnecessarily high volumes while others have distracting background sounds. Also, the soundtrack is quite loud at times, and there are many very tight and strangely close-up camera shots, along with some blurry angles. Lighting is overall poor in the cheap sets and locations, and there are too many cheesy special effects and overlays, including random split screens. In the end, the editing is also an issue, as evidenced by very abrupt cuts and transitions, and this production as a whole just has too many problems to warrant any more than half a point.

Plot and Storyline Quality (-1 points)

In the beginning of Let Go and Let God, there’s no clear way to understand what the writers are trying to convey through the unsubstantial dialogue that creates very dry and bland characters. The conversations don’t properly move the plot forward or develop character motives and personalities, and overall, nothing significant happens throughout this story. There are a lot of vague psychological sequences that only waste time and isolate the audience; it’s very hard to relate to the struggles of the disconnected characters, some of which have zero purpose, and there’s an unexplained air of mystery surrounding the narrative that the viewer can’t put their finger on. As the film progress, it becomes more and more consumed with ethereal artistic sequences that have no meaning for the audience and just make for a slow and boring experience. However, by the final third of the movie, the story begins to take an even more incoherent turn into disorganization before culminating with an incredibly abrupt ending that leaves the viewer with an extremely head-scratching message. Thus, due to the abstract oddness of this plot, it warrants a surprising negative score due to unforced errors and general strangeness.

Acting Quality (1.5 points)

The acting of Let Go and Let God is actually its strongest point, even if it’s generically average. There’s nothing horrible nor dynamic about the cast members’ performances although some of them seem bored and disinterested with the experience. However, they can hardly be blamed due to the nature of the narrative. Elsewhere, some line are a bit over-practiced, and emotions can be flat at times, but this section rounds out a mostly unnecessary film.

Conclusion

It’s extremely difficult to understand why this movie was even made. If the screenwriters knew what message they were trying to communicate, it’s completely lost to the audience. When this happens, the film has already failed. Combine this with poor production and mediocre acting and the project is a total non-starter. Hopefully, as Christian entertainment moves forward, movies like Let Go and Let God will become more irrelevant and and less prevalent.

Final Rating: 1 out of 10 points

The Follower [2018] (Movie Review)

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Plot Summary

Elisha just wanted to get to Pittsburgh on time, and he never intended to cross paths with an eccentric character named Elijah. Elisha reluctantly decides to aid Elijah’s hitch-hiking, but he immediately regrets the choice as Elijah continually delays Elisha’s plans and hampers his progress. Thus, Elisha keeps trying to get Elijah off of his back. However, little do either of them know that they are about to both learn something valuable that will stay with them for the rest of their lives.

Production Quality (.5 point)

The cheapness of The Follower‘s production is very evident from start to finish. There are loud background noises and a generic soundtrack that tend to cover up other audio, and video quality is inconsistent throughout. The camera work is randomly shaky at times, and there are some obvious overdubbed lines in some portions. In other parts, cheesy sound effects are inserted on top of the video, and there some instances of weird camera angles. Further, the sets, locations, and props are cheap-looking, and the editing has a handful of glaringly obvious cuts. Thus, while there are some slightly positive moments in this production, it’s overall quite negative, which warrants the low score.

Plot and Storyline Quality (0 points)

It’s unclear whether or not The Follower is supposed to be another modern-day Bible application, but character names like Elijah and Elisha make things very confusing. Besides this, the dialogue is full of corny attempts at comedy, and the cheesy conversations mainly waste time. This causes the middle of the film to be very aimless since it’s appearing to just kill time until the ending, but the storyline actually makes less and less sense as it progresses. The more some hidden purpose is kicked down the road, the more the narrative seems to get lost in its own mind. The story pretends to conceal some great secret, yet the whole concept is too vague to be grasped and only leads to a hollow conclusion. In the end, while there may have been some interesting ideas here, it’s all too rushed and slapped together to make any sense.

Acting Quality (1 point)

Surprisingly, the acting is actually the strongest point of The Follower as Goodwin and Sigler post their best performances to date. They seem very comfortable with their character roles and demonstrate niche talents. Even still, the few cast members that there are seem to be trying way too hard to be funny, and many emotions are quite forced. Line delivery is also uneven, and the acting overall gets worse as it goes even though it started out semi-okay. Therefore, this rounds out a very underwhelming effort.

Conclusion

In the end, The Follower is yet another example of how quantity over quality hurts the Christian entertainment world. Trying to cram more than two movies into one year is very difficult to pull off without sacrificing essentially positive elements. While we do need more Christian movies and series being made each year, we need more Christian entertainment that is not sub-standard and is capable of truly making a difference. Thus, it would be better to have fewer annual releases until the industry is able to consistently produce quality content.

Final Rating: 1.5 out of 10 points

A Child of the King (Movie Review)

Plot Summary

Dr. Wesley King and his late wife were called to the jungles of South America to aid the needy and those who were considered to be hopeless. However, after his wife died, Wesley became lonely in his mission. In the states, a woman named Donna began following Wesley’s story via the letters he sent back to his home church. Then, Donna feels called to join Wesley in his overseas mission field, and God brings them together to minister to the least of those in South America.

Production Quality (0 points)

Unfortunately, there are virtually no good aspects to this production as the audio quality is poor, including echoes in the background, a random soundtrack that sometimes interrupts lines, and some invasive outside noises. Similarly, the video quality is not quite what it should be, and there is some very poor lighting throughout the cheap sets and locations. Props also leave something to be desired, and the camera work is inconsistent at best. To top things off, the special effects used therein are very bad, and the editing is extremely choppy as some scenes drag on while others awkwardly or abruptly end. In the end, any small positives in this production are outweighed by the very obvious negatives.

Plot and Storyline Quality (0 points)

From beginning to end, the storyline of A Child of the King is very hard to follow since it’s filled with blank conversations between characters and lacks an overall focus or purpose. The stiff and awkward dialogue between characters makes it very difficult to relate to them as people, and the main character is basically perfect. The plot essentially meanders around without the viewer being able to easily follow its progression, and it’s really nothing more than an informational video or mock docu-drama about overseas missions. While there may be some good ideas lost in here somewhere, people who can relate these concepts to the real world are needed to bring them to life. Further, the narrative just randomly ends in an unexpected place without any warning or resolution because that would require something to resolve in the first place.

Acting Quality (1.5 points)

Surprisingly, the acting of A Child of the King is its strongest point even though it’s mostly pedestrian, generic, and boring. There’s neither anything special nor horrible about the cast members’ performances, despite the fact that they have little content to work with. One bright spot is that the cast, for the most part, is culturally accurate with real accents and dialects, which is unexpected based on the remainder of the movie. Nonetheless, this average section isn’t enough to save this failed effort from itself.

Conclusion

An international film should very rarely be made in conjunction with other projects due to the time and financial freedom it requires. However, 2019 was an indicator of how committed the JC Films team was to producing as much content as they possibly could. The result of this is even more low quality Christian films to crowd out the market. Hopefully, however, the tides are still turning since Christian audiences want and deserve better than half-baked ideas.

Final Rating: 1.5 out of 10 points

A Promise to Astrid (Movie Review)

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Plot Summary

Astrid Nicosia lived in a small town and tries to do good to each person she comes in contact with. She freely gave the little money that she had to those who needed it. She also wanted to walk closely with the Lord and to make a difference with what time she had left. Those who were touched by her kindness and generosity made a promise to return her favors either to her or to other people who were also in need.

Production Quality (1 point)

As a 2019 production, A Promise to Astrid has no excuse to be as bad as it is. While the video quality and the camera work are okay, the audio quality throughout the film is quite bad, including loud background sounds, echoes inside of the sets, and an invasive soundtrack that sometimes interrupts dialogue and others times causes confusion since it doesn’t fit the mood of the scenes. In addition, the sets, props, and locations are quite cheap, and there are some obvious continuity errors between scenes. There are also other editing concerns, such as the quick and awkward cuts and transitions, the high number of fade-outs, and the fact that many scenes do not flow together and seem very disconnected from each other. In the end, this is an unacceptable effort with many unforced errors.

Plot and Storyline Quality (0 points)

Even though it’s based on a book, A Promise to Astrid is not what it should be, mostly due to the lack of substantial characters. Although this is a heavily character-based plot, dialogue is usually a bit clunky and awkward and does not adequately develop character personality or motive. Additionally, it’s very difficult to understand the true purpose of this narrative beyond random people doing random things. The vague ideas behind the storyline might be interesting, but without effective connections with the audience, it really has nothing to show for its meager efforts. Essentially, the plot meanders around as a collection of random scenes before suddenly ending and leaving the viewer wondering why they just watched the movie, which is why this section warrants zero points.

Acting Quality (1 point)

While the acting of A Promise to Astrid is not entirely bad, it’s very marked by incompetent attempts at obviously fake accents. Also, some cast members seem unsure of their roles, even though there’s not much to work with in the beginning. Further, other cast members are either clearly overplaying their roles or half-heartedly trying. Throughout the film, line delivery and emotions are uneven but not all bad, which is enough to warrant at least a point out of this section. In the end, however, this is a very sub-par movie.

Conclusion

Based on their 2019 slate of films, it’s evident that it was the goal of the JC Films team to flood the market with as many movies as they could squeeze into their limited budget. This was an old model PureFlix used in the early 2000s and 2010s, and they had some success due to lack of many other options. However, as the calendar turns to 2020, times have changed in Christian entertainment, and higher quality is demanded. Thus, it’s better to save your funds to make one good film or series and then to see how you can build off of the success of one quality project rather than to get ahead of yourself and to over-extend your means.

Final Rating: 2 out of 10 points

The Least of These: A Christmas Story (Movie Review)

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Plot Summary

Rose and Katie have been homeless ever since escaping from an abusive relationship, and Rose struggles to make ends meet for her and her daughter. Working as a waitress at a local diner causes her to cross paths with Charlie, who acts as a Salvation Army Santa Claus just outside the restaurant. However, while their friendship gets off to a rocky start, Charlie feels like God wants him and his wife to reach out to the single mother who’s fallen on hard times. Together, they all discover what it truly means to help the needy at Christmastime.

Production Quality (2 points)

The production of The Least of These starts out a bit rough with some cheap sets, props, and locations as well as some inconsistent lighting. There are also some awkward cuts, fade-outs, and slight continuity errors in the beginning. However, the production does improve as it goes, which suggests a positive change of direction. This includes demonstrating good camera work and video quality throughout. Also, the audio quality is great, including a well-constructed soundtrack. Further, all other elements that were previously below par show marked improvement by the film’s conclusion, which helps this section get over the average mark.

Plot and Storyline Quality (1 point)

From the beginning of the narrative, The Least of These takes a rare look at little-considered Christmas themes like the connection between the concept of Santa giving gifts to good children and following a works-based religion. Neither of these ideals holds up when someone is homeless due to fleeing an abusive situation. Elsewhere, the writers put forth realistic attempts to present some problems there are with traditional Christmas ideas while at the same time showing the authentic struggles of real people. This includes giving actual attention to detail of how the working homeless population functions on a daily basis and of how Christians can practically assist them if God prompts them to do so. As a whole, the plot feels like it’s based on real happenings of real people, and the dialogue definitely aids this pursuit. However, the storyline isn’t without its flaws; it can be a bit slow at times, and it struggles to hold the audience’s attention. Though the story is definitely trying to be real, some scenes feel like unnecessary filler, and the ending is basically typical. Also, the Christian message can be a bit muted at times, even though this isn’t always bad. In the end, this screenplay shows tons of potential for future projects, especially character-based explorations, so it will be interesting see what a little collaboration can do for this creative team.

Acting Quality (2 points)

As a whole, the acting isn’t bad at all as many of the cast members appear to be really striving to do their best in assuming the roles of the characters. While they are not always dynamic in their performances, they are mostly professionals and do well enough in emotional portrayals and line delivery. Moreover, this section is kept from being perfect by some isolated scenes where the acting is very awkward and some makeup that is a bit crazy a times. Nonetheless, this section rounds out a commendable and honest effort, which is all we ever ask for.

Conclusion

For future projects, this creative team would definitely benefit from further collaboration to enhance their talents. Also, creating a series may be a better way to showcase their characters and to more efficiently use their budget. In summary, The Least of These is an average movie

Final Rating: 5 out of 10 points

Joseph, Close to Jesus {Joseph of Nazareth} (Movie Review)

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Plot Summary

Joseph never chose to be the earthly stepfather of the Messiah, but by the prompting of the Holy Spirit, he accepted his role to take care of Mary and the Christ Child for as long as God wanted him to. Joseph was there before, during, and after the birth of Jesus, so he had a unique perspective on Yahweh’s plan to save humanity from sin.

Production Quality (1.5 points)

Like many other Lux Vide\Trinity Broadcasting Network biblical presentations, the production of Joseph, Close to Jesus is typically fine. It has authentic sets, locations, and props, along with good video quality and audio quality. As a whole, it seems realistic even though the action scenes sometimes employ wild camera work and though some shots are unnecessarily close. The soundtrack is a bit generic and dramatic at times, but most aspects of this production are acceptable. The editing sometimes leaves something to be desired due to some lagging scenes and quick cuts, but on the whole, this is at least an average effort.

Plot and Storyline Quality (0 points)

From start to finish, Joseph of Nazareth adopts a very quick and forceful plot progression as the story is forced forward at a breakneck pace that doesn’t let things naturally develop or allow time for characters to be deepened. Besides this poorly constructed premise, Joseph comes off as a basically perfect and all-knowing character even though he appears a bit crazed at times. In focusing on his inaccessible qualities, some key biblical scenes are brushed over or portrayed in extremely vague ways, which confuses the audience. Other scenes are very muted and blank, and dialogue in general leaves much to be desired. Elsewhere, there are a handful of fantastical and ethereal elements that cause spiritual themes to be painted either in a magical light or as untouchable. In summary, the combination of the speedy storyline and the general oddness of some of the characters and plot points prevents this section from having any points.

Acting Quality (1 point)

While some cast members appear to be culturally authentic, many of them, especially the lead ones, are not and obviously belong to cultures other than those who lived in first century Judea. Moreover, while the costuming of all characters is fine, the acting is extremely theatrical and dramatic. It feels like many of them are putting on a play rather than trying to become the characters, which further gives this film an air of elitism and other-worldliness. Further, emotions are inadequately depicted, and some lines are very forced, which rounds out a disappointing effort.

Conclusion

Joseph, Close to Jesus had a lot going for it since it promised to provide a unique perspective on the Nativity and on Jesus’ early years. However, it committed many unforced errors and was more devoted to making the Bible seem like a Shakespearean experience rather than a Spirit-inspired historical account that still has profound application for us today. Unfortunately, this was the case for most Scriptural entertainment prior to The Passion of the Christ. Thankfully, in recent years, God has provided the market with better options for accessible biblical depictions of the First Christmas on both the big screen (The Nativity Story) and the small screen (The Chosen). These offerings are much more interesting for your family to enjoy this holiday season.

Final Rating: 2.5 out of 10 points