The Genesis Code (Movie Review)

The Cosmic Clock is ticking

Plot Summary

Blake Truman is a hockey star at his small school, Madison College, but he is an agnostic who doubts parts of the Bible, such as the Creation Account, because his mother lies in the hospital in a cancer coma.  However, Kerry Wells, a journalism student whose adviser keeps pestering her about joining the New World order, has been assigned to write a human interest piece on the star hockey player, which forces them to have awkward conversations about their beliefs and stuff they’ve done in life.  Kerry’s brother Marc, a spastic Physics major, also has his doubts about the Bible because he has trouble believing the literal Six-Day Creation theory.  Nevertheless, when Kerry’s father (the local pastor) tells her to read a random verse at dinner time (beef casserole night), she gets an idea of how Marc can use Quantum Physics theories to prove the essential doctrine of the literal Six-Day Creation.  Along the way, a whole bunch of other stuff happens, but you can see where this plot is obviously going.

 

Production Quality (2 points)

With $5 million spent on this glorified docu-drama, it’s no wonder the production was at least above average.  Camera work and video quality are on par with what they need to be, even if there is some poor audio throughout.  The soundtrack is fairly pedestrian, but sets, locations, and props are on industry standards.  There is some cheesy animation in some parts, and the editing is very choppy and disjointed, but it was likely very difficult to handle this large amount of unrelated content.  Overall, this production is fine, but there are plenty of other problems to discuss.

Plot and Storyline Quality (-1 points)

Where to begin?  For one thing, it was very ill-advised to attempt to make this confusing conglomerate of scientific theories and message-pushing into a film.  The movie begins with lengthy sports montages and awkward conversations that showcase a total lack of proper dialogue.  This stilted dialogue causes the characters to be very mindless, and it goes without saying that this ‘story’ is extremely disorganized and schizophrenic in its presentation.  Trying to bundle Christmas, sports, stupid college stuff, the cancer plot, and the Christian-needs-to-use-arguments-to-convert-skeptic-characters storyline all into one film is just cutting yourself off at the knees before you even start.  Besides this, the “woe-is-us-we-have-first-world-persecution” complex that is evident throughout the film is grating and obnoxious.  The characters ride a ridiculous string of coincidences to lead them to “solve” the non-essential doctrine of Young-Earth Creationism by using deceptive theories masked as fact to attempt to reconcile the alleged divide between science and the Bible.  In doing so, a large portion of the movie is spent on quantum physics lectures that utilize flimsy comparisons and childish object lessons to drive home a questionable theory that does not need to be presented as scientific fact.  If this wasn’t bad enough, the cast of characters is replete with strawman non-Christian characters that possess the most absurd and ridiculous worldview-pushing lines.  It goes without saying that the predictable romantic and disease subplots run their expected course as they are padded with forced-humor filler scenes and useless flashbacks to things that just happened in the movie.  It all crashes to a predictable yet head-scratching conclusion that does very little to accomplish its goals of converting more people.

Acting Quality (0 points)

Logan Bartholomew and Kelsey Sanders post very weak lead performances, and a majority of the acting is very very dry, empty, mindless, awkward, and forced.  Line delivery is disjointed, and emotions are overly practiced.  Humor is extremely forced and annoying.  Overall, there is very little good to say about this disaster of a film.

Conclusion

The Genesis Code gets the honor of received a -1 X Factor Point just for being especially ridiculous.  This is a lesson that it is better to shy away from movie titles involving the word “code” coupled with the name of a book of the Bible (or a Bible-ish concept like The Omega Code).  Also, the important lesson that can be learned from this train wreck is that the God’s Not Dead-style of preaching to the choir and pretending to want to convert people with arguments is a dead end road.  Movies like Genesis Code expose the deeper problem among most Christian circles: a lack of understanding about real people.  People matter more than scientific theories, well-crafted arguments, or polished theology, no matter how true they may be.  Thus, it is extremely important to give audiences real and relatable characters that have realistic and accessible lives, choices, and motivations.  Until this happens on a consistent basis, Christian film (and Christian culture as a whole) will still be stuck in neutral.

 

Final Rating: 0 out of 10 points

 

Love’s Christmas Journey (Movie Review)

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Plot Summary

After Ellie King loses her husband and daughter in a strange tornado, she decides the visit her brother, Aaron Davis, for Christmas.  When she arrives in the generic-looking Western small town that looks like all the others in this series, she meets all the stereotypical characters, including Sean Astin the sheriff.  Of course, what would this Love Comes Softly movie be without a replacement romance for the poor widow Ellie?  But even Christmas is threatened when Aaron hits his head on a rock (hmm, sounds familiar…) and is lost to the wilderness.  What will they ever do?

 

Note: This two-part film has been reviewed as one because we cannot differentiate the two parts

Production Quality (.5 point)

As the Love Comes Softly series endlessly drags on with more and more sequels, prequels, and specials that have long since departed from the original novels, we have to wonder at this point what Janette Oke thinks of Hallmark’s total dismantling of her work.  In keeping with usual Hallmark style, Love’s Christmas Journey has some good production qualities, such as clear video quality and good camera work.  The sets and locations are okay, but as previously mentioned, are clearly recycled from past films, but this time with Christmas decorations!  The soundtrack is as stock as it comes.  The editing is designed to drag this movie out into a nearly three-hour runtime, so there are plenty of wasted scenes.  In short, this is what you can expect from a Hallmark Christmas film—some money spent on production, but otherwise very empty.

Plot and Storyline Quality (0 points)

Whoever is in charge of letting these movies get on television decided that since they needed to force a Christmas Love Comes Softly film to happen, then they needed to recycle the old standby plot of the saga: a young widow moves to a new place to start a new life and meets a new man.  Seriously, how many times are they going to do this one?  First it was Marty, then Missy, then Belinda, and now some sister of Missy’s named Ellie.  Besides this nonsense, the characters are extremely empty-headed and mindless, fueled by forced and awkward dialogue.  The first half of the movie (the original first part), is a huge waste of time, spent on preparing for the next half by introducing trite and petty conflicts that have no consequence whatsoever.  Throughout the movie, there are many factually unrealistic elements (what else is new?), such as the audacity of including Santa Clause in this plot.  No, seriously: Santa is a character.  And nothing can beat the cheesiest Christmas end in the world: snowing on Christmas Eve.  Essentially, Hallmark just phoned this one in because they can.

Acting Quality (0 points)

This is just more of the same garbage.  The cast members are extremely fake and plastic.  Natalie Hall in particular acts like she’s had a lobotomy most of the movie, taking forever to recite her lines, like she keeps forgetting what she’s supposed to do.  The emotions of the cast members are equally plastic.  In typical Love Comes Softly style, costuming and makeup are overdone and unrealistic for the time period.  But what else can we say without constantly repeating ourselves?

Conclusion

Love’s Christmas Journey is a textbook case from that all important manual from the executive offices of Hallmark: How to Make Another Hallmark Christmas Film.  First, find a plot to rip off; it can be a stock plot or it can be a loose idea stolen from an unsuspecting Christian author.  Second, find the most plastic cast members available and shower them with makeup and costuming.  Third, find a reusable set that fits the genre and inundate it with Christmas cheer.  Now just film the movie as fast as possible to get it ready for television!  Once again, with the resources and platform they have at their disposal, Hallmark squanders opportunity after opportunity to make a real difference in the film world.  But we doubt they will ever learn.

 

Final Rating: .5 out of 10 points