Why the Erwin Brothers Should Make A Biopic About Chrissy Cymbala Toledo

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The Erwin brothers’ success with I Can Only Imagine and Woodlawn has proven that their greatest success is with biopic films. Today’s audiences want real stories, and we here at BOR believe that true stories should be the main plot used by Christian movies. This is why we believe that the Erwins should make Chrissy Cymbala Toledo’s life story into a great Christian biopic/epic film. Her book, Girl in the Song, tells the story of how she ran from God and pursued worldly pleasures before finally submitting to His will for her life. Toledo’s story is raw, relatable, and teaches several important life lessons. These are the qualities that make a great film – qualities that are always found in an Erwin creation. As the Erwins often choose a central social issue as the driving force behind their films, they could portray the yet to be seen issue of ministry families that do much for the kingdom – but unintentionally neglect their family in the process. Additionally, it could portray the unique difficulties experienced by ‘preacher’s kids’. In summary, Chrissy’s story speaks for itself.
This story is as is – there is no need for alteration. Her story has reached many in novel form, but would reach more as a movie. This is because teens and young adults are more likely to watch a movie than read a book. Her story needs to be told in film, will the Erwins tell it? Or help someone else tell it?

Dream Cast for Girl in the Song:

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Chrissy Toledo: Susie Toledo, if she felt called to do so. If not, then Moriah (Peters) Smallbone has the right personality for this character. She would have to go blonde again, but this is a minor factor. Her performance in Because of Gracia has proven her acting skills.

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Carol Cymbala: Chrissy Toledo, I think she can play her mother better than anyone else, and anyway, it would be cool to have her in the film.

Jim Cymbala: The Erwins could easily find someone to fill this role, as he would be more of a minor character throughout the middle of the film.

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Jaye: Believe it or not, we feel that Joel Smallbone would be great at this role. We’ve always felt that he would be better at playing a bad guy, plus he certainly has the ego and self-confidence to portray Jaye’s personality.

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Young Lorna: Joy Brunson would make a great young Lorna. She has a great personality for this character and the talent to make her role memorable. Even though this is a minor role, she has filled this part well in the past (see October Baby). Plus, she could play the older Lorna’s daughter later in the film if this is applicable.

Older Lorna: We would like to see a fresh face in the world of Christian acting for this role. This role needs to be filled by a woman of Jamaican heritage that’s in her late thirties or early forties. She would need to portray a character that is both strong-willed and merciful, with a heart for those in difficult situations.

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Al Toledo: Chris Massoglia fits the part because he is good at playing this personality, plus, he looks like the real Al Toledo.

Rina: Angelita Nelson needs to return to Christian film. She would be great for this part.

Extras: Jordin Sparks as a friend, Lecrae as any secondary role, or another young-ish Christian singer to draw attention to the film.

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Why the Smallbone Brothers Should Make Redeeming Love a Film

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Francine Rivers’ Redeeming Love has touched many lives and reached many people as a novel, however, we are at BOR believe it would reach many more as a film. Many people do not understand this story in it’s current form, and some may be repulsed by the many raw and honest characteristics found throughout the novel. Until recently, sex trafficking was not realized as a crime happening within U.S. borders, and I wonder if some still do not realize just how long the crime has been in existence. You see, in the 1850’s and before, prostitutes were and are despised and rejected by society as bad people who could have done better. Those doing the rejecting gave no thought to the circumstances that led these women and girls to their present condition, nor did they offer help and freedom to those in bondage. In this era, and sometimes in the present, women with no husband or father often became so destitute and hungry that they were driven to sell themselves to survive. Furthermore, some poor families sold their children into sex slavery so that they could eat. In Redeeming Love, Sarah is the latter. She knew nothing but a life of being used and abused by men, and was afraid to escape because she would be beaten into submission. When a honorable man did arrive, she didn’t trust him at first, and later was afraid to start over. It took a tragedy to secure her freedom, and many sacrifices to help her stay free. Similarly, the Smallbone brothers’ landmark film Priceless has reached many people by proclaiming a “call to arms” of sorts for people to recognize and seek to help those currently in slavery. The film took a personal look at sex slavery by asking the audience how far they would go if it was their daughter, sister, etc. in bondage. Redeeming Love asks the same question, but in a different way. For this reason, I feel that the Smallbone brothers next project should be making Redeeming Love into an epic film. Think of it as the sequel to Priceless. We’ve seen slavery through the eyes of an impoverished woman and through the eyes of a father, but not through the eyes of a child who grew up a slave. There are very few that we would entrust with this task, for Francine Rivers’ most popular book has the potential to change the culture. The Smallbones should do this, not because of their notoriety, but because they have already demonstrated a deep understanding of the topic, and a commitment to above par Christian films. Those who were not reached by Priceless would be reached by a film based on Redeeming Love. However, for this to happen, we have certain requirements that we believe must be met because they reflect the reasons why Rivers has turned down other filmmakers in the past.

  • Francine Rivers must work directly with the filmmakers throughout the entire process to ensure that the original plot content is upheld, casting is accurate, and that a strong commitment to character development drives everyone’s actions
  • Redeeming Love should be an epic film that focuses on Sarah’s life up to the end of the novel
  • The Smallbones should collaborate with the Erwins, as they have done in the past, to ensure maximum potential is reached
  • Cast members should be diverse in ethnicity, age, and circumstance, to ensure that people from all walks of life are reflected in the story
  • Time jumps should be minimal or nonexistent; the Erwins are masters of this technique
  • Finally, if the Smallbones cast themselves in the film, they must act alongside their wives

To conclude, the team at BOR has developed a dream cast for this film. These suggestions derive from a study of how these actors have performed in the past, and our belief in their untapped potential. 

Sarah/Angel: Moriah Smallbone is the only actress that can portray the heart of this character with gravitas.

Michael Hosea: Joel Smallbone has already proven that he can act well, and fits the personality of this character. The Erwins could coach him to improve upon his performance in Priceless. 

Paul (Michael’s brother): Jim Caviezel would be great in this role. Paul’s character is passionate yet bitter, and caring yet afraid to come out of his shell. He is overconfident yet yearns for more. Caviezel has proven his ability to portray diverse characters in the past, and would draw unlikely viewers to the premiere. Our only concern is his age, which is a bit too old. We would like to see the Erwins ideas for this character.

The Duchess:  Shohreh Aghdashlo is quite talented at playing a villian, and could easily become this character.

Mr. Altman: Luke Smallbone is a good fit for this role because Mr. Altman is described as loving, protective, and gentle. 

Mrs. Altman: Courtney Smallbone is very similar in real life to this character. She has a strong faith in God and acts as a role model for younger women and fellow mothers. Plus, she and Luke already have three kids that could play the role of Miriam’s younger siblings.

Miriam Altman: Masey McLain would be great in this role. She has played several whimsical, artistic characters in the past, and can do it again. Plus, McLain and Caviezel would be a very interesting match-up onscreen.

Jonathan Axle: Believe it or not, I think Brett Rice could be really good in this role. He is an established actor in Christian circles, and is good at playing a gruff but compassionate 60-something male character.

Susanna Axle: Rhoda Griffis, because, why not? She’s a good matronly character who adds sass and spunk to any movie she’s in. 

 

I Can Only Imagine (Movie Review)

Plot Summary

Bart Millard always loved to sing, but he grew up in a broken home.  His mother left while he was young, and his father beat him and told him he would never amount to much.  When Bart failed high school football due to injuries, he and his father spent as little time around each other as possible.  Out of this, Bart began singing in high school plays and was told that he had a special talent for the stage.  This led Bart to pursue a career in Christian music, but life on the road was hard.  When he was forced to make a pivotal decision at a crossroads in his career, Bart was finally faced with having to go back to reconcile with the person he came to hate the most: his father.

Production Quality (3 points)

What else can be said about the talent of the Erwin Brothers at this point?  They have clearly mastered production quality, especially when it comes to historical epics.  The attention to detail in I Can Only Imagine is exquisite.  Video quality, camera work, and audio quality are flawless.  With Brent McCorkle involved, the soundtrack is always going to be a hit.  Sets, locations, and props in I Can Only Imagine are excellent and demonstrate wonderful historical authenticity.  This content-packed epic is edited nearly to perfection.  In short, it’s rare to have a perfect production, but the Erwin Brothers are still schooling the industry in how it’s done.

Plot and Storyline Quality (3 points)

Naturally following their epic film Woodlawn, the Erwin Brothers seem to have found a niche in biopics.  The story of Bart Millard is one that is absolutely worth being told, especially since so many people are familiar with MercyMe and their original breakout hit single, which is the title of this film.  What some audiences may not expect is the profound and timely message this film has to offer.  This film is more than just another inspirational film to grab cash from a willing audience.  In typical Erwin fashion, I Can Only Imagine is the film the western church needs now.  Besides this, the characters are very realistic, authentic, and easy to access via believable dialogue and back stories.  Each character is flawed and gray rather than black and white.  There are really no errors to point out here as the Erwins have masterfully captured another poignant true story in the context of film.

Acting Quality (3 points)

The Masters of Casting did their homework once again in crafting a cast that was true-to-life to the real people behind the story.  Each actor and actress is cast appropriately and assume their roles very well.  Costuming is excellent and correct for the time period.  Dennis Quaid likely posts one of the performances of the year as a very complex three-part role.  In the end, there are little to no errors to raise about this film, which has become the norm of the Erwin brand.

Conclusion

I Can Only Imagine receives an x-factor point for presenting an extremely important issue in a realistic way.  Audiences will flock to this film on the basis of its title recognition alone, but many will receive a message they least expected, yet one that the church as a whole desperately needs.  Many, many Christians and those associated with the church are running from parts of their lives that are broken and are not always their fault because they do not know how to deal with them.  I Can Only Imagine brings this paradigm to front and center at a time when the message of redemption for broken families needs to be heard.  Also, in keeping with their perfect record, the Erwins have notched another one on the Hall of Fame and have possibly taken the top spot of Christian film.

Final Rating: 10 out of 10 points

2015 Box Office Revolution Awards

Every year, movies are released and cast members show off their talents.  Writers and directors showcase their creativity.  Films are separated into roughly three groups: the truly talented, the potentially great, and the others.  At Box Office Revolution, we believe it is our prerogative to annually recognize those movie makers and players who have the ability to bring revolution to Christian entertainment.

 

Reader’s Choice Movie of the Year: War Room

Runners-up: Woodlawn, Beyond the Mask, Old-Fashioned

 

Staff Choice Movie of the Year: Woodlawn

Runners-up: War Room, Old-Fashioned, Beyond the Mask

 

Staff Choice Actor of the Year: Caleb Castille (Woodlawn)

Runners-up: T. C. Stallings (War Room), Sean Astin (Woodlawn), Andrew Cheney (Beyond the Mask), Rik Swartzwelder (Old-Fashioned), Nic Bishop (Woodlawn)

 

Staff Choice Actress of the Year: Priscilla Shirer (War Room)

Runners-up: Karen Abercrombie (War Room), Kara Killmer (Beyond the Mask), Elizabeth Roberts (Old-Fashioned)

 

Staff Choice Directors of the Year: Andrew Erwin\Jon Erwin (Woodlawn)

Runners-up: Chad Burns (Beyond the Mask), Rik Swartzwelder (Old-Fashioned), Alex Kendrick (War Room)

 

Staff Choice Writers of the Year: Paul McCusker\Stephen Kendrick\Brennon Smith\Aaron Burns\Chad Burns (Beyond the Mask)

Runners-up: Rik Swartzwelder (Old-Fashioned), Jon Erwin\Todd Geralds\Quinton Peeples\Mark Schlabach (Woodlawn), Alex Kendrick\Stephen Kendrick (War Room)

 

Staff Choice Soundtrack of the Year: Woodlawn

Runners-up: War Room, Old-Fashioned, Beyond the Mask

2015 in Review: The Turning Point for Christian Films

2013 and 2014 were billed as the ‘years of the Bible’ in Hollywood, but this never panned out.  Unfortunately, barring a few exceptions, the Christian movies from these years were largely negative.  Yet they did signal a sign of things to come.  Before 2013, Christian movies were randomly and sporadically produced.  No consistent creators existed save for the Kendrick brothers and other Affirm creators such as the budding Erwin brothers, the PureFlix conglomerate, and the remnants of Fox Faith.  2013 and 2014 also promised Hollywood-driven faith based and inspirational films and many movies crowded to seize on this new label, presumably to capture a consistent Christian audience.  But in the end, little good came out of this push except for a promise of greater things to come and a blueprint on how to do it.

Fast forward to the year 2015, by far the best year for Christian films and the start of a new Christian movie era.  With a record-breaking four Box Office Revolution Hall of Fame movies, it was a year for the books.

 

Old-Fashioned

Early in 2015, rookie film maker Rik Swartzwelder burst onto the scene with a Valentine’s Day alternate to the grotesque Fifty Shades of Grey, which is a move that Christians need to take note of the next time they complain about or embrace all the bad movies in America.  Untested and unproven, PureFlix took a chance with Swartzwelder and cashed in big.  Swartzwelder brought a fresh look at Christian romance, driven by quality production and Jane Austen-like dialogue.  Old-Fashioned not only signaled the possible beginning of a new era for PureFlix distributed movies, but the beginning of a new Christian film era.

 

Beyond the Mask

In the underrated release of Pendragon, the Burns family showcased their ability to do a lot with small resources.  Now, with better funding, better support, and a better cast and crew, they broke out with a rare Christian action adventure screenplay.  Mask not only showcases a new genre but also demonstrates the ability to craft a complex non-typical Christian plot.  We expect it to be the first of many Christian films to break into new genres.

 

War Room

Following their blockbuster Courageous and their exit from Sherwood, the Kendrick brothers’ next release was highly anticipated and highly marketed.  It lived up to its expectations, both in quality and box office success.  War Room proved that the Kendricks are not done any time soon and remain the Fathers of Christian Film Making.

 

Woodlawn

The Erwin brothers have always performed ahead of schedule, with their only three films all being Hall of Fame rated.  They demonstrate expertise in assembling and directing highly talented crews and casts and in amplifying the strengths of individuals.  Not to mention that they write some great plots.  Woodlawn was heavily marketed as well and did not disappoint on the big screen.  The future is bright for these Alabama brothers.

 

 

Honorable Mention: Do You Believe

Following their first box office success God’s Not Dead, PureFlix sought to build on it with another inspirational film about the interconnected lives of individuals in a city.  With increased production quality and interesting plot potential, Do You Believe continued a new era of PureFlix films.  However, it still did not live up to Hall of Fame status.  Nonetheless, it was something to build off of.

 

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In summary, 2015 was a year that unexpectedly brought Christian movies to a new level—setting new standards for the industry.  No one saw it coming, but it happened regardless.  2016 promises to bring films from new Christian creators to the scene, and we anticipate a fresh wind of creativity to blow across the Christian movie landscape.  It’s time for a new generation of film makers to stand up and redeem the field—the harvest is plentiful but the workers are few.

We Need More Genres of Christian Movies

For too long, Christian films have struggled to find identity amidst a sea of limited inspirational plots, small-town romances, slightly true miraculous events, and Amish intrigue.  There are those, such as the Kendrick Brothers, who have mastered the generic inspirational genre, and there are sparse successes that can be discovered from time to time.  But for the most part, there are simply too many typical Christian films—those that include a male or female Christian or soon-to-be Christian protagonist who has an inevitable love interest and who is caught in some type of small-scale conflict with a predictable antagonist that will be neatly resolved in ninety minutes or less.  There are a lot of well-meaning intentions and great messages to be heard from these sorts of movies, but are they making a difference?  Both Christians and non-Christians need to hear what quality Christian film-makers have to say, but sometimes the messages get lost in translation due to stock packaging.  This is not to say that Christian films need outlandish plots and wild special effects like so many run-of-the-mill Hollywood screenplays.  What is needed is diverse genres coupled with solid plots and acting, without forgetting the need for high quality production.  This opinion piece aims to outline genre suggestions for future Christian films.

 

Action adventure

Burns Family Studios has already laid out a blueprint for the creation of great Christian action adventure films, and we fully expect them to continue to produce within this genre.  Action adventure is needed in Christian movies not only because it attracts younger audiences, but it also demonstrates that Christians can do more than just a Hallmark movie.  Box Office Revolution understands why this genre is not often used—more funding than usual is needed and scenes take longer to film.  But we maintain that it is better for make a few standout films than to continue to add to a growing pile of generic screenplays.

 

Epic

Woodlawn is the only modern Christian epic to date.  By definition, an epic movie is a minimum two-hour length film that depicts the entire life of an individual, a lengthy and complex portion of an individual’s life, or a group of individuals moving together across space and time in pursuit of a common set of goals.  Older screenplays such as The Robe and Ben-Hur can be placed in this category.  Epics are very hard to make because they require a lot of time and effort put into a concise portrayal of a long series of events.  They cannot be too rushed or too long.  Well-crafted epics will always be few and far between, but they are worth the wait.

 

Suspense

Hollywood is replete with cheap suspense movies because many audiences like seeing things blow up.  But Christians can do suspense better, if proper effort is put forth.  There are not many strictly suspense films on the Christian scene; Escape, Unconditional, and Courageous all have suspense elements.  The older Left Behind movies attempt to be suspenseful, but not successfully.  This genre is necessary because suspense is realistic, so long as guns and explosions are kept moderate.  Such movies can appeal to different audiences, both Christian and non-Christian, and can drive messages home in ways inspirational films cannot.

 

Psychological thriller

This is a very rare genre, almost like a gift that only some writers have.  Bradley Dorsey has dabbled into the genre in the past, though his films went mostly unnoticed due to poor funding.  The true definition of psychological thriller is difficult to quantify—it mostly pertains to a thriller whose plot rests on an out-of-the-ordinary plot twist or series of plot twists that do not pertain to average reality, such as a parallel universe or someone seeing life through the lens of a mental disorder.  Though this is a hard genre to write, we would like to see more ideas on the table.

 

Realistic legal thriller

Fiction of all types is replete with cheesy legal thrillers, yet there are those diamonds in the rough that need to be portrayed on the big screen.  Currently, legal ‘thrillers’ on the Christian market mostly pertain to religious freedom issues.  Most written legal thrillers have too much emphasis on evil prosecutors and angry judges.  In legal fiction, proper courtroom and law procedure must be given attention to in order to keep the plot realistic.  Box Office Revolution challenges the Christian faithful to try their hand at good legal thriller movies.  Since it is sometimes difficult to write this type of plot, there are plenty of Christian legal thrillers that are worth adapting.

 

Dystopian thriller

At the time of this writing, the secular box office is saturated with movies that are adapted from young adult dystopian thrillers.  Christians seem to be attracted to this type of movie, but Box Office Revolution has huge caveats about this following due to Hollywood’s usual inclusions of suggestive content and unnecessary violence.  Though there are no dystopian options on the table, this is the perfect opportunity for someone to come along and redeem the genre.  A dystopian society from a Christian worldview would be something to behold.

 

Fantasy\Speculative

The Chronicles of Narnia is the most poignant example of this genre as it pertains to a Christian worldview.  Douglas Gresham, stepson of C. S. Lewis has done an excellent job of preserving the original messages of the books, even though he has dealt with multiple production companies.  There are many ‘underground’ Christian fantasy and speculative works of fiction, so this can be a difficult genre to navigate.  Yet there are good ideas to be found.  New plots also need to be offered, ones that avoid the usual clichés of ‘chosen’ characters and quests.

 

True comedy

Mom’s Night Out is the best Christian comedy to date.  There are many cheap Christian and inspirational attempts at comedy that can mostly be seen on Hallmark and Ion, but not many truly humorous options.  In order to create a true comedy, one must write dialogue that is based in reality and elicit humor from everyday events and from the blunderings of flawed human beings like we all are.  Moreover, it is good to hear that Rene Gutteridge, a comedy genius is now entering the Christian film scene.  Most of her work is worth replicating.

 

Spiritual horror

This is a very difficult topic and it has never been done properly, to our knowledge.  To portray a Christian horror flick properly, it must be bathed in prayer and grounded in firm Jesus-centered spirituality.  Dealing with the demonic should never be taken lightly, but if a Christian horror film that properly portrays realistic spiritual conflict were ever made, it would reach audiences that are never reached by traditional Christian films.  Currently, there are no quality or remotely Christian horror films on the market; films such as The Remaining have unsuccessfully tried to dump Christian themes into cheap horror sequences.  Nonetheless, this genre is still wanting and should not be rushed into.

 

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In short, Box Office Revolution maintains that God gives Christians all varieties of creativity for a reason.  No movie genre that has the potential to be morally sound should be passed off as ‘ungodly’.  BOR operates from a worldview that simply states that God owns every jurisdiction and area of human creativity, including genre.  Though many genres have been marred with immortality, they can and should be redeemed by Christian film creators.  After all, Christians have the capacity to make their movies better than Hollywood, and we expect to see more of this in the days to come.

Woodlawn (Movie Review)

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Plot Summary

Coach Tandy Geralds only believes in what he sees in front of him.  All he sees is a broken high school in Alabama forced to integrate two racial groups who desperately do not want to associate with each.  Coach Geralds, also the assistant principle, is overworked, is unpopular with the school board, and is failing as a husband and father.  His players are frustrated with integration and racial tensions flare easily.  Tony Nathan, an underappreciated African-American athlete, is among them, yet he has been raised to treat people, regardless of skin color, the way Christ treated them.  Everything changes for the team one day when Hank, an itinerant and seemingly offbeat sports chaplain, convinces Coach Geralds to let him talk to the team.  At the end of his rope, Tandy reluctantly agrees.  What ensues from there is a miracle that transforms the football team, the high school, and the city.  One thing leads to another in a miracle season for the Woodlawn Colonels, but everything grinds to a halt one day when they are faced with adversity after adversity.  But in the grand scheme of things, each character learns in one way or another that there is one Way, one Truth, and one Life—Jesus.

 

Production Quality (3 points)

The Erwin team went all out for this blockbuster production that was designed to reach outside of the Christian movie circles.  The camera work is phenomenal, ranging from difficult football scenes to character canvasing.  As an epic, the story covers a lot of time, but the editing is seamless.  It is very difficult to make an epic without being too long or without letting important plot elements fall by the wayside.  The editing team walked this tightrope flawlessly.  The inclusion of alternate and historical footage throughout the movie is an artistic flair that was pulled off nicely.  This is not a cheap production, and it shows.

Plot and Storyline Quality (3 points)

As previously mentioned, epic plots are very hard to craft.  Too long, and the audience is lost.  Too quick, and no points are driven home.  Too often in potential epics, character development is discarded and scenes are wasted.  Neither of these mistakes occurred in Woodlawn.  Despite the large amount of plot and character content in this movie, nothing is missing.  The dialogue is concise yet profound.  There are no wasted scenes.  As a side note, Box Office Revolution maintains that movies based on real events are among some of the best on the market.  Nothing could be more true regarding Woodlawn.  The plot twists and turns just as real life does and the historical characters are adapted well.

Acting Quality (3 points)

BOR has long called the Erwin brothers the Masters of Casting.  There has never been a character in their movies that was not cast in the absolutely appropriate role.  Veterans Sean Astin, Nic Bishop, Sherri Shepherd, and Jon Voight are excellent in their roles, along with newcomers Caleb Castille and Joy Brunson.  All actors are coached well.

Conclusion

BOR can find no flaws in Woodlawn.  It also can be awarded the x-factor point for delivering an important topic packaged in a masterful epic.  The Erwin brothers have reached the pinnacle of their career, and there is no turning back now.  The Christian movie industry is at their fingertips, and BOR expects nothing less than the best.

 

Final Rating: 10 out of 10 points

Mom’s Night Out (Movie Review)

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Plot Summary

Sarah Fields just wants to know that she is doing a good job in her occupation as a full time homeschool mom to her three young kids.  But a lot of the time, she feels like she does not measure up.  She’s also a struggling blogger.  She looks up to her pastor’s wife, who seems to have everything put together.  On a whim, Sarah decides to plan an impulse night out with her pastor’s wife and her best friend Izzy, also a young mother.  Sarah’s husband Sean gets on board and agrees to help watch the kids, but none of them are prepared for the crazy night ahead.  Together, along with a cast of offbeat characters, they are thrust into an impromptu search for a missing baby and discover along the way that the things they are all looking for are right under their noses.

 

Production Quality (3 points)

As expected, the Erwin brothers have put together another top-notch production, from camera work to special effects to editing to creative overlays.  Several difficult scenes are filmed with professional flair.  The camera angles are well done.  Special effects and creative overlays are used appropriately.  The soundtrack brings the movie to life exquisitely.  Finally, the movie is edited to perfection.  There are no wasted scenes and no plot holes.  To put it plainly, the Erwin brothers continue to set themselves apart in the area of production.

Plot and Storyline Quality (2 points)

The scope of this plot is limited, but the Erwin brothers make the best of it.  The comedy is not overdone and is actually quite funny, contrary to most attempted comedy in Christian movies.  It is driven by excellent and witty dialogue, which also supports the accessible characters.  The thing that makes the comedy truly humorous is the fact the real-life predicaments are shown in hilarious and sometimes satirical lights, such that we could easily see ourselves in these situations.  The film contains no real plot twists, but the events are realistic and true to life, as previously mentioned.  Besides the limited plot scope, the one error of this section is the overuse of narration throughout.  However, it is still a highly enjoyable storyline that provokes the thinking.

Acting Quality (2.5 points)

The Erwin brothers continue to make average actors great.  Each character is cast into an appropriate role, as is to be expected.  Kevin Downes and Andrea Logan White play perhaps their best roles to date.  In a comedy, the acting is the anchor that determines the quality.  The excellent acting coaching of the Erwin brothers crew hit another slam dunk.

Conclusion

In short, the Erwin brothers have defied typical Christian movie genres by creating a successful and truly funny comedy, proving that vulgarity and cheesiness are not necessary to produce laughs.  October Baby and Mom’s Night Out could not be any more opposite in genre, yet they are both executed wonderfully.  Great things can be expected from this crew in the future.

 

Final Rating: 7.5 out of 10 points

October Baby (Movie Review)

Plot Summary

Hannah Lawson grew up a fairly normal girl with some slightly unusual health issues, but she adjusted fairly well and had an enjoyable albeit sheltered family life.  However, everything changes when she has another onslaught of health issues while performing a college play.  This only exposes her silent struggle with depression and a secret her parents have kept from her all her life—that they adopted her as an infant because she is the survivor of a failed abortion.  This revelation leads Hannah to confide in her childhood friend Jason, which prompts him to help her find her birth mother, who might live six hours away from her.  Against the advice of her overprotective father, Hannah embarks on a spring break trip with Jason and his friends in order to discover her origins.  However, a fight with Jason’s girlfriend causes Hannah to strike out on her own, prompting Jason to follow her.  Together, they not only discover Hannah’s past, but also the feelings they have kept hidden from each other.

 

Production Quality (2.5 points)

For a pilot movie, the production of October Baby is top notch.  The camera work, including angles and shots, is exquisite with an artistic flair.  This is not a cheap production.  Filming is not contained to buildings, and outside scenes are not cheaply produced.  Lighting and video quality are very professional.  The soundtrack is excellent and enhances the movie; audio quality is exquisite.  The only caveat here is that some scenes seem too long; some editing might have been prudent.  But besides this, October Baby is very refreshing.

Plot and Storyline Quality (2.5 points)

October Baby has a simple linear plot, but it is a deep plot.  The Erwin Brothers did everything they possibly could to do the best with what they had.  There are some slight plot twists that are not overstated.  The characters are well-developed through believable dialogue and are very authentic.  There is even dry humor that is pulled off well and is not cheesy.  The plot is not entirely about forcing the pro-life message, but it still offers a poignant true-to-life expose on the importance of valuing all human life.  This is a truly meaningful plot that could convince someone to become pro-life.

Acting Quality (3 points)

Casting is perhaps a special talent of the Erwin Brothers.  Every actor is cast perfectly with their part.  The less experienced actors are as well coached as the more experienced actors.  In the opinion of Box Office Revolution, this is the best movie John Schneider has ever acted in, and it can be credited to the expertise of the Erwin Brothers.  The story behind Shari Rigby’s casting is a divine appointment.

Conclusion

October Baby receives an extra point for having an x-factor of dealing with the sensitive issue of abortion in a superb manner.  Issues like this can come off as too pushy or preachy, but not so with the Erwin brothers.  Instead, the issue is woven throughout the plot through believable characters.  This movie’s only weakness is some scenes that appeared to last longer than they should have.  The production is excellent, as is the acting.  In short, October Baby is the Erwin brothers’ huge entrance into the Christian movie scene—signaling even better things to come.

 

Final Rating: 9 out of 10 points