Love’s Resounding Courage {Love’s Everlasting Courage} (Movie Review)

Plot Summary

After settling into their new lives together, Clark and Ellen Davis had a daughter named Missie and all seemed well for them.  However, things are about to change for them, as a drought threatens to destroy their very livelihood.  Their financial struggles prompt Ellen to take on extra work in town as a seamstress.  Clark’s parents also come to assist them however they can.  However, the new work begins to take a toll on Ellen’s health, and soon Clark must decide what he is going to do as he is faced with an impending tragedy.  Will he stand strong in his faith or turn away?

 

Production Quality (2 points)

In keeping with most Hallmark movies, the production quality of Love’s Resounding (Everlasting) Courage is above average.  The camera work is solid, along with the video and sound qualities.  The sets and locations are above average and the surroundings give off a truly authentic frontier feel.  The biggest caveat here, besides the typical too-modern costuming, is the sloppy editing.  Events sometimes happen too quickly and other times seemingly out of order.  However, this is a very well produced film, which really make it a shame that the plot is way off base.

Plot and Storyline Quality (.5 point)

From the get go, it seems like Courage is going to be a really good movie about frontier struggles and the tragedy that shaped Clark Davis as a character for the remainder of the saga.  For the most part, this happens.  We need more plots like this that realistically demonstrate the tragic and hard things in life that everyone is faced with from time to time.  The dialogue therein is pretty good, and the characters are obviously flawed.  However, this plot receives a very low score because the obligatory new romantic subplot inserted into this film—the one between Ben and Sarah that was discussed in the inaugural Love Comes Softly film—completely undermines the intent of this entire franchise!  In Courage, their love doesn’t comes softly and they don’t marry out of ‘sheer need’, but for love.  There would be nothing wrong with this, except that, rather than just follow the original storyline that fans know, Hallmark elected to settle for a predictable romance that utterly strips the franchise of its purpose.  Evidently, they thought that audiences wouldn’t notice or care.  When will production teams begin to treat audiences better than this?

Acting Quality (1.5 points)

Much like Love Begins, the acting demonstrates typical Hallmark elements.  As usual, the makeup and costuming do not exactly reflect historical authenticity.  The line delivery is neither great nor terrible.  Emotions can be felt by the audience.  In short, this section is business as usual.

Conclusion

Resounding Courage is a problematic movie.  On one hand, it has a very interesting premise with a lot of potential.  But on the other hand, it completely destroys the original premise of the Love Comes Softly series by inserting a new convenient romance just for the fun of it.  The longer this film franchise dragged on, the worse it became, to the point of turning the entire purpose on its ear.  This is exactly what will happen when creative teams deviate so far from the original purpose of a novel series to the point that they are just reusing the same concepts over and over again rather than provide audiences with fresh ideas that can be found in the pages of the very books the movies are based off of.  This is the end of Box Office Revolution’s Love reviews for now, so we will leave it with this note: make more Christian books into movies, but please, we beg of you, stay true to the books.

 

Final Rating: 4 out of 10 points

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March 7, 2016January 17, 2019 by Box Office Revolutionary Categories: Historical, Inspirational, Movie Reviews, Romance, WesternTags: 2011, 4 points, Bradford May, Brian Byrne, Bruce Boxleitner, Cheryl Ladd, Courtney Marmo, Erik Heiberg, Faith & Family Entertainment, Hallmark, Historical, Inspirational, James Eckhouse, Julie Mond, Kevin Bocarde, Kirk B.R. Woller, Larry Levinson, Larry Levinson Productions, Lincoln Lageson, Love Comes Softly series, MNG Films, Morgan Lily, RHI Entertainment, Romance, Tyler Jacob Moore, Wes Brown, Western, Willow Geer, Willow Greer 1 Comment

Love Begins [2011] (Movie Review)

Plot Summary

After getting involved with the wrong people and getting involved in a fight that damages a local café, Clark Davis ends up in a jail cell alone when his partner in crime escapes.  Since Clark stays behind when he could have left, the local sheriff decides to have mercy on him and give him a chance to work off the damage he caused.  Clark ends up helping two sisters, Ellen and Cassie Barlow, with their struggling farm, since their parents passed away and left them with all the work.  Before he knows it, Clark finds himself interested in the Christian beliefs of Ellen and finds himself falling in love with her.

 

Production Quality (2 points)

With Hallmark taking full control of these Love Comes Softly spinoffs, the production quality improved slightly.  The camera work is solid, as is the video quality, including good outside shots.  The sound quality is consistent throughout.  The sets and locations are authentic, but slightly limited.  The costuming is pretty good, but there are still some historical time period errors, such as excessive makeup and hairdos.  The editing is above average, yet there is not much content to work with.  But overall, this is not a cheaply made production and certainly could have been a lot worse.

Plot and Storyline Quality (1.5 points)

After silently departing from Janette Oke’s original plotlines in the original Love Comes Softly movie franchise, Hallmark has now manufactured a sequel using characters implied in the books or younger versions of main characters.  Perhaps it was better to be honest and upfront about inventing a concept loosely based on novels, since Love Begins isn’t really that bad of a plot.  It’s not overly cheesy, yet it is also not very creative.  The dialogue is fairly stock and seems to drag on, since this plot is quite shallow for content.  Thus, the characters need more deepening.  Yet the events that happen are realistic and relatable.  Nothing outlandish will be found here—Love Begins is a simple, straightforward Hallmark romance that mostly avoids a cheesy identity.  While there is nothing very creative here, it is at least an average plot.

Acting Quality (1.5 points)

This is a very small cast, and their acting is certainly not horrible.  The acting overall definitely reaches the average mark.  Some actors and actresses needed to be coached better so that they were more authentic acting.  As previously mentioned, there are some unrealistic costuming and makeup issues, which seem to be a plague in Hallmark frontier movies.  In the end, average is a word that sums up Love Begins.

Conclusion

Unable to resist the urge to continue to spin out more made-for-television movies loosely based on Janette Oke’s creative concepts, Hallmark did not commit glaring errors in Love Begins.  Rather, they settled for a down-home inspirational romance that many people will find enjoyable.  Yet the real question remains: how many more of these types of movies does the market really need?

 

Final Rating: 5 out of 10 points

March 6, 2016January 17, 2019 by Box Office Revolutionary Categories: Historical, Inspirational, Movie Reviews, Romance, WesternTags: 2011, A Better Clark Davis, Abigail Mavity, Daniel Buran, David Hoflin, David S. Cass Sr., David Tom, Erik Heiberg, Faith & Family Entertainment, five points, Hallmark, Historical, Inspirational, Janette Oke, Jere Burns, Julie Mond, Larry Levinson, Larry Levinson Productions, Lincoln Lageson, Love Comes Softly series, Michael Moran, MNG Films, Nancy McKeon, Nathan Sutton, RHI Entertainment, Romance, Steffani Brass, Stephen McKeon, Wes Brown, Western 2 Comments

Love Finds a Home (Movie Review)

Plot Summary

Dr. Belinda Owens agrees to let her now-pregnant medical school friend Dr. Annie Watson stay with her while Annie’s husband goes out of town for a short-term job.  Believing that his wife needs help, Lee Owens sends for Annie’s controlling mother-in-law, who is impressed with her natural midwife advice, as opposed to Belinda’s medical training.  In the midst of this, Lee feels himself torn between worrying about his wife’s desire for a child and his new apprentice’s interest in his adopted daughter Lillian.  In the end, they must all learn to work together as they face a medical emergency and other small town tragedies.

 

Production Quality (1.5 points)

As the main Love Comes Softly series comes to a close, the production is no better than it ever was, only coming in at average.  The video quality is just okay, and the camera work is stock.  The musical score is generic.  The sets and locations are pretty good, but are still quite limited.  Costuming and makeup are not terribly authentic.  The editing is not up to par, but as we will see next, there really wasn’t much to work with.  In summary, the production quality of Love Finds a Home is not as bad as it could be, but with the resources available to Hallmark, it should be better.

Plot and Storyline Quality (0 points)

There is no way to quantify what the true plot of Finds a Home is.  There is no driving storyline or compelling arcs.  This story is a collection of recycled inspirational frontier scenes and incidents, interspersed with discussions on medical lingo.  There are too many disjointed subplots thrown together, so that the movie hops from one thing to the next without creating a common theme or giving the audience a reason to keep watching.  In this final installment, Love Comes Softly boils down to a generic family-friendly cable show or a frontier television program rerun.  The dialogue is straightforward and non-compelling, thus creating cardboard characters.  A bunch of stuff happens and gets resolved just in time for the movie to be over.  It doesn’t even end like a typical Love movie, but just stutters to an inevitable conclusion that leaves the viewer wondering what happened to this movie saga that once had such great potential.

Acting Quality (1 point)

With the complete exit of Dale Midkiff and Erin Cottrell from the franchise, the acting is certainly not terrible, but neither is it dynamic.  Line delivery is procedural and emotions are absent.  As previously mentioned, the vanity of these ‘frontier’ characters does not cease.  In the end, poor acting, combined with bad plots, ultimately was the demise of this otherwise epic saga.

Conclusion

The Love Comes Softly saga limped to a close with this eighth installment, another movie that borrowed the title and some character from a Janette Oke book and completely disregarded the original plot that was far more interesting than another generic Hallmark movie.  Gone are epic journeys and conflicts, just another small 19^th century town filled with people doing stuff.  Having finally fulfilled a commitment to rip off all eight of Oke’s better novels, Hallmark then set their sights on a new money-making venture: prequels and sequels!

 

Final Rating: 2.5 out of 10 points

March 4, 2016January 17, 2019 by Box Office Revolutionary Categories: Historical, Inspirational, Movie Reviews, Romance, WesternTags: 2.5 points, 2009, Carson Bolde, Chad W. Smathers, Courtney Halverson, Dahlia Salem, Daniel Beer, David S. Cass Sr., Donald Davenport, Faith & Family Entertainment, Grace Levinson, Hallmark, Haylie Duff, Historical, Inspirational, Janette Oke, Jeff Clarke, Jeffrey Muller, Jennifer Costa, Jordan Bridges, Kyle A. Clark, Larry Levinson, Larry Levinson Productions, LG Films, Love Comes Softly series, Matthew Florida, Michael Trevino, Patty Duke, RHI Entertainment, Romance, Sarah Jones, Shannon Levinson, Stephen Graziano, Stephen Niver, That Other Frontier Romance, Western 2 Comments

Love Takes Wing (Movie Review)

Plot Summary

Following the tragic death of her husband, Belinda Simpson travels to a small town in Missouri to both visit her medical school friend and to become the town’s doctor.  However, the townspeople do not know what to think about having a woman doctor.  Also, Belinda discovers that the town is currently embroiled in a cholera epidemic that they cannot seem to control.  Teaming up with a local blacksmith she might be falling for, Belinda also feels compassion for an orphan girl who reminds her of herself at that age.  In the face of adversity, Belinda must stand up and fight for what she believes in.

 

Production Quality (.5 point)

With an entirely different production team, the Love Comes Softly saga takes a different turn and loses its original intent to put a good face on poorly constructed plots.  There is a significant drop in production quality, with barely average video quality, unprofessional camera work, poor lighting, and inconsistent sound quality.  Props and costuming become obviously cheap in Love Takes Wing.  Historical authenticity hovers around the same level it has been throughout the latter half of the franchise.  The only thing that keeps the production from being terrible is the okay editing and the fact that the whole thing could really be worse.  At this point, with the complete departure of Michael Landon Jr., it is extremely obvious that Hallmark is just fulfilling a contract or some type of commitment to force movies bearing titles of Janette Oke books to happen.

Plot and Storyline Quality (0 points)

It has been stressed throughout this series of reviews that Hallmark and company took great creative license with Oke’s original plots, but Love Takes Wing hits a new low by replicating the basic plot structure of Love’s Unending Legacy.  This structure is as follows: the female lead’s husband from the previous film dies between movies, prompting the female lead to move to a different town, where she finds a widespread conflict to solve with a new broken male lead she will marry in the end after an empty and meaningless courtship.  Also, the female lead adopts an orphan girl.  At this point, it’s painfully obvious that Hallmark is addicted to itself and to its obsession for creating empty romances and courtships that inevitably end in a ‘fairytale’ wedding before the audience can even determine whether or not their basically empty marriage will even last (essentially, that’s the state of marriage in America).  But I digress.  In short, there’s really nothing else to discuss here—overtly copied plots get automatic zero points, especially when it’s contained within the same movie saga.

Acting Quality (1 point)

On a more positive note, the acting quality slighting improves in this installment.  The costuming and makeup is not so extravagant.  Dale Midkiff’s absence is refreshing.  However, there are still obvious problems, such as the poor Belinda replacement.  If you’re going to replace an actress, at least try to keep some measure of continuity so the audience doesn’t have to guess who’s who.  Overall, the acting isn’t really that great in Takes Wing, which warrants another low score.

Conclusion

It should be noted that avid Love Comes Softly didn’t even fully enjoy Love Takes Wing.  Hallmark apparently thinks people want to see the same exact plot over and over again.  In our opinion, production companies should think better of their audiences and not dumb entertainment down to such levels.  As the Love Comes Softly series sputters to an end, we offer this advice to Christian film-makers: please, please, please be original with your plots.  God has given us creativity, let’s use it wisely.

 

Final Rating: 1.5 out of 10 points

 

March 3, 2016January 17, 2019 by Box Office Revolutionary Categories: Historical, Inspirational, Movie Reviews, Romance, WesternTags: 1.5 points, 2009, Annalise Basso, Bonnie Root, Cloris Leachman, Erin Cottrell, Faith & Family Entertainment, Hallmark, Haylie Duff, Historical, Inspirational, Janette Oke, John Bishop, Jordan Bridges, Kyle A. Clark, Larry Levinson, Larry Levinson Productions, LG Films, Lou Diamond Phillips, Love Comes Softly series, Love Finds You in a Small Town Again, Patrick Duffy, Rachel Stuhler, RHI Entertainment, Romance, Sarah Jones, Stephen Niver, Terry Plumeri, Time Winters, Western 2 Comments