Beyond the Farthest Star (Movie Review)

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Plot Summary

Anne Wells hates that her family has been forced to move to a podunk Texas town. Her father is a pastor who demands perfection from his family, and she hates him for it. Anne always does her best to get into trouble and to do whatever she wants because she wants to know if God really cares about her and what the actual purpose of life is. She escapes into her music, and her father escapes into his work as he runs from the ghosts of his past. When their family is faced with several life-changing decisions, which way will they go?

Production Quality (2.5 points)

It’s clear that this film has a professional production that was given a lot of care and effort, which is evidenced by good video and audio qualities, as well as skilled camera work. Sets, locations, and props are well-constructed and well-utilized, even if there are a few unnecessarily dark scenes. Further, the soundtrack is highly effective and engaging. The only drawback to point out here is some choppy editing, but this is also due to the large amount of story content. As a whole, this is a very respectable production.

Plot and Storyline Quality (1.5 points)

As Beyond the Farthest Star is based on good source material, it demonstrates a very profound understanding of the real problems facing real people, especially the struggles of people whose personalities are not appreciated by the church. This plot has an exquisite use of flashbacks to develop character motive and backstory, and the content of the flashbacks is extremely believable. Through the flashbacks and dialogue, there are excellent efforts to develop the characters and to develop the interactions between teenagers and adults. However, this plot is almost schizophrenic with its presentation because one minute, the dialogue is great, only to have it undermined with an out-of-left-field scene that makes no sense. There is a strange lack of understanding of certain aspects of reality, such as the acquiring of confidential documents. There is also a highly unnecessary religious freedom\persecution subplot to contend with that wastes tons of time and puts a damper on everything. Further, there is narration present throughout the story in the form of journaling, and sometimes it is tolerable because of its philosophical nature, but other times, it gets in the way and takes up valuable time. Thus, even though there is a large amount of content in this complex storyline, not every scene is used very well as some are unnecessary and contain some edgy content. Even still, there is tons of potential in this plot and in the people who wrote it because it’s not afraid to expose hidden ministry problems and to use unashamed small town satire. The message therein is excellent and very worthwhile, but there are too many dramatic scenes with no break, and the cheesy ending tends to fix everything, even if the climax scene is effective. Basically, Beyond the Farthest Star is a giant mixed bag of potential, some of which panned out, so it’s likely worth your time.

Acting Quality (2.5 points)

For the most part, the acting of this film is sharp and adept as each cast member appears to comfortably assume their respective character roles. Emotions are believable, and line delivery is on point. There are only a few minor issues throughout that pertain to some overdone drama and seriousness, but this section rounds out a very respectable film.

Conclusion

Movies like Beyond the Farthest Star are both engaging and difficult to watch because it’s clear that there is a massive amount of potential with this type of idea. A movie about rebels from Christian families combined with hidden ministry problems is exactly what we need now, but there is too much confusion in this film that holds it back from reaching its highest possibilities. Even so, this movie is worth a watch this holiday season, and it bodes well for any future projects from this creative team.

Final Rating: 6.5 out of 10 points

A Heart That Forgives (Movie Review)

Plot Summary

Two foster brothers have taken very different paths in life—one has become a successful pastor after leaving his criminal lifestyle behind, while the other one remains in the criminal lifestyle.  Yet they remain in contact with each other as the pastor prays for his brother.  However, not all is as it seems as the pastor engages in some questionable means to keep his ministries alive.  With so many people affected, will those involved be able to find redemption and purpose in all of the confusion?

 

Production Quality (1.5 points)

In keeping with their recent increase in production quality, Poorchild Films crafts a mostly average production in A Heart That Forgives.  Video quality is fine, but there are some head-scratching sequences of randomly poor lighting.  Audio quality also has some odd moments, where background noise covers up lines, which is a throwback to Hiding in Plain Sight.  However, the soundtrack is adequate, as are sets, locations, and props.  Yet the editing is somewhat disorienting and confusing.  All in all, this production is a mixed bag, thus turning out an average score.

Plot and Storyline Quality (.5 point)

Though there are a lot of interesting and creative ideas somewhere in here, as is the case for a myriad of Christian films, the subplots are all over the place and are quite disorganized.  The characters have realistic tendencies, but they need deepening.  The dialogue is okay, but it could use some more development, which in turn would help the characters.  There is too much message-pushing, especially through the use of sermons, and not enough natural messaging.  The storyline overall is too predictable and uncreative, thus warranting a low score.

Acting Quality (1 point)

The cast of this film returns to the level of Hiding in Plain Sight, with awkwardness and a lot of unsureness.  Lines are often too forceful, while emotions are overly dramatic.  There are also come cases of extreme fidgetiness, as well as too many sequences of cast members talking over each other.  However, there are some good points here that keep this section from being all bad.

Conclusion

Poorchild Films always seems to be hovering just on the edge of relevance.  Their movies are neither bad enough nor good enough to draw much attention, but they also can’t be counted out completely due to their efforts at production, plot writing, and casting.  But there is always a handful of things that keeps them from being relevant.  But they will likely keep churning out movies, and perhaps they will show slow improvement over time and will finally hit the mark one day.

 

Final Rating: 3 out of 10 points

 

Steps of Faith (Movie Review)

Plot Summary

Faith Houston believes God has called her to move to Texas on blind faith and try to get a job at a Christian horse ranch that ministers to troubled kids.  Though her family is against it, Faith plunges ahead into unknown territory to see what God has for her.  However, when she arrives in Texas, she soon discovers that not everything will be as easy as she thought it would.  Yet she perseveres and finds out what God really wants for her life.

 

Production Quality (2.5 points)

Much like A Man Called Jon, Poorchild Films has discovered better production quality as of late.  Video quality is clear and camera work is great.  Audio quality is fine and the soundtrack is as good as can be expected.  Sets, locations, and props are realistic and diverse.  Really the biggest issue to point out here, of course, is the editing.  Some scenes are too choppy while others lag too long.  But in the end, this is a nearly model production that they should be proud of.

Plot and Storyline Quality (0 points)

Yet also in a similar vein as A Man Called Jon, and especially Hiding in Plain Sight, Steps of Faith, though it is ninety minutes long, just doesn’t contain enough content to sustain a feature-length film.  Even if there was more content here, it is still a very basic and predictable storyline that contains very flat and boring characters.  Dialogue is very uninspiring and uncreative.  The least a writer can do with this type of formulaic story is make the characters accessible, but this does not happen.  Instead, time is wasted on pointless sequences and forced comedy that’s not funny.  In the end, Poorchild Films needs to seriously invest in some screenwriting.

Acting Quality (2 points)

Much like their other films, this movie recycles a lot of familiar cast members, yet some of them show improvement from other performances.  Emotions are mostly believable and line delivery is pretty good.  There are just some minor errors throughout that add up, as well as the dry comedy.  Overall, this film hovers right around the average range.

Conclusion

In the end, it still appears as though Poorchild is getting better at what they do—if they continue to improve in each area, they could be onto something great very soon.  If they seriously invest in some better screenwriting, then they are on their way to greatness for sure.  The day that plots of Christian films overall improve is the day that the entire industry is turned upside down.

 

Final Rating: 4.5 out of 10 points