Childhood friends CJ and Sophia have lost connection with each other due to various life circumstances, but they now have a chance to rekindle their friendship during a fall break getaway. Along with two other friends, they go off the grid in a family cabin in order to re-establish what they once had. However, things don’t go as planned, and their sort of vacation takes a turn for the worst, which forces them to rely on God for their help.
Production Quality (1 point)
After showing concerted production improvement in If You’re Gone, the Goodwin creative team has unfortunately gone backward in quality with Be Still and Know. This is due to many very dark indoor scenes and quite a few outdoor scenes that are dominated by background noises. Camera also tends to be shaky throughout, and some odd camera angles are used, likely for some type of dramatic effect. However, it doesn’t work, and the sets, locations, and props are fairly cheap. While video quality is one of the only bright spots of the production and although there are some good portions of this film’s presentation, there are many concerns as well, including a soundtrack that almost always plays in the background even though it doesn’t fit with the moods of the scenes. It goes without saying that many scenes are quite long and drawn out, which is due to random editing. In the end, while it’s not all bad in this section, it’s still a major letdown from a collaborative team that was headed in such a good direction.
Plot and Storyline Quality (0 points)
Unlike previous efforts from the Goodwin team, the plot of Be Still and Know unfortunately has no real potential since there’s barely anything to it. The characters are either blank or stereotypical, and the conflict in the story really makes no sense at all. Conversations and dialogue are very bland and uninspiring, which makes the viewing experience a drag. The premise is highly unrealistic and questionable as it tends to involve slightly illegal activity that’s nonsensically justified. Further, the Christian message feels extremely forced and contrived. In the end, there are either too many issues with this storyline or too much boredom to justify its creation; it’s rare to see a plot with no potential from a experienced creative team, but this is unfortunately the case with Be Still and Know.
Acting Quality (1 point)
In this small cast, errors are more obvious, and they tend to carry the weight of the movie on their shoulders. However, the cast members cannot be fully blamed for the lack of adequate lines to work with. Nonetheless, many of them come off as either bored or overplaying, yet they aren’t all bad. Most of the acting is very boring, unchallenging, and uneventful, and emotions are vanilla. Further, costuming is unusual at times, but this section isn’t completely lost, which rounds out a surprisingly low-quality attempt.
John and Brittany Goodwin definitely care about making an impact in Christian entertainment, and every creator must come to a crossroads in their career: will they choose to continue in mediocrity or step out with something even better than before? Some movie makers are better suited to be series makers (see Dallas Jenkins), so this may be the missing piece of the puzzle for the Goodwins. There’s also plenty of Christian fiction to explore, which can supply ample content for struggling screenwriters if permission is secured. In the end, one movie doesn’t define someone’s entire career, so Be Still and Know could be a rough patch before the breakthrough.
Final Rating: 2 out of 10 points