A Father’s Legacy {The Old Man and the Pond} (Movie Review)

Plot Summary

After Nick Wolfe commits a crime out of desperation, he takes refuge in Billy Ford’s house, taking Billy as a hostage. Nick is injured from the fallout of the crime, but Billy isn’t really afraid of the younger man. Together, the two men forge an unlikely friendship as they wrestle their demons and face their dark pasts.

Production Quality (2 points)

Though this production is above-average, it’s still not quite up to modern standards. Most production elements are fine, such as camera work, but there are some odd camera angles. Audio quality, however, is acceptable, and the soundtrack is intriguing. Nonetheless, lighting is inconsistent, and sets, locations, and props are slightly limited. Moreover, editing is fine, and all aspects of the production improve with time. Thus, this score is warranted.

Plot and Storyline Quality (.5 point)

This narrative is mostly a mixed bag. Though the writers sometime push a patriarchal worldview, this concept isn’t fully committed to. Throughout the plot, there is a good use of flashbacks to establish character motive, and most of the dialogue is interesting. However, some conversations are driven by an agenda to imply that older generations were better than younger generations. Doing this wastes opportunities to explore the pros and cons of generational differences. Though there is some character complexity and imperfection, the storyline structure is basically formulaic. Despite some interesting themes, there is a need for more consistency and explanation. Perhaps one of the worst elements is the climax scene that makes no sense and tries to go too big without effective buildup. Then, the narrative meanders around before it ends on an awkward note. Therefore, due to small potential but lots of confusion, only a small rating can be awarded here.

Acting Quality (2 points)

For the most part, the acting in A Father’s Legacy is above-average. Line delivery is very professional, but the few performances that there are are quite dramatic and dour. With such a small cast, the main actors shoulder the whole burden, and neither of them demonstrates much range of emotion. However, the acting does get better as the film progresses, thus leading to this score.

Conclusion

This screenplay contained intriguing psychological elements that needed more fleshing out, and as a whole, the movie was a collection of wasted potential. With mainstream cast members, unsure messaging, and attempts to be authentic, A Father’s Legacy feels like a cash grab. However, this attempt to collect from Christian audiences is very underwhelming. The writers could have tried a bit harder to make this one interesting. In reality, this film is likely to go over viewers’ heads. There was something that could have been done here, but it’s basically a misfire.

Final Rating: 4.5 out of 10 points

Advertisement

June 10, 2021 by Box Office Revolutionary Categories: Drama, Movie Reviews, SuspenseTags: 2021, 4.5 points, Drama, Gregory Alan Williams, Isaiah Stratton, Jake Bloom, Jason Mac, Jeffery Alan Jones, John Lerchen, Josh Henry, Michael Aaron Milligan, Rebeca Robles, Tobin Bell Leave a comment

A Father’s Legacy (June 2021)

In Theaters June 17, 2021

Writer(s): Jason Mac

Director(s):  Jason Mac

Producer(s): Jake Bloom, John Lerchen, Jason Mac

Starring: Tobin Bell, Jason Mac, Rebeca Robles, Gregory Alan Williams, Michael Aaron Milligan, Isaiah Stratton, Kurt Yue, Josh Henry

Plot Synopsis: A Father’s Legacy is an inspirational story that touches on family, redemption and loyalty as it follows a young man on the run after an armed robbery. Hiding from the law, he sets out to find the father he never knew. Venturing further away from the city streets, he finds himself at the secluded home of a stranger. As the days pass and the secrets about their past are revealed, they learn that they might not have been looking for each other…but they may have been brought together for a reason.

May 11, 2021 by Box Office Revolutionary Categories: Upcoming Movies and SeriesTags: Gregory Alan Williams, Isaiah Stratton, Jake Bloom, Jason Mac, John Lerchen, Josh Henry, Kurt Yue, Michael Aaron Milligan, Rebeca Robles, Tobin Bell, Upcoming Movies and Series 1 Comment

My Brother’s Keeper [2021] (Movie Review)

Plot Summary

When Travis Fox returns from war, the trauma of combat still haunts him, especially the death of his Christian friend.  Nonetheless, Travis has sworn off Christianity altogether, wanting to move on with his life.  However, the past won’t leave him alone, and new complications with Travis’ family don’t help matters.  Will he ever be able to find peace?

Production Quality (2 points)

In keeping with most Christian productions that have come out since 2018, My Brother’s Keeper is mostly professional.  Video quality, camera work, and audio are all in line with industry standards.  For the most part, sets, locations, and props are acceptable although they sometimes don’t adequately represent what they’re supposed to portray.  The biggest concern in this section is the choppy editing as some scenes cut and transition in awkward ways.  Thus, this portion of the film receive a slightly above-average score.

Plot and Storyline Quality (0 points)

Throughout this narrative, the conversations and scenes come off as overly staged and unnatural, such as the forceful dialogue and messaging (including overt sermonizing) that leaves nothing to chance.  These problems are only complicated by the many subplots that are juggled, which causes the story to lack focus.  As a result, every character is a one-dimensional representation of an issue rather than an actual person.  Despite potentially good PTSD flashbacks, these experiences are a bit overwrought instead of providing opportunities for the audience to connect with the character.  Elsewhere, events in the narrative happen just because the writers want them to, and this extreme level of convenience causes the plot of aimlessly meander through a sea of empty platitudes and disorganized ideas.  It goes without saying that there are also some very questionable portrayals of dual relationships and counseling ethics.  In the end, there’s unfortunately no potential in this story, leading to zero points.

Acting Quality (1 point)

Despite acceptable line delivery, the emotions in this movie’s performances are very over-the-top.  This is evidenced by lots of yelling and screaming, and it’s generally hard to believe that the cast members care about what they’re doing.  Many of their performances are robotic and practiced although there are some bright spots.  In the end, due to the errors, only a small score is warranted here.

Conclusion

My Brother’s Keeper is essentially another Christian issue screenplay, this time focusing on PTSD.  Normally, this would be a good idea, but adequate research and firsthand accounts are needed to keep mental health portrayals realistic.  There are many complex factors to consider, so crowding out this concept with subpar content isn’t the way to go.  Unfortunately, this film is unable to connect with the audience, which likely means that it will be forgotten in a few weeks.

Final Rating: 3 out of 10 points

March 18, 2021 by Box Office Revolutionary Categories: Upcoming Movies and SeriesTags: 2021, 3 points, Action Faith Media, Alan Elliott, Amberiell Hudson, Antoin Green, Apex Post Production, Bishop Charles Mackie, Blue Kimble, Brandon Riley, Charles Gladney, Charles Mackie, Clinton Mcfarland, Collide Distribution, Daniel Buggs, Delone Manns, Derrick Gilliam, Dexter Henderson, Emanuel Irizarry, Evan Evans, Green Apple Productions, Gregory Alan Williams, Jeff Rose, Jermal Martin, Jesse Pacheco, Joel M. Gonzales, Joey Lawrence, John Lindsey, Joseph Harris, Justin Clark, Kappa Studios, Karen Valero, Keshia Knight Pulliam, Kevan Otto, Len Gibson, Leo Sullivan, Manns/Mackie Studios, My Brother's Keeper, Nate Jones, Pansy Washington, Pat Mathews, Pat Matthews, Phillip Thompson, Pqulr Productions, Robert C. Bigelow, Robert Katz, Robert Ri'chard, Roderick Liptrot, Ronald Reid, Roz Williams, Shannen Fields, Stephanie Katz, T. C. Stallings, Troy Duhon, Ty Manns, Ty Manns Productions, VJ Roberts, Wayne Overstreet Leave a comment

My Brother’s Keeper (March 2021)

Coming to theaters March 19, 2021 from Manns/Mackie studios

Writer(s): Ty Manns

Director(s): Kevan Otto

Producer(s): Robert C. Bigelow, Troy Duhon, Joel M. Gonzales, Robert Katz, Bishop Charles Mackie, Ty Manns, Pat Mathews, Brandon Riley

Starring: Joey Lawrence, Keshia Knight Pulliam, Robert Ri’chard, Gregory Alan Williams, T. C. Stallings, Shannen Fields, Blue Kimble, Karen Valero, Jeff Rose, Ty Manns, Derrick Gilliam, Stephanie Katz, Delone Manns, Nate Jones, Justin Clark, Roz Williams, Amberiell Hudson, Jermal Martin

Plot Synopsis: Travis Fox is a returning veteran struggling with PTSD and his faith in God.

October 28, 2020January 12, 2021 by amg16 Categories: Upcoming Movies and SeriesTags: Amberiell Hudson, Bishop Charles Mackie, Blue Kimble, Brandon Riley, Delone Manns, Derrick Gilliam, Gregory Alan Williams, Jeff Rose, Jermal Martin, Joel M. Gonzales, Joey Lawrence, Justin Clark, Karen Valero, Keshia Knight Pulliam, Kevan Otto, My Brother's Keeper, Nate Jones, Pat Mathews, Robert C. Bigelow, Robert Katz, Robert Ri'chard, Roz Williams, Shannen Fields, Stephanie Katz, T. C. Stallings, Troy Duhon, Ty Manns, Upcoming Movies and Series 7 Comments

Mountain Top [2017] (Movie Review)

Plot Summary

Mike Andrews retired from his law career to follow what he thought was God’s call to be a pastor. However, that all changed when Muriel Miller came to his office to ask her to represent her eccentric husband who has gotten himself in trouble with the law due to his self-proclaimed spiritual gift of prophecy wherein he has visions of the future. Through a set of unusual circumstances, Mike agrees to represent Sam Miller pro bono, which sends the lawyer-pastor on a wild ride that he never expected to experience and that will forever change his life.

Production Quality (2.5 points)

Gary Wheeler and his team are well-known for their professional productions, and Mountain Top is no exception. There are virtually no concerns to note in this instance, which entails the use of effective camera work, high video and audio qualities, and well-utilized sets, locations, and props. The only minor nitpicks to note are the somewhat generic soundtrack and the minuscule editing issues that are mostly due to the expansive plot. However, this is an overall nearly perfect effort.

Plot and Storyline Quality (.5 point)

The Level Path creative team has always had the right idea of adapting Christian novels into films, and Robert Whitlow has wisely sought dramatizations of his books. However, it’s unclear whether or not Mountain Top was the best choice of source material. While the psychological elements that make up the core basis of the plot are interesting, they are also a bit over the top and far-fetched since one of the main characters claims to have many supernatural visions covering a wide range of topics and issues. There’s never been historical precedent for any Christian being able to receive so many special revelations in their lifetime. Besides this, the character receiving the dreams is basically perfect and inaccessible as a person. Additionally, the sheer number of characters in this storyline is overwhelming for the audience and makes for a choppy presentation. They crowd each other out and cause dialogue to be inadequate at developing who they are. The many interlocking subplots are difficult to effectively follow and are better suited for a series if this idea must be portrayed in entertainment. However, there are simply too many convenient turns and coincidences that push the narrative along as the writers seek to cover as much ground as possible while at the same time including wastefully slow sequences. Due to Whitlow’s legal expertise, this aspect of the plot is mostly realistic, and it’s commendable to explore the existence of miracles in the modern world, but Mountain Top treats God’s power like a magic charm, which causes its premise to be simply too unbelievable. There was some potential here, but it was squandered in pursuit of sensationalism.

Acting Quality (2 points)

It seems like Mountain Top endeavored to include nearly every recognizable Christian cast member in one film, and it’s not a bad thing to have experienced cast members. There are actually only a few acting concerns here and there, such as some bland moments, but the sheer number of actors and actresses may mask potential weaknesses. In the end, emotional and line deliveries are at least average, if not better, with only a handful of small issues. In the end, this rounds out a basically average offering.

Conclusion

Wheeler and his team have always been so close to the Hall of Fame, and they do many things the right way. Adapting Christian novels and being committed to professional productions and experienced casts are a winning model on paper. However, many of their films still lack meaningful connections with their audiences and require deeper and more meaningful purposes in order to be truly successful. Perhaps, in the coming days, the Level Path team will finally make a breakthrough.

Final Rating: 5 out of 10 points

February 18, 2020 by Box Office Revolutionary Categories: Drama, Inspirational, Movie Reviews, Mystery, Psychological, SuspenseTags: 2017, Adrian Eugene Graham, Angela Marie Williams, Barry Corbin, Bob Gunton, Brian Lafontaine, Burgess Jenkins, Clifton Powell, Coby Ryan McLaughlin, Danny Vinson, Dave Blamy, David Blamy, Davis Osborne, Drama, Ed Pilkington, five points, Gary Ray Moore, Gary Wheeler, Gregory Alan Williams, Inspirational, Karen Abercrombie, Karen Boles, Kathy Whitlow, Level Path Productions, Lin Shaye, Mahri Shelton, Mystery, Psychological, Rachel Hendrix, Reid McGraw, Rob Pottorf, Robert Whitlow, Sandra Elise Williams, Suspense, Sydney Penny, Tim Ross, Torry Martin, Valerie Azlynn, Vanessa Ore, Whitlow Films 2 Comments

The World We Make (Movie Review)

Plot Summary

The Grove family has had their share of heartache over the past few years, but family friend Jordan Bishop has always been a constant support for them. However, the dynamics begin to shift when Jordan and Lee begin to develop a relationship after the grief seems to settle. Many discourage them from getting involved, and the small town seemingly works against their being together. Together, they experience unexpected prejudice and bias while discovering that they had more hiding below the surface than they previously realized.

Production Quality (2.5 points)

As a 2019 film, The World We Make is the type of respectable production we should be seeing time and again. There are very few flaws to point out here save for the slightly awkward editing near the end of the film (likely due to large story scope). Camera work, video quality, and audio quality are all basically flawless even though most scenes are filmed outdoors. The sets, locations, and props are extremely authentic and well-utilized; on-location shooting is definitely a big plus. Although the soundtrack could be a bit more than it is, this is a very high-level effort for a partially low-budget film, which goes to show what a little experience and proper collaboration can do for a movie.

Plot and Storyline Quality (1.5 points)

Brian Baugh has always been committed to developing raw and real storylines based on accessible characters (I’m Not Ashamed). While The World We Make is one of his calmer tales, it’s nonetheless refreshing and believable. While the scope of this story may be a bit narrow, it’s nonetheless true-to-life and demonstrates great understanding of real people. The central romance is deeper than what we usually see in these types of films because it feels more believable and everyday. There are some very important themes explored, including grief avoidance, small town prejudice, and racial ostracizing. Characters make realistic decisions based on personality and motive rather than on plot necessity, and the storyline has a few slightly unexpected turns. As a whole, this is a very enjoyable plot to witness, and while it could have been a bit better since the ending is fairly rushed and somewhat cutoff, it’s still great as it is, which is enough to push this film over the top and onto the Hall of Fame.

Acting Quality (3 points)

There are virtually no flaws in the acting department. Caleb Castille owns another starring role, and Kevin Sizemore adapts a unique character that suits him. Gunnar Sizemore is a supporting role, but he could be a new rising star. Further, Gregory Alan Williams demonstrates a much more effective role than he’s played in the past. Overall, there is clear acting coaching present here as emotions and lines are authentically delivered, which rounds out a very commendable effort.

Conclusion

Although The World We Make could have been a bit more dynamic than this, it mostly reaches its fullest potential as a film. There are a few nitpicks, but in the grand scheme of things, Brian Baugh is continually setting himself apart as a master of characters, which seems to give him a better proclivity for series writing rather than movie writing. Indeed, not counting this year, we’ve had a longstanding drought in Christian series, so with new opportunities coming available (VidAngel), we may be poised to seeing a breakout in creators like Baugh directing their talents toward series rather than only films. Regardless of what happens, The World We Make is another good addition to the Hall of Fame and is one you’ll definitely want to make time for.

Final Rating: 7 out of 10 points

June 13, 2019January 3, 2020 by Box Office Revolutionary Categories: Animals & Pets, Drama, Inspirational, Movie Reviews, RomanceTags: 2019, 7 points, Adam Drake, Allan Spiers, Blake Burt, Brian Baugh, Caleb Castille, Candace West, Chris Dowling, Drama, George D. Escobar, Greg Puckett, Gregory Alan Williams, Gunnar Sizemore, Horse, Iain Tucker, Inspirational, Jordan von Tagen, Julian Reid, Katherine Smith-Rodden, Ken Beale, Ken Carpenter, Kevin Sizemore, Michael James Thomas, Nook Lane Entertainment, Phil Darius Wallace, Rebecca Lines, Richard Kohnke, Romance, Rose Reid, Ryan Wotherspoon, Sam Brooks, Tyler Smith 3 Comments

God’s Not Dead 3: A Light in Darkness (Movie Review)

Plot Summary

After Pastor Dave is released from prison for not turning over his sermon notes to the local government, he is immediately hit with a new persecution angle.  His father’s church, which he has pastored for years, sits on the property of a public university, so protests build on campus based on an argument that questions the necessity of the church being on public property.  Dave begins to feel pressure from the university leadership, but things hit a breaking point when the church appears to be attacked and when his close friend Jude is killed in the attack.  Dave decides to reach out to his long-lost brother for legal help as chaos reigns around him.  Will he ever be able to live in peace?

 

Production Quality (2.5 points)

With the third installment and possible end to the God’s Not Dead trilogy, they have not backed off on their recently attained practice of high-quality productions.  On most production fronts, A Light in Darkness is a very professional production, including video quality, camera work, and audio quality.  The soundtrack is even better than the previous two installments as it is mostly void of the title track and thankfully leaves us without another Newsboys concert to wrap things up.  Sets, locations, and props are also very well-utilized and well-constructed.  The only two caveats in this production are the presence of some cheesy special effects and the somewhat sloppy editing job, but on the whole, God’s Not Dead 3 is top-notch production work.

Plot and Storyline Quality (1 point)

In a shocking turn of events, after making us muddle through that horrible second film, the third of the trilogy has one of the best plots.  The first film’s plot had good elements due to its many fractured subplots, but A Light in Darkness has the best central and focused idea of them all.  Though it takes forever to get to the point and though there are plenty of persecution-complex pitfalls along the way, the ending of this film is very significant because it takes the franchise in a totally different direction than the other ones were going in.  Unfortunately, there are still plenty of issues with this storyline, including a lack of adequate character development due to poorly-constructed dialogue and a sloppy story construction that tends to jump from one thing to the next and include too many issues.  However, someone got ahold of the plot and decided to insert some truth about why young people don’t like the church, which was a breath of fresh air, however brief it may have been.  As a whole, this story was a good idea in the end, but it was probably too little too late.

Acting Quality (2.5 points)

In spite of the usual awkwardness of David A. R. White as a ‘serious’ lead, other cast members are more natural and believable in their roles, even John Corbett.  Benjamin Onyango was hardly ever afforded a fair opportunity to show his full potential in this trilogy, but his parts are still great.  The reality is that there are actually few acting errors in this film; even the emotional performances are mostly believable.  As a whole, PureFlix has made a lot of strides over the past few years, so if they will just direct their resources in a more responsible direction, who knows what good could be done.

Conclusion

The unfortunate part is that PureFlix managed to isolate everybody throughout the course of the GND franchise.  The first film was a big hit because it filled a void in the market and was basically at the right place at the right time.  It had good qualities, such as better production than usual, but it was still mostly standard and pedestrian.  The second GND film was nothing short of a total trainwreck, and this where the trilogy lost its reasonable audience.  However, A Light in Darkness isolated anyone faithful who were left by taking the narrative in a different and non-persecutory direction.  In short, it pays to know who your audience is, but it also pays to strive for high-quality Christian films that aren’t based entirely on pandering to a specific base.  PureFlix has the resources to truly blow open the Christian industry if they really want to, but will they seize the opportunity before it’s too late?

 

Final Rating: 6 out of 10 points

 

August 8, 2018December 31, 2018 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2018, 6 points, Alysoun Wolfe, Anna Leighton, Barry Clifton, Benjamin A. Onyango, Billy Hallowell, Britanny Yost, Brittany Yost, Buddy Campbell, Caitlyn Leahy, Cissy Houston, Dan Campbell, David A. R. White, David de Vos, David Maldonado, Elizabeth Hatcher-Travis, GEM Entertainment, Greg Alan Williams, Gregory Alan Williams, Howard Klausner, Ian Campbell, Inspirational, Jennifer Cipolla, Jennifer Taylor, Jim Ameduri, Jodi Harris, John Corbett, Kay Smith, Michael Mason, Michael Scott, Mike C. Manning, Newsboys, Nikki Dixon, Pancho Burgos-Goizueta, PureFlix, Quality Flix, Ren Hanami, Rhonda Johnson Dents, Samantha Boscarino, Segun Oduolowu, Shane Harper, Shwayze, Tatum O'Neal, Ted McGinley, Tory Wynter, Vance Null, Vaughn Collar 1 Comment

A Question of Faith [2017] (Movie Review)

Have you donated your organs today?

Plot Summary

When David Newman’s son dies tragically from a texting and driving accident, the doctors come around looking for his son’s organs to harvest so they can save a dying white girl who has a budding musical career ahead of her.  David is trying to take over head pastor duties from his Scripture-reading-robot father, but the pressure is too much, especially when his wife fully embraces advocating for organ donation in the schools.  Kate Hernandez feels like she has no hope left when her daughter is thrown into jail for texting and driving, but somehow, all of these characters come together in the end in an underserved church sing-off so they can feel good about themselves again.

 

Production Quality (2.5 points)

Despite past production snafus, Kevan Otto has found himself more financially successful in A Question of Faith due to PureFlix’s assistance.  This newfound funding has paid off, as there are very few errors in this production.  Video quality, camera work, and audio quality are all professional.  The soundtrack leaves something to be desired, but it’s not that significant.  Sets, locations, and props are all appropriate and well-constructed.  The biggest issues to point out here are some small editing issues due to the confusing plot presentation.  Yet when you compare this great production with the plot that accompanies it, it’s like daylight and dark.

Plot and Storyline Quality (-1 points)

Kevan Otto has not lost his unusual storylines of old, yet A Question of Faith manages to somehow be worse than WWJD, Lukewarm, Online, and Decision.  Even though it seems like on its face that this movie is going to be a ninety-minute public service announcement on the dangers of texting and driving, the plot actually has a very sick and twisted obsession with organ donation.  Don’t get me wrong—organ donation is fine if you want to do that, but trying to force the issue like this is downright strange and off-putting.  Combine that with the plastic and empty portrayal of Christians (as usual) and basically no substantial dialogue, this plot is a real doozy.  Time is wasted on meandering ideas that have no real purpose or focus except to be threaded together by that annoying guy who’s always slapping Bible verses on everyone’s problems.  Tragedies are treated very lightly and callously, thus warranting some of the characters to ask other characters if they even care, which is a valid point.  In the end, the only purpose to this film is to push public service announcements and strange causes and culminates in a ridiculously endless sermonizing concert sequences that rivals God’s Not Dead.  Needless to say, Kevan Otto still hasn’t learned anything.

Acting Quality (1 point)

A lot of these cast members are fearfully lifeless, but then again, they really don’t have much to work with in the line department.  Emotions are bland and most performances are very stock.  T. C. Stallings always posts above average performances, but everyone else seems lost and confused.  It seems like the idea here was to paste a bunch of ‘big name’ cast members into this movie and hope it stuck.  It didn’t work.

Conclusion

These days, all you have to do to get a large budget signed off on your film is a random cause, some recognizable cast members, and maybe a big musical number.  Don’t get us wrong—it’s extremely important to promote great causes in films—but this isn’t the way.  Even if this was a palatable cause, it’s not presented well at all.  None of these characters are able to be related to as people; they’re just pawns in an obvious money-making game.  Any opening weekend hype surrounding this film is sure to die away as Christian audiences once again quietly wonder where all the good Christian movies are.

 

Final Rating: 2.5 out of 10 points

 

September 29, 2017January 5, 2019 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2.5 points, 2017, Amber Thompson, Angela White, C. Thomas Howell, Caleb T. Thomas, Cameron Lewis, Chris Hock, Disease, Donna Briscoe, Gregory Alan Williams, Inspirational, Jaci Velasquez, Jeff Rose, John Atwood, John Curran, Karen Valero, Kenneth Israel, Kevan Otto, Kim Fields, Lisa Diane Washington, Mara Hall, Marliss Amiea, Mary Shaw, Nelson Jackson, PureFlix, Renee O'Connor, Richard T. Jones, Sean Baker, Silver Lining Entertainment, Stephanie Wilkinson, T. C. Stallings, Thom Scott II, Ty Manns 9 Comments

All Saints [2017] (Movie Review)

Plot Summary

After Michael Spurlock leaves the sales world under less than honest circumstances, he decides the most natural thing for him to do is become a pastor so he can have more time for his family and so he can give back to the world rather than take from it.  Thus, he is assigned by the parish to head up a dying church in small town Tennessee as a training ground under the church closes up.  Then Michael is promised to move on to better things.  However, the longer he is at the small church, the more Michael sees that there is purpose for it, especially since it is serving hundreds of Burmese refugees who have no one to turn to.  With God’s intervention, they begin to see miracles happen right before their eyes.

 

Production Quality (2 points)

In keeping with the traditions of Affirm Films, All Saints is a good production on the surface and has no obvious errors.  Video quality, camera work, and audio quality are all on the professional standards they should be on.  The soundtrack is effective and is culturally relevant.  The sets, locations, and props are all well-constructed and realistic.  However, this film needs some serious editing work.  Time is spent on all the wrong things and the plot overall lacks flow and continuity.  However, Affirm has likely done enough to meet minimum market standards.

Plot and Storyline Quality (.5 point)

Though this is a very intriguing true story that had a lot of potential, this potential is not reached.  There are so many things that could have gone into this film that did not finish developing.  The story is too dominated by the whining, unsure main character.  Unfortunately, there is very little focus or purpose to this plot, even though there were plenty of opportunities to have this.  There are a lot of disjointed and unrelated sequences that fill up the runtime and stunt character development by crowding out any scenes of meaningful dialogue, of which there are few.  In the end, it’s sad to see how this story turned out because it had so much going for it.

Acting Quality (2 points)

John Corbett really puts a damper on this cast since he comes off as very fake and unsure of himself at the same time.  Yet if you can look past him, the other cast members post some good performances.  There is especially good multicultural casting and acting, even if we don’t get to see enough of them.  Overall, this is a good section and makes this movie at least palatable.

Conclusion

Most people will probably be fine with this film, but it’s still a very disappointing experience.  Why can’t we at least see some flashbacks of the Karen people in Burma?  Their subplots are barely developed or explored as John Corbett dominates the runtime with his awkwardness.  In short, though there was a chance for some interesting stories here, it barely materializes and wastes an amazing opportunity.  We believe it’s time for Affirm Films to step out in faith and take a chance on a new genre of Christian film rather than churning out run-of-the-mill films like this one.

 

Final Rating: 4.5 out of 10 points

 

August 25, 2017January 6, 2019 by Box Office Revolutionary Categories: Inspirational, International, Movie ReviewsTags: 2017, 4.5 points, Affirm Films, Angela Fox, Barrett J. Leigh, Barry Corbin, Cara Buono, Chonda Pierce, David Keith, Debra Lynn Rogers Welborn, Eduardo Enrique Mayén, Gary Willis, Gregory Alan Williams, Inspirational, International, Jenne Kang, Jessejames Locorriere, Jimmy Sprague, John Corbett, John Newberg, John Wise Win, Marc Bienstock, Martha W. Chang, Mike Parker, Mitch Miller, Mu Kuu, Myles Moore, Nelson Lee, Patrick Johnson, Provident Films, Steve Armour, Steve Gomer, Todd Truley 2 Comments

Somebody’s Child (Movie Review)

Plot Summary

Though Constance is going through dialysis and is waiting for a kidney donor match, she knows that God has been good to her.  Her son Douglas always takes care of her and she loves her grandson.  However, she harbors a secret from her past that hardly anyone knows about.  Yet little does she know is that God is about to set into motion events that will reconcile the past and bring redemption to them all.

 

Production Quality (2.5 points)

Gary Wheeler is always reliable in crafting a professional production.  There are very few errors to speak of in the production of this film.  Video quality is excellent, as it camera work and audio quality.  The soundtrack is good, even if it’s a little pedestrian.  Sets, locations, and props are professional and appropriate for the film.  The only small error to point out here pertains to some minor editing issues that cause the plot to be confusing.  Yet in the end, as a made-for-television movie, this production is what it should be.

Plot and Storyline Quality (.5 point)

Unfortunately, as a made-for-TV movie, Somebody’s Child lacks creativity in an attempt to be safe and marketable.  Though the idea behind it is interesting and though the circumstances the characters experience are realistic, this story is still too underdeveloped.  Dialogue is very generic, thus making the characters one-dimensional.  This is a character-based plot, which means we need deep characters, yet this is not the case here.  There is too much wasted time in this plot and not enough scenes that develop the characters—it feels like they are just swept along in the plot without any feeling.  Finally, the ending is very rushed and seemingly unfeeling.  Unfortunately, though this movie had everything going for it, the story fails to come through.

Acting Quality (2.5 points)

As a professional cast with obviously good coaching, there are very few errors to speak of here.  Sometimes emotions aren’t what they should be, but they mostly are.  Line delivery is always on point, even if the cast member doesn’t have a very good line to work with.  Overall, Somebody’s Child is a professional film that falls short of greatness.

Conclusion

Many audiences will enjoy this film, but we are always looking for films that take that next step out of mediocrity (even professional mediocrity) and become a great, difference-making film.  With this type of funding and platform, this was possible here, but the plot needs a lot of beefing up in order for this to be case with Somebody’s Child.  Hopefully in the future opportunities like this will no longer be wasted.

 

Final Rating: 5.5 out of 10 points

 

August 24, 2017January 7, 2019 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2012, 5.5 points, Byron Minns, Clifton Powell, David Eubanks, Devin McGee, Disease, Elizabeth Becka, Eric Tomosunas, Gary Wheeler, Gregory Alan Williams, Inspirational, Keith Neal, Kenneth Lampl, Kent Fields, Level Path Productions, Lynn Whitfield, Manny F. Lopez, Michael Jai White, Nadine Ellis, Nick Lewis, Rachelle Neal, Siddeeqah Powell, Swirl Films Leave a comment

Adrenaline [2015] (Movie Review)

Plot Summary

Joseph Jenkins is a hotshot drag race car driver, but when he is suddenly crippled in a wreck, he feels like his life is over.  As he sulks in a hospital room, he doesn’t want to see anyone, but his roommate pulls him out of his shell and gives him a new purpose in life.  Then Joseph suddenly reconnects with an old friend of his father, whom he never knew.  Joseph soon finds a new lease on life and a chance at redemption, but will he be able to make his newfound faith his own?

 

Production Quality (1.5 points)

Adrenaline is overall a mixed bag, including the production.  Video quality is fine, but camera work is too shaky, including a lot of odd camera angles.  Lighting is poor at first, but it improves as it goes.  Audio quality is fine, but the soundtrack is sometimes too loud.  However, sets, locations, and props are very professional.  Yet Adrenaline commits a common error of indie films—imperfect editing.  Cuts and transitions are very confusing and even sometimes spastic, thus making for a lot of choppy editing.  In the end, this is a good production effort, but some kinks still need to be worked out of it.

Plot and Storyline Quality (.5 point)

Unfortunately, though it has some good messages, Adrenaline is a formulaic sports redemption plot with a predictable sequence.  The characters are somewhat stereotypical, though attempts are made to develop them.  However, it would be better to see them deeper because they are intriguing characters.  This can be done by making the dialogue more creative and complex.  Elsewhere, there are too many (unfortunately expected) sports and training montages, as well as a lot of wasted time.  It’s too bad because it feels like this plot has a lot of potential that it doesn’t reach.  Perhaps things will improve next time.

Acting Quality (2 points)

Even as a slightly amateur cast (except for John Schneider), the acting isn’t really that bad.  Even John Schneider is better than he has been in the past.  The cast members embrace their characters well.  The only issue to point out is some overdone emotions, but that’s easily fixed.  This shows great hope for the future.

Conclusion

With some experience working under the Kendricks, this creative team did pick up on a thing or two that they will likely be able to use to get even better in the future.  First movie mistakes can easily be forgiven, so it will be interesting to see what they have planned next.  With some better production funding and a more creative plot, as well as a continuously good cast, this team will be going places.

 

Final Rating: 4 out of 10 points

 

July 10, 2017January 8, 2019 by Box Office Revolutionary Categories: Inspirational, Movie Reviews, SportsTags: 2015, 4 points, Alex Chatfield, Anthony Reynolds, Bill Clements, Bryce Neier, Cameron Arnett, Carol Anne Watts, Charlene Amoia, David V. Nelson, Deena Beasley, Del Baron, GiGi Erneta, Gregory Alan Williams, Inspirational, Irene Santiago, Jack Landry, Jason Graves, Jim Cody Williams, John Schlitt, John Schneider, Joseph Quinn Simpkins, Katherine Dudley, Living Water Films, Lizzy Musi, Malaika Washington, Mark Jeffrey Miller, Michael Rosander, Michael Warren, Myke Holmes, Pat Musi, R. Keith Harris, Robert Wagner, Samantha Katelyn, Sherida McMullan, Sports, Ted Johnson, Timmy Richardson, Word Entertainment Leave a comment

Daughters (status unknown)

Status currently unknown

Writer(s): John Cooper, Chip Rossetti

Director(s): Chip Rossetti

Producer(s): Chip Rossetti, Jeff Rose

Starring: Gregory Alan Williams, Francine Locke, Torry Martin, Jeff Rose, Shannen Fields, Andrew Masset, Doris Collier, Tracy Goode, Brittany Mann, Riley Bundick, Cledus T. Judd, Collin Alexander Brown, Donna Botts

Plot Synopsis:

Joel and Megan Graham have been happily married for almost 20 years. High school sweethearts since freshman year, they knew they were meant to be together. Just two years into their marriage, they were blessed with their first baby daughter, Genie. It was always Joel’s dream to have a son, so they kept trying. After two more daughters, they decided that having a son just wasn’t meant to be. So they settled into their lives as parents to three beautiful daughters. Over the last year, however, Joel and Megan have been getting tested at every turn. Genie has become an out of control, rebellious teen. Ten year old Katie has been having trouble in school, having issues with anger management and she can’t seem to control her temper. Three year old Sidney always seems to be sick. We are told that God will never give us more then we can handle. The Grahams are about to find out that He will always test the limits of what we can handle. The greatest thing a person can be in life is a parent. Something tells me that person never had three daughters.

January 7, 2017January 27, 2021 by Box Office Revolutionary Categories: Upcoming Movies and SeriesTags: Andrew Masset, Brittany Mann, Chip Rossetti, Cledus T. Judd, Collin Alexander Brown, Donna Botts, Doris Collier, Francine Locke, Gregory Alan Williams, Jeff Rose, John Cooper, Riley Bundick, Shannen Fields, Torry Martin, Tracy Goode, Upcoming Movies and Series 2 Comments

Heart of the Country [2013] (Movie Review)

Plot Summary

After Faith left her rural North Carolina home to pursue her musical dreams in New York City, she never expected to meet the man of her dreams—or so she thought.  After a whirlwind romance and marriage to Luke Carraday, they are horrified to discover that the investment firm he worked for came under audit by the federal government, landing all employees in jail, including Luke.  Dazed and confused and with no one to turn to, Faith returns home and finds her ailing father the same as he always was.  Though Faith’s sister is not excited about her coming back, Faith’s whole family supports her no matter what happens.  However, none of them foresee the events that about to unfold—events that have the potential to change the direction of their lives forever.

 

Production Quality (2.5 points)

With a modest budget, Heart of the Country did pretty much all they could do with the money they had.  The video quality is excellent and the camera work is professional.  Sound quality is consistent throughout, and the soundtrack is fairly good, even though it’s dominated by Jana Kramer, the lead actress.  The sets and locations are relatively diverse—jumping back and forth from New York City to rural North Carolina works very well.  There is an overall authentic feel to the surroundings.  The only caveats to raise with this film are some minor editing issues.  Though flashbacks are utilized wonderfully, there are some choppy elements of the production that derail its pursuit of perfection.  But these minor issues aside, this is a formidable production model to be proud of.

Plot and Storyline Quality (2 points)

From the beginning, the plot of Heart of the Country is unique and outside of the norm.  Few movies ever attempt to depict a newlywed couple’s struggles—most movies retreat after the wedding vows are said and we never hear from them again.  The premise of this film is a brave idea that deserve resounding applause.  As previously mentioned, flashbacks enhance this film and make it what it is.  The characters are fairly believable, though they could use a little more development in this character-based plot.  For the most part, this plot avoids the usual return-to-your-hometown clichés.  Unfortunately, the Christian message is quite muted and needed to be a little more meaningful.  Another problem is a number of wasted scenes that could have been used to develop characters and deepen the storyline.  Some elements are understated while others are overstated.  The end is meaningful even though it is slightly expected.  Overall, this is an above average plot that had the potential to be even better.

Acting Quality (2 points)

This is a formidable cast made up of B-grade cast members.  They seem to be coached fairly well.  Line delivery is above average, as are emotions.  One big drawback here is that most of the cast members make excessive use of makeup and costuming.  In the end, this is a respectable acting job.

Conclusion

We’ve said it before, but we really wish that films like Heart of the Country were the baseline of inspirational film.  It includes a unique idea, professional production, believable characters, and commendable acting.  We also wish films like this one would go all the way and achieve Hall of Fame status.  But nonetheless, films like this one are still enjoyable and definitely worth your while.  It’s unfortunately still a rare find in the industry.

 

Final Rating: 6.5 out of 10 points

 

September 22, 2016January 15, 2019 by Box Office Revolutionary Categories: Inspirational, Movie Reviews, RomanceTags: 2013, 6.5 points, Andrew Masset, Anne Hawthorne, Bay Ridge Films, Bonnie Johnson, Cali Ward, Gerald McRaney, Gregory Alan Williams, Inspirational, Jana Kramer, John Ward, Prodigal, Randy Wayne, Romance, Rosalie Miller, Shaun Sipos, Sheila Shah, Stefan Hajek, Stephanie Northrup, Sydney Penny, Wayne Thompson Leave a comment

Jimmy [2013] (Movie Review)

Plot Summary

Jimmy Mitchell is a special boy.  Though he is afraid of water, he is able to see angelic beings known he calls ‘Watchers’ all over his small mountain town.  His father is a defense attorney and his mother is a clerk at the local courthouse, so Jimmy is not unfamiliar with the legal process.  But he is still unsure of what to do when he overhears one of his father’s clients planning to commit a crime, even though he has been recently acquitted.  Jimmy must determine whether or not he is going to overcome his fear to do the right thing no matter what.

 

Production Quality (2 points)

As is the custom for Whitlow Films, the production quality of Jimmy is above average.  The camera work is solid and the camera work is mostly good.  The video quality and sound quality are good, but not great.  The sets, locations, and props are authentic.  Overall, there is not much else to be said here—the production of Jimmy is neither extremely negative nor game-changing.  However, it is a step above most Christian films and is likely the best they could have done with the resources available.

Plot and Storyline Quality (1.5 points)

Adapted from another Robert Whitlow book, the plot of Jimmy is solid for a down to earth small town story.  The characters are true to life and their emotional struggles are real.  Unfortunately, the book’s plot is more dynamic than that of the movie’s.  The adaptation is not fully complete and the movie seems subdued and muted.  There is nothing glaringly wrong with the plot of Jimmy, but it just doesn’t make it past the average mark.  In addition to this, to no one’s surprise, Whitlow elected to use the alternate ending of the novel for the movie.  We felt that the alternate ending is what makes the book as creative as it is.  Without it, the storyline seems incomplete.  Therefore, as is reflected by the score, Jimmy is reduced to an average plot.

Acting Quality (2.5 points)

The acting is the strongest point of this film.  The film is well-cast and the actors and actresses are well coached.  The only thing that keeps this portion from being perfect is its lack of excellent quality.  The acting is great, but not excellent.

Conclusion

Jimmy is a heartwarming film that portrays special needs people in a very good way.  Though Robert Whitlow sometimes tends to be too sensational, Jimmy avoids this pitfall.  It contains creative conceptions of what special needs people may experience.  The bottom line is that the important message of this film should not be missed: all people deserved to be treated as humans created by God.  Thankfully, this message is not marred by awful production like many Christian films.  It is only too bad that Jimmy was not dynamic enough to make the Hall of Fame.

 

Final Rating: 6 out of 10 points

February 19, 2016January 18, 2019 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2013, 6 points, Ashlee Payne, Bob Gunton, Burgess Jenkins, Chuck Carrington, Danny Vinson, Davis Osborne, Dog Days Entertainment, Gary Ray Moore, Gregory Alan Williams, Ian Colletti, Inspirational, Jackson Pace, James Patrick Freetly, Kathy Whitlow, Kelly Carlson, Legal, Level Path Productions, Logan Fahey, Mark Freiburger, Patrick Fabian, Patrick G. Keenan, R. Keith Harris, Rob Pottorf, Robert Whitlow, Scott Thomas, Stelio Savante, Tamiami Films, Ted Levine, Whitlow Films Leave a comment