God’s Not Dead 4: We the People (Movie Review)

Plot Summary

Pastor Dave is up to another one of his escapades, this time standing up to an evil social worker, as well as a local judge, who wants to shut down a homeschooling co-op for not teaching certain curriculums. Thus, the only option for Dave is to take the homeschooling families to testify before Congress just as the government is debating a radical education bill that would take over all education in the entire country. Will Dave’s unhinged diatribes be enough to save the nation’s homeschoolers from total annihilation???

Production Quality (2.5 points)

Like many recent PureFlix movies, God’s Not Dead 4: We the People contains a fine production with few errors. Video quality, camera work, and audio quality are all either average or better. Sets, locations, and props are also up to industry standards. The only concerns in this section pertain to very poor CGI and some aspects of unprofessional editing. Thus, a relatively high score is warranted in this section.

Plot and Storyline Quality (-1.5 points)

With this unnecessary fourth installment of a half-baked film franchise that almost no one cares about anymore, the PureFlix team returns to their original God’s Not Dead and Do You Believe? roots by serving up a hodge-podge of politically charged subplots, smashed together in a salad of madness. This screenplay also calls back to the older days of PureFlix when their patented in-your-face dialogue, issue-representing characters, and absurdly childish villains reigned supreme. With literally no real-world precedent for a local government successfully regulating the curriculum of a homeschooling co-op, the writers of this narrative look for persecution under every rock while espousing a very backwards fundamentalist worldview. As conversations are used to dump one-sided information, culture war buzzwords, and extremist talking points on the viewers, We the People has the feel of an anti-Common Core docu-drama, complete with cheesy stock footage of Washington DC and quotes from President Ronald Reagan to fill time. While attempting to riff on and pay homage to whatever random and irrelevant hill on which the ultra-conservative Christian audience is trying to die these days, the writers of this “movie” craft overly contrived scenes and situations that are full of ridiculous coincidences and unrealistic portrayals of legal proceedings. It all crashes into a bombastic conclusion complete with an impassioned David A. R. White meltdown. Therefore, due to the propaganda nature of this plot, negative points are awarded here.

Acting Quality (1.5 points)

Although many cast members are average or slightly better in their performances, David A. R. White stands out for all the wrong reasons. Between slurry line delivery and bad phone acting, it’s hard to ignore White’s typical unprofessionalism. Elsewhere, some emotions come off as mechanical even though line delivery is mostly acceptable. Some performances are better than others, which produces an average rating.

Conclusion

This unwarranted creation is an embodiment of how PureFlix is being hollowed out as a company and replaced with better prospects. The noticeably shorter runtime and lower budget of We the People demonstrates the overall decline of PureFlix, once at the pinnacle of Christian entertainment. However, this dethronement is a sign of progress for Christian media, leaving the fourth God’s Not Dead film as just a relic of a bygone era that can remind us to never go back to those days.

Final Rating: 2.5 out of 10 points

November 6, 2021 by Box Office Revolutionary Categories: Drama, International, Movie ReviewsTags: 2021, Amanda Jaros, Anna Zielinski, Antonio Sabato Jr., Ben Laurro, Benet Embry, Benjamin A. Onyango, Brent Ryan Green, Christian Stokes, Dani Oliveros, David A. R. White, Deborah Tucker, Drama, Francesca Battistelli, Gary Galone, Grayson Palumbo, Hadeel Sittu, Inspirational, Isaiah Washington, Jeanine Pirro, Kim Percival, Lena Harmon, Leticia Robles, Marco Khan, Matt Anspach, Michael Anthony Page, Michael Scott, Nancy Harding, Pancho Burgos-Goizueta, Paul Kwo, PureFlix, Shawn Boskie, Tatum Hatfield, Tommy Blaze, Vance Null, Victor Caballero, Vincent De Paul, William Forsythe 4 Comments

God’s Not Dead 4: We the People (Fall 2021)

Coming to theaters in Fall 2021 from PureFlix

Writer(s): Tommy Blaze

Director(s): Vance Null

Producer(s): Brent Ryan Green, Ben Laurro, Kim Percival, Michael Scott, David A. R. White, Anna Zielinski

Starring: David A. R. White, William Forsythe, Isaiah Washington, Antonio Sabato Jr., Jeanine Pirro, Amanda Jaros, Paul Kwo, Francesa Battistelli, Matt Anspach, Marco Khan, Benjamin A. Onyango, Hadeel Sittu, Deborah Tucker, Lena Harmon, Anna Zielinski, Vincent De Paul, Nancy Harding, Gary Galone, Christian Stokes, Dani Oliveros, Leticia Robles, Grayson Palumbo, Benét Embry, Tatum Hatfield, Victor Caballero

Plot Synopsis: When an evil government official inspects a homeschooling family and tries to shut down the home learning operation, Pastor Dave (along with some lawyers) is ready to take the fight to highest court in the land! Liberty and religious freedom (as well as PureFlix’s future finances) are on the line, so there’s a lot resting on this fictional court drama that will inevitably feature a Fox News anchor. Will PureFlix be able to successfully use the fourth installment of a half-baked franchise to revitalize their business model?

July 22, 2021 by amg16 Categories: Upcoming Movies and SeriesTags: Amanda Jaros, Anna Zielinski, Antonio Sabato Jr., Ben Laurro, Benét Embry, Benjamin A. Onyango, Brent Ryan Green, Christian Stokes, Dani Oliveros, David A. R. White, Deborah Tucker, Francesa Battistelli, Gary Galone, Grayson Palumbo, Hadeel Sittu, Isaiah Washington, Jeanine Pirro, Kim Percival, Lena Harmon, Leticia Robles, Marco Khan, Matt Anspach, Michael Scott, Nancy Harding, Paul Kwo, PureFlix, Tatum Hatfield, Tommy Blaze, Upcoming Movies and Series, Vance Null, Victor Caballero, Vincent De Paul 6 Comments

Movie Renovation: God’s Not Dead

See original review here.

 

Production Improvements

There are really few production errors to note in the first God’s Not Dead film.  The primary issue with this production is, of course, the editing, due to the large and complex amount of content that is attempted to be used in this film.  Thus, if the plot categories were improved, the editing issue would likely also improve.

Plot and Storyline Improvements

The plot of God’s Not Dead needs some serious work.  For one, there are too many ideas shoved into one two-hour film.  A lot of these ideas really need to be movies of their own, such as the Muslim family subplot and the Chinese student subplot.  The blogger character and all of her connections (Dean Cain, the Robertsons, etc.) need to be deleted completely.  The woman with dementia is an interesting aside, but it needs better development.  Pastor Dave and his connections really wouldn’t be missed either; this area might be better if it was altered.  Finally, the portrayal of the atheist professor is noteworthy and better than most, but it still could be better and less over the top.  The “character who is an atheist because their mother died of cancer” trope is a bit thin.  Also, there are obviously instances of anti-Christian bias in academia, but this story could have been a bit more down to earth.  Thus, with a lot of separation, editing, organization, and focus, this plot could have pushed the film into the Hall of Fame.

Acting Improvements

While the acting of the original God’s Not Dead is actually a major improvement over most PureFlix casts, it still isn’t perfect.  For one, David A. R. White and Tommy Blaze rarely need to be acting.  Trisha LaFache is average at best and needs serious coaching.  Dean Cain should probably never be cast again.  Kevin Sorbo has his place, but not as a raging professor.  Otherwise, this cast is fine.

Conclusion

There was a reason the beginning of the God’s Not Dead saga was so popular, and it wasn’t because of its portrayal of atheists.  It has a lot of intriguing content and a lot of ideas that need further exploration in different venues.  Trying to lump all of it together in one film was a disappointment.  However, it was the first time PureFlix actually proved they could be at least somewhat responsible with their budget, including a high-quality production.  Perhaps one day someone will use some of the half-baked ideas of God’s Not Dead for greater purposes.

February 11, 2018February 9, 2018 by Box Office Revolutionary Categories: Movie and Series RenovationsTags: 2014, Abigail Duhon, Anna Zielinski, Benjamin A. Onyango, Cary Solomon, Cassidy Gifford, Chuck Konzelman, Cory Oliver, David A. R. White, Dean Cain, Delaney, Duncan Phillips, Elizabeth Hatcher-Travis, Hadeel Sittu, Hunter Dennis, Inspirational, Jeff Frankenstein, Jesse Wang, Jody Davis, Kevin Sorbo, Korie Robertson, Lenore Banks, Lisa Arnold, Marco Khan, Michael Scott, Michael Tait, Movie and Series Renovations, Paul Kwo, PureFlix, Russell Wolfe, Shane Harper, Tommy Blaze, Trisha LaFache, Will Musser, Willie Robertson Leave a comment

The Book of Esther (Movie Review)

Plot Summary

Following the banishment of Queen Vashti from the royalty of Medo-Persia, King Xerses, lonely and confused, takes the advice of his closest advisors and decrees that all the young women be brought to him, given beauty treatments, and then displayed before him so that he can choose a new queen from among them.  Among them is a Jewish girl, Hadassah, who had been admonished by her cousin Mordecai to hide her cultural identity from those in the palace.  Against all odds, she is chosen to succeed Queen Vashti, just as the wicked advisor Haman is plotting to destroy the Jewish people from the face of the earth.  Queen Esther must decide that she must live up to the calling God has put in front of her in order to save an entire race from extinction.

 

Production Quality (.5 point)

The Book of Esther commits every Biblical movie error in every category, beginning with production.  The sets and costuming are very cheap, like this is a children’s church play.  It would be one thing if PureFlix did not have the funding to put on a better production, but this is not the case.  The camera work and video quality are passable, but the sound quality is very inconsistent.  There is really nothing to comment on regarding the editing, either good or bad.  In short, the first rule of Bible movies is to create a realistic and high quality setting, including backgrounds, sets, props, and costumes.  The Book of Esther does none of this.

Plot and Storyline Quality (-1 points)

The story of Esther is overused in movies, probably because it is easy to replicate and the plot suits most audiences.  But this film is not even a good adaptation—it misrepresents Biblical and historical events and includes unnecessary parts.  It seems like the viewer is being insulted and being treated like a child in a bad Sunday school class.  The film contains ridiculous over the top characters, more so than usual for a Bible film.  The dialogue is overly dramatic, like most Scripture screenplays.  There are also creepy undertones and insinuations regarding Haman and his eunuch.  A lot of content takes place off screen and this plot generally has no real potential and is even offensive is some ways, thus warranting negative points.

Acting Quality (.5 point)

As a whole, line delivery is horrible and emotion is absent.  The acting is either absurd or too theatrical.  The only exception is some small acting potential from Joel Smallbone and Jen Lilley, as their talents seem to be wasted on this nonsense.  Otherwise, there is unfortunately nothing positive to say.

Conclusion

Needless to say, The Book of Esther is another ruined Bible movie.  The audience will learn nothing worthwhile from it except that they probably don’t want to watch anymore films based on Scripture.  This movie is the embodiment of why Box Office Revolution feels the need to speak out for quality Christian films and against low quality ones.  It feels like PureFlix isn’t even trying when they make movies like this, which further warrants a very low score.

 

Final Rating: 0 out of 10 points

February 11, 2016January 18, 2019 by Box Office Revolutionary Categories: Biblical, Historical, Movie ReviewsTags: 0 points, 2013, Anna Zielinski, Anthony L. Fernandez, Bible, Biblical, Bowl Hats, Cory Oliver, Creepy Eunuchs, David A. R. White, Eliza Roberts, Elizabeth Hatcher-Travis, Hadeel Sittu, Historical, Jen Lilley, Jennifer Lyons, Joel Smallbone, Kass Connors, Kerry Stein, Lauren Wolfe, Liam Matthews, Marco Khan, Mark Irvingsen, Michael Scott, Mission Pictures International, PureFlix, Robert Miano, Russell Wolfe, Thaao Penghlis, Timothy Ratajczak, Tiny Ron, Will Musser, zero points 6 Comments

God’s Not Dead (Movie Review)

Plot Summary

Josh Wheaton didn’t ask to be put in the philosophy class of the infamous Professor Radisson.  He also didn’t anticipate having to sign a piece of paper stating that God is dead in order to achieve a high grade in the class.  But prompted by the help of a local pastor, Wheaton decides to not only refuse to sign the paper but also to prove God’s existence in front of the class in addition to his other class assignments.  It’s something that those closest to him do not understand or agree with, but it brings him closer to God and to other people.  Little does he know that Professor Radisson and even those connected to him are being profoundly impacted in ways he never expected.

 

Production Quality (2.5 points)

This is perhaps the strongest area of the movie.  God’s Not Dead has better production than a majority of PureFlix movies, which shows great progress.  The camera work is great, and the editing is pretty good considering the many interconnected story lines.  The sets are authentic and varied and the lighting is good.  The soundtrack is effective.  The only real error to consider here is the fact that there may be too much content included.  In short, the money used for the movie is mostly put to good use.

Plot and Storyline Quality (1.5 points)

Unfortunately, the plot is a bit weak, mostly due to the large number of story lines.  There is nothing inherently wrong with a movie about the interconnected lives of people, and for the most part, God’s Not Dead does a fairly good job managing the content.  However, it seems like there are one too many subplots and one too many characters.  If one or two of these were eliminated and that time used to develop other more interesting characters, this movie would greatly improve.  As it is, the dialogue is pretty good considering the number of characters.  There are some interesting twists and not everything turns out as expected in the end.  Most of the characters are believable, but some seem to be caricatures.  In summary, the plot is a mixed bag with a lot of untapped potential.

Acting Quality (2 points)

When compared to older PureFlix movies, the acting in God’s Not Dead is superb, for most of the actors.  This is David A. R. White’s best acting job to date.  Shane Harper is great in his major debut.  However, Dean Cain and Trisha LaFache are uninspiring.  But still, one could argue that they did not have much to work with.  All in all, the acting is another mixed bag.

Conclusion

God’s Not Dead is the best PureFlix-created movie in their existence.  Improved acting, improved production quality, and improved plot development all contributed to this rise.  However, they still have not hit their ceiling.  There is a lot of potential in this movie, and on its face, it is still an above average movie.  What is most important is that the core message of God’s Not Dead is driven home without being overly preachy or unwatchable.  This is success in and of itself.

 

Final Rating: 6 out of 10 points

January 25, 2016January 5, 2019 by Box Office Revolutionary Categories: Drama, Inspirational, Movie ReviewsTags: 2014, 6 points, Abigail Duhon, Anna Zielinski, Benjamin A. Onyango, Cary Solomon, Cassidy Gifford, Chuck Konzelman, Cory Oliver, David A. R. White, Dean Cain, Delaney, Duncan Phillips, Elizabeth Hatcher-Travis, Hadeel Sittu, Hunter Dennis, Inspirational, Jeff Frankenstein, Jesse Wang, Jody Davis, Kevin Sorbo, Korie Robertson, Lenore Banks, Lisa Arnold, Marco Khan, Michael Scott, Michael Tait, Paul Kwo, PureFlix, Russell Wolfe, Shane Harper, Tommy Blaze, Trisha LaFache, Will Musser, Willie Robertson 12 Comments