Barabbas led a band of rebels against the occupying Roman government, but his criminal activity led him to have close contact with Jesus at His own trial. Barabbas was set free in exchange for Jesus, but afterward, he was faced with a series of choices. What would he ultimately decide?
Production Quality (2 points)
As a well-funded production, Barabbas has fine video quality and camera work. Its sets, locations, and props demonstrate great historical authenticity. Audio quality is passable despite a generic soundtrack. The biggest issues with this section is the poor editing, which is evidenced by quick cuts and abrupt transitions. Otherwise, this is likely the season’s best element.
Plot and Storyline Quality (.5 point)
Even though this miniseries contains a slightly interesting premise, it’s difficult to connect with the characters as they seem to just be pawns in the plot. Barabbas has some believable aspects to his personality, but all of the characters need a lot more work with more substantial dialogue and flashbacks in order to avoid their being very blank and generic. As usual, Jesus is portrayed in a very odd way, and the narrative is full of pronounced and forceful drama. Action and fighting scenes fill time and circumvent opportunities to establish reasons why the characters do what they do besides what the storyline wants them to do. This wasted time also causes important scenes to be quickly skipped through, which causes off-screen content to be referenced rather than shown. Some scenes go by really fast for the sake of hitting certain high points while others contain some oddly suggestive content that seems very out of place. Although there are too many characters as too many things are trying to be done at once and while the main character’s motivations don’t make much sense, the ending is actually unique. However, it takes forever to get there and lacks the proper build-up, which rounds out a section with slight potential yet plenty of problems.
Acting Quality (1 point)
In keeping with other offerings from the Trinity Broadcasting Network, the acting of Barabbas is only dramatic and theatrical. Many cast members come off as robotic, and most of the actresses seem like they’ve been coached (or even forced) to sound like they’re always out of breath. Much of the makeup work is unusual, and the cast isn’t always culturally authentic. Elsewhere, the injury acting is quite poor. Nonetheless, despite these obvious concerns, there are some positive moments of acting, and it tends to improve with time.
Continuity Quality (1 point)
Throughout this fairly short miniseries, it’s hard to keep up with the different timelines. Many things just happen with no warning, lead-up, or explanation. Also, the tone is constantly changing throughout the saga, which hampers continuity. As such, there’s often no real driving focus even though it’s named after a historical character. Nonetheless, much like other elements there is some slight potential in the series’s latter third, which is enough to save this section from a null score.
In the end, there’s unfortunately not much to work with in Barabbas. It had a lot going for it to be a unique take on a biblical narrative, but fell short in nearly every category. It could never decide what it wanted to be and thus isolated all potential audiences. Now, it’s simply been forgotten by much of the Christian realm and only serves as an example of how not to do it.
Final Rating: 4.5 out of 14 points