Skydog {Lifestone Velocity} (Movie Review)

Skydog - Crystal Creek Media Crystal Creek Media

Plot Summary

Josh never knew that his father was killed in the line of duty as a CIA agent nor that his mom and her boyfriend are also CIA agents. However, these secrets are revealed to Josh, along with his real name, Colt Lifestone, when his mother goes missing in action. The CIA is trying to track down biochemical weapons that a rogue terrorist group has seized with the help of a corrupt CIA agent. Thankfully, however, the CIA is in need of a few willing teenagers to help them find the turncoat before the bio weapon is released on the whole city!

Production Quality (.5 point)

In 2020, Crystal Creek Media still hasn’t improved their production quality. Skydog (formerly known as Lifestone Velocity), sports weird video quality and poor lighting in some scenes. In keeping with previous trends from this production team, the audio of this film is all over the map, including a generic soundtrack that sometimes cover up other sounds, background noises that distract the viewers, ridiculous sound effects that are added on top of the video, and overdubbing that’s extremely obvious. Elsewhere, special effects are horrible, and camera work is wild. Sets, locations, and props are cheap and limited; all of the aforementioned production elements don’t adequately portray what they’re supposed to represent. To cap things off, the editing is terrible…some scenes prematurely cut off with no warning while others drag on for no reason. In the end, despite some slightly improvement as the movie goes on, this section is just another failed effort from this team.

Plot and Storyline Quality (0 points)

During the screenplay’s opening twenty minutes, so many things happen that the audience becomes very lost on what the narrative is actually about. The plot needs to pick a lane and stay in it as it’s trying to do tons of things at once, such as vague government agency stuff that’s hard to follow and is likely not very accurate to real life. With many characters to keep up with, it’s hard to relate to any of them, especially since some of them do odd things without legitimate reasons. Bland and vanilla dialogue depersonalizes them, and a convenient lack of communication between some characters allow certain things to occur that wouldn’t otherwise. On this note, the story often decides what needs to happen and forces it to take place without logical reasons. Lacking focus or purpose whatsoever, Skydog is full of the most ridiculous action scenes and outcomes, including outrageous things that the extremely cheesy villains get away with in broad daylight. Also, it’s unclear why the CIA would ever trust teenagers with government secrets, which demonstrates a lack of understanding of how things actually work in the real world. Therefore, due to many unforced errors and absurd elements, no points can be awarded in this category.

Acting Quality (1 point)

Like other acting performances from this team, many of the cast members in Skydog are trying too hard. This produces robotic and cardboard emotions as well as stiff and stilted line delivery. A lot of the scenes seem overly practiced with certain performances coming off as really strange. However, despite poor injury acting, this section isn’t all bad. There are some acceptable elements, but they aren’t enough to save this film from itself.

Conclusion

Much like previously unsuccessful offerings from this company (Creed of Gold, Unexpected Places, Courageous Love, The King’s Messengers, A Horse Called Bear), Skydog is just more of the same from Crystal Creek. They’ve never significantly improved throughout their tenure in Christian entertainment, which is unacceptable from a group that consistently puts out content. At this point, it’s unfortunately unclear where this team is headed, but we don’t have high hopes for their future.

Final Rating: 1.5 out of 10 points

The Taker’s Crown (Movie Review)

Plot Summary

When the legendary King Wiglaf becomes stuck in a time period not his own, he is tasked with finding the Titan thief Tome and procuring the Taker’s Crown before Tome can get to it.  It’s said that whoever holds the Taker’s Crown has immense power, but in order to get to it, Wiglaf must find his old friend the Maverick.  Along the way, he is accosted by the two troubled children of Tome, one of whom he tries to befriend.  Will Wiglaf be able to find the Crown before it’s too late?

 

Production Quality (1 point)

As a first-time production, The Taker’s Crown is an ambitious project that appears to have bitten off more than it can chew.  Video quality is fine, and the soundtrack is okay, yet the positives are limited to those two elements.  Camera work is much too shaky and there are a lot of weird camera angles.  Audio quality is inconsistent, with some overdubs and overdriven audio.  Sets and locations are fairly limited for the idea that is trying to be conveyed here, and props are downright laughable.  Finally, editing is quite bad as the film is very hard to understand and extremely difficult to follow.  Unfortunately, though a commendable effort was here, a successful follow-through was not.

Plot and Storyline Quality (.5 point)

The Taker’s Crown is intended to be the first in a series, and it’s trying to portray a large-scale fantasy idea.  This basic idea is the only thing that keeps this story from being zero, because while it’s a good idea, the intended epic nature of it does not come across in any way.  It was touched on in the production critique, yet setting this fantasy\sci-fi idea in some random woods, a street corner, somebody’s house, a random field, and a playground does not convey what the writers want to convey.  Besides this, the characters are extremely thin and one-dimensional.  Who are these people and how do they fit into this vague fantasy universe?  What is this universe and how does it work?  Is it an alternate world, a parallel universe, or a time travel concept?  These unanswered questions don’t even touch the fact that the dialogue is ridiculous and the plot progression is forced and predictable.  This film was basically written for the prologue and the epilogue and kills time in between them.  Maybe there’s a great idea in store for this series, but it’s certainly not evident in this installment.

Acting Quality (0 points)

Casting a collection of Crystal Creek Media retreads is not exactly the way to create a winning acting formula.  Tim Kaiser, Jared Withrow, and Tiffany Burns need some serious pointers when it comes to emotions and line delivery.  Elsewhere, this cast is very lacking in direction, though it’s not like they had any lines to work with.  Overall, this movie is a mess and needs a total rework.

Conclusion

We will air on the side of believing that Whiteshore Films has better things in store for this series, even though this is not entirely evident right now.  Wherever this series is going, hopefully it can only get better.  As it is, this film is predominantly a wreck and doesn’t have much going for it.  If this idea is going to succeed in the future, the premise needs to be explained way better, the production needs to be improved, and the cast needs to be revamped.  Perhaps then it will be a worthwhile series.

 

Final Rating: 1.5 out of 10 points