Anthony has a successful job and prides himself in being able to date whoever he wants. However, when he crosses paths with a childhood friend, she begins to make him see life in a different way. He’s reminded of his past and begins to want a different life. Nonetheless, changing isn’t as easy as Anthony first thought, and he’ll have to give up more than he bargained for.
Production Quality (.5 point)
This production exhibits many problems, including wildly shaky camera work, tight shots, and poor lighting. Despite acceptable video, audio is often covered up with a loud soundtrack. While the score isn’t bad, it’s clearly trying to hide sound problems, such as overdriven audio and distracting background noises. Despite fine sets, locations, and props, editing is extremely abrupt and choppy. Fadeouts plague the viewing experience, and transitions generally confuse the audience. In the end, all these problems only warrant a meager rating in this section.
Plot and Storyline Quality (0 points)
From the get-go, this plot is marred with heavy-handed narration that short-circuits any potential for character development. As such, the characters become stereotypical through stock dialogue and vanilla conversations. Story occurrences only happen because the writers want them to, including actions that seem inconsistent with the characters’ tendencies. This causes the narrative to follow a predictable progression, sometimes at an unnaturally rapid pace. Some scenes bleed together, prompting the film to meander with no purpose or central theme. A lot of the time, it’s hard to quantify what the movie is actually about, and sometimes, things suddenly happen without warning. The rushed and vague ending leaves the screenplay’s messaging very empty and wanting, especially since narration tries to patch everything up without feeling. Due to these concerns, zero points can be awarded here.
Acting Quality (1 point)
Despite problems, the acting is actually the film’s strongest point. Nonetheless, there are still plenty of issues, including mumbled lines and inconsistent emotional delivery. Some cast members seem flippant about or overconfident in their abilities. However, slight improvement as the movie goes on prevents this section from being zero.
With no central purpose or focus, a screenplay can’t be good. Five Blocks Away is the perfect example of this rule. If you don’t know where you’re going, don’t make the entertainment. If the funding isn’t there, it may not be the right project. You can’t force something to happen that isn’t meant to be because, as we’ve seen time again, it only hurts the market.
Final Rating: 1.5 out of 10 points