Lukewarm (Movie Review)

Plot Summary

Luke Rogers is struggling to be the Christian he says he is.  He’s living with his girlfriend and works a questionable bartender job with his friend.  What’s more, he can’t shake the fact that he always had an unhealthy relationship with his father and that this still affects him today.  Luke sees his outspoken Christian neighbor always doing good things and being made fun of for it, and wishes that he could be like him.  Luke and his girlfriend will have to learn that choices are important and that real Christianity doesn’t come easily.

 

Production Quality (1 point)

In nearly all aspects, Lukewarm is cheap.  While the camera work, video quality, and audio quality are okay, they are not wowing.  The soundtrack is cheesy and pedestrian.  Perhaps the most draining portion of the production quality is the cheesiness of the sets and locations.  While they are slightly diverse, they scream amateur movie makers.  Things don’t look like they are supposed to and props are very B-grade.  The surroundings have an odd feel that makes the entire movie feel manufactured.  Finally, the editing is sloppy, just throwing scenes together with no rhyme or reason to them.  In short, though there was a limited budget, no care was taken by the creators to try to be tasteful, thus making it another silly Christian attempt at a movie.

Plot and Storyline Quality (.5 point)

Lukewarm makes a commendable effort to portray important issues facing American Christians, yet they are portrayed in a strawman fashion.  Whatever good ideas exist in this plot are mismanaged and turned into trite asides that blow over the audience’s heads.  As for the plot itself, it is full of too many disjointed subplots that do not work well together and lack continuity.  One character does something, and then another character does stuff, and then they all meet up in an unlikely way.  Characters are too black and white—‘good’ characters are completely moral and tend to condescend on the ‘bad’ characters, who become ‘good’ very quickly after empty inspirational experiences.  Despite its title, not much about this film is ambiguous.  Issues are resolved too quickly, and dialogue is either obvious or petty.  While we usually encourage the use of flashbacks, the ones used in Lukewarm are very cheesy.  To top things off, besides the neatly fixed ending, the film includes one of those obnoxious credits photo montages showing you what the characters did afterward.  In summary, Lukewarm started with a good idea of showing how Christians easily become sidetracked on useless and potentially dangerous activities and how broken family systems effect people later in life, but it quickly descended into another giant laughable strawman.

Acting Quality (.5 point)

With a cast of supposedly talented actors and actresses, Lukewarm demonstrates the importance of acting coaching, especially with an amateur script.  When some actors and actresses are better in some movies but not in others, this is the reason.  In Lukewarm, line delivery is forced and awkward.  Emotions are too obvious.  Only a handful of good acting moments save this score from being zero.  To sum it up, Lukewarm is pretty much a disaster on all fronts.

Conclusion

A word of advice: before making a movie, especially a movie with the Christian tag, make sure you have a great plot and deep characters before proceeding.  Creating a film based off of a mere idea is not good enough and only further contributes to the sagging quality of Christian media.  We find ourselves saying this over and over again, but the fact remains that the Christian film market is wrought with ill-advised low quality productions that continue to give Christian creativity a horrible reputation.  Ideas are great and should be turned into realities, but movies need great teams behind them; otherwise, nothing will change in Christian film making.

 

Final Rating: 2 out of 10 points

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Woodlawn (Movie Review)

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Plot Summary

Coach Tandy Geralds only believes in what he sees in front of him.  All he sees is a broken high school in Alabama forced to integrate two racial groups who desperately do not want to associate with each.  Coach Geralds, also the assistant principle, is overworked, is unpopular with the school board, and is failing as a husband and father.  His players are frustrated with integration and racial tensions flare easily.  Tony Nathan, an underappreciated African-American athlete, is among them, yet he has been raised to treat people, regardless of skin color, the way Christ treated them.  Everything changes for the team one day when Hank, an itinerant and seemingly offbeat sports chaplain, convinces Coach Geralds to let him talk to the team.  At the end of his rope, Tandy reluctantly agrees.  What ensues from there is a miracle that transforms the football team, the high school, and the city.  One thing leads to another in a miracle season for the Woodlawn Colonels, but everything grinds to a halt one day when they are faced with adversity after adversity.  But in the grand scheme of things, each character learns in one way or another that there is one Way, one Truth, and one Life—Jesus.

 

Production Quality (3 points)

The Erwin team went all out for this blockbuster production that was designed to reach outside of the Christian movie circles.  The camera work is phenomenal, ranging from difficult football scenes to character canvasing.  As an epic, the story covers a lot of time, but the editing is seamless.  It is very difficult to make an epic without being too long or without letting important plot elements fall by the wayside.  The editing team walked this tightrope flawlessly.  The inclusion of alternate and historical footage throughout the movie is an artistic flair that was pulled off nicely.  This is not a cheap production, and it shows.

Plot and Storyline Quality (3 points)

As previously mentioned, epic plots are very hard to craft.  Too long, and the audience is lost.  Too quick, and no points are driven home.  Too often in potential epics, character development is discarded and scenes are wasted.  Neither of these mistakes occurred in Woodlawn.  Despite the large amount of plot and character content in this movie, nothing is missing.  The dialogue is concise yet profound.  There are no wasted scenes.  As a side note, Box Office Revolution maintains that movies based on real events are among some of the best on the market.  Nothing could be more true regarding Woodlawn.  The plot twists and turns just as real life does and the historical characters are adapted well.

Acting Quality (3 points)

BOR has long called the Erwin brothers the Masters of Casting.  There has never been a character in their movies that was not cast in the absolutely appropriate role.  Veterans Sean Astin, Nic Bishop, Sherri Shepherd, and Jon Voight are excellent in their roles, along with newcomers Caleb Castille and Joy Brunson.  All actors are coached well.

Conclusion

BOR can find no flaws in Woodlawn.  It also can be awarded the x-factor point for delivering an important topic packaged in a masterful epic.  The Erwin brothers have reached the pinnacle of their career, and there is no turning back now.  The Christian movie industry is at their fingertips, and BOR expects nothing less than the best.

 

Final Rating: 10 out of 10 points