Grace Wyatt felt like she had finally buried her past by becoming a successful professor of music. However, her husband’s untimely death sends her back into a spiral of addiction and bitterness. Once Grace is able to recover, she’s assigned to live as a volunteer at a house program for troubled teens. Though Grace initially clashes with the leadership decisions of the program, she eventually finds her niche helping the teens find their voices. Nonetheless, Grace has no idea that she still has to make peace with her past to move forward in life.
Production Quality (2.5 points)
As a whole, the production quality of Discarded Things is professional…at least it gets there eventually. In the beginning, there’s a driving soundtrack that doesn’t always fit the mood although the score is still intriguing. There are also some background sounds and sepia tone flashbacks. The editing is sometimes choppy, cutting off scenes for no good reason. However, all productions elements improved in the latter two-thirds of the film, offering good video quality and camera work. Also, sets, locations, and props are professional. The improvement is good enough to warrant a high score in this section.
Plot and Storyline Quality (1 point)
The creative team behind this screenplay really had a lot going for them as they demonstrated a strong understanding of how hidden church problems and childhood trauma can affect people for their entire lives. This narrative contains an excellent portrayal of fundamentalist legalism and its consequences, and this is done via a good application of flashbacks that provides believable reasoning for character motive. However, Discarded Things has a rare problem: it’s too short. The fact that so much content is squeezed into this movie creates various issues, such as too-obvious dialogue. The writers rushed through important sequences, using montages as a crutch and implying that substance abuse rehab is a really easy fix for people. Platitudes are also used to quickly solve problems. It’s very evident that too much is being covered in this linear plot with the limited amount of time that’s been allotted. There are many complex and interlocking storylines that we barely get time to explore, and this lack of development causes some otherwise meaningful events to occur without proper buildup, thus making them empty and meaningless. Though most of the conversations are good, the characters are under-developed, but their major potential can still be seen. There are obvious themes throughout the narrative that slightly tie everything together, but the conclusion of the film is quite cheesy. In the end, this section is a mixed bag that could have been so much more than this.
Acting Quality (2.5 points)
Despite a few moments of cast members over-acting and being a bit too dramatic, the acting is still very strong in Discarded Things. Karen Abercrombie appeared comfortable in her role, and Cameron Arnett is always a standout. This particular role for Cameron was perhaps his best to date. In the end, the acting is quite good, earning a great score.
This screenplay likely would have worked better as a series that blended what the protagonist learned from rehab with what she taught the teenagers. In this current form, this was too much content to cram into one movie, and this was a rare instance where we actually need to see more of these characters rather than less. We need to observe their journeys so that the payoffs don’t feel cheap due to lack of proper buildup. However, on the whole, some viewers will enjoy Discarded Things in its current state, and this film overall demonstrates huge potential for the future.
Final Rating: 6 out of 10 points