When Samuel Woodward and his family escape a cruel Virginia plantation one night, they are aided by Christians on the Underground Railroad. However, they are also pursued by cruel slave bounty hunters. When Samuel wants to give up on his faith because of what they are going through, his mother tells him the story of his great grandfather, who was a boy on board one of John Newton’s slave ships. The two lives parallel as they each face their own struggle for freedom and discover faith in God.
Production Quality (2.5 points)
With a hefty budget and cable television backing, Freedom had many positives going for it from the get go. For the most part, the money is well-spent, including great video quality, camera work, and audio quality. Obviously, the standout feature of this film is supposed to be its historical live soundtrack sung by the characters like a musical, but this is an area that needs some further refinement. There are also some lingering small issues in this production pertaining to some fake backgrounds and some slightly rushed editing, yet on the whole, this is a very respectable production that was helped by the money behind it. The one caveat to point out is that with this kind of money, Freedom *should* have been flawless and likely would have been in the right hands.
Plot and Storyline Quality (1 point)
Freedom is an attempt at a historical musical epic, and it succeeds on some fronts, even though it fails on other fronts. For one, there is a lot of unnecessary narration throughout that hurts natural character growth. Characters are also not helped out by the fact that there are so many of them. Also, the parallel subplots from two different historical time periods is an interesting touch, yet it is not handled very well as time tends to jump all around. The sheet amount of content that is being handled here may just be too much for one film, and the dialogue is not substantial enough for the epic style this movie is trying to adopt. However, this is a mostly realistic and touching story that has a lot of historical backing and interest. It is extremely important for more Christian movies to be made about history, especially the Underground Railroad. However, Timothy Chey makes a mistake in portraying most, if not all, the pro-slavery characters as atheists, which is not entirely accurate. Nonetheless, the second half of Freedom does show improvement, even if the better parts tend to be squeezed out by the wasted time at the beginning. In summary, Freedom is a good film, but it is frustrating to see the higher potential that it did not reach.
Acting Quality (2.5 points)
With professional cast members and fairly good coaching, Freedom had a successful acting run. Line delivery is on point, and emotions are effective, except for some minor moments of unnecessary drama. Also, the costuming is very authentic and historically accurate. There is some odd makeup work in some parts, but as a whole, this is a job well done.
As a side note, John Newton died almost 70 years before the hymn “It is Well” was ever written, so there’s no way his fiancée was able to sing it in church. Also, it’s also highly unlikely John Newton sang “Amazing Grace” at his own wedding since he wrote it almost 15 years after he got married. This isn’t the first time Timothy Chey has disregarded historical facts in his films, but his ambition to create a Christian historical epic\musical is noted, even if it is misguided in the beginning. Nonetheless, there are a lot of positive elements in this film, likely because Chey had assistance from other sources. However, there were definitely areas it could have been improved in, especially since this was a rare chance for a film with a Christian worldview to show that it was a great historical epic on a cable television channel apart from it being a Christian movie. There was so much going for this film, especially the budget, so it really should have achieved a higher rating. Even so, many audiences will still find enjoyment and meaning in it.
Final Rating: 6 out of 10 points